Streep and Roberts for "August: Osage County"

The news, which isn't actual news yet so much as 'in talks' talking-points (the bulk of online movie articles), is this: Meryl Streep and Julia Roberts will take the plum Oscar bait roles of the pill-popping abusive matriarch Violet and eldest control-freak daughter Barbara in August: Osage County. The new (to feature directing) John Wells will sit in the director's chair instead of Mike Nichols as previously rumored.  It seems quite risky to give a project this complex and fraught with ways in which it could go wrong to a newbie but maybe his debut film (The Company Men) is unexpectedly rich?

 One of the most popular posts in the history of The Film Experience was our discussion of the casting of this genius actress-heavy play. It's THE stage-to-screen project to watch for any actressexual out there since the cast that matters is all female and the roles, to a one, are juicy with extra pulp. (The supporting female roles could put Oscars on shelves, too.)This news, if it does become actual news, is a weird sort of exciting/disappointing.

As many of you have gleaned I am something of an über Streep fan but I think she's wrong for this part. Streep has a glorious earthy warmth as a performer and Violet needs the opposite. Streep's most successful "cold" performances were in A Cry in the Dark (which came during the amazing chameleon years) and The Devil Wears Prada (see previous post) which came during her comedic ascendance. To do justice to Violet, she'd need to be as good as she was in both pictures... simultaneously. And sometimes when Streep goes cold (Doubt, The Manchurian Candidate) she pushes too much. Violet is more complicated than either the Prada or Cry roles and requires both jagged comic steel and dormant volcanic drama ... and both need to be channelled through a druggy fog for the entire film. In short: it's an A+ dream role, better than many whole Best Actress rosters combined.

I like Julia Roberts.

If Julia works as hard for August as she did for Erin Brockovich or Closer than she might absolutely nail the role of exhausted controlling Barbara. But how often does Julia work as hard as she does in those two movies? When you're a massive star with more innate charisma than most performers can muster over the entirety of a career, coasting is an ever present danger. If she coasts at all, you'll lose the electricity of the play. The play just crackles with the stuff. Any loss of that and you could have a disaster on your hands.

Streep is such a consummate performer that, whether miscast or not, many people will demand she win a third Oscar because she will be so spectacularly watchable in the end. Even if it's not quite what the movie needs. (We'll see. I can't say how badly I hope to be wrong.)

I watched the 3 hour play from the edge of my seat and loved-loved-loved. I will anxiously await the movie. But both casting decisions feel like the kind anyone could and would make without actually knowing anything about the play, the roles, the tone or what kind of movie it would need to be to be a great one. It reeks of corporate laziness. They are rather inarguably the most famous senior citizen actress and the most famous middle age actress; "STREEP | ROBERTS" will look great on a marquee. But it's sad to cast source material this magnificent with no regard for the actual source material, and all eyes towards some imaginary marquee.

Movies should come first, not their ad campaigns.
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Long Winded Link

Steve on Broadway Australian readers take note: The original cast of AUGUST: OSAGE COUNTY is heading to Sydney in August for one last go at the roles they've perfected over the years. Don't miss it.

The Cost of Going to the Movies This is an interesting chart on moviegoing vs. home theater costs. There's an agenda as this is a business site but it's still interesting. I find myself siding with stay home options so much lately from a moral perspective which is so sad because I think the in theater experience is so magical. But like Broadway and the music industry, corporations are all too willing to gouge their audiences price-wise until the audience dwindles. Nobody ever thinks longterm.

Serious Film treats the IMDB Top 250 list very seriously indeed. This rundown has a lot of interesting anecdotes but I just can't stomach looking at it (the list, not this article). I have no time for any list that preferences anything with a super power in it over anything with an actress in the lead role. Plus a list of 250 films which has rooms for films as mediocre as Big Fish and Kick-Ass but no room for anything by Altman, Surges, Sirk or Almodovar? I mean, get real or, rather, FAIL in the popular vernacular. It should be called "IMDB's Subsection of A Certain Type of Hetero Males With Extremely Limited Palettes Between 15-30 Years of Age Top 250." That's a little unwieldy but this list needs a subtitle before it needs anything else. Just for you know the sanity of anyone who chances to look upon it.

