Top Ten: NC-17 Box Office Champs

Robert here. Did you know that yesterday was the twenty year anniversary of the NC-17 rating?  That tag, applied to the most controversial of films, has developed the most controversial reputation itself, with artists and advocates complaining that it's implemented unevenly and scares away theaters an rental providers.  We're going to leave all that be for now and instead celebrate the ten films that, despite or because of their NC-17 reputations, lead the pack.  Here are the top ten money-making NC-17 films.

10. Wide Sargasso Sea (1993) $1,614,784
Rated NC-17 for strong, explicit sexuality
Does this one not sound familiar to you?  Released early on in the rating's lifetime, speculation is that while there's plenty of sex, it was the full-frontal male nudity that pushed the MPAA rating's board over the edge, probably the sort of thing that would easily get an R today (but you never know).  NC-17 films were relatively rare early on (not that they're plentiful today) and the rating's promise of scandalous titillation added interest to this film that history has forgotten.

9. Bad Lieutenant (1992) $2,000,022
Rated NC-17 for sexual violence, strong sexual situations & dialogue, graphic drug use.
While most of the films on this list can attribute their rating almost entirely to violence or sexual content, Bad Lieutenant serves up a healthy helping of other material as well, specifically it's prolonged scenes of drug use.

Not that the rape of a nun and Harvey Keitel's almost legendary full nude scene are things to scoff at (and we may wonder if the drug use alone would have earned an NC-17).  The film's sacrilegiously controversial reputation undoubtedly has helped boost it's earnings (the quality product behind the hype doesn't hurt either) and continues to buoy the film's position as a cult classic.

8. Crash (1996) $2,038,450
Rated NC-17 for numerous explicit sex scenes.
Sex and car crashes.  Crash is a film which, fifteen years later, still divides audiences and still provokes shock.  It's a testament to Cronenberg's skill and bravery as a director that he can delve head-first into such unspoken fetishes and ending up with a film that many still consider a masterpiece.  As is always the case, the NC-17 film was both a boost and a hindrance, allowing producers to slap the tagline "The Most Controversial Film in Years" on the film while simultaneously cutting an R-rated version for more sensible tastes.

7. The Dreamers (2004) $2,532,228
Rated NC-17 for explicit sexual content
It's fitting that Bertolucci grabs a spot on this list, as his work has always advanced the cause of intelligent erotica.  The trick here, as it always has been, is giving you passionate sex and nubile bodies (in this case Louis Garrell, Eva Green and Michael Pitt) to gaze at packaged in a manner that makes you wish you hadn't been turned on.  In the case of The Dreamers, we're presented with an incestuous love triangle with enough full frontal that the eventual rating couldn't have shocked anyone.  Cinema lovers can enjoy the classic cinema homages.  Francophiles can drool over the setting of 1968 Paris.

6. Tie Me Up! Tie Me Down! (1990) $4,087,361
Rated NC-17 for scene of strong adult sensuality with nudity.
With a title that promised Sado-masochistic treats and s director coming off his biggest hit to date Tie Me Up! Tie Me Down! boosted Pedro Almodovar's reputation as a chronicler of obsession and sexuality to the point where now we expect content for Almodovar that borders on the NC-17 line.  The film itself is the most delightful dark romp present on this list.

5. Lust, Caution (2007) $4,604,982
Rated NC-17 for some explicit sexuality.
Ang Lee's follow up to his Oscar win is a great example of how a distinct confluence of events can temper the NC-17 boogey man.  Combine a high profile director, and independent release and a sex scene so essential to the film, that to cut it would be disrespectful to said high profile director, and you've got uncensored success.

A brief aside about the bizzare marketing that accompanies NC-17 films.  The censored Lust, Caution DVD made for rental chain shelves, promises "the R rated film, not seen in theaters" and if you didn't know that was a downgrade, you'd assume, as I imagine is the point, that you're getting added kinkiness.

4. Bad Education (2004) $5,211,842
Rated NC-17 for a scene of explicit sexual content.
Pedro Almodovar's second entry on this list is a film where the sexual content is most definitely not meant to  arouse.  The film is a neo-noir based around the victim of an abusive priest.  As with his last NC-17 film, Almodovar uses the springboard of his greatest success to release a film that can only work with the content that most distributors would quickly flinch at.

3. The Cook, the Thief, his Wife and Her Lover (1990) $7,724,701

Rated NC-17 for adult situations/language, nudity, sex
My great old film professor's story goes, he showed this film to a class and got into a bit of trouble.  Truth told, the violence, death by forced feeding, sex in meat lockers and cannibalism can overwhelm some of the films other creative visual constructs (for example, the colors of characters' outfits change as they walk from one room to another).  But director Peter Greenaway knew what he was doing and knew what he wanted.  This film is still that for which he's most known.  And it's hard not to ignore the bizarre courageousness of any film where Helen Mirren utters the phrase, "Try the cock... it's a delicacy."

