Showing posts with label Whatever Happened to Baby Jane. Show all posts
Showing posts with label Whatever Happened to Baby Jane. Show all posts

Friday, May 21, 2010

Kites and Whatever Happened to Busty Jane

Over at Towleroad I've reviewed the international Kites (2010) starring Bollywood giant Hrithik Roshan. Go there. I must say straight away that I feel totally gipped that Hrithik only danced once in a 130 minute movie. So here's a whole bunch of Hrithik shaking it (skip to 1.15 for his showy arrival).



♫ Work it. I need a glass of wataaahhh ♪

My double feature this week was weird / disorienting.

I also took in Jackie Beat's latest play Whatever Happened to Busty Jane? which is a totally offensive/hilarious riff on Whatever Happened to Baby Jane (1962) a movie y'all know I love. Bette Davis so shoulda won the Oscar that year. Oh wait... maybe not. I just remembered who actually did win. I'm good with that. So I reviewed Busty Jane, too.

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Nathaniel Trivia You Didn't Know: Jackie Beat was actually the first celebrity I ever interviewed way the hell back in 2000, one hundred years ago, just before The Film Experience launched. I sometimes think I imagined that weird life before The Film Experience. Did it really exist? Maybe I'll share that musty interview one day. We even talked Oscars.

Friday, October 30, 2009

Movies That Make Me Think of Halloween

Recycled Film Experience! I wrote some of this in advance -- years in advance in fact -- to free up time to enjoy this costume crazed holiday. I originally published this list in 2005, but I've tweaked it some. Plus, not all of you were around in 2005. Herewith, the top 12 movies that remind me of Halloween. It's a top ten list and it's not even Tuesday. I'm so generous.

12 The Batman franchise (1989-2008)
In 1997 I went out Halloween clubbing as the Uma version of Poison Ivy. Whenever you dress up as a movie character the year the movie comes out, you'll have competition. There was another Poison Ivy there but I buried her, I promise. I had the horns and all the details, see. It was the longest I ever spent getting ready for Halloween (which is saying something): glue guns, orange wigs, fake foliage, you name it. I don't try as hard anymore. Last year, there were hundreds of Ledger versions of The Joker. I suspect there will be this year, too. Group costumes are always my favorite so I love seeing whole groups as Batman and his rogues gallery.


11 Sleeping Beauty (1959)
It's all about Maleficent. She makes me think of this festively dark holiday because I always thought that, on the right person and with the right commitment, the perfect Maleficent costume would be unbeatable. I know you can buy mass produced versions but I've never seen anyone anywhere come close to approximating this sorceress' majesty, gorgeous evilness, or the correct color of her flawless skin. And even if the right Halloween reveller could nail this singular look, they couldn't morph into a fire breathing dragon anyway.

Maybe the only way to do right by Maleficent on Halloween is to ditch the witch costume halfway through the party and finish the night out as the dragon?

10 Velvet Goldmine (1998)
Sandy Powell's costumes are glam rock heaven. And, more universally, looks that go with music (glam rock, disco, goth) are always hits as costumes go.

09 Clue (1985)
I imagine you're scratching your head. That Tim Curry comedy from the 80s? That board game? Why, yes, my friends. I played the game all the time with my family growing up. I still play the game actually -- two weeks ago in fact. I saw the movie three times in the theater. Little remembered fact: The DVD features three 'what if' endings but in the theater there was only one. You had to try different theaters to see all the endings. Dutifully, I fell for the marketing ploy.


"Too make a long story short..." "TOO LATE!"

Much later in college one year, a Clue discussion erupted into party plans. There were six of us. We would dress as Clue for the party we were attending! I was Mr Green. [tangent: It was the first and the last time that I was ever seen w/ a moustache. Yuck]. The brilliance of dressing up with a group as Miss Scarlett, Mrs White, Mrs Peacock, Professor Plum, Colonel Mustard, and Mr Green (and a dead body if there's a seventh person) cannot be overstated. It's easy. It's creative (the movie characters are just one visual interpretration). It's not expensive. And, despite there being no definitive look to adhere to, people will recognize who all of you are, provided you stick together and especially if you bring the weapons.