Margot Channing. She's sour for good reason

For the record the only movies that are about a female protagonist number 15 of 250 or, 6% of the 'greats'. They are #45 Amélie, #54 Aliens, #55 Spirited Away, #69 Pan's Labyrinth, #88 All About Eve, #96 Rebecca, #121 The Wizard of Oz, #134 Kill Bill Vol 1, #157 Gone With the Wind, #180 Diabolique, #198 Rosemary's Baby, #203 A Streetcar Named Desire, #206 Kill Bill Vol 2, #231 Changeling, #239 Mulholland Dr. (give or take a handful more where you can argue it's actually about a man even though the woman is remembered as the lead -- Fargo, Silence of the Lambs, Double Indemnity, Psycho, Annie Hall, Sunset Blvd). So according to IMDB voters, movies about women are almost never worthy of attention but Changeling is one of the best ever made! 'Screw Mildred Pierce, Joan of Arc, Sally Bowles and the lot of them! Girls. Who needs 'em!?!'

Queerty By now I assume you've read that Warren Beatty and Annette Bening's eldest daughter Kathlyn is rumored to be transgendered and wants to transition to being their son Stephen. I figured I should mention it given TFE's frequent love for the Bening/Beattys. But since no official statement has been released by the family, we figure they deserve more privacy in this matter than they're getting and that's all we have to say.

Vulture Star Market: What is Megan Fox worth? Okay end of long-winded 'click here' comments. I have nothing to say about this other than that it's kind of interesting.

Meanwhile in Russia...


The Moscow Times has details on the Moscow Film Festival which will close with Luc Besson's latest The Extraordinary Adventures of Adele Blanc Sec (pictured above) starring Louise Bourgoin. I heard from a reader yesterday that the costumes by Olivier Béirot are something and might catch Oscar's eye if it gets an stateside release. Here's a few clips from the film. Another hot ticket will be the explicit Cannes-shunned Emmanuelle Béart film, It Begins With The End. The festival director isn't shy about his love for her...

We welcome it to Moscow with open arms. Emmanuelle Béart is my favorite actress, and she is doing all these indecencies with her husband, and I enjoyed it a lot.

Hey, just let it all hang out. Why be shy about loving an actress? Particularly one as jolie as Béart.

Any readers follow Russian cinema? What film do you think they'll submit this year for the Oscars given the poor reception of Burnt By the Sun 2 thus far?

March: Linkage County

Oscar Time
And the Winner Is... Jews for Basterds. Interesting tiny story from the final days of voting.
Nick's Flick Picks "Best Actress Project 2009" astute writeups on this year's Oscar contenders.
Movies And... "10 Things I Want to See on Oscar Night"
Hollywood Elsewhere Will Anne Hathaway be in it to win it in the next Best Actress race?

Off Oscar (yes, other things exist)
ModFab The August: Osage County screenplay is complete. Still no word on casting but it won't be the original stage cast.
John August on not writing the new Alice in Wonderland. Interesting piece on the gestation of screenplays

Late to the Comment Party? No Biggie

Some of you may have noticed that any articles that have slipped off the front page now have moderated comments. I was forced to do this by huge waves of spam hitting my blog -- it's getting worse all the time actually, dozens of spam comments to be weeded out every day. But I'm delighted that people still comment on older articles. Two recent comments I wanted to draw attention to:

anonymous (sign your names people, it takes all of 1.5 seconds) on the casting of the August: Osage County movie

You know Doris Day has been itching to come back to do a film....and what a way of coming back to movies...also Im surprised no one has mentioned Beth Grant (from Sordid Lives) or even Delta Burke

