In the years I've been documenting Oscar's once largely undocumented foreign film category, we've seen the number of players creep up virtually every year, despite the concurrent dwindling of foreign film distribution in the United States. In 2001 for example when I first began tracking it and sharing the info online, there were 51 official submissions for Best Foreign Language Film. Last year there were 67. For the 2009 Oscar race (the submission deadline has now passed) we've now heard from 62 countries. But that doesn't mean the official list will only be 62 films. In the eight years I've been documenting this race, something always changes between the submission deadline and Oscar's official announcement of the list (coming soon): Films are disqualified, last minute switcheroos happen, countries that didn't make noise when they first submitted are revealed. There will be drama... albeit the mostly invisible kind.
You can see more about these 62 entries (cast, posters, miscellania) on the super comprehensive charts at The Film Experience
We'll have a lot more once things are "official" but here's a few early topics to think about...
Clockwise from top left: Albania's Alive, Luxembourg's Réfractaire, Czech Republic's Protektor, Macedonia's Wingless and Iran's About Elly
World War II Fetish World War II is to "Best Foreign Language Film" what Disabilities are to "Best Actor" and what DeGlam is to "Best Actress" and what Longsuffering Spouse is to "Supporting Actress"; the juiciest of bait for AMPAS taste buds. So we have to suspect that the following five films have a tiny boost in the competition: Norway's Max Manus, Luxembourg's Réfractaire (with Love Songs' breakout young star Grégoire Leprince-Ringuet), the Czech Republic's Protektor, Slovakia's Broken Promise and Slovenia's Landscape No. 2 which you can actually already rent from Netflix.
The Stars Having a recognizable face in your movie can sometimes put you on a voter's good side. They are only human and who among us isn't won over (at least initially) by the presence of a familiar well loved face? Switzerland's Home has the great Isabelle Huppert, Italy's Baaria has Raoul Bova, China's operatic biopic Forever Enthralled has Ziyi Zhang, Mexico's Backyard (see previous post) has Jimmy Smits, Argentina's The Secret in Their Eyes AND Spain's The Dancer and the Thief both star Ricardo Darin.
Clockwise from top left:China's Forever Enthralled, Switzerland's Home, Argentina's The Secret in Their Eyes and Romania's Police, Adjective
Critical Darlings Oscar has been rejiggering the rules in this category in a number of ways these past few years to try and curb the animosity that they often engender in the press when they skip extremely well-regarded foreign films like Romania's 4 Months, 3 Weeks and 2 Days. Critical raves and festival prizes are no guarantee but contrary to the protestations of disgruntled cinephiles, they do not hurt.
Films that already have an enviable pool of well wishers include Germany's The White Ribbon from Michael Haneke (who was invited to join the Academy two years back), France's Un Prophete, Canada's I Killed My Mother, Australia's Samson and Delilah, Greece's Dogtooth, Korea's Mother and Romania's Police, Adjective.
You can argue that some of these pictures are anti-Bait... but let's be fair: the Academy can and does surprise. Sometimes they go against their grain and embrace the violently confrontational (Mexico's Amores Perros), the unusually risque (Austria's Revanche) or the utterly alien (Finland's The Man Without a Past). Anything can happen even if Anything usually doesn't.
Meryl Streep brings endless funny. Have you read "name one masterpiece of cinema that I've starred in"? Hat tip to reader Cal for alerting me. Since this article appears in The Onion, it's Meryl Streep or "Meryl Streep" but both are equally awesome. One can certainly imagine the real Streep taking these shots at her self. She's always been fond of the self-deprecating zingers that somehow pretzel themselves until they're self-aggrandazing.
Of course, next Sophie's Choice comes up. Sure. Absolutely. That makes complete sense. But have you actually watched Sophie's Choice lately? Boy, talk about a movie that has not aged well. My performance is very good. No question. Oscar-worthy even...
So now is when you have to start really digging into my filmography because you're starting to think, "Can it be true that one of this generation's greatest actresses, maybe even the greatest—a national treasure, you might say—has never been in a film as good as Network, which isn't even Faye Dunaway's best movie?"
Ha. That's so true. Faye had quite the run. But... is it true? Does Meryl really not have her very own classic? P.S. The line about The Devil Wears Prada is killer.