08 Kill Bill (2003)
For the past several Halloweens I have had this fantasy of being Uma Thurman as The Bride. (What is it with me & Uma, come October 31st each year?) Long blond locks. An imitation Hattori Hanzo sword. A yellow jumpsuit. With blood stains. Friends as the remaining DVAS (Deadly Viper Assassination Squad) or the crazy 88s. They form my entourage and strut down the street with me. It's like one massive Sally Menke edited, Robert Richardson lensed, Quentin Tarantino directed dream sequence that's all about glorifying me. Me. Me. Me! (This fantasy has been brought to you by the holiday Halloween, my inner drag queen, and my tireless enthusiasm for self-aggrandizement. Just pretend that Halloween is my birthday. Go with it.)

07 Meet Me In St. Louis (1944)
Mainly because during its warm holiday-filled Americana it breaks for that lengthy somewhat atonal trick or treat segment. [more on that classic]

06 The Wizard of Oz (1939)
I'm thinking of I should make this movie exempt from all lists -- I talk about it too much.-- because it has so many advantages. This movie is so deeply enmeshed into the collective subconcious that one can, if inclined, connect it to all else. The more fascinating list to make would probably be along the lines of "Top Ten Things That Don't Make Me Think of The Wizard of Oz". It makes me think of everything: childhood, television, the cinema, Thanksgiving, Christmas, other 'friends of Dorothy', showtunes, midgets, shoes, Broadway, lions & tigers & bears, fantasy versus reality debates, beauty fascism, dreams, emeralds, short work days, hot air balloons... I could go on all day. I'll spare you.



But we're talking about Halloween. You'll see riffs on every one of its main characters this time of year. Silly spins (hirsute drag queens in Dorothy wigs), innocent enthusiasms (it makes a great family group costume), and every other imaginable interpretation. The second and better reason is the beautiful wickedness of The Wicked Witch of the West. Audience affection for this villain runs deep, but only on Halloween, the night when evil is good, does it seem appropriate to wish that Dorothy had never tossed that bucket of water her way. What a world... what a world.

05 The Crow (1994)
I've seen the mime face w/ black leather pants (easy, iconic) every year on the streets. But that's not why it reminds me of Halloween. There's also the creepy intertextual ghoulishness of a story about a dead man being played by a man who was killed on the set while filming the role (Brandon Lee, rest in peace). But that's not why it reminds me of Halloween. The Crow appears because I hail from Detroit, Michigan and so does this gruesome story.

If you'd have told me as a child that I'd have to explain "Devil's Night" (the night in which all The Crow's narrative mayhem occurs) to other people when I grew up I would have laughed at you with the easy myopia of childhood. 'Who doesn't know what Devil's Night is?' I would have scoffed. Apparently lots of people. Or so I discovered when I moved out west for college. When The Crow opened, I suddenly had an easy-to-cite cultural reference to explain the night of vandalism, arson, and general mischief that precedes Halloween. I thought everyone grew up tepeeing houses, egging cars, setting fires, and sneaking around their neighborhood on October 30th each and every year.

04 Whatever Happened to Baby Jane? (1962)
Which I talked about briefly in my Towleroad article this week

03 Halloween (1978)
Well, duh. Of course it would be on the list. True story: I saw it for the first time in 2004. I have this way of avoiding movies that I think will scare me. I only saw Silence of the Lambs a year after it opened because I had to (the Oscars you know) and I kept having nightmares about it. I figured, 'why the hell not? I'm already having nightmares!' The nightmares stopped once I saw it. It wasn't as scary as the nightmares. But Halloween is evilscary. The daylight scenes are even scary.

02 Bram Stoker's Dracula (1992)
Nothing says "Halloween" more than sunlight aversions and blood-lust. Of all vampire films, Francis Ford Coppola's elaborately bizarre, colorful, and passionate treatment of the vampire mythos is the one I hold most dear. It's not the "best", though. The most peculiar thing about this film and my love for it, is that I don't really think that much of it works. A good deal of the problems seems to be in the casting. The most interesting performance among the major characters (Sadie Frost as Lucy... previously discussed) has the least screen time. Keanu Reeves is wooden as Jonathan Harker, Gary Oldman lacks the sexual charisma that this romantic horror epic needs (though otherwise the performance works) and strangely, despite it being filmed during what were unarguably her peak years, Winona Ryder also flails about for the entire running time. She never was adept at period (nevermind those two Oscar nominations) but her star turn reads over the top rather than operatically passionate once the blood hits the wall. Still, despite many misgivings, the film is a spectacle in the best sense. You can't take your eyes off of it. Coppola's passion for le cinéma is evident throughout as he tries every conceivable camera trick in the book. His approach is a perfect fit for this grand guignol tale.