I can't imagine that Doris Day wants to work again. A Doris Day return would be an event regardless of the vehicle. Her last feature film With Six You Get Eggroll was released 41 years ago. After that she did five years of her own TV show and then retired at 51. She's 87 years old now. That's not exactly young but if Estelle Parsons can travel the country doing a 3 hour play twice a day at the age of 82... maybe there's a lot of elderly actresses still spry enough for a good movie role, should any screenwriters bother to write them. Still, I worry when actors retire. 'If you rest, you rust' and all of that. But wouldn't it be fun to see Doris Day one more time on the big screen? Especially in a comedy.

janelia commented on the Precious review, and I'm glad she did

I am all for Meryl winning Best Actress. I have now watched Meryl, Carey and Gabourey and I honestly think Meryl gave the best performance of these three. Sure, it was a lightweight movie, but that doesn't mean Meryl's performance is lightweight. I remember a youtube video from way back when showing clips of Oscar winning actresses that all had crying scenes and people wondered if an actress could win without a dramatic screaming and crying scene. I think one can make the argument that it takes more effort to win over an audience without the sympathy factor. We always lament the crowning of Oscar bait roles, but then we complain when there is a contender that isnt the typical Oscar type?

She makes a great point. This is totally and always the case when a "lighter" performance gets recognized in any way. So Oscar is damned if they do and damned if they don't. We have to get beyond our hangups about tears equalling great acting, in order to see that each character makes different demands of the actor playing them. I don't personally think the Julia Child performance is the best of the year but it is super fun and besides, preferences and predictions are different things. Curiously, literally every Oscar pundit I've talked to online or in person thinks I'm crazy in my firm suspicion that Meryl Streep will win this year. I guess I'll either have the last laugh or I'll look, well, crazy. Either way is fine; you have to call it like you see it and give yourself plenty of rope to hang or else it's no fun to swing.
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Birthday Suit (With Bright Yellow Trench)

Today is the 109th anniversary of one Chester Gould the creator of Dick Tracy. Every time Dick Tracy (1990) comes up, I think "you should watch that movie again!" but I never do. I think I'm still mad that Warren Beatty kept cutting away from Madonna's "More" performance... which should've easily been one of the best movie musical numbers of the 90s (sigh). Otherwise I quite like the movie

Trivia Alert! Dick Tracy is one of Oscar's two favorite comic book movies along with The Dark Knight (2008). Their Oscar track was very similar. Dick Tracy had 7 nominations and 3 wins. The Dark Knight had 8 nominations and 2 wins and in mostly the same categories, too.

• Supporting Actor (both, and the only two comic book performances ever nominated*: Al Pacino and Heath Ledger, winner)
  
• Cinematography (both)
  
• Art Direction (both)
  
• Costume Design (Dick Tracy only)
  
• Sound (both)
• Sound Editing (The Dark Knight only, winner)
  
• Original Song (Dick Tracy only, winner)
  
• Make-Up (both, Dick Tracy winner)
• Visual Effects (The Dark Knight only)

Why was there no sequel to 1990's primary-colored hit? Aside from Beatty's periodic Brigadoon-like vanishing it's because the rights are all tied up in legalese. Boo hoo.

Other birthdays for 11/20
1915 Kon Ichikawa, Japanese film director of Oscar nominee The Burmese Harp (1958) and Golden Globe winner Kagi (1959)
1925 Robert F Kennedy, assassinated hero and frequent movie character. I've still never seen Bobby (2006) though, have you?
1927 Estelle Parsons, Oscar winning actress (Bonnie & Clyde). She's still on the road with August: Osage County -- she's in Connecticut right this very second (5 more shows over the next 3 days. Hurry!), DC next month and hits the southwest in January and the midwest in February. I hope you bought your tickets because the show is so worth it. Our post about the casting of the movie is the 2nd most commented on this year (106 comments!). Everybody's got an opinion.
1928 Aleksey Batalov star of Cannes Winner The Cranes Are Flying (1957) -- rent it immediately if you haven't seen it, it's one of the best romantic war dramas ever -- and Oscar winner Moscow Does Not Believe in Tears (1980).
1936 Don DeLillo, amazing novelist

