Showing posts with label Haley Joel Osment. Show all posts
Showing posts with label Haley Joel Osment. Show all posts

Tuesday, July 13, 2010

Earth's Mightiest Links!

Risky Business a hideous sounding new version of The Hunchback of Notre Dame may be upon us. Action/adventure... inspired by The Pirates of the Caribbean. Huh?
Movie|Line thinks that Salt is going to be bigger than Inception. I've been thinking this too, yo. I don't know why but I think Salt is going to be massive... we're speaking of box office, mind.
Empire Haley Joel Osment is 22 now! He's returning to the screen after a long absence to play a virgin teacher in the comedy Sex Ed.
Cinema Blend Edward Norton calm about The Avengers situation.


In Contention the top 10 performances in Chris Nolan films. Hard to argue with #1 but otherwise I'm sure there's room for debate.
Guardian Will Mélanie Laurent be the biggest French export since Binoche?
MTV Alan Ball (Six Feet Under, True Blood) is already eyeing a third HBO series. Good luck topping the previous two. P.S. Why doesn't my beloved Joss Whedon make the jump to pay cable. I'll never understand it. He's perfectly suited for long form writer driven stuff. God, I hate this Avengers movie, tying up all these people.
That Obscure Object "I wish this excuse was still relevant." Teehee

Finally, behold and gape at this Toy Story 3 finger painting.



Having "painted" on my iPhone, I frankly cannot believe that someone can do this (although I'm sure it would help to have that larger iPad surface).

Wednesday, August 19, 2009

"Please make me a real boy?"

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"And always let your conscience be your guide."
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Thursday, August 06, 2009

Ten Years Ago Today...We First Saw Dead People

Hello, all. Kieran here (aka the Know nothing Know it All). Ten years ago today, M. Night Shyamalan's The Sixth Sense hit multiplexes to massive audience and critical acclaim. Massive (it bears repeating). Shyamalan was essentially unknown, as was little Haley Joel Osment (the film's star, even though he landed a supporting actor Oscar nod). Still, the film spent five weeks at number one spot at the box office—no small feat these days for films not about Batman. 2009 is more than half over, and only two films have managed to remain number one for two or more consecutive weeks—Paul Blart and Transformers (yikes). The Sixth Sense achieved a lot of cultural capital.

Revisit it. It's still utterly watchable, not for the moments where it genuinely scares you (of which, there are plenty) but for its moments of true human drama. Plus, I love a film that's both a zeitgeist hit and a showcase for its actors. The scene where Osment talks to Toni Collette about her dead mother still brings tears to my eyes a decade later (and probably brought Collette her Oscar nod). Alas, Shyamalan has been struggling to find the magic again. He has yet to match its success, both critically and financially. Will he find it again? His next effort, The Last Airbender, due out sometime in July 2010 doesn't look promising. But who knows? The Sixth Sense showcased Shyamalan as a gifted storyteller, and though he may continue to disappoint, I'm thankful for an industry that allows him to try, rather than turning him into Michael Cimino.

Another 1999 horror offering, The Blair Witch Project, which had its ten year anniversary sometime last week, may not have aged as well, but they both remain clear cultural markers for the movie industry, n'est pas? Blair Witch is credited as the first film to utilize Internet marketing on a grand scale, and there was even talk of how said technology would reinvent the film industry (yawn). It definitely helps to spread the word about smaller films that might have been a just-miss otherwise, but viral marketing is now so commonplace that (like all marketing) it mostly helps those with a lot of money make...more money. Where were you in 1999 when you first saw The Sixth Sense and The Blair Witch Project?

P.S. Can anyone think of a year in recent memory besides 1999 that was a bigger year for event moviemaking? 1999 brought us the two aforementioned hits, plus (deep breath now) Fight Club, The Matrix, American Beauty, Being John Malkovich, Magnolia and the beginning of the new Star Wars trilogy, each cinematic events in their own right. Kind of makes you wonder how The Cider House Rules and The Green Mile managed to worm their way onto the best picture shortlist that year...

Friday, April 10, 2009

Max & Haley

Today marks the 80th birthday (80th!) of cinema legend Max von Sydow. This year, a fan site points out, retrospective celebrations of his work seem highly probable. I bring this birthday up because my interview with him a year and half ago is still one of my favorite events from my Film Experience journey. He was so interesting to talk to. Consider the diversity of his resume: The Exorcist, The Seventh Seal, Awakenings, The Virgin Spring, Flash Gordon, Three Days of the Condor, Judge Dredd, Hannah and Her Sisters. He's worked with everyone from Ingmar Bergman to Steven Spielberg. If I could have tied him up for hours with more questions, I would have, believe me. His next film is Martin Scorsese's Shutter Island (previously discussed) and then we might see him in the WW II resistance fighter drama, Truth & Treason. He's not in the trailer so we assume he plays one of the characters as an older man in an epilogue.

On the other end of the age spectrum is von Sydow's upcoming co-star in that picture, Haley Joel Osment. He turns 21 today. He was once everyone's favorite tiny medium (The Sixth Sense) and little android (A.I. Artificial Intelligence) but we haven't seen him for years. Growing up is always difficult for child stars. Their faces change or don't change enough. There's that brief awkward phase or whole long stretches of it. We haven't seen Osment much recently but he does have two films in the works, the aforementioned Truth & Treason and an indie comedy called Montana Amazon in which he co-stars with Olympia Dukakis.

Maybe he isn't ambitious about having a big film career as an adult but if he is I figure both M. Night Shyamalan and Steven Spielberg ought to offer him something good to help him with the transitioning. They way I see it they both owe him --think of how much weaker both of those films immediately become with anything less than a preternaturally gifted child actor in their demanding roles.
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