April Showers, Glenn Close

April Showers evenings @ 11

I was too young to understand or appreciate the rise of Glenn Close in the early 80s but by the time the one/two punch of Fatal Attraction / Dangerous Liaisons hit in 87/88 she was knocking me out. She was already a star by then, though. Those fourth and fifth Oscar nominations (and who knew they would be her last?) only amplified her celebrity. Critics and Oscar voters had been devoted since her feature debut in The World According to Garp (1982).

The murderous climax to Fatal Attraction wasn't the first time a Close movie scored big with a tub/shower sequence and it wasn't the first time she starred in a Best Picture nominee either. The Big Chill (1983) brought her her second supporting actress nod and some people believe her nude shower scene sealed that honor.

We're not far into this reunion film when it happens. The film has had a surprisingly light mood despite its kick off funereal plot point (Kevin Costner is the dead man, though he was left on the cutting room floor). Suddenly Close kills the laughter but amplifies the movie's dramatic undercurrents. There's no warning.


Directly on the heels of a light scene the camera pans very slowly through her bedroom (we don't understand what's happening at first) until we reach Glenn racked with sobs in the shower.

As The Big Chill's "Sarah" she's arguable at her warmest if still a little cool and guarded. That's why this sudden but tellingly private display of vulnerability works. Ah! So she does feel after all. Close performs this same rug-pulling stab of pain in even more devastating fashion for the finale of Dangerous Liaisons five years later. But after her 80s heyday, that sudden reveal of the three dimensional woman behind the icy mask became as rare as Yeti sightings. Close's screen persona hasn't altered that much over the years but it has hardened.

What would Sarah Cooper make of Patty Hewes?

She has no trouble commanding the small screen on Damages but even in those moments when her character "Patty Hewes" appears to be vulnerable, tears welling up furiously in her eyes, one still can't trust her. Close was always expert at showing us the mask. Now, when she lets it slip, aren't we only seeing another mask just underneath?
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Pfeiffer Hits Berlin

Director Stephen Frears attends to his star La Pfeiffer.
"It's gonna be a hot time in the cold town tonight"

Abundant photos are starting to show up online now that the Chéri team have arrived in Berlin, held their press conference and early buzz is spreading. Here's The Hollywood Reporter's Kirk Honeycutt with what sounds like pre-review thoughts beginning to tumble out. A bit on Michelle Pfeiffer being "radiant" and a lot of "wonderfuls" about her performance and the picture itself. There's even a little aside for Julie Delpy's vampiric period piece The Countess, too. The most intriguing barely expressed note is that Chéri wasn't as much like Dangerous Liaisons (the other Frears/Pfeiffer collaboration) as one might expect.



Recommendation: Pfeiffer the Face is doing a great job keeping up with new promotional photos of TFE's #1 girl so check that site out.

Update: There's a mixed SPOILER-HEAVY review at Screen Daily but I wouldn't suggest reading it unless you've already read the book. Why do so many reviewers feel the need to describe everything? And uh-oh a negative review at Variety which is not pleased with Pfeiffer's performance but suggests that Kathy Bates will win fans as Madame Peloux.

For previous posts about Chéri: actors, plot, images, Oscar buzz please click the labels below.
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Kiss of the Spider Woman Contest Winners

Monologue Monday (Interrupted)

This is where the important part begins. The part about the lovers...

William Hurt was named Best Actor @ Cannes and by Oscar, NBR, LAFCA & BAFTA voters

Lovers of actresses & cinema for our purposes today.

For the entire first reel (and then some) of Kiss of the Spider Woman, William Hurt's "Molina" tries to monologue his way through memories of a favorite film. He loves to perform but his cell mate "Valentin" (Raul Julia) never lets him get lost in his speechifying the way he plans to, continually interrupting him with requests, jokes, corrections and commentary. And so begins an odd couple film that wraps political idealogy, cinematic obsessions, and sexual identity into a memorable actor's duet with as much theatricality as Molina himself wraps his head while daydreaming of his favorite screen diva (Sonia Braga).

The Kiss of the Spider Woman was a best picture nominee for 1985. The other shortlisters were more traditional fare: a beloved novel adaptation The Color Purple, the romantic epic Out of Africa, the mafia black comedy Prizzi's Honor, and the contemporary hit drama Witness. Kiss... has since been the hardest film for younger Oscar completists to see but a 2 disc collectors edition is now out and I have four copies to give away, one for each of its nominations. But before I announce the winners (drawn randomly) I wanted to share some really fun contest entries. I asked contestants to throw a headwrap on and make like Molina, obsessing over a favorite actress/performance in their imaginary prison cell. Some of them even sent photos --can I just say that TFE readers are so awesome to play along!