1956 Bo Derek 80s icon, famous in swimsuit for "10", infamous in birthday suit for Tarzan the Ape Man and Bolero (right)
1959 Sean Young 80s actress, wildcard. Best remembered in pop culture as the desperate creature who wandered around in a catsuit trying to convince Tim Burton to cast her in Batman Returns. What's less remembered, unfortunately for Young, is that Burton had actually cast her... as Vicki Vale for the first film before an injury sidelined her and Kim Basinger got the part. Even less remembered and also to Young's credit: she definitely had screen presence. See: Blade Runner and No Way Out for proof.
1989 Cody Linley of Hannah Montana and Dancing with the Stars fame, busy creating a filmography composed entirely of ridiculous character names: "Spit McGee", "Mullet Fingers", "Brownie" and "Tough Boy"



* I may be wrong there. It depends on how you define 'comic-book performances'. More in the comments

Sissy

I had no idea how many of you were fans but in the long running comments (almost to 100) on that August: Osage County casting post she seems to be a favorite for Violet. So here's to Sissy getting another role that's worthy of her sometime soon. It's been eight years since the last one.

next week: I'll try to touch on Death Becomes Her (1992), Grey Gardens (2009), I Love You Beth Cooper, Brüno, a little more on Chéri, Schindler's List (1993), Harry Potter and the Half Blood Prince, The River Wild (1994) and The Hurt Locker.

August: Osage County (The Movie)

CAST THIS!

But before the movie... the tour! It starts in just under three weeks in Denver. I'm not getting paid for this but I'm going to shill because live theater needs to be promoted. It's so much cooler than TV ... even if Corporate America can't profit off of it as much (finite audience = number of seats in house) and thus makes it seem uncool by ignoring it or dismissing it as irrelevant.

Oscar winner Estelle Parsons, 81, headlines the August tour

And given that THE MOVIE -- all caps because if it's any good it'll be BIG -- is going to be the subject of much discussion whenever it begins to film and especially once it's in theaters, you'll want to be in the know early on. Even if you're not normally a theater person. If you haven't been following theatrical buzz and awardage these past couple of years, it's the latest from Tracy Letts who also wrote the incredible Bug which was made into a movie that a lot of people misunderstood or outright hated but I assure you that the play itself was phenomenal. They're much different beasts anyhow: Bug was taut, claustrophobic and tiny where August is messy (in the good sense), sprawling and very populated. It's a darkly funny drama about a family in crisis in Oklahoma. The father has disappeared and the daughters rush back home to deal with their abandoned and impossibly difficult pill popping mother. At three hours or so in length it's far more complicated than that but it's a great night out at the theater: funny, involving, memorable, dramatic. In short: if you're near it, get tickets. They're on sale now.

July: Denver August: San Francisco September: LA October: Portland and Seattle November: Toronto and Hartford December: DC January: Tempe, Dallas, Tulsa Feb: Chicago, Michigan, Iowa. It's also in Melbourne and then Sydney, Australia

<-- Parsons on the set of Rachel, Rachel with director Paul Newman

This will also give you the rare chance to see an Oscar winner live on stage. I stupidly missed Estelle Parsons here in NYC when she was playing Violet (one of the two lead roles, a combative mother and daughter) so I'm considering catching the show again in DC or Michigan if I can figures out the $. I always enjoyed Parsons as a comic foil on Roseanne and I love her work as the lesbian friend of Joanne Woodard in Rachel, Rachel (they were both nominated). That's such a fine underseen film so, rent it. Parsons won the Oscar as "Blanche" in Bonnie & Clyde (1967).

