TONY Awards Round Up: Harden, Lansbury, Hathaway, Langella, Neil Patrick Harris

And now a pre-show moment with Martha Plimpton...

That's right. I was conceived because of the musical Hair. I wouldn't exist without it.

That's Plimpton sandwiched inbetween Broadway's Hair boys: my fellow BYU alum Will Swenson, who we've been drooling on for awhile and Gavin Creel (Love the... tie? scarf? tarf?). Plimpton was actually speaking the truth to the reporter. Her parents Keith Carradine (yes, the star and composer of one of the greatest song scenes in all of cinematic history, "I'm Easy" from Robert Altman's Nashville) and Sheila Plimpton met while performing Hair on stage in the late 60s.

I bring up this pre-show red carpet moment because Martha Plimpton is a handy human symbol of how much the mainstream media, and by extension the public, misses out on because they ignore theater and great actors who work in it. To the general public Ms. Plimpton isn't recognizable or, if she is, it's in a vague... hey, she looks like that 80s actress from The Goonies! The sad thing about the movies giving up on her is that she's not just a fine actress but a terrific celebrity. She is easy with the laughter and quick witted with reporters. My favorite Plimpton interview quip came last year when asked to describe what she does for a living, saying something like 'i put on a wig and shout at strangers for two hours'

Martha lost her category at the TONY Awards last night ...that's three consecutive losses, poor thing. But a lot of good people lost. That's nothing new.

Who won? Billy Elliott, Stephen Daldry's adaptation of his own 2000 movie, won nearly everything it was nominated for including Best Musical. Next to Normal, its only real competition, beat Elton John's Original Score and tied Elliott for orchestrations. The Norman Conquests and Hair were chosen as the best revivals and God of Carnage was named Best Play.

Random wrap up thoughts from the evening:

• <-- Harold and Kumar 2's add campaign asked "What Would Neil Patrick Harris Do?" In the case of the TONY Awards he would wear some sort of pleather (?) tux and be an amiable, funny but low key host. Some of his quips seemed to go unnoticed in the cacophony of the show (god, it was a mess). The structure of the ceremony didn't showcase his musical chops until the credits were rolling. What a waste. But give him another go at it, please.
• Lots of tech problems. Why can't they get this together? Broadway is in the business of live events. Why is live television such a hurdle for them?
• Geoffrey Rush's win for Exit the King makes him the the first new Triple Crowner since Al Pacino won his Emmy in 2004 for Angels in America. Rush now has the Oscar (Shine), Emmy (Peter Sellers) and TONY (Exit the King). He also gave an awesome acceptance speech which made me more fond of him that I'd ever been (which is to say I've never been)
• Marcia Gay Harden was also prepared, funny and articulate. Why can't more actors be like that when they win prizes? Marcia needs only the Emmy to become a triple crowner and the Emmy is the easiest prize to win. She could even get it for Damages in September. If she gets nominated that is... loved her on that show. As I announced on a Twitter, Marcia and I are to be married as soon as she is thrice crowned.
  
• If you got as confused as I did when they showed Oscar nominee Janet McTeer (Tumbleweeds) and you thought "my god, what happened to her?!?" you're forgiven. They just had the name wrong names typed up under the wrong faces. McTeer has not entered a witness protection program nor has she had a face transplant. She looks pretty much like she did in 1999.
• Shrek looked single handedly bad enough to destroy my faith in musical theater forever. It looked like something that belonged on the stage for free at a theme park. You know those hour long shows were you rest your feet and get some air conditioning before hitting the rides again? It should not be a high price Broadway show! Naturally, it's a box office hit.

• Sutton Foster and other unfortunates are wasting their talents to act-along with the Shrek movie onstage. Shouldn't this be left to children in the nation's living rooms with their worn DVDs? Still, Christopher Sieber's "Lord Farquad" got one of the biggest laughs of the evening... albeit from the mouth of Neil Patrick Harris hours later

  Chris Sieber, please. Dancing on your knees? That only works to win Golden Globes!

  No, NPH didn't shy away from ribbing his fellow gays.

• <---Angela Lansbury is now to the TONYS what Katharine Hepburn is to the Oscars (though she shares that distinction with Julie Harris and Hepburn doesn't share). She's now won 5 competitive acting TONYS. Lansbury was definitely feeling the love in the room and gracious enough to admit to her fellow nominees that it wasn't a fair contest. Her last trophy was in the 70s for creating Mrs. Lovett in Sweeney Todd! (oh and we wish she'd let her hair go gray or white. Go the Judi Dench / Helen Mirren route, Angela)
• When I see Liza Minnelli in the same black sequined pant suit she's been wearing for years in front of a tacky set sign that says "BROADWAY' my heart leaps and I have to supress squeals of delight. It's true. "I am what I am".
  