2. Henry & June (1990) $11,567,449
Rated NC-17 for adult situations/language, nudity, sex
The first film ever slapped with the NC-17 distinction and it shows.  The story of Anais Nin's unconventional relationship with Henry Miller and his wife June and how it inspired Tropic of Cancer these days seems, if not tame, certainly unworthy of the rating.  But as the ratings board was still figuring out what would qualify (apparently three-way sex and brothel scenes made that list) they handed Henry & June a PR victory and the movie practically marketed itself.

1. Showgirls (1995) $20,350,754
Rated NC-17 for nudity and erotic sexuality throughout, and for some graphic language and sexual violence.
I give you, the grand champion.  Look at the difference between the moneys made by this monster and our number two film.  Showgirls is the only movie on this list that still has a place as a pop culture phenom.  That place may not come with the most respect in the world (although I'd argue it never was meant to) but the combination of good marketing, quality camp and copious nudity (hiring a previously "good girl" actress didn't hurt) propelled Showgirls easily to the top of this list.  Considering the small-release, art house atmosphere that most NC-17 films niche into today, I wouldn't expect a challenger to Showgirls' crown any time soon.

How many of these films have you seen?
*

Top Ten: Antonio Banderas

Happy 50th birthday to Everyone's Favorite Spaniard™* Antonio Banderas.

He was already celebrating the big day yesterday in the port of Marbella with Melanie Griffith, the Mrs. Banderas. okay okay it was her birthday yesterday but we're not really fans [cough to put it mildly]. What is it with celebrities born a day apart getting married? Madonna & Sean did that, too!

Antonio has been fading from the limelight this past decade which is kind of a shame because he would have made a much better "Guido Contini" than Daniel Day-Lewis in Nine (2009) so why didn't he get the chance to help make it work onscreen (and make no mistake, he would have helped. You need a certain type in that role. DDL is many great things but is a charming cad really one of them?) But if you've been missing him, fear not. A mini-'Tonio revival is coming with the Broadway revival of Zorba the Greek on its way and (finally!) a reunion with the man who brought him to international fame, director Pedro Almodóvar for the movie called La Piel que Habito (The Skin I Live In) which supposedly begins shooting this month.

The Film Experience had planned a rather huge 50th celebration today in Antonio's honor, and figured to sneak in a little contemporary Angelina Jolie love via a trip back to their erotic romp Original Sin (2001) and maybe a collection of favorite photos and that sort of thing. Truth: I've never seen that erotic thriller. And why the hell not given that both of those movie stars know a thing or five-hundred about working their sexual mojo for the benefit of the camera. But plans... they do get away from you.

But since it's Tuesday, and I've been neglecting the top tens...

Ten Favorite Banderas Roles

10 "Miguel" in Philadelphia (1993)
I don't really care for the movie, Jonathan Demme's bizarrely toothless and middlebrow follow up to the stellar Silence of the Lambs, but what a boyfriend Banderas made. The movie's authenticity was always in question because it was readily apparent that Tom Hanks's lawyer had no desire to ever touch his Spanish hunk. Imagine having Miguel to yourself and never manhandling him? That's just... Well, it's actually against the law.

09 TBA: I'm reserving this spot for a second viewing of Matador, the only Almodóvar I've actively disliked. Maybe I missed something? And I've never seen Spy Kids. It's true. Is he fun in that?

08 "Zorro" in The Mask of Zorro (1998)
It's as if Banderas' ascendance forced Hollywood to remake it. He existed therefore the movie had to.

07 "Guido Contini" in Nine (Broadway revival)
I've written about Nine too much. I have not another word in me. From now on, I shall only hum the theme song.

06 "Puss in Boots" Shrek 2 (2004)
He's the one redeeming factor of this soulless behemoth franchise. Just hilarious and relentlessly charming. Oh, those eyes!!! Who can resist? I'm talking about the Puss but I totally get it if you were thinking about Tonio's brown orbs.

05 "El Mariarchi" in Desperado (1995)
<--- Cool guys don't look at explosions.

04 "Antonio Benítez" in Law of Desire (1987)
Benítez was a dangerously unstable, often naked, highly annoying young man but Antonio played him superbly. More importantly, this film was an early but substantial example of the difference between rising European actors and rising American fame-seekers. In the former case they generally understand that it's about serving the auteur, the character and the movie, not about working on your "image."