But back to August: Osage County
If you're game now, let's think up a dream cast.
Here are the main roles, in descending order of their "screen time" and the age according to the text (though obviously Hollywood will practice some creative license there)

Leads
Violet -Pill popping drug-addled matriarch, fond of devouring her young and filled with rage about her miserable childhood. She's also funny (65). Deanna Dunagan, left, originated the role on stage.
Barbara - Violet's eldest daughter, a college professor. Exhausted but controlling. Her marriage is failing (46)

Major Supporting Roles
Ivy -Violet's middle daughter who has never left home. A secretive plain jane type (44)
Karen -Violet's youngest. Flighty, willfully naive and eager to be loved. Newly engaged (40)
Bill -Barbara's husband, also a professor. He's left her for a student but comes back to Oklahoma with her to deal with the family crisis (49)
Jean -Barbara's daughter. A sexually precocious pot smoking vegetarian (14)
Mattie Fae -Violet's sister. Loud, flamboyant, nervous. Also fond of devouring her young (57)

Minor supporting characters
Charles -Mattie's husband. Calm, good natured (60)
Little Charles -Mattie's son, largely regarded as a shy loser (37)
Beverly -Violet's husband, a pontificating poetry-loving alcoholic. He disappears in the first act, setting the plot in motion (69)
Steve - Karen's insensitive businessman fiancé (50)
Johnna -empathetic Native American housekeeper and cook (26)
Sheriff Deon -Barbara's ex-boyfriend, on the search for Beverly (47)

The two lead roles and at least one of the supporting parts (Mattie Fae) are complete Oscar Bait roles: high drama, sneaky comedy, southern accents, total theatrical fireworks. The nearest film equivalent I can think of is Terms of Endearment but this is darker and more vicious, though also quite funny. And Violet is closer to Annette Bening's character in Running With Scissors in terms of how nightmarish she is as a druggy mother than to Shirley Maclaine's Aurora.


Working actresses in the right age range for the three daughters are too numerous to mention here but every actress in her late 30s to early young-looking 50s would be wise to already be prepping and campaigning for either Barbara, Ivy or Karen (or even Mattie Fae). Acclaimed juicy prestige material like this with so many roles for smart talented women doesn't come along regularly.

Though it's been assumed that Mike Nichols will direct and that Meryl Streep's talent and box office pull will win her the "Violet" role nothing is yet set in stone. The road from announcement to contract signing to pre-production can be quite volatile and with the Weinstein Co involved who the hell knows...

Other actresses in vaguely the right age range for the Violet or Mattie Fae parts (i.e. mid50s to mid70s) include: Judy Davis, Glenn Close, Kathleen Turner, Kathy Bates, Anjelica Huston, Dianne Wiest, Susan Sarandon, Sissy Spacek, Melinda Dillon, Diane Ladd, Jane Fonda among many others. It's an ideal movie for getting underused actresses back in play.


Is this all overwhelming to read? It was to type.

Some people have gone either further than me, like Walter Hollman (who you'll know from frequent comments right here) who has casting suggestions for every role.

I hope the lucky casting director takes this as seriously as one might take brain surgery. It's important! There are so many options. You could go real life mother/daughter (Diane Ladd & Laura Dern) you could experiment with co-stars with proven chemistry reuniting (Thelma & Louise as Violet & Mattie Fae?). You could use math multiplied by Oscar fever to try and create the single most nominated cast in the history of motion pictures. Whether or not you've seen the play, cast away in the comments. Would you cast by pure talent, family resemblance or gut instinct?

I can't remember who suggested it to me but the idea of Kathleen Turner in the Mattie Fae role fills me with utter delight. So let's start there. Comment away!

Linking Center

This is cute but will surely offend the psychotically patriotic from any given country. Literal translations of flags from Pop Hangover.

Ah Grease, the great unifier. Everyone has seen it. I'm so glad there hasn't been a Grease 3 or a Grease Reborn... yet. I know they've threatened us with remakes in the past. Why bother? Shan't ever top Olivia + Travolta + Channing's "Rizzo". Sigh

Here's a possibly worthwhile event at Lincoln Center in July should you be in NYC. It's a movie discussion with multiple Oscar nominee Sidney Lumet (Network, The Verdict, Before the Devil Knows You're Dead) and his daughter screenwriter Jenny Lumet (Rachel Getting Married).