There's no trace of laziness in the movie (even the bad actors are trying hard), no fingerprints of the undead were involved in this film's making, only fully committed living and breathing artists attempting something awesome. For whatever reason, this particular Coppola film is never booked for repertory houses or even midnight screenings (though it would seem an ideal fit for both) . That's a shame because this epic was meant for big screens where the enormity of its oddness and those Oscar winning techs (costumes, makeup, visual effects) were properly showcased and able to cover for the clumsy bits.

01 The Nightmare Before Christmas (1993)
Who better to be considered the cinematic patron saint of Halloween than weird, wild-haired auteur Tim Burton? Maybe his films aren't what they once but it's hard to argue with that initial run encompassing Frankenweenie, Pee Wee's Big Adventure, Beetlejuice, Batman and Edward Scissorhands (1990). Other highlights like Ed Wood and Mars Attacks! (and Corpse Bride, Sleepy Hollow and Sweeney Todd if you're feeling generous) display a magical combo of the macabre and innocent, bound together with dark humor and visual invention. In other words, it's easy to love Tim Burton's movies for the exact same reasons that it's easy to enjoy Halloween.



The storyline of the frequently rereleased The Nightmare Before Christmas, which was actually directed by Coraline's Henry Selick (Burton produced and came up with the story), is actually or at least initially about a longing for Christmas. But from its hilarious and jokily gruesome opening number "This is Halloween" to its triumphant 'let's put on a show' reaffirmations of purpose at the end, this movie subverts all the yuletide love into an ode to Halloween as the supreme holiday for those with ghoulishly creative minds. That twist is this movie's grand trick and The Nightmare Before Christmas is still a treat.

I went pretty personal with the list. So let's hear yours: what movies most remind you of Halloween and why? And what are you dressing up as this year?
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Wednesday, January 28, 2009

How I Feel / How I Wish I Felt

...as told in perfect black and white by Miss Joan Crawford


I can barely move (no joke -- back is out. And no painkillers within reach). I'm ripe for mocking by Bette Davis. I hope your day is far more glamorous.

Talk amongst yourselves. How are you feeling today?
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Tuesday, October 07, 2008

Straight-Jacket Inspired Top Ten

This episode of Tuesday Top Ten is accidentally sponsored by Final Girl's Film Club

I'm a day late to this blog event but as a Crawford Fan (capital intended), my actressexual guilt forced me into caboose position here. I had to watch Straight Jacket all the way through and chime in even if I didn't really have the time.


Joan Crawford stars as Lucy Harbin, a woman who axed her philandering husband and his lover to death in a crime of passion. Cut to twenty years later and Lucy is released from the asylum and returns home to live with her now grown daughter (who had witnessed the murders). Is Lucy still insane? Hallucinations, mood swings, high speed knitting, dressing room breakdowns and attempts to seduce her daughter's fiance suggest that she's not exactly a picture of mental health. But is she still... (gasp) an axe murderer? Decapitated bodies start piling up.

Unsurprisingly, despite it's "bad movie we love" status, Crawford is terrific in the picture. But then she was always ahead of her material or, perhaps stated more accurately, ferociously committed to it no matter what it happened to be. It's this same steel and conviction that sometimes read as scary and stiff (and probably encouraged her mass dismissal later on once Mommie Dearest came around to mess with her legacy) It's also a key reason why she was so perfect for the surprise third (fourth?) act in her career in grotesques like Whatever Happened to Baby Jane? Berserk! and Straight Jacket. She was a crucial force in the decade-long run of the Grand Guignol horror film, a fad that gave plum opportunities to aging actresses if they were willing to let themselves go (emotionally and physically) onscreen.

I'd love to see this genre have a revival wouldn't you? But not with remakes! Why make another Baby Jane? for example. Part of the whole fun of this type of thing is seeing how inventively deranged a plot or a part can get. If you know the bloody situation and the feminine psychosis from other movies, where's the sick surprise and the (meat) hook?