Originally I was going to post my favorite entries but there were so many that I decided I had to limit the 'extra' sharing to the entries that came in with photos ;) The following contestants did not win the random drawing but but they are so awesome for playing along...

<--- Jonathan from NY

Meryl Streep. Sophie's Choice. Cliched? Perhaps. But can the others recite word for word, facial tic and intonation down pat, the scene where she struggles to tell Stingo about being sent to Auschwitz? Or what about that accent? And she's never been more sexually charged in a film. Best performance by any actor (that I've seen but no, I'm just going to say it, EVER) in history. Streep at her streepiest, and I've loved every 20+ viewings of it. Whoever's in that jail cell better know what I'm talking about when I reference the famous silent scream in the climactic scene, or else they'll be getting an earful.....

Brian in New Mexico --->

I would likely develop, and discuss at length, whose marvelous powers I most wished to possess on any given prison day. Would I want to channel Sissy Spacek's Carrie White and her telekinetic grudge match powers? Or would it Rita Moreno's Anita and her ability to deliver a scathing insult as though it was a love pat? Or would it be Meryl Streep's dexterity in self-transformation that I would covet? (Of course, on really bad days, I would likely pretend to be Hope Emerson and leave it at that...)

<--- JS in the Philippines

Anyone in prison would have to learn and emulate the virtues of Glenn Close's performance in Dangerous Liaisons because like her, you'd be in a similar environment where you would have to practice detachment, learn how to listen and deceive all in service of devising means of escape no one had ever thought of before. It's "win or die." :)

Mark in Manchester --->

I could have gone the easy route and picked Sigourney in Aliens but if I shared a cell i'd obsess over Brooke Smith as Sonya in Vanya on 42nd Street. I only saw this performance recently and was so moved we could act out her final monologue scene with the cellmate as Wallace Shawn.

<--- Cenzig in Florida

Liza Minnelli as Sally Bowles. She oozes that Fosse sexuality that we all know and love. She captures our attention with "Divine decadence darling!" and holds it, even through the tears during "Cabaret" You root for her. You know the mess that is about to be WWII and you want her out, to live with Brian in delicious sin. She's Fun. She's Fabulous. She's Fucking Sally Bowles!!!

You know who is fun and fabulous? Everyone who entered this contest!
For those that didn't win or haven't seen the film, catch up on a little 80s Oscar lore by seeking it out now that it's available again for home viewing.

[drum roll please]

And the winners are...

Nick in Connecticut

I would talk with my cellie about Salma Hayek in Desperado, because, while the film isn't a masterpiece, she was INCREDIBLY sexy in that film. The way Rodriguez lit her, and her willingness to take part in that steamy love scene with Antonio, set my pulse racing as a 15 year old action-movie junkie. She's still one of the hottest women ever to grace the silver screen, and the way she looks in Desperado is the sort of thing that dreams are made of. Those sun-dresses, that long, wavy hair, her accent, her curves… man-o-man what a stunning creature she is.

Ben in Los Angeles

Naomi Watts in Mulholland Dr, hands down. You get two characters to talk about individually, and then you get to talk about the two together. Plus, you can obsess over how overlooked she was in terms of bling for the mantle - no Oscar? Psh!

Dennis in Wisconsin

If I had to go with one performance, it would be Vivien Leigh in Gone With the Wind. That movie had such an impact on me when I first saw it at 12 years old. She rocked my world! I could talk about Scarlett/Vivien for days.

Chuck in Kentucky

Maria Falconetti. Perhaps it is unfair to choose an actress who appeared only in one film. Yet I believe that Falconetti's performance in Dreyer's seminal The Passion of Joan of Arc goes beyond a mere cineast obsession, and can be viewed instead as a sort of religious longing, a desire for emancipation, a devotion to something intangible and ethereal. Falconetti's struggle would be my own, and the haunting memory of her performance would move me more than any other celluloid creation. My memory of those tortured eyes would no doubt provide the sort of spiritual solace only found in prayer; she would be the single slash of light that cuts through the coagulating and ever-present darkness.

I hope you enjoyed reading about these personal cinematic obsessions as much as I did. And while we're on the subject of Kiss of the Spider Woman... you can check out my vague recollection of my favorites in 1985 If you have any thoughts to share on that 1985 Best Picture race, do so in the comments. Out of Africa, Kiss of the Spider Woman, Prizzi's Honor, The Color Purple or Witness? How many have you seen and what's your choice for "Best" ?

Tony Award Nominations (For Movie Fans)

The TONY Award Nominations for Broadway were announced today. Here's a look at the more celluloid friendly entries...