More Linkage
In Contention Alexander Payne to guest direct Telluride
Variety strike most of what I said in that last 'Sean Penn is so busy' post. He's pulling out of projects now, citing personal reasons... one suspects it's the continually off-again/on-again situation with the Mrs.
Getty Images Trend alert: snake charming on the red carpet
Topless Robot "The Greatest Megan Fox Pic of Our Times" pretty funny paparazzi shot. Tangent: I've never noticed that stupid Marilyn Monroe tat' that Megan sports on her right arm. Yeah, I guess I haven't been staring that closely. It's hard to miss.
Hobo Trashcan Aaron Davis on the polarization of Tarantino perceptions

♫ I'm in the mood for love

Underwire Do we have any Pittsburgh readers in the house? If so, this new permanent exhibit roboworld looks worthwhile. Go. Return and report. P.S. 'tis only a shame that there's not a working replica of Gigolo Joe for purchase.
Hot Blog attacks Anne Thompson's summer box office lessons. I can't say I "enjoy" David Poland's habitual attacks on other film journos but he definitely makes good points in this article
Everything I know... you've got less than two weeks to see August: Osage County on Broadway if you haven't already. More on this play that's becoming a movie next month before the national tour begins.

Streep Tweets & Henry Wolfe

I know you Meryl Streep fanatics out there are getting tired of waiting for the "Streep at 60" pieces. I can only move at the speed at which I can move. My ideas are always larger than what can be shoved into my viewing/writing schedule. The retrospective is not going to end right on her birthday (June 22nd) so just enjoy as it comes. While you wait -- I'm working on the 1979-1981 movies at the moment -- please enjoy highlights from the past 48 hours of Streep related tweeting... stweeping? One of my favorite things to do on Twitter is just look up a phrase or name and see what complete strangers are saying about that topic. It's so random, weird and amusing ... so long as you can edit out the dull parts, which I've done for you!

I'll kick things off by stating the very very obvious.


My favorite tweet from that batch above is from sinistergiraffe, partially because I imagine Glenn Close has the exact opposite take on the actressing situation as is.

For the record, Don Cumming's A Good Smoke (today's reading) is about a mom (guess who?) who quits all her medication cold turkey and goes into severe drug withdrawal in a desperate ploy to wrestle back her family's attention. Gee... a narcissistic drug addled mom tormenting her daughter? I guess Meryl is already rehearsing for August: Osage County : The Movie !



Oh and here's the performance Meryl was watching yesterday in Williamsburg via L Magazine. That's her son Henry Wolfe strumming and singing. Beautiful song.
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TONY Live Blogging

Why live-blog? It's the only way I might get through it. Because...

8:01 In the very first minutes, we get a performance from The Lion King. Now, I don't have anything against this particular show --other than that it started the horrid wave of Disney thinking all their animated films should become stage musicals and we all see the dark places that's taken the American theater and... OK maybe I do have something against this show. But here's the point. It's like, old. TONY should be celebrating the "now" rather than admitting that the theater is dead. Lie, people, lie. Your livelihoods depend on it.

8:05 Whoopi is hosting.

8:08 Rondi Reed wins Best Featured Actress (i.e. "supporting") for August: Osage County. It's going to sweep. She beat Laurie Metcalf, who America will know as second banana "Jackie" from endless seasons on Roseanne and Martha Plimpton, who is quite a theater fixture in New York but is also beloved by most folks who have a thing for 80s movies and early River Phoenix... i.e. people in their 30s.

8:12 CryBaby. This performance is a disaster --it's all over the place --but my friend, who has a thing for dark haired pale men, just melted into a puddle since the entire troupe of dancing jailbirds seems to have been cast to look just like the lead guy who has been styled to look like Johnny Depp from the 1990 John Waters film. Not that you can be styled to be Johnny Depp. There can be only one.

he's the king

8:22 THE LOVELY LAURA LINNEY! She's only presenting (somehow she defied the gods of awards shows by not being nominated for playing the Marquise de Merteuil in Les Liaisons Dangereuses). But for me her appearance is the first true musical number of the night. "why do birds suddenly appear... any time she is near" The supporting actor award goes to Jim Norton for The Seafarer. Raul Esparza gets snubbed every year. I hate the TONYs. Maybe they'll give him more to do guest starring on Pushing Daisies in the fall. Oh, you know you want his salesman back in the Pie Hole romancing Kristin Chenowith.

