Showing posts with label Eric Bana. Show all posts
Showing posts with label Eric Bana. Show all posts

Monday, August 31, 2009

Eric Bana-nanza

Dave from Victim of the Time here, wondering why Eric Bana isn't a legitimate movie-star yet. I don't like to be an undue influence, but if I were in charge of Nat's Film Bitch awards for this year, Eric would be the current front-runner for the 'Body of Work' award. You'll all remember Star Trek, of course, where Bana played the main villain, the Romulan Nero, and put a lot of energy and zest into a role that wasn't given as much attention as it probably should have been. Since then, he's recently had two more roles that amply show off both his acting chops - in strikingly different ways - and his almost limitless charisma. (He also starred in the Australian film Romulus, My Father, but who knows when that'll reach my eyes...) In a coincidental move that surely inspired this post, I happened to see both of these Bana-starring films within the last week.

The Time Traveler's Wife is a disappointing adaptation of Audrey Hiffenegger's immersive, emotional novel, but you can't blame the cast (or indeed the casting director). Rachel McAdams is tender and sympathetic as Clare, perhaps missing a bit of the fierce passion and independent spirit of the book's Clare, but then the script goes for the romantic heartbreak rather than the book's mixture of romance and intellectualism. There's only so much you can fit into two hours, I suppose. But Bana is really the star here. Working within the script's slimmed down plotlines, he effortlessly conveys the bizarre difficulties and odd pleasures of the time travelling concept, instantly makes you comprehend why he loves Clare, while maintaining the book's unspoken edge that part of his love for her might be the simple need to have a purpose. Bana provides the movie with an emotional weight it would otherwise lack; the movie provides him with a chance to prove he is the romantic leading man the industry seems to be without at the moment. (Feel free to challenge me on this, but I can't think of anyone.)

But he saved the best for last. Or, for you Americans, he served up a rather lovely sandwich (choose your own filling for this metaphor), for Funny People, despite what the poster might pretend, is Bana's film. He steals it from under the noses of more seasoned film comedians (admittedly not particularly good ones) and jolts the film out of the odd, pitiable funk it's descended into. It's well-worn trivia that Bana was a stand-up comedian before he was spotted for his break-through performance in Chopper, but, despite Funny People's premise, Bana's character Clarke asks a different kind of comedic poise from Bana. Clarke is a stereotypical Australian dominant male figure with a rabid business sense and an aggression in both his humour and his temper. Bana displays impeccable comic timing in his interactions with Adam Sandler, Leslie Mann and Seth Rogen (as well as his on-screen children - their Chinese conversation provides the film's biggest laugh) as well as fine balance in keeping Clarke out of the realm of caricature. It's not a stretch to say his work here is a film-saving turn.

Bana's filmography since Chopper is a selective bunch of films, and it has to be said he's not always saved it for the best roles - Troy was a disaster (Bana emerged as the best thing in it), as were Lucky You (again, not his fault) and The Other Boleyn Girl (I don't who to blame for this), and, despite my opinion being that it wasn't half-bad, Hulk was hardly the vehicle to stardom anyone would have wanted. Maybe this terrific year will propel Bana to better things. He has the charisma, the talent, and the looks. Now he just needs to be allowed to use them more often.

Thursday, August 13, 2009

New Releases + Hitchcock

I'm talking about Alfred Hitchcock's birthday and this week's new releases in my column at Towleroad. The obvious highlights from the newbies are Ponyo (sight unseen but it's Miyazaki so we're fine) and District 9, which I have seen. Katey and I will have a vodcast up soon to discuss the very bloody but very exciting alien action flick. But for now, the column
There's quite a variety of new product at the multiplexes. Let's start with the romantic drama, The Time Traveler's Wife in which Eric Bana keeps disappearing and reappearing in Rachel McAdams life. Wait, is he playing Ryan Gosling?!? This vanishing / reappearing act is probably a great metaphor of some sort for romance, though I haven't read the bestseller so I've no idea if the concept is executed well. The faithful are angry that they've changed it to something sunnier. Hollywood is so terrified of sad endings, even in tearjerkers which are supposed to make you cry.
read the rest at Towleroad

Friday, May 15, 2009

Desperately Seeking Eric Bana

Create Your Own


help me. I'm not even a Trekkie.

Friday, May 08, 2009

Review: Star Trek (XI)

"Star Trek" the franchise is 43 years old. If it was experiencing a midlife crisis for the past seven quiet years after Star Trek: Nemesis (2002) it has now emerged with a flashy new vehicle and facelift to restore an impression of vigorous youth. The flashy new vehicle in question is driven by JJ Abrams, the television wunderkind behind Lost, and the youthful sheen comes from new actors all of whom, save John Cho (as Lieutenant Sulu), are younger than the actors who originated the same characters were in 1966.