More Linkage Cinema Blend Dakota Fanning and Michael Sheen as bloodsuckers. I still weep that something as boring as The Twilight Saga will be "entertaining" us for years to come, but at least they're recruiting decent actors now that they won the lottery Stareast Asia Zhang Ziyi engulfed in shoulder pads. Have you accepted that Ziyi is now more of a model than an actress. Maybe that's always how you've thought of her? You're smart Topless Robot is Green Lantern doomed? I love Topless Robot. They're so self aware. This line from the highly speculative post is a beaut. It's a line which would never be typed on other genre loving fanboy sites but which belongs on all of them
But if I don't make wild, unfounded accusations about things I know nothing about, I feel like I'm not doing my job.
babblebook contemplates the catharsis of Inglourious Basterds. Great post Cinephilia imagines Pitt & Jolie receiving the Inglourious call. The punchline to the scene is pretty great Socialite's Life George Clooney breaks his hand. Damn, that man is fragile PopCrunch Liz Taylor loves RuPaul?
Oh, Anne... My nearly beloved Anne Heche (if only she'd get the good roles...) is back in, uh, form. Did you see her on Letterman? Now I think it's a terrible terrible terrible thing for a celebrity to diss a civilian on national television --manners, Celestia, manners!-- But that said, I like my Anne crazy, so I loved this.
Against my better judgment.
Finally It's been ages since I've been to the popular flash site Homestar Runner for a Strong Bad e-mail but I clicked over this morning to watch a short comic bit on "indie film" vs. independent film. Back in the day --when? don't remember-- I wrote Strong Bad an e-mail asking something or other about movies but quickly realized it was a mistake and my e-mail would never be used to animate an episode because the world of Homestar Runner tends not to really deal with reality as we know it in. There's very little in the way of dated pop culture references / jokes. But, I guess Strong Bad is closer to planet Earth now that he's dissing art films and Hollywood poseurs and getting little visual digs in at Juno among other things.
Vanity Fair briefly killed my enthusiasm for the "Hollywood project" when they nixed the traditional cover for 2009. But time heals most wounds and I have reanimated the project's corpse. 2004's cover had 13 already peaking actresses on it. How'd they follow it in 2005? With another batch of goddesses, 60% of whom had already graced their "Hollywood" cover. In the case of the C/Kates, it was now thrice. Was Vanity Fair running out of ideas? Given the idiosyncratic pool the covers regularly pulled from you'd think there were only 40 actresses in Hollywood... but then, it's probably all in who you know who represents you when it comes to face time here. It's definitely not only about the fame. Consider this: this cover series lasted from 1995 - 2008 and Angelina Jolie, Halle Berry, Michelle Williams and Tilda Swinton never appeared on them (just four chronologically appropriate examples off the top of my head).
click to enlarge for maximum beauty
For reasons that only pop culture archives will be able to fully explain to future generations this cover was called "Not So Desperate Housewives". Only two of these actresses were even married at the time (the C/Kates) and only six kids had sprung from their enviable DNA (two kids each for Cate, Kate and Uma).
Uma Thurman, about to turn 35, had appeared on VF's very first Hollywood issue back in1995. Back then she was celebrating her deserved Oscar nom for Pulp Fiction. I like to think that her get up here, white shirt and black pants (the only one of the ladies eschewing a gown), was a nod to "Mia Wallace" in Pulp Fiction. It would make sense. Director Quentin Tarantino had just finished (momentarily) resuscitating her talent and fame with those thrilling Kill Bills and she was about to risk memories of that film with the John Travolta dance number in Be Cool. She had divorced Ethan Hawke in 2004 and the three films coming out (Prime, Be Cool and The Producers) were a nice range of drama, comedy and musical... on paper. Onscreen it didn't work out so well. More flops followed. Uma turns 40 in 2010, and she's undoubtedly looking for that third career wind. Next up: Motherhood, Percy Jackson and Eloise in Paris.