8:26 Passing Strange. That number did nothing for me.

8:37 John Lithgow. Usually at some point while looking him I remember that he was briefly threatening to be a regular Oscar fixture. But then it turns out to be just a two-in-a-row deal (World According to Garp and Terms of Endearment) and then he became a TV star and weirdly he still seems to be doing that character from that show about the aliens all the time as himself now. Was it always there? Best Direction of a Musical went to South Pacific (the revival).

8:41 Patti Lupone doing the famous 1st act closing number "Everything's Coming Up Roses" from Gypsy. Is Gypsy to musical actresses what Hamlet is to stage actors? Seems to be. I liked that number well enough but I have seen Gypsy too many times. How do they fill the theater every 3 years when a new revival opens?

8:52 They just shared a bunch of awards that happened off-broadcast. I hate that part. I live in fear that the Oscars will eventually do that. Gives me award-junkie chills.

8:57 A rapped Latino acceptance speech for best score. I think that might be a first for TONY. Very cute. Loved the Sondheim shout out.

Sondheim I made a hat. Where there wasn't a hat. And a Latin one at that!

8:59 South Pacific. Another stage to movie back to stage affair. It's a medley. They start with "There is Nothing Like a Dame" which always cracks me up. Because it's never...butch. Although that was definitely butcher than the last version (that stiff Glenn Close TV version some years back). Now it's the Kelli O'Hara show. I wish I loved her because she keeps getting plum roles. Her voice is gorgeous but as a star... I can never quite bow down. She's just not an "it" girl for me, you know. These things can't be manufactured or rehearsed or willed. They either happen between performer and audience member or they don't. Sigh.

9:02 As we cut to commercial they showed Daniel 'Harry Potter' Radcliffe. Think he's trying to win friends and influence people early to prep for a Lead Actor TONY nomination next summer for Equus? Did that sound cynical? Oh you know they plan these strategies early...

9:08 Whoopi descended from the ceiling dressed as Mary Poppins. "I can watch your children" Hee. Segueway to Kristin Chenowith. [love!] This is Featured Actress in a Musical. And the TONY goes to... Laura Benanti as Gypsy Rose Lee. She's wearing Nicole Kidman's Oscar dress from March 2003 only this time it's glittery and red (see for yourself, pictured left). She is so happy. But take it from me who goes to theater and who has been to a few of her shows. The reputation is earned. By which I mean: her understudies go on... a lot.

9:13 A performance from Grease. Everything (very) old is new again... on Broadway. Zzzz

9:24 I almost fell asleep (still sick. This damn sore throat is not letting up) during commercials but then I got a little e-mail compliment on my work from a writer/director who actually guided one of my favorite actresses to an Oscar nomination. That woke me right up. What a surprise. Boyd Gaines just won (his fourth win! Watch out Audra McDonald) for Gypsy. The show is two for two now acting-wise. Guess Patti's got her next TONY in the bag.

9:27 We're getting a little medley of the musicals that didn't get nominated this year. Hmmm. I thought the punishment was that they didn't get to hawk their show on this show?

9:40 Oooh, clips (and sets!) for the Original Plays. August: Osage County will win. First it wins Best Director.

9:53 Mary Louise Parker. MLP!!! We love her so much. We loved her before Weeds. And now there's even more to love. Best Leading Actor in a Play goes to Mark Rylance in Boeing Boeing. We've heard from multiple sources that that win is deserved and that he's side-splittingly funny in it. If you're asking "who?" just know that he's amazing and totally sexy to me (What? Shut up!) and he's often naked onscreen including in the devastating Intimacy (2001, my review) and Angels & Insects (1995). I didn't understand that acceptance speech at all.

10:00 Deanna Duagan wins best actress. She's the pill-popping mom in August: Osage County. As soon as they decide to make it in a movie, there will be a war among all your favorite actresses 'of a certain age' to get it. That is, if Streep doesn't want it. You know Hollywood always gives Meryl first dibs.