Since Star Trek is so long in the tooth, we bring a lot of personal history into the theater with us. For my part, I grew up with it in heavy rotation. My entire family and several of my friends loved it. I did not. Unless the Lieutenants, Uhura and Sulu, were prominently featured in an episode I despaired that I couldn't watch something else. Maybe it's hard for anyone under, hmmm 28 (?), to contemplate but it's true: in the 70s and for most of the 80s there were not 100s of channels, DVRs, plentiful home computers, internet television ... there really wasn't a way to not watch what everyone else wanted to watch. Unless you went without TV... GOD FORBID! So I grew up resenting Star Trek and I bailed as soon as I could. I've only seen a few episodes of Next Generation, never seen an episode of Voyager or Deep Space Nine. My knowledge of ends 'round about the mid to late 80s... and if the new film makes any reference to movies Star TrekVI-X, I wouldn't know. I can only assume it does. One could even title the new movie Star Trek XI: Deep Space Punchine because it's very interested in poking fun at its own history.

Which is not to say that Star Trek (2009) is an winking self parody. It finds the right balance between action, drama and comedy. Since we didn't need another Star Trek movie, we should be very grateful that this one isn't heavy with portent. So many gazillion dollar spectacles are. It has fun with the concept of this particular universe rebooting, quite literally at that, given the time warp plotting.

The rebooting happens by way of a prologue in which the evil Romulan Nero (an unrecognizable Eric Bana) emerges in the past (our future) from the future (even more futurey!) and kills Captain Tiberius Kirk, Kirk's father. Nero seems miffed at which Stardate he's returned to and we find out a little later that he was a bit earlier than expected. Sound confusing? That's time travel for you! See he wasn't out to kill Kirk's father (like some Terminator on a Sarah Connor mission) but to wreak elaborate revenge on Admiral Spock (Zachary Quinto). This murderous kickoff is dramatic, action packed and if it's a touch over the top (Kirk Jr's birth has to be shoehorned in to up the dramatic ante) it's still an effective opener.

Cut to: Key shorthand bits from Spock and Kirk's childhoods (a bit extraneous given our familiarity with the characters) and then we're on to several scenes which reintroduce us to the half dozen characters we presumably know and love detailing how they came to know each other and join Starfleet. This is a lot for a movie to juggle before it's even approached it's major plot conflict but Abrams and his screenwriters Roberto Orci and Alex Kurtzman keep the pacing zippy and the introductions wisely spaced out and interwoven with the larger narrative of Kirk and Spock's journey towards the bridge of the Enterprise.

For instance, Lt. Uhura (Zoe Saldana) is slipped into our first true chance to study Chris Pine's Kirk but we don't get Scotty (Simon Pegg) for a good long while. There are too many origin stories in genre fare (as if audiences hate using their imagination for back story) but this time it doesn't feel like a burden, partially because it's broadly sketched but also because the actors are encouraged to have fun with these familiar and, let's face it, limited personae. Star Trek is often clever and though some jokes are obvious or purely nostalgia based ("Dammit Jim I'm a doctor not a..."), the movie doesn't stop to admire any of this fancy storytelling footwork. It's too busy leaping and running through the scenes.

The production design is also wisely calibrated. This world is light and airy, immediately setting it apart from all the heavy handed and darkly hued genre fare we've been seeing for several years. It's shiny and modern enough to feel jangly and fresh but bright and colorful enough to feel a bit retro. Again, they've achieved a crucial balance.

But back to the storytelling. By the time the Enterprise crew is in pursuit and then direct combat with Nero the movie has clearly formed its identity as an action film first, a nostalgic dramedy second. The pacing in the second half is a bit more questionable with two action sequences (an alien monster chase and a comic piece with an endangered Scotty) that could have been discarded without a single effect to the narrative -- which probably means they should have been. The one "break" from the action, the entrance of old Spock (Leonard Nimoy), is that rare "exposition" scene that doesn't overstay its welcome and also fuses the action plot with the character journey in a particularly pleasing way. More action films should make sure these two elements work in tandem.


There are a few hints that they were really read to rethink the franchise -- I loved the early (red herring) suggestion that the USS Enterprise would have a different heirarchy of power -- but the movie mostly works as revival rather than as a reimagining. I'm not sure how much staying power the new Star Trek installment will have (though it will definitely power future installments making the question moot) but it's a breezy and entertaining two hour blockbuster. And remember, I don't even really like "Star Trek." Buy lots of popcorn. B+
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Saturday, August 23, 2008

Day of Rest


Shhhhhhhh. Eric & Scarlett and I are just going to stay in bed today. Consider this a 'Do Not Disturb' sign. You've heard that Scarlett is into threesomes now, right?
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Wednesday, June 11, 2008

Puny Humans. Hulk Link!

jolly green giant
In Contention thinks The Incredible Hulk is improbably "incredible"
Slant
is not as impressed but thinks the final setpiece is slamming
Movie Marketing Madness
has a lengthy and informative piece on the marketing and release decisions

Strange confession:
Last week I spent a whole 30-45 seconds wondering whether Eric Bana would like it or not. What's wrong with me?