Cate Blanchett had just been won an Oscar (The Aviator) and was about to turn 36. Aside from the Oscar win, 2005 was quiet. Blanchett never stays quiet. The next four years would be jam packed full of Oscar bait and trips down the red carpet culminating in the two biggest non-Hobbity hits of her career (Indiana Jones and the Kingdom of the Crystal Skull and The Curious Case of Benjamin Button). No films in 2009 (shocker!) but she'll be back in 2010 as Maid Marian in Ridley Scott's Robin Hood [see previous posts]
Kate Winslet was 29 years old, still Oscar-less and an old pro at the "Hollywood" covers. Uma & Cate are her superiors when it comes to behaving like models in photoshoots (think about it), but she wasn't letting them pull all the focus with her sleek über sexy look here. Her inarguable triumph in Eternal Sunshine of the Spotless Mind (2004) was about to prove very difficult to follow. Fascinating time capsule note: 2005 is the year wherein she guest starred on "Extras" as a foul mouthed narcissistic "Kate Winslet", bitching about having to do a Holocaust drama to win an Oscar.
Despite that hilariously written and performed prophecy, her next several films didn't truly catch on (The Holiday, Little Children, Romance & Cigarettes, Revolutionary Road and All the Kings Men). The happy ending punchline arrived earlier this year when she won her Oscar for the holocaust drama The Reader. Up next: Nothing. With Oscar in hand, I'm guessing she lays low for the next couple of years. She was never a ubiquitous celebrity to begin with.
Scarlett Johansson was just 20 and already a back to back Hollywood covergirl. She had skyrocketed in 2003 with the global success of Lost in Translation, the critical success of Girl with a Pearl Earring and her high profile relationship with another Young Hollywood star, Josh Hartnett. And though nothing in 2004 had added much to her mystique she had the lead in a would be summer blockbuster for 2005 (The Island, which flopped). No one at the time saw her Woody Allen's muse status coming, but Match Point (their first collaboration) was about to debut at Cannes and become the legendary director's biggest hit in over a decade. Cut to several Scarlett roles and three calendar years later: she's beloved as a celebrity, newlywed and spokesperson but who loves her as an actress, any more? Can she turn that around with her stint as The Black Widow in Iron Man 2 (see previous post)
<-- Rupert Everett, Claire Danes and Billy Crudup at the premiere of Stage Beauty in October 2004
Claire Danes, turning 26 appears to have been slain by ScarJo. And maybe she was. Hollywood only has room for a handful of young superstar blondes in any given time period, you know. Perhaps she's prone as sacrifice for Cate, Kate and Uma none of whom have ceded much space for up and comers, holding onto big fame with that iron grip combo of talent, beauty and the favor of important filmmakers. Or maybe Mary-Louise Parker had snuck in to lay her down? It had only been a year since the gossip machine had ground and spit Claire Danes and Billy Crudup out for splitting with their partners -- in Billy's case, the several months pregnant Parker.
Which is all along way of saying that her cover girl status was slightly puzzling. Despite Danes' absolutely stellar start in television's My So Called Life and a promising initial silver screen transfer (Little Women and Romeo + Juliet), the movie career never really worked out. Her career had slipped in the late 90s and the Aughts brought nothing but a string of well performed but small supporting roles (The Hours, Igby Goes Down) or lead parts that didn't do much for her (Terminator 3, Stage Beauty). This trend continued after this cover, too: The Family Stone, Stardust, Evening and Shopgirl haven't provided breakthroughs. Up next: Temple Grandin in which she plays an autistic scientist. Should she try headlining a TV series again?
Rosario Dawson about to turn 26, had been on the cover before and had just caused a mini-fuss with her scene stealing nudity and feral performance in Alexander (2004). Vanity Fair's cover indicated a good sized year for her and it was: Sin City and Rent "I wanna go ouu--uuuuuttt, tonight" both premiered.
Zhang Ziyi newly 26, had enjoyed a high international profile since her breakthrough in Crouching Tiger Hidden Dragon, five years earlier. The preceding months had been very good to her with three well received successful imports: 2046 (her best performance if you ask me), Hero and House of Flying Daggers. But she was undoubtedly on this cover because everyone in the world seemed to be anxiously awaiting Memoirs of a Geisha, then only a blockbuster book and not yet a disappointing movie. She was making lists like People magazine's 50 Most Beautiful, she was a frequent object of lust in men's magazines. Once the Memoirs craze ended, things went quiet, though one can still spot her on red carpets or in paparazzi shots with venture capitalist boyfriend Vivi Nevo. Is an international comeback going to happen? She's only 30. Next up: Sophie's Revenge and possibly the romantic drama Waiting which would reunite her with her Daggers co-star, Takeshi Kaneshiro, her only co-star to ever challenge her for "prettiest person in this movie" contests.
