Eat, Pray, Julia.

Jose here with a confession: few things nowadays get me as happy as the idea of a new Julia Roberts movie (yes, I'm slightly easy to please sometimes). So you can imagine the excitement this month has provided for me! First was the cute, and star studded, trailer for Valentine's Day (what do you mean you haven't seen it? Do so now!).

And today the web is bursting with Julia in saris, flower necklaces and bodyguards as she begins shooting Eat, Pray, Love in the town of Mirzapur in northern India. The movie, directed by Ryan Murphy, is based on the eponymous novel by Elizabeth Gilbert and tells the story of a divorced woman who travels across the world to regain her inner peace.

But back to Julia, The Indian Times reports

Wearing a purple kurta, black salwar and rudraksha beads, she completed her first day's shoot for a Hollywood film in Pataudi on Sunday (Sept 20), living up her role every bit! One scene had her eating rice, chapati, aloo-gobi and muttar-paneer the Indian way - with her bare hands.

She's just like the rest of us...

The Associated Press also commented on Mrs. Moder's Indian visit and how she was all the rage amongst the villagers of Mirzapur where young boys climbed trees and villagers crowded rooftops. Is it me being morbid or does this remind you of Slumdog Millionaire a bit?

Fortunately for Julia the film kicked off with the rightfully blessed foot as Indian priest Swami Dharam Dev offered prayers for the whole cast and crew. He also gave Julia's children the names of Indian gods [he] named her twins Hazel and Phinnaeus as Laxmi and Ganesh, while Henry will be called Krishna Balram.

The movie is set to open in 2011 and also stars Javier Bardem as the man she falls in love with, Billy Crudup as the man she was in love with, Viola Davis as yet another rom-com best friend and Richard Jenkins.

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Running With Scissors

A month ago I finally got around to reading Augusten Burrough’s hit memoir Running With Scissors. Burroughs is a witty writer and the book is terribly amusing. I mean “terribly” in two senses of the word. Terribly as in the affected version of ‘very’ and ‘terribly’ as in terrible. Even if you account for writerly embellishment (which you always should) the author had what most sane people would consider a horrific adolescence: absent drunk father, crazy self-absorbed mother, predatory boyfriend, and a truly chaotic adoptive home.

I was excited for the film version. Having read it I knew it was well cast and I assumed that the film would be forced to give dramatic shape and depth to the book’s anecdotal pleasures which didn’t seem to run as deep as the material could have. What I wasn't prepared for was a faithful well acted version of the book that still disappoints.

Running With Scissors. Directed by Ryan Murphy | Starring Annette Bening, Alec Baldwin, 

Brian Cox, Evan Rachel Wood and Joseph Cross

Top honors go, as expected, to the miraculous Annette Bening who does inspired work as Dierdre, a complete narcissist and lesbian poet. There’s a moment early in the film that completely sold me on the performance. Dierdre says something outre that’s supposed to be self-actualizing but her face is all about her eyes darting to her conversation partner. This 'journey inward' is, to a large degree, a self-delusional front for external focus. She wants to provoke. Bening makes a memorable mother from hell and she’s cast exceptionally well to amp up the drama. Here we have an actress known for her sparkling eyes and commanding voice and watching her lose both, those twinkly eyes dim and her voice slows under the weight of psychiatric medication, is troubling.

But the film keeps working against itself. Most scenes have terrific dialogue but the music is always booming, threatening to drown it out. To make it worse the song choices are overly familiar and the original scoring is oppressive. Scissors does have a consistent tone that seems perfectly sympatico with the book, but it doesn't seem to work. The great cast are, each and every one, adept at funny line readings and there they are in passages of comic lunacy lifted directly from the book. And yet, as a film this is all curiously unfunny.

I suspect that the act of seeing this terrible childhood reenacted rather than reading it (when you can pick and choose what you will and won’t picture) makes the crucial difference. I just wanted Augusten to be out from under all the crazy. I just wanted his mom to get better. I couldn’t laugh heartily at lives filled with so much mental anguish. As a drama, Running With Scissors: The Movie comes close to working. But it wants to be comic like the book to mask the pain. In its effort to have it both ways it falls on itself.

C+
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