• You know how I know I'm a musical theater geek? Whenever I see Alice Ripley (Next to Normal) I start singing Side Show's siamese twin ballad "I Will Never Leave You" at the top of my lungs. Every time. When is Glee coming back on?

• Anne Hathaway is rapidly becoming my favorite young movie star. She always seems so happy to be in showbiz... like 'these are my people' happy. There's none of that obnoxious: 'I'm too cool for this' attitude that plagues some members of Young Hollywood -- you know who I'm talking about. Translation: Hathaway isn't just in it for the fame and fortune and she's most definitely in for the long haul. You'll be hearing her name until you're dead, mark my words.
• Alice Ripley's best actress speech was... um, unhinged. Was she channeling her unraveling Next to Normal mom? She prompted my room of friends to start quoting Sandra Bernhard's classic routine "...don't you just love theatahhhhh people!"
• Frank Langella was hilarious whilst making fun of himself, his Oscar loss, and his TONY snub. Why can't more stars have a sense of humor about the whole awards show / campaigning / losing thing? This reminded me of reviews of his charisma during the Oscar campaigning for Frost/Nixon. Dracula still can work a room. I imagine if he's ever up for an Oscar again post Nixon he's going to nab it.
  
• I haven't seen Billy Elliott on stage and don't really have a desire to (the movie is great but that came out in 2000. It isn't even dust covered yet) but while I was watching the performances I was thinking how difficult that show must have been to cast. You have to find not one but three young boys who can act, sing and dance a very demanding lead role. Jamie Bell only had to do two of those three things. But he nailed them, so...
  
• Susan Sarandon is still a sex on a stick.
  
• Yes, the revival of Hair is as awesome as it looks. Go see it.
  

Okay, enough theater. Back to the movies!


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Red Carpet Lineup. Hot Streaks

We haven't done a fashion lineup in a while, so here goes...some ladies walking the flashbulb-lined red this past week.


Even though Rumer Willis (who turns 21 this summer) is not what you'd call traditionally beautiful I admire that her public persona often screams "I'm hot shit!" I think you have to respect that. Martha Plimpton is hot shit on Broadway (where she's currently enjoying her 3rd consecutive TONY nomination) if nowhere else. But isn't Broadway enough? She seemed to give up on her dwindling movie career just as the new decade began. It pisses me off that most people only think Goonies! when they see her because, helloooo, she was so good in other 80s gems like Shy People, Mosquito Coast and Running on Empty back in her River Phoenix days. And though I barely recall it I seem to remember that she was hilarious in 200 Cigarettes (1999). Does anyone remember that holiday comedy?

Anne Hathaway is fierce. It's like she just stepped out of the opening credits of Dynasty -- loves it.

Audrey Tatou is... I have to admit I don't really get her though she was cute in Le Fabuleux Destin d'Amélie. I'm vaguely curious about (Le Fabuleux Destin de...) Coco Avant Chanel but isn't it weird how there's always a glut with bios? First the Shirley Maclaine TV movie and now this AND Coco Chanel & Igor Stravinsky. No Coco and then Coco tripled.

And I have to give credit when it's due: Renée Zellweger looked amazing at the Met Costume Ball. I'm totally confused. Gone is the weird 'she'll break in half' hot mess we've been seeing for years. The skin looks fresh, the dress is flattering... the eyes are open! It's a small miracle.

I've hidden Kerry Washington behind Renée because none of us should have to see that dress full on. Y'all know I've been rooting for Kerry for years but if she doesn't ascend in some memorable way in the next two years I don't think it's ever going to happen. She's got three movies on the way: Life is Hot in Cracktown with other semi-famous B & C listers, A Thousand Words with Eddie Murphy and what looks like an important supporting role in the acting showcase Mother & Child starring Annette Bening and Naomi Watts.

Marisa Tomei is here because I'm addicted. Why isn't everyone? I don't understand why she doesn't have 12 projects lined up post Wrestler. And as StinkyLulu pointed out -- here's to her longevity. She's been Oscar nominated in her 20s, 30s and 40s -- a rare feat. It's like Cher with #1 singles. Here's to a fourth Oscar nomination once Marisa hits her fifties.