Kerry Washington, 28, had just appeared in the Oscar nominated biopic Ray and was still dating actor David Moscow (pictured together right, Jan. 2005) Many people, including yours truly, were pulling for major stardom for Kerry. She's still high profile and highly castable (young, beautiful, talented, speaks multiple languages including very handy ones for the cinema: French and Spanish) and yet the cinema can't seem to figure it out. 2005 brought only bit parts in Mr & Mrs. Smith and Fantastic Four. When will Hollywood ever figure out big careers for the top black actresses? It seems hopelessly beyond Tinseltown's capabilities. Things are still about the same for Kerry. She'll give a great performance (The Last King of Scotland, Dead Girl) and it's like it didn't happen at all in the larger scheme of the star hierarchies. It's so frustrating. Will her new projects turn the tide? Next up: A Thousand Words with Eddie Murphy and a possibly plum possibly Oscar-bait supporting role in Mother and Child starring Annette Bening.
Kate Bosworth, 22, was fresh off the underrated romantic comedy Win a Date With Tad Hamilton! and the flop biopic Beyond the Sea starring Kevin Spacey. She was very high profile in the celebrity-watching sector as Orland Bloom's girlfriend and Hollywood seemed to have faith in her. She was soon given the Lois Lane role in Superman Returns (unfortunate casting, that). Her film career has long since been smaller than her celebrity and she hasn't actually been making many movies. Next up: The Warrior's Way.
Sienna Miller, at 23 was, like Kate Bosworth, far more famous than her filmography would imply. She was Jude Law's new fiancé -- they had just made Alfie (Oct 2004, left)-- and he was at the peak of his celebrity. A few months after this Hollywood cover they broke off the engagement and their on and off again relationship has provided tabloid fodder for years now. She followed Alfie by romancing Heath Ledger in Casanova. She's been working a lot ever since (Factory Girl, Stardust, The Edge of Love, The Mysteries of Pittsburgh) but it looks doubtful that her movie career will ever equal her celebrity. Or not. Maybe she's just the right role away from more legitimate stardom? Next up: playing "The Baroness" in G.I. Joe: The Rise of Cobra.
PLEASE NOTE: If you'd like to read more about any of these stars, click the names in the labels section below.
* median age: 27. Blanchett was the eldest, Scarlett the baby. noticeably absent: Who else was topical 'round mid 2004 to mid 2005? Let's see... Monica Bellucci (international profile raised with The Matrix films and The Passion of the Christ), Jennifer Garner (transferring to movies with 13 Going on 30 and Electra), Eva Mendes (had 4 movies coming out including Hitch), Lindsay Lohan (Mean Girls) and maybe Sophie Okonedo (Hotel Rwanda) collective Oscar stats before cover: 7 noms / 1 win (all by the front cover girls. Blanchett won for The Aviator) collective Oscar stats after cover: 5 nominations / 1 win (3 for Cate, 2 for Kate) fame levels in 2009, according to famousr, from most to least: Uma Thurman, Scarlett Johansson, Cate Blanchett, Kate Bosworth, Claire Danes, Sienna Miller, Rosario Dawson and Kerry Washington. Not listed in famousr for some bizarre reason:Kate Winslet & Zhang Ziyi. previous episodes:1995 ,1996, 1997,1998, 1999, 2000, 2001, 2002, 2003and 2004. *
Topless Robot ogles My Little Pony. This is so wrong Public School Intelligentsia on the pull of Chlöe Sevigny as "Nicolette Grant" on Big Love. Wired has a big report on the Watchmen-related new DVDs Tales of the Black Freighter and Under the Hood
StinkyLulu digs deep into Broadway's revival of West Side Story. How does it compare to the classic film and previous Broadway incarnations? Low Resolution makes a case for the charisma of Ryan Phillippe. StarEast Asia Zhang Ziyi and camel. Does ZZ act anymore or is all about the shilling of product and the banking of cash? The Spy in the Sandwich the new Pinoy film from the director of recent Oscar submission The Blossoming of Maximo Oliveros has been censored. Shame
And finally... Isn't it Bromantic?