10 Actresses Who Should Star in Grand Guignol Films

...minus Glenn Close, who's been playing gargoyles for years even without the excuse of genre. I also limited my selections to anybody 50 or under because you really have to have mileage on you. I'm intrigued by the idea of Jennifer Tilly in one of these type of pictures, with her ability to deliver a serious performance that also has stylized comic beats (see Bound) but she's still too young / young-seeming, even at 50.

10 Lesley Ann Warren (62) The way I see it the Grand Guignol is basically the Quentin Tarantino of curio genres, offering second chances to forgotten or dusty film stars. With the right director and screenplay, Warren --who often played girlish sexual women -- might curdle in interesting ways.

09 Cher (62) Admit it. You want to see her in a movie again. Bonus points if Eric Stoltz, Winona Ryder and Christina Ricci appear as her troubled, concerned or abusive brood.

08 Dianne Wiest (60) Because she can do anything superbly.

07 Ronee Blakley (63) Only because her meltdown in Nashville (1975) is one of the most honest, idiosyncratic and riveting implosions I've ever seen onscreen. She hasn't acted in 20 years and if this genre can resurrect people...

06 Kathleen Turner (54) provided she played it straighter than her Serial Mom triumph. Turner is a bawdy and game gal. With the right director...

05 Debra Winger (53) I adore the documentary Searching For Debra Winger in both real and satiric ways. Wouldn't it be a hoot to fictionalize it / horrorize (word!) it and send a troupe of unsuspecting actress sycophants to her creepy self-isolating mansion in wherever. What they find might be shocking. We all know that Winger excels at buried fury (think of all those sexy/angry 80s lead roles) and layered subtext-ridden detachment (Go see Rachel Getting Married now)

04 Jane Fonda (71) Her last Oscar nomination, 22 years ago with The Morning After (1986), was born from the mainstream thriller genre. Since then she's barely acted wasting her enormous dramatic gift. Wouldn't it be a thrill to see her dishevelled and masochistic again: They Shoot Horses, Don't They? Redux!

03 Sally Kirkland (67) She fought for and won a welcome Oscar nomination way back in 1987 when "campaigning" for awards wasn't as corporatized as it now is. The film was Anna a character study about a despairing actress past her prime. Kirkland is probably in on the red carpet joke that she's been selling/making of herself for years but it's sad that another role as good as "Anna" never materialized. That moment when she watches the celluloid melt remains one of my most vivid memories from my nascent days of cinephilia.

02 Piper Laurie (76) I'm just gonna say it: I thought she was a-w-f-u-l in Dead Girl (2006), whilst basically reprising her Carrie role. Still... 32 years after Carrie her monster mother with blood-curdlingly funny sexual/religious baggage is still an unequalled master class in wacko grand guignol. It begs to be reprised (with a twist) if the genre is ever reborn. I'd give her that second shot at sequelizing herself.



01 Sharon Stone (50) For my number one choice I'm breaking the age rule. Or am I? You just know Sharon started lying about her age when she was 20: Ambitious girls think ahead! Stone is exactly the kind of frozen-in-time movie queen that this genre likes to thaw in order to take an axe an ice pick to what remains.
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Wednesday, July 09, 2008

I've Written A Letter To Daddy Saying..."I Link You"

And Your Little Blog, Too enjoys Whatever Happened to Baby Jane all over again --with an audience. Bette Davis rocks that Grand Guignol, doesn't she?
Gallery of the Absurd reimagines our tabloid culture obsessing on scientists instead of celebrities. Hee
Defamer Eddie Murphy disses his own Meet Dave premiere --'this is why he lost the Oscar'
Spill Michael Bay's rejected Dark Knight script. Hee --the details
IFC Tilda Swinton is starting a film festival. I just read the description. I almost couldn't love her more than I already do but maybe...

Meanwhile in the 'sphere: Debates about Wanted rage on. The Guardian has a spirited defense and Lazy Eye Theater a genius take down.