And finally, one more note on "Miss Golden Globe 2008" (that'd be Rumer). She co-stars in her mother's directorial debut, a short film called Streak (pictured right). Brittany Snow plays an uptight sorority girl who is always counting calories and making herself miserable. One day she meets free spirit Rumer. There's some lesbo subtext/teasing and eventually the girls end up streaking together across campus. Streak beats you over the head with a 'love your body no matter what you weigh!' message but then when Brittany finally does love her body, stripping off her clothes in a moment of joyous abandon, we only see her from the neck up. It's total Message Dysmorphia. It's... unfortunate.

Love your extra lbs ... from the neck up!

I'm sorry Demi. I still love you. xoxo
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TONY Award Nominations / Movie Connections

The Tony Award Nominations are upon us. As is my inconsistent tradition, I thought I'd share a little bit about a movies you can rent or think about to create an unfulfilling celluloid guilty-by-association approximation of the Broadway experience of the 2008/2009 season before the TONYs roll around on June 7th. Not everyone gets to New York to see the shows. And even if you live here, like me, you don't get to them in your financially challenged years. Tony Winners Cynthia Nixon (who seems to be everywhere lately, right?) and In the Height's man Lin-Manuel Miranda are announcing them live any minute now.

If you want a reminder of what's eligible which you can use to see who got snubbed check out this eligibility chart.

P L A Y R E V I V A L
Joe Turner's Come and Gone
This is the 2nd in August Wilson's famous 10 play decade by decade cycle of the African-American experience. The themes are identity and migration. There is sadly no great movie epic about The Great Migration (That's a missed opportunity A list writer/directors. Get on it!). The original production starred Delroy Lindo and Angela Bassett so you can rent one movie from each. Only one (!?!) of Wilson's plays has been filmed: The Piano Lesson with Charles S Dutton and Alfre Woodard in the lead roles.

Mary Stuart
Imagine a whole movie about Samantha Morton's doomed Mary Stuart instead of Cate Blanchett's cousin-killing Elizabeth in The Golden Age. Although maybe you wouldn't like to think about the Golden Age right now or ever again. My apologies!

A sampling of actresses who've played Mary: Helen Hayes, Vanessa Redgrave, Samantha Morton and Janet McTeer. Scarlett Johansson was set to play her in an upcoming film but that seems to be off her schedule now.

Better yet, rent Vanessa Redgrave's Oscar nominated turn as Mary, Queen of Scots (1971) with Glenda Jackson as her rival. Oscar nominee Janet McTeer (Tumbleweeds) is Mary of Scots in the Broadway revival. Further reading about Bess & Mary

The Norman Conquests
This comedic trilogy by Alan Ayckbourn was filmed in the 70s for television but it's not on DVD.

Waiting for Godot
This Beckett classic has been staged countless times and filmed a few times for television. It's so theatrical and abstract by nature (two men wait in vain on an empty country road. The end!) that it doesn't really invite the screen treatment. The current revival stars Nathan Lane and Bill Irwin. When I interviewed Bill Irwin (who shoulda been Oscar nominated for Rachel Getting Married) last year we talked about this a bit. I figured he could handle Nathan Lane what with all that sparring with Kathleen Turner already under his belt. I heartily recommend renting Beckett on Film in which interesting directors interpret Beckett's work. At the very least you'll get to see Julianne Moore doing Beckett's insanely great monologue piece Not I (see previous post)

M U S I C A L R E V I V A L
Guys and Dolls
The 1955 movie version starring Marlon Brando and Jean Simmons isn't really definitive since it's not particularly well loved and there are some singing issues. The current revival stars familiar actors from TV mostly (Oliver Platt, Lauren Graham and Craig Bierko). When they revived this musical comedy in London 4 years ago the Brits got two actors who fill me with glee: Ewan MacGregor and Jane Krakowski. No fair!

Hair
I LOVED this production (see previous post) but if you can't get to NYC to see it, you can always watch the 1979 Milos Forman film version.

Pal Joey
This got the film treatment back in 1957 with Frank Sinatra as star, so you'll want to rent that. Here's two videos to give you a slice of musical heaven this fine Tuesday morning...



Rita Hayworth and Kim Novak. That combo is almost too beautiful to look at. Double mmmmm. Stockard Channing and 80s teen star turned ubiquitous Broadway player Martha Plimpton are the "mice" on Broadway.

West Side Story
I really want to see this rare revival of my favorite musical of all time. But I could always watch the movie a gazillionth time.

B E S T P L A Y
Dividing the Estate
This isn't a new play but this family drama from Horton Foote is having its first Broadway run, therefore eligible for "best play". Foote died just two months ago but in his long career he wrote many plays and screenplays, too (including that film adaptation of To Kill a Mockingbird which marked his first Oscar win). His most successful play-to-screen transfers happened in the 80s with the Oscar winners Tender Mercies and The Trip to Bountiful.