Plays & Revivals
As you may or may not have heard, the classically cruel French aristocracy play, Les Liaisons Dangereuses (familiar to moviegoers from the Oscar nominated classic Dangerous Liaisons) is back on Broadway. It received a nomination for Best Revival (the other nominees are Boeing-Boeing, The Homecoming, and Macbeth with Patrick Stewart who, clearly, was also nominated).

But, quelle dommage!, The Lovely Laura Linney was passed over for Best Actress in a Play. She plays the Merquise de Merteuil. We rarely get to see Linney with claws out but it's usually a treat --she's awesome in a malevolent supporting role in The House of Mirth (2000). But apparently the TONY voters didn't think so. The only acting nominee is Ben Daniels (as Valmont) which makes these TONY nods the flipside of the Oscar nods back in 1988 when Michelle Pfeiffer and Glenn Close where honored but their Valmont (John Malkovich) was snubbed.

When it comes to the Original Plays, the winner is already locked up. It will be impossible to beat the sensation that is August: Osage County. It's a dysfunctional family drama from the writer of Bug (I've raved about Tracy Letts work before) that people can't get enough of. Remember how enthused Famke Janssen was about it in her recent interview with The Film Experience? That reaction is common here in NYC. The hot play received seven Tony nominations in total including three for its actresses. When the movie version happens (you know it will) expect an all out war amongst Hollywood A-listers for the roles.

I should also note that Caryl Churchill's Top Girls, a play about an employment agency in the 90s, which stars wonderful actresses like Elizabeth Marvel, Mary Beth Hurt, Martha Plimpton and Marisa Tomei (who talked about this role on the TFE podcast) didn't do so well. Only Plimpton was nominated. Here's a little opening night video from Broadway.com

Musicals & Revivals
Broadway's "Best Musical" category continues to become "Best Original Musical Adapted From a Movie" as the transferring continues en masse. This year, two of them were lucky enough to get nominated: Cry Baby (adapted from John Waters' 1990 film which starred Johnny Depp) and the über gay and brilliantly campy Xanadu (adapted from the infamous Olivia Newton John 1980 rollerskating movie musical which I love to the ends of earth, through brick walls and on to neon'ed Mt Olympus). Neither is the frontrunner. That'd be In the Heights which leads all nominated entries with an incredible 13 honors.

Two blockbusters movie transfers got the stink eye from voters. Mel Brooks' adaptation of his own 1974 Young Frankenstein, which has been plagued by 'it's not all that' reviews and bad press resulting from Brook's greed (ridiculous ticket prices and everyone knows that greed from all sides is destroying Broadway), received only three nominations including one for featured actress Andrea Martin (Mel Brooks deemed Cloris Leachman's too old to reprise her "Frau Blücher" role which also contributed to the bad press). Disney's movie-to-stage transfer The Little Mermaid, which was filleted by most critics was an even bigger bomb with voters, receiving only two nominations (Score and Lighting). On the bright side: that's still one more nomination than their last cartoon to live-theater disaster, Tarzan (see previous posts).

In other movie-familiarized stage musical news, the 7,426th revival of Gypsy (this one stars Patti Lupone) won 7 nominations and will be singing out Louise for the main trophy... but chances are South Pacific will carry the night with its big haul of 11 nominations. Stephen Sondheim's brilliant (well... 2/3rds of it) Sunday in the Park with George, which has never been made into a movie and shouldn't be, could be a dark horse.

ONJ ~ unofficial mascot of the 2008 TONYs

In more horrific news the 1,002nd revival of Grease --yeah, the one that had its own idiotic reality show to pollute your airwaves --was also nominated in the revival category.I hate stage versions of Grease but I love this Olivia Newton-John theme that the TONYs have going on. She better be invited to host or present or something. So, let's go back to Xanadu to wrap up.

TFE favorite's theatrical hunk Cheyenne Jackson was passed over for lead actor which was no great surprise. He's game for those short shorts and his voice is super (as always) but "Sonny" has never been much of a role. Kerry Butler (pictured right), previously TONY snubbed for funny work as Penny Pinkleton in Hairspray a few years back, was justly honored though with a Best Actress nod for her gut-busting Aussie accent and Olivia Newton John send-up.

I smiled and laughed so much watching Xanadu on Broadway (seriously) that I can't recommend it highly enough. It's deeply deeply silly. If you love silly, go immediately. If you don't, avoid at all costs.

The TONY Awards will air on CBS on Sunday, June 15th.

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Back to the main blog if you're done with the stage: the movies await. Or dance on over to further reading if you're a Broadway nut: ModFab gets into the nitty gritty of the snubs and surprises * TONY's official site for the complete nomination list *
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