10:04 a number from the new musical In the Heights. Strong number. The show is already a hit and this performance will only sell more tickets.

10:12 Harry Potter and the teacher from The History Boys (both are in Equus) presented Best Play to August: Osage County. Tracy Letts accepts. Takes some (deserved) potshots at both television and Broadway. I love him. He also wrote Bug.

10:15 Before I moved to NYC I was one of those guys who watched the TONY Awards every year and dreamed about seeing things that I never got to see. Before I ever saw a Broadway show I loved Mandy Patinkin wildly. So I was never one of those people who was like "isn't that Inigo Montoya?" So for me it's always a joy to see him... although his beard freaks me out. He is accepting a Lifetime Achievement for Sondheim. Nice proxy speech. And now a number from Sunday in the Park with George. Such a brilliant show and this was a strong production. The music.... ah, so pretty.

10:28 Best Revival goes to South Pacific. Glenn Close presenting was kinda telling/tacky since she played Mitzi on TV.

10:33 Lily Tomlin struts out all seductively and says that that was her tribute to Marisa Tomei. I don't get it. But Marisa (my current movie girlfriend) is shown laughing so all is right with the world. Or maybe I'm happy because Lily is introducing the "out of their minds cast of Xanadu" OMG. Cheyenne Jackson. Swoon. Hollywood is so missing out on him. He could so easily be the first big out gay movie star. So talented, handsome, manly, tall, memorable, everything. Gah! But the real star of Xanadu is of course Kerry Butler who is laugh out loud funny throughout playing Olivia Newton John playing a Greek muse playing "Kira". High-larious. Watching her hobble around during the "Don't Walk Away" number on one skate is so funny. I know the whole thing is silliness but I deeply appreciate silliness and that bit of slapstick generously reminds one of Katharine Hepburn's great screwball moment

I was born on the side of a hill

When I laugh I forget that I feel like hell. I have now lost track of the show because I keep rewinding and rewatching the Xanadu number.

Olivia Newton-John with the cast of Xanadu: Kerry Butler, Cheyenne Jackson
and Tony Roberts (not from the TONY broadcast unfortunately)

10:something Rent anniversary. Wheeee. Anthony Rapp --still so adorable. I used to always end up at the same shows as him Off Broadway. It was uncanny AND... true story: that first crazy screening of Moulin Rouge! that I went to at Ziegfeld in New York? He was also there... just a few people away in line. The original cast is lined up which I think might mean that they're going to sing 525,600 minutes. Yep. Taye Diggs & Idina Menzel met on Rent of course and they're such a handsome married couple. This'll be on YouTube in seconds I'm sure.

10:something LIZA! She needs a big font, don'cha know. The Best Leading Actor Musical goes to Paolo Szot as Emil in South Pacific (pictured, right). I guess I need to see this show. Damn he's handsome. I'm really gaying out with this live-blogging today. Cheyenne, Anthony, Mark, Paolo... but it's the TONYs so what did you expect?

10:something David Hyde Pierce is here to present a trophy to Patti Lupone... I mean to announce the Leading Actress in a Musical. I only saw Jenna Russell in Sunday in the Park and Kerry in Xanadu and both were deserving. She says she's using an old speech and just changing the names. The TONYs are in some ways like an unholy but classier version of the EMMYs: i.e. some people win over and over again. Other people are strangely passed over regularly despite many honors and big careers. She hasn't won in 29 years. Jesus.

i'm just fastforwarding now Oooh, final award. Best Musical goes to In the Heights.

the award for best live-blogging DOES NOT GO TO ME. My apologies. I'm sick and delirious!
Good night.

further reading: complete list of winners * ModFab projects about the fallout from the winnings and losing *
more familiar faces @ the TONYs last night:


Lily Tomlin, Kristin Chenoweth, Glenn Close, Gina Gershon, Laura Linney, Idina Menzel & Taye Diggs, Mark Rylance, Daniel Radcliffe.
*