Are Breckin and Ryan about to make out (on DVD)?
My friend Kenneth in the (212) told me that little west coast birdies told him that that awfully dull Studio 54 movie from 1998 -- that one that starred Ryan Phillipe, Salma Hayek, Mike Myers and Breckin Meyer -- is headed back to DVD this fall. Here's the good news: it's supposedly the formerly apocryphal Director's Cut version (i.e. much longer and gayer) that is being released. That cut got a surprise screening last summer at Outfest but there was no word of a follow-up DVD release. The initial studio interference with 54 (Miramax... ah, the brothers Weinstein) is one of the dumber movie-making stories from the late nineties: cut 45 minutes of this, reshoot, beef up the more traditional romance. Why anyone thought the target audiences for a movie about Studio 54 would be satisfied with a film that lacked outre behavior, sexual experimentation and excessive drug use... well, I couldn't tell you. Is the new/old version as good as they say? (I hope so. I liked writer/director Marc Christopher's early gay short Alkali, Iowa) Perhaps we'll find out in the fall.
Who knew? This duet (with co-star Leon Lai) is called "You Understand My Love" from the upcoming bio on opera star Mei Lanfang
With the death of music video's prominence as a pop cultural force I had (almost) forgotten about this mode of music video making. Film your singer(s) in less than an hour in one plain setting... maybe with a wind machine. Accessorize the boredom with movie clips. Presto! A 3 minute commercial for your movie is born. Mei Lanfang is from director Chen Kaige (Farewell My Concubine, Temptress Moon, The Promise). I originally thought his latest would be China's submission to the Oscar but it's not being released until December and the Oscar submissions had to be released in their home country before September's end. Miramax will distribute the film in the US...eventually.
I'd like to add this to the 'paparazzi puzzlement' file but it wasn't taken on the fly obviously
What the hell is going on in this photograph? Why? Amuse us with your best guesswork in the comments. (I'll update the post later with the best responses)
<--- After the Wedding Susanne Bier's Oscar nominated Danish drama about an orphanage manager, Mads Mikkelsen. Bier's first English language movie Things We Lost in the Fire (with Halle Berry & Benicio Del Toro) wil be out later this year but the language doesn't matter: Bier knows drama. The Astronaut Farmer Billy Bob Thornton pursues a crazy dream and builds a baseball field rocket. Virginia Madsen co-stars for warmth. Sideways has typecast her in the insanely gorgeous supportive wife/girlfriend part now but I suppose that's better than not working. The Last Mimzy I never understood what this is about mainly because I didn't pay attention. Whenever trailers showcase a lot of CGI I get bored (unless it's big blockbuster epics entirely suited to CGI) The Page Turner a psychological thriller from France. With pianists... something of a French trend lately, non? The Piano Teacher, The Beat That My Heart Skipped, this... Sweet Land an immigrant drama that won the Best First Feature award at the Indie Spirits. The cast includes Alan Cumming, Lois Smith and Ned Beatty.
And finally... Princess Raccoon by Seijun Suzuki. Ziyi Zhang stars in the bizarre musical love story about... um what the title says. Reviews are filled with adjectives like "insane", "hilarious", "risky", "joyous", "colorful", "lively" and "hallucinatory". So, um, yeah: putting that on the DVD queue!
Given that official news is coming in fast and furious regarding this year's Foreign Film Oscar Race, this news may be outdated as soon as you read it. Israel and Spain have picked finalists but not their representative films. China hasn't announced finalists but there's a potential battle of screen icons brewing.
A few years back China's greatest movie goddess Gong Li seemed to be abdicating her crown to upstart Ziyi Zhang. She had all but disappeared from the screen as Ziyi performed the deja vu trick of playing muse to Zhang Yimou (The Road Home, Hero, House of Flying Daggers) and launching herself into international fame (Crouching Tiger Hidden Dragon). If perception is reality than Gong definitely wants the crown back. Since Ziyi's rapid ascendance, Gong Li is acting frequently again and branching out into American films. Most recently she danced and romanced Colin Farrell in Miami Vice and, perhaps to underline her point, blew Ziyi off the screen in Memoirs of a Geisha .
