Robert Redford is in the air. He hasn't dissolved into something atmospheric (stop being so literal!) but his name keeps turning up. Last week his two early sexually fluid performances opposite Natalie Wood (This Property is Condemned and Inside Daisy Clover) were playing here in New York and next month in Brooklyn BAM Cinema hosts a retrospective. It culminates on September 13th with four films and the Sundance Kid himself in person. For whatever reason they've narrowed down the final four to Redford as romantic figure, often paired with true giants among actresses.On the last day they're screening...
- Out of Africa (1985) The Best Picture winning bio in which Redford can't be tamed by Meryl Streep's author/heroine but gladly offers up shampoo and stud services.
- The Natural (1984) this prestige pic is a mythic baseball drama. Redford and cast are bathed in Caleb Deschanel lensed sunshine and the lovely ladies include then rising stars Barbara Hershey, Glenn Close (Oscar nominated here... though I'm still not sure why) and Kim Basinger.
- The Electric Horseman (1979) Redford and Jane Fonda fall in love at the rodeo. And compete in a Best Feathered Hair competition.
- The Way We Were (1973) in which Barba Streisand falls hard for Redford but McCarthy era Hollywood tears them apart
Here's the difficult part: You can only choose one. They screen simultaneously, somewhat staggered due to running times, and then the man himself appears to talk about his career to the moviegoing crowd. I'm tempted to go Horseman (the only one I haven't seen) but The Way We Were is easily my favorite among those films. It's so underrated and much more expansive than its veneration as Classic Chick Flick suggests. If you ask me, Barbra Streisand deserved the Oscar in 73. Her chemistry with Redford is every bit as remarkable as you've heard. No wonder Carrie Bradshaw obsessed so.*
Posts
