Birthday Suit: Shapeshifters

Sing your favorite stars a happy birthday in the privacy of your own home.
Maybe not out loud.

Happy birthday to Ethan, Rebecca and Mike

11/06
Today's filmic / famous birthdays.
If it's your own birthday shout it out. It's your day, after all.

1882 Thomas H Ince actor who became a lifeguard then an actor again until he was a pioneering film director who became a studio mogul until he morphed into Cary Elwes having an affair with Kirsten Dunst ... and then died mysteriously.
1903 June Marlowe lovely brunette who became the Warner Bros proclaimed "Most Beautiful Girl On Screen" and eventually settled in as Our Miss Crabtree
1931 Mike Nichols Second City Improv founder who became a comedian then morphed into one of the most celebrated film directors of the second half of the 20th century. The filmography is kind of uneven, though, right?

poll by twiigs.com

1946 Sally Field a little Pasadena girl who became Gidget then a nun who flew before splintering into several personalities as Sybil. After which she became Burt Reynolds girl then a union activist who was suddenly a farmwife and, with that farm job, a Double-Oscar-Winner. Finally she was passing along the sweetheart torch as a grieving mom "I just want to hit something! I want to hit it hard" ...until she finally became Nora Walker. Judge me all you want but I freaking love her.
1947 Edward Yang an engineer who became a computer guy and then an auteur behind who made the internationally reknowned YiYi (2000)
1949 Brad Davis Floridian who became a television star then a film star of ridiculously potent sexual charisma (Querelle and Midnight Express ...about that shower scene) before becoming an AIDS activist in his final years

1952 Michael Cunningham, novelist (The Hours, A Home At the End of the World) who is also a professor and screenwriter and sometime awards magnet
1957 Lori Singer Fame's (1980) freaky cellist who became Short Cuts (1993) freaky cellist. Hey now, she didn't shape shift at all!
1978 Taryn Manning TV actor who became supporting movie player who I was worried had peaked (?) as snow bunny in Hustle & Flow... but thankfully she's employed for another couple of years at least. Lot of films in pre-production
1988 Emma Stone TV guest actress who is suddenly a busy comedic film actress (Super Bad, House Bunny, Zombieland)

Finally... three actors are celebrating big days and I can never decide how I feel about them: Ethan Hawke, a child actor turned film star turned Mr. Uma Thurman turned actor/novelist celebrates his 39th, the wildly uneven Thandie Newton (is there actually two of her? So good in some scenes/films, so ungood in others) turns 37, and themodel turned Femme Fatale turned nude blue lady turned TV star known as Rebecca Romijn also turns 37.

I haven't watched Romijn's new show Eastwick -- have any of you? -- because the Cher|Pfeiffer|Sarandon trinity is too holy for mine eyes to blaspheme. Is it any good?

Happy Fleet Week!

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"Humility can only be born of humiliation,
otherwise it is nothing but vanity."

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April Showers, Midnight Express (1978)

April Showers

I've always been a little bit a lot perplexed by the famous shower scene in Alan Parker's Midnight Express (1978). I'm not exactly sure why it's in the movie. Midnight Express has, at its best, an expressive physicality and a gritty tactile quality. You often feel like you're right there in the grotty hellish Turkish prison, sweating and suffering along with Billy Hayes (Brad Davis). But the sexual vibes coming off of Midnight Express are at times unfathomable. Is it gay? Is it bi? Is it straight? Is it just horny? Or is its ambiguous eroticism simply a by-product of casting Brad Davis in the lead role?


As warm up to the famous shower scene we get a montage detailing the friendship of Billy and Erich (Norbert Weisser) a fellow prisoner. They've been in this hellhole for years. They do yoga together. They bathe each other. They even duet on a private meditation mantra...

Monastery. Cloister. Cave. Prison

They lock eyes while chanting this repetitive phase. Billy drops his head with sadness at the word "prison" and we dissolve to a shot of the intimate friends showering together. In the steam Erich tenderly grabs Billy's soapy hand, slides his hands up Billy's body and pulls him slowly into a passionate kiss. Billy hesitates and then fully reciprocates.


Here's the curious part.

Moments after he's begun passionately kissing Erich back, he pushes him away. Lifts his hand to kiss it, shakes his head in a strangely condescending manner (I love you but I'm not that way) and exits the shower. Despite his willingness to work out, chant, bathe and lock lips with his friend... he draws the line at sex.

Erich is understandably bummed.


Never mind sequential logic. Never mind that Billy has gone for years without sex. Never mind that he's already comfortable kissing, being bathed by and getting naked with Erich. Never mind that the real life Billy Hayes actually did have consensual sex with fellow prisoners according to his autobiography. In Oliver Stone's Oscar nominated screenplay, "Billy" isn't having it. This scene has always utterly confused me on a basic human level, sexual orientation being beside the point. I'm gay but if you threw me in a prison for years and my only option for human tenderness was sex with a girl I liked who was into me? I wouldn't shake my head and walk away. I'd be... 'how often, when, where and what position? Let's go!'

I recently saw the elusive picture Girlfriends (also from 1978) and there's an oddly parallel sequence: the lead character's new female roommate begins to caress her shoulder and tries to kiss and undress her. Our heroine gently pushes the misguided girl's hand away and quietly says "no." I can only come to the reductive conclusion that in 1978 this was exactly the way liberal Hollywood felt about the gays -- tolerated them, kinda dug them on an one-on-one basis, but were still totally weirded out by them. The sequence in Girlfriends is a throwaway and doesn't interrupt the movie's flow. In the case of Midnight Express, the filmmakers seem to be letting their own sexual prudishness get in the way of narrative logic. Answer me this: If Billy wasn't going to have sex with Erich, why was their foreplay still included in the movie?
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