I Watch Stuff examines the Nick and Norah poster for telltale signs of indie-quirk. Nobody seems to realize that this is coming from the director of Raising Victor Vargas which I have been championing 4evah. It might be great like his debut.
Bauer Griffin shared horrifying news: The My Big Fat Greek Wedding co-stars are back.
A Socialite's Life James "Damon" McAvoy in Details
Just Jared new Harry Potter and the Half Blood Prince pics. Still no reveal of Jim Broadbent though. Damn

Tuesday, April 01, 2008

Links (Plus Bette Davis)

Overheard at the Movie Theater
After the trailer to Nicolas Cage's latest action travesty Bangkok Dangerous ended...
Smart Guy Behind Me: It's like an SNL skit.
Smart Girl Beside Him: Seriously
Oh, yes... links
A Socialite's Life something is very wrong with Lara Flynn Boyle's face. And not in the way that something is wrong with Nicolas Cage's face.
Kenneth in the (212)
Cheyenne Jackson is on the cover of The Advocate. Mmmm, Cheyenne.
The Reeler rounds up the best of the New Directors/New Films series here in NY

Evening Class interviews the director of Sockets a new queer horror film hitting DVD that's got obvious Cronenberg influences
ScreenDaily talks to George Clooney about Leatherheads and Burn After Reading. I'm so happy that George is doing comedy. I think that's his true gift.
Moviehole Jason Biggs taking over as Spidey? Um...
This Distracted Globe on Blade Runner. I don't know what it is but every time I chance upon a review of Blade Runner I read it. I probably don't wanna know how many reviews of this movie I've read.

GreenCine Daily rounds up the blogs paying homage to Bette Davis as we approach her centennial (April 5th). You know. I think the first time you see a true star has a lot of impact on how you respond to their whole career. It took me a really long time to get over my early images of Bette Davis. When I was a wee kid you would sometimes see her on TV and she was this weird ancient chain-smoking lady... the first movie I saw her in was Return to Witch Mountain (1978) --I was really into those Witch Mountain movies. So when I started watching her movies, I went backwards. Whatever Happened to Baby Jane, All About Eve. But I'm still not as well versed in classic Davis as I should be and whenever I see something really old like Three on a Match or especially Jezebel or Now Voyager I'm just thrilled to be looking at her. Can't pry my eyes away. Must see more. Soon.

Monday, July 09, 2007

Bitch Fights @ Famousr

I promise not to keep posting about Famousr on account of: If you're interested, you've already been. But I wanted to share a few last stray thoughts on the fameocracy. Whilst whiling away the hours there (I swear I'm never going again) I decided it would be fun to pit people against each other that are paired in some way in the collective consciousness.

So I started with Bette & Joan. (Duh!) Their Hollywood feud was legendary but they're both awesome (Seriously: rent those old movies and be amazed)


Bette gets the last laugh as she always did. When they were both washed up it was Bette who grabbed the Oscar nomination for their mutual comeback in Whatever Happened To Baby Jane? She also had the best (most evil --same diff) quips like
You should never say bad things about the dead, you should only say good... Joan Crawford is dead. Good!
Don't you long for the days when stars who were ill behaved could actually make with the funny? It beats modern celebrity brawls any day of the week. Take that uninteresting blob of flesh. The best she could come up with to humiliate her hated enemy Lindsay Lohan? "She's poor!"

Not exactly Wildean.

Moving on... The beauty and the recluse, the prom queen and the weirdo. This fame level is hard to argue with but Ally Sheedy can console herself with that genius High Art (1998) performance. Molly Ringwald had her moments but she never hit any role as hard as that. Damn Ally! ROBBED of an Oscar nomination you were.


Glenn Close and Sigourney Weaver are not enemies (as far as I know) but in my head they're connected. They're 80s icon twins: larger than life Oscarless ballbusters. They're too tough for a complete Hollywood embrace yet they're not going to be ignored. Thus: Oscar nominations but no wins. You probably love them both. As well you should.

Close gives Weaver the beat down at Famousr but for some reason I think Weaver is going back to Oscar's red carpet first. Just a hunch.


Charlie's Angels. It really is unfair that Jaclyn Smith stayed with the Angels forever and Farrah, who gave it all of one season --give or take a few contractually forced guest appearances, is still more famous. Must'a been that swimsuit poster and the volatile personal life.

And finally, a sister act. I swear to you that I did not edit this image in photoshop. But I had to record this truly nutty database glitch [click to enlarge]

Monday, March 26, 2007

A Very Random Collection O' Links

The Republic of T wonders why author Terry MacMillan can't get her groove back. Terry, if you can't do it for yourself think of Angela Bassett. She could really use another lead role.
Stale Popcorn has a drinking game for Poseidon viewing.
Latino Review serves up an intriguing rumor on a Whatever Happened to Baby Jane inspired future film [src]
Just Jared on Golden Compass footage
Go Fug Yourself has words with Nicole Kidman's hair.
Solace in Cinema loves Sunshine. Will someone remind me again why this film got delayed all the way until December. Does Hollywood just hate me?