Now they're battling for Oscar consideration again --or, rather, their films are. Zhang Yimou reunites with his original muse Gong Li in the upcoming Curse of the Golden Flower, another martial arts epic and Xiaogang Feng directs Zhang Ziyi in the upcoming The Banquet which is loosely based on Hamlet. And both of these directors want to represent their country at the Oscars.
[editors note: I'm aware I'm supposed to call Gong Li "Li Gong" now but I refuse. I've been saying it this way for 15 years. I'll compromise on Ziyi since she's new.]
In other 'Foreign Movie Star' news...
German thespian Sebastian Koch (pictured to your right) is having a great decade. He's already proved himself an awards magnet in Germany over the past few years. Now, he's starring in not one but two official submissions for Oscar's international screen outreach program... better known as the Best Foreign Language Film category. He is the top billed male in Paul Verhoeven's Dutch submission Black Book (which is said to be as outre as Verhoeven usually is despite the deceptively Oscar-friendly setting of WW II) and the lead of the ecstatically received German film The Lives of Others, which some folks are saying could even win the prize this year (...well, if Almodovar's Volver isn't submitted by Spain. And it might not be.)
Happy Birthday to Mia Farrow (of Woody Allen filmography fame) and Ziyi Zhang (of Memoirs of a Geisha infamy) who turn 61 and 27 respectively today.
Mia Farrow may have long since lost her marbles [not any one thing ~just a cumulative impression] but she is a talented actor who ought to get more respect. She doesn't even seem to be recognized as VERY famous anymore which she has been for decades. Mia is one of, I would say, the top ten of most famous and relatively admired actors who were never nominated for an Oscar. She first gained fame on the Peyton Place TV series, than shot to the celebrity stratosphere by way of becoming Frank Sinatra's third wife at age 21 (he was 51 at the time). She divorced him two years later, the year she also broke through cinematically as the star of Roman Polanski's sensational horror classic Rosemary's Baby. It was the film that brought along with it the first (of many) Oscar snubs. [If you haven't seen this film, do so instantly. Really great stuff.]
My three favorite Farrow performances give or take Rosemary's unfortunate pregnancy? Broadway Danny Rose (1984), Purple Rose of Cairo (1985), and Alice (1990). That's all Woody Allen but you'll truly marvel at her range within his very specific school of films if you watch all three.
Ziyi Zhang is more familiar to the world at large these days. Currently one could argue that she's the biggest non-English international film sensation. Maggie Cheung & Aishwarya Rai are beloved in specific pockets of moviefandom but don't seem to have fully caught on with the public at large. France, usually second only to Hollywood as an international movie-star factory, hasn't produced a major crossover sensation since Juliette Binoche in the 90s (though not for lack of trying: There are plenty of worthy candidates). I'm still hesistant to fully embrace Ziyi. I thought she was weak in Geisha and highly enjoyable but not necessarily great in her most acclaimed/noticed roles to date on these shores which are within Crouching Tiger Hidden Dragon(2000) and The House of Flying Daggers(2004). But there's absolutely no competition when it comes to her best performance. Hands down that's her bewitching star turn in Wong Kar-Wai's gorgeous and haunting 2046 for which, in an ideal world, she would've received the awards attention that greeted her other far inferior 2005 performance.
If Hollywood were to make a biopic on Woody Allen or Mia Farrow right about now, you know they'd be all about snagging Ziyi to play Soon-Yi Previn.
"Actresses of the Aughts" continues with #25 through #21 as Franka Potente, Natalie Portman, Meryl Streep, Renée Zellweger, and Ziyi Zhang arrive on the countdown. Read and discuss. Next up? My Top 20 Most Valued Players of the Aughts.