God of Carnage
A friend of mine has already seen this one three times. The play is about two sets of parents who meet to discuss an altercation between their childen. The civilized meeting goes haywire and everyone behaves very badly. The couples are film and tv regulars Hope Davis and Jeff Daniels and awards magnets James Gandolfini and Marcia Gay Harden (yay! my love grows)

reasons to be pretty
This is the latest provocation from Neil Labute also from my alma mater BYU in which a boyfriend's offhanded comment about his girlfriend's beauty-deficiency gets back to her sparking much trouble in their social circle. Thematically this is supposed to close an unofficial trilogy which started with The Shape of Things (which was made into a film with its original cast intact: Rachel Weisz, Paul Rudd, Gretchen Mol and Fred Weller) and continued in Fat Pig. LaBute's film career started strong with the vicious In the Company of Men which introduced movie audiences to Aaron Eckhart (another BYU alum) but lately he's been sliding: Lakeview Terrace and Wicker Man? Really... that's what you got?

33 Variations
This is the play that brought Jane Fonda back to Broadway. It's a story of a mother and daughter relationship and also a story about a composer: it spans 200 years from contemporary New York to 19th century Austria... plays aren't as literal as movies, you know.

Fonda is a nominee for Best Actress. Why can't somebody give her another shot at a third Oscar? Streep shouldn't be the only one giving Katharine Hepburn a run for her 4 Oscar record.

<--- Here's a photo from Jane Fonda's blog of 92 year-old Oscar winning supporting actress superstar CELESTE HOLM (!) visiting her backstage. This photo makes me so happy.

B E S T M U S I C A L
Billy Elliott
You've already seen the movie but why not watch it again. I'm still confused about how it makes a stage musical. If everyone is singing and dancing what makes little Billy so special. He's no longer out of place which was sort of the whole emotional point. That said, reviews are strong so maybe they worked magic.

Oh and yes, this will easily be the Slumdog of TONY night. It's up for 15 prizes including a special 3-way nomination for Best Actor

Film to Stage: It takes three boys to fill Jamie Bell's talented shoes

Next to Normal
A family in crisis (the mother is bipolar)... sings. More than 30 original songs. Alice Ripley (Side Show) headlines.

Rock of Ages
This is a head banging musical comedy (lots of famous songs from 80s radio) which unfortunately continues the trend of putting American Idol stars in Broadway roles -- this time it's Constantine Maroulis. Since this is a send up I guess maybe This is Spinal Tap! could be a vaguely connected movie rental choice. Or, go see Anvil! The Story of Anvil in theaters. It's a goodie even if its comedy is less intentional.

Shrek the Musical
I am in the tiny .001 percentile of the population that finds the whole Shrek phenomenon completely overrated and disheartening. I still think it's embarrassing that the movie beat Monsters, Inc to the Oscar . This musical doesn't have a prayer of accomplishing a similar feat, thank goodness. Small comfort because I am tremendously annoyed that my beloved Sutton Foster keeps wasting her bankability and starpower playing roles in mammoth productions that don't need a star of her calibre to sell tickets and for which no one will remember her. If your name alone can generate press and sell tickets why not harness your power for good and support new composers and smaller shows?

Here she is yukking it up at Joe's Pub last year and on Rosie O'Donnell in 2002 when her star first exploded in Thoroughly Modern Millie


(sigh) I love her so. It's so weird to me that she's never made a movie though she has finally done a bit of TV (Flight of the Conchords)

That's it! Whew. I'll talk about the actors and actresses soon (in brief) Have you seen any of these productions? If not, what's the last Broadway or touring show you saw?

Red Carpet Rendezvous

premiere-ish-ness from the past week or so...


From right to left, just to be backwards: Patty Clarkson at the "Speed the Plow" premiere in NYC (Elizabeth Moss from Mad Men is playing the old Madonna role from the 80s in this David Mamet revival), Elizabeth Banks all old school glam at a W. party, former Goonie and currently ubiquitous stage star Martha Plimpton as well as my movie-retired film experience iconKathleen Turner were also at "Speed the Plow". Parker Posey at some gala or another --we haven't seen her in a while what with the movie career slowing down but she's always worth looking at.

Finally, fragile and slightly spooky Kristen Stewart strikes a pose at the Twilight premiere and Amy Adams attends the Doubt launch.

<-- But did she bring her man? Or whoever it was she brought to the Hollywood Film Festival in mid October. He looks too much like blurb whore automaton Ben Lyons for my comfort. If he's anything like that "critic" run away Amy, run away... Doubt.