---> The truth telling image to your right is pilfered from this all time classic blogpost from Adam, a friend of The Film Experience.

Law of Desire is actually my favorite Almodóvar movie for personal nostalgia reasons. It's the second one I saw -- after the film that actually followed it Women on the Verge of a Nervous Breakdown -- but the first I sought out because of the man behind the curtain. I was not disappointed.

03 "Ché" in Evita (1996)
02 "Antonio Banderas" in Madonna: Truth or Dare (1991)
Because this double feature captures the memorable Madonna thru-line of his international stardom so superbly. They made such a beautiful imaginary couple. At least Madonna thought so.

"I've been wanting to meet Antonio for years. I finally get to meet him and he's married. That's one of life's little fuck-overs."
____-Madonna aloud while sitting next to Antonio.

"I said 'Oh, this is such a disaster. He's married.' He goes 'Oh, in Spain it doesn't matter.' ...Is that man beautiful or what? There's got to be something wrong with him. He probably has a really small penis or something. Oh God. There has to be something wrong with him because nobody is that perfect."
____-Madonna to Nikki in the bathroom of Almodóvar's party

01 "Ricky" in Tie Me Up! Tie Me Down! (1990)
Almodóvar movies are often blessed with sexual heat (Last year's Broken Embraces is a recent example of the director's gift in this arena)... but there's virtually nothing in the Almodóvar collection that's hornier or hotter than Banderas and his prisoner, the sadly undervalued Victoria Abril, attempting to climax simultaneously in this NC-17 rated stockholm syndrome romance. Even better is the shockingly moving fully clothed moment later in the movie when... no, I shan't spoil the movie. See it.

This post is free. The price you pray for reading is a word or four about Antonio in the comments. Go!

*circa 1990s. Later Javier Bardem and Penélope Cruz would war over the designation. They finally called it a draw and married.

The Art of Self-Advertising

Adam of Club Silencio here. In full anticipation for Broken Embraces (and full disgust with a US dramedy of Women on the Verge of a Nervous Breakdown), let's play Six Degrees of Pedro Almodóvar! One rule: you can only use Pedro Almodóvar movies...


Upon re-watching his brilliant film-noir tribute Bad Education, I couldn't help but notice how many times Pedro actually pays tribute to himself and even gives advanced previews to his own films. Simple enough I suppose when one of the lead characters is based on Pedro himself (in)directly: a queer filmmaker drawn to offbeat character pieces and an explosive exposé on Catholic priests exposing themselves.

Decked out in alter-ego Pedro's production office are posters accentuating these close ties. The two worth special notice are for a film titled La Abuela Fantasma, which translates roughly to "Ghost Grandma." I can only assume this means Almodóvar was tinkering with Volver at the time - his sensational saga of a mother seeking closure beyond her supposed death. Or at the very least he was interested in making a Spanish variation on Ghost Dad.

"She's old, she's bold, and she's back from the beyond!
She also has candy in her purse."

Of course Almodóvar already gave us early glimmers of Volver way back in 1995 with The Flower of My Secret, in which he (in)directly tells of a Pedro-like author veiling her potent plotlines behind fake names. The film has our alter-ego author criticized by the angriest of agents for delivering stories that seem too absurd, without any discernible love behind them. One dissed idea is Volver down to a tee:

"A novel about a mother who discovers her daughter's killed her father who had tried to rape her? And so that no one finds out hides the body in a cold-storage room of the neighbor's restaurant?

Glad she's not Pedro's actual agent! Volver would have never seen the light of day. But by that description alone, one can barely imagine Volver's eventual richness and stunning ode to a mother's devotion.


Pedro also taps into his back-catalogue with a second dissed plotline:

"Who'll dream of people living in a seedy slum like the living dead? Who'll identify with a protagonist who works emptying shit out of hospital bedpans, who's got a junkie mother-in-law and faggot son who's into black men?"

Well, pissy agent woman, perhaps fans of What Have I Done to Deserve This? would identify with that... only replace "black men" with "creepy pedophile dentists."

Plus, even if it goes unspoken, a film like Tie Me Up! Tie Me Down! certainly takes a knowing thematic leap from Law of Desire, with its "stalkers make the best soulmates" conceit. (A clingy Antonio Banderas is still Antonio Banderas.) Almodóvar's one of the few auteurs whose ideas we've seen visually and vocally gestate throughout his career. The inspired streams of consciousness for his characters eventually become the inspirational threads for his finest films. It's this kind of self-influence that leads to such personal, passionate and effortless touches on his part. It's also I'm sure what leads to his mammoth collection of devoted followers. You know the type: bloggers who make the most of insignificant details in his films.