Friday, June 02, 2006

Feuding Couples and Gothic Sisters

Weekend Theater/DVD options:

In Multiplexes
The Break-Up Jennifer Aniston and Vince Vaughn spar under the direction of Peyton Reed. In case you missed my post about this, it's here. Aside from my fondness for Mr. Reed, I'm excited this movie is finally opening because that means that in only two or three weeks from now Jennifer Aniston will stop being on magazine covers every two seconds. Soooo sick of her. And to think she used to be my favorite Friend...


And I have to ask again. What happened to the major studios competitive spirits? Why do all these films get each weekend to themselves? Didn't use to be this way. Are Aniston & Vaughn that potent a draw that all other studios feared opening against them?

In Theaters: Limited Release (links go to trailers/sites)
Peaceful Warrior Gymnasts are hot. Even physically/spiritually damaged ones. Grizzly ol' Nick Nolte plays mentor again. Plus, this movie is a Film Experience sponsor (see sidebar) so what else you need? (Select Cities)
District B13 and Typhoon two very violent foreign actioners. (From Fance and Korea respectively)
50 Ways of Saying Fabulous New Zealand coming of age comedy (NYC).
Favela Rising Buzzy documentary on Rio de Janeiro slums and an activist movement using music and dance to combat violence.
And a whole slew of very indie product including: Woodenhead (NYC) The Conrad Boys (LA) and The Puffy Chair


New to DVD This Past Week
Freedomland Anyone with a Netflix or similar rent-all-you-want subscription knows that it opens up a whole new world of video watching. When you're paying a subscription fee you can watch whatever you want without guilt and never feel like you're wasting money. Which is a great incentive to watch bad things with good actors --like this one. Count how many things go wrong and how quickly about this production. You'll be amazed at its internal chaos. You'll realize why Samuel L Jackson never cries onscreen. You'll marvel at how Edie Falco can survive anything. You'll scratch your head wondering why Julianne Moore doesn't give her character any of the traits that she reveals skillfully in late film monologues... Did they write this one as they filmed? Did she not read the scenes before she had to perform them?

Whatever Happened to Baby Jane It's a two disc special edition that we MUST all watch. Why? The commentary track is from two of the most brilliant queer performers of our time Lypsinka and Charles Busch. That sound is the sound of my queer self exploding. For more Baby Jane love you can read this Halloween post or watch my "She's a Bitch" video (if you haven't already seen it a hunnert times)

Wednesday, April 05, 2006

Simply the Bette

Had she miraculously lived through breast cancer, that haze of smoke constantly surrounding Bette Davis would've taken her. But not without a fight! The sharp-tongued screen legend woulda been 98 long years old today *wipes away tear* So if you still haven't kicked the habit, light a cigarette today in her honor. Better yet, curl up with one of her movies.

Previous Bette-centric posts:
"She's a Bitch @ The Movies" video compilation
Whatever Happened to Baby Jane? Halloween

Thursday, October 27, 2005

Halloween Countdown...09

Top Ten Movies That Make Me Think of Halloween continued...
09. Whatever Happened to Baby Jane?(1962)
I think I have seen drag queens doing Bette Davis and Joan Crawford as Baby Jane and Blanche Hudson in nearly every Halloween party or parade I've attended. And why not? It's always good for a hearty familiar chuckle. Whatever Happened To Baby Jane? is one of the great smorgasbord movies: a grand sick-making feast with equal parts horror, comedy, melodrama, psychological profiling, and meta Hollywood-on-Hollywood sado-masochism. Both stars were superb as looney washed up actresses, cooped up for decades in their shadowy two-story home. And you have to hand it to the ever-gutsy Bette Davis, one of the bravest, most relentless movie stars there ever was. She chews on the antique furniture as if her career depended on it... and it did back in 1962. Her signature Baby Jane ditty "I've Written a Letter to Daddy" is one of the scariest things you'll ever see or hear onscreen. Scary, I mean to say, in the giggle while you gulp sort of way. In other words: 100% perfect for the scary but all-in-good-fun thrills of Halloween.