Showing posts with label Michael Ballhaus. Show all posts
Showing posts with label Michael Ballhaus. Show all posts

Tuesday, November 03, 2009

Halfway House: Oh Suzanne-ah

Halfway through the day we freeze a movie halfway through. What do we see?

Doris Mann: Have you known Suzanne long?
Jack Faulkner: Ah, lets see. we've known each other about a month. It seems like longer, though.
Doris: Oh, I know what you mean. I'm her mother and it seems like longer.
Fifty minutes into Postcards From the Edge (1990), Jack (Dennis Quaid) has dropped by to pick up Suzanne Vale (Meryl Streep) for a date. Her mother (Shirley Maclaine) intercepts the man with the bedroom eyes ('and the living room nose and the kitchen forehead'). The performers are deliciously insynch with Carrie Fisher's rapid fire witticisms.

One of the reasons people get so invested in the Oscars is the joy that comes from arguing about whether or not the octogenarian institution got it right in any given year / category. When it comes to Postcards From the Edge, they got it very very wrong. It's one of the best movies about movies ever and it only received two nominations. Even Fisher's adapted screenplay, superior to some of the actual nominees, was snubbed. Dennis Quaid and Gene Hackman were both doing sly work here as Suzanne's player boyfriend and sympathetic director, respectively. But both actors didn't break a sweat in roles that wouldn't really be Oscar's thing even in the best of circumstances.

But then there's Shirley "It twirled up!" Maclaine. Hollywood usually loves it when Hollywood celebrates or satirizes itself as you can see in acting nominations like Dustin Hoffman's in Wag the Dog, Jean Hagen in Singin' in the Rain or Michael Lerner's for Barton Fink (among many others). But Shirley, who is a complete knockout as Debbie Reynolds substitute Doris Mann whether she's singing, cracking jokes, or winking for our sympathy, was bizarrely snubbed.

I'll never figure that one out.

I notice something new in the performances each time I see Postcards but the last time I popped it in the player I was totally amazed that I'd never caught this non-acting related detail (pictured below)


When Gene Hackman yells "Cut. Print." at the end of Meryl Streep's Oscar nominated "I'm Checking Out" musical number, the clapboard is not for the fictional film they're shooting but for the actual film we're watching (Postcards from the Edge) with its actual director Mike Nichols and cinematographer (the great, still unOscared Michael Ballhaus). How fun.

If you don't love Postcards don't tell me cuz I don't want to know. But if you do, tell us your favorite bit in the comments.
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Thursday, July 16, 2009

F&L

First and Last ~the first image after the opening credits and the last image before the end titles. Can you name the movie?


Clue: Cinematography by the great Michael Ballhaus who still has not won an Oscar. grrrrr

Highlight for the answer: Rainer Werner Fassbinder's FOX AND HIS FRIENDS (1975) for all first and last puzzles, flick the label
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Tuesday, August 07, 2007

Starry Starry Pfeiffer

Guess who finally got their star on Hollywood's Walk of Fame? It's a closely guarded little known secret here at the Film Experience but Nathaniel (c'est moi) is actually a teensy bit of a fan of this woman...


Yes, Michelle Pfeiffer was honored yesterday with a star in Hollywood. It's about f***ing time. Pfans can now make the trek to Hollywood to polish the star, gaze at it in reverence, deem the stars next to it completely unworthy to be in its proximity, and then kneel down to take dozens of cheesy photos with it. (I've just described my next vacation ...don't judge)


Here are some more pix (thanks to Tina for sending me these and MK for thinking of me at the event. I really did intend to go --I haven't been to LA in too long --but the date was shrouded in secrecy until it was too late for poor New Yorkers to figure it out)


I wish I could have been there to cheer from the sidelines but even seeing the photos pfills me with happiness. A well deserved honor I'm sure you'll agree.

If you've stumbled upon this site by a link/search accident and you're still reading, there's more. You can search the Pfeiffer label below for recent postings or catch up on key Pfeiffer articles from the past or just look around --I love other things besides Michelle. Only not quite so much.

Catwoman Top Ten Line Readings
Top 10 "Actresses of the Aughts" she'd be higher but she hasn't worked in five years
Fabulous Baker Boys
and the cinematography of Michael Ballhaus
Susie Diamond her post Makin' Whoopee monologue
Catch That Wave gearing up for La Pfeiff's comeback
Michelle Pfeiffer is... (character collage 91-02)
Michelle Pfeiffer is... (character collage 82-90)
Pfeiffer Pforever a Blog-a-Thon (34 participating blogs)
Pfandom rarely updated but trivia, galleries and reviews

tags: Michelle Pfeiffer

Tuesday, July 17, 2007

Michael Ballhaus and The Fabulous Baker Boys

It's Pfeiffer Week

Ten (semi-randomly selected) reasons why the cinematography of The Fabulous Baker Boys (one of the best films of its decade) should've won Michael Ballhaus the Oscar. [click to enlarge]

10. It understoods how to introduce Susie Diamond and (re)Introduce Michelle Pfeiffer

09. It has gorgeous but subtle recurrent motifs...

08. ...that also serve to reveal character. These shots nail Jack Baker's relationship to women (as often as Jack nails women).

07. It understands how cold and lonely Jack Baker really is.

06. The camera movement has a sense of humor (This right to left pan has a funny punchline)

05. "Making Whoopee"
Michelle is exquisite. So is the choreography of the camera and lights.

04. The production's consistent color palette is superbly served through the soft lighting. Speaking of soft... you never get the sense that Baker Boys is lit with anything less than full purpose and yet it never strains for grandeur or effect.

03. ...see what I mean?


02. The cinematography consistently fires on all cylinders: composition, lighting, movement all serving the emotion, the characters, the very soul of each scene

01. Michelle Pfeiffer's beauty is properly mythologized.