Last week the delectable offerings on display (Rachel Weisz & Ralph Fiennes) were pulled from the current multiplex scene. This time I'm reaching a little further back. In honor of the currently popping Toronto International Film Festival I take you back to last year's event. Last September when I had the pleasure of attending I was gobsmacked watching The House of Flying Daggers. Who would've guessed that there would be a cast member prettier than Zhang Ziyi in any movie? Nevertheless there was Takeshi Kaneshiro's smiling gorgeousness. A sight to behold. I had gone into blissful trances before when confronted with the Takeshiliciousness in ChungKing Express(1994) and Too Tired to Die(1998) but I have to admit that I had kind of forgotten about him (my hearty apologies are offered).
Takeshi is 1/2 Taiwanese / 1/2 Japanese and he also speaks three additional languages to those including English. He should be easy to cast. He deserves to be a bigger international film star. In fact, while watching 2046 recently, I couldn't reasonably figure why a film bursting with that many Asian movie-stars couldn't find room for him. To add insult to injury he's starred for its director Wong Kar Wai before (in the aforementioned Express). I mean if you can squeeze Maggie Cheung into a blink-and-you'll miss her cameo you also ought to find room for Takeshi. Just a note for next time Kar-Wai. OK?
Acknowledgements: The large photo above comes from this eyepopping site. And Hump Day Hotties is inspired by Gabriel's Friday Hot Guy Blogging feature... though here at Nathaniel R it will feature movie morsels of both flavors. And this particular edition is dedicated to this Takeshi-loving blog.
Hello darlings, it is I, The Boyfriend. I have hijacked this little blog to bring you a breathless report from the rarified and heady world of haute-couture.
William Chang has set the Hong Kong runways ablaze with another very strong collection this year. In his new collection, titled “2046”, he continues to work with the elegant sleeveless, form-fitting silk gowns that he debuted in his show “In The Mood For Love”. As in the previous collection, these dresses are the epitome of Sixties Hong Kong chic, yet he managed to make them exciting and fresh, never passé.
In this new collection he boldly expands his palette, employing a wide variety of rich colors (a particular standout is the green and gold striped dress with hand-sewn sequins, worn with a mink stole, modeled by Ziyi Zhang), and patterns both elegantly subtle (a black on black rose print worn by Gong Li) and dramatic (an oversized black and white tartan). But in keeping with the futuristic theme suggested by this collection’s title, he’s also added new elements to his repertoire: A series of vaguely futuristic gowns, which paradoxically suggest deconstructed Victorian frocks, featuring cutaway bodices revealing titillating décolletage. One of these, seen on Faye Wong, in a faintly shimmering mother-of-pearl crêpe-de-Chine is particularly breathtaking. And Monsieur Chang has not forgotten the men this time either. Of particular note here is a quilted selvedge jacket in a rich, yet muted, color with a strong, dynamic sculptural form.
The show itself was the typical lavish spectacle we’ve come to expect from this theatrical couturier. The models were arranged in almost cinematic vignettes (he hired the film director Wong Kar-Wai to assist him with runway direction), with moody lighting and a soundtrack of melancholy instrumentals (reprising the theme of his earlier “Mood for Love” collection) and repeated snippets of the “Casta Diva” aria from "Norman". All together, this show is bound to set the fashion world atwitter and is sure to re-spark the debate that’s been buzzing for the past several years: has Asia done the unthinkable – have they finally stolen the title of Fashion Capitol from Paris?
In the years I've been documenting Oscar's once largely undocumented foreign film category, we've seen the number of players creep up virtually every year, despite the concurrent dwindling of foreign film distribution in the United States. In 2001 for example when I first began tracking it and sharing the info online, there were 51 official submissions for Best Foreign Language Film. Last year there were 67. For the 2009 Oscar race (the submission deadline has now passed) we've now heard from 62 countries. But that doesn't mean the official list will only be 62 films. In the eight years I've been documenting this race, something always changes between the submission deadline and Oscar's official announcement of the list (coming soon): Films are disqualified, last minute switcheroos happen, countries that didn't make noise when they first submitted are revealed. There will be drama... albeit the mostly invisible kind.
Clockwise from top left: China's Forever Enthralled, Switzerland's Home,
Films that already have an enviable pool of well wishers include Germany's The White Ribbon from Michael Haneke (who was invited to join the Academy two years back), France's Un Prophete, Canada's I Killed My Mother, Australia's Samson and Delilah, Greece's Dogtooth, Korea's Mother and Romania's Police, Adjective.
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