puny humans
Gallery of the Absurd
"Jack Nicholson, Geriatric Gigolo" -make sure to read the whole post --the back of the trading card is priceless
Shoot the Projectionist
looks at the readings of western culture in the abundance of zombie films these days
Zoom-In my review of Roman Polanski: Wanted and Desired. Not a new article but the movie has just started airing on HBO.
Club Silencio doesn't like summer movies and dreams of other upcoming releases
Stale Popcorn Glenn finally completes that mammoth "100 Greatest Movie Posters" countdown.

total "Betty"s
NY Times Dave Kehr on DVD sets honoring goddesses Sophia Loren and Catherine Deneuve
Getty Images
Deneuve mourns Yves Saint-Laurent
Reverse Shot
has a terrific review of Sex & The City. I liked the movie a lot more but I'm 100% with Chris Wisniewski on the "corrective" in terms of Samantha's narrative and the disappointingly limited thinking most critics have engaged in
Telegraph has an interesting piece on the same city girls and the 50s film template they spring from. Unfortunately they fall for the whole 'Samantha is a gay man' meme that Reverse Shot warns us off of

Tuesday, May 13, 2008

Top Ten: Princes in Cinema

tues top ten: for the listmaker in me and the listlover in you

With the release of Prince Caspian right around the corner, I thought we'd take a look at some other royal boyz 2 men in the movies...

Top 10 Princes

10 "Prince Hector" (Eric Bana) in Troy
Straddling the abyss that opened between Brad Pitt's worst performance and Orlando Bloom's least sympathetic role, Eric Bana's massive thighs, chest and biceps performance emerged as this misguided 2004 film's only selling point and a breakthrough for him as a rising star. It remains one of the only times in this history of cinema where another male actor has managed to rip my eyes away from Brad Pitt. (Brad played all the roles in Fight Club, Sleepers, Legends of the Fall and Interview with the Vampire, right?)

09 "Prince Eric" in The Little Mermaid
He wasn't just tall, dark and handsome but he was so sweet and sensitive that you knew that Ariel needn't have given up her voice at all to be with him. True maybe she did. The film's sexual politics were all over the place but their love was true and came through in the line drawings and vocals and made that happily ever after plausible. You sure wanted him to "Kiss the Girl" [plentiful Little Mermaid posts. My apologies to the Disney averse]

08 "Charlie Princ(ess)" (Ben Foster) 3:10 to Yuma
Because he practically made the movie worth watching all by his lonesome. Free advice to all supporting actors in sleepy films: strut through the movie like you own it and you will. [Drawing to your right by Joanna. See prev post for more thoughts on this film]

07 Satan in South Park: Bigger Longer & Uncut
Because the Prince of Darkness as Saddam Hussein's bitch is an appropriately irreverent, immature and inspired conceit. Satan himself would probably LHFAO.

06 Prince Karl (Edmund Purdom w/ the voice of Mario Lanzo) in The Student Prince
Because he starred in the first movie musical I ever saw at the Redford Theater where I fell in love with old movies as a kid. Sentimental value, you know. I still try to go there to catch something whenever I'm in Detroit.


05
Prince Edward (James Marsden) in Enchanted
Few things last year made me happier than Marsden's send up of Prince Charming. From the fist biting to the bravado and bombastic enthusiasm. I heart Edward.

"116th and Broadway!!!"

04 "The Little Prince" in The Little Prince
Not so much for his cinematic outings per se but just for his existence and his profound and simple wisdom. I love Antoine de Saint Exupéry's classic so much that I've read it in three languages.

03 Prince Phillip in Sleeping Beauty
Hands down the best of all the fairy tale princes. He's a fuller character than most of them (who essentially have to be only square jawed marriage-material for the princesses). He's the actual hero of his film, too --a brave heroic dragon slayer. He looks great on a horse, giving the kiss of true love, flirting with a maiden in the forest, or bound and gagged by an evil pissed-off sorceress. In short: he's even hotter than David Beckham who played him in the Disney Dreams photo series [pictured, left] and just as believable as an underwear model.

02 Prince (Prince) in Purple Rain
I know, I know. He goes by "The Kid" here but His Purple Majesty has only ever played himself, don't you agree? And for that we're grateful. But mostly we're just grateful for the CD which we still listen to 24 years later whenever the mood strikes. Soundtracks don't come with better tracks than: Let's Go Crazy, The Beautiful Ones, Darling Nikki, Wednesday, Purple Rain, I Would Die 4 U, Baby I'm a Star, Father's Song and When Doves Cry. They just don't. If you ask us, Purple Rain was the true Thriller of the 80s.


01 "Hamlet" (most actors in the known universe) in Hamlet
Like The Little Prince, he can lounge in the throne room of this list, not for any particular outing but for his longevity, his indecisiveness (Hot. Well, not really... but relatable!) and Sybil-like quality: how can you not love a character big enough to morph into Mel Gibson, Laurence Olivier, Asta Nielsen, Richard Burton, Kenneth Branagh, Maximillian Schell, Kevin Kline, Campbell Scott, Ethan Hawke and beyond?

I'm sure you'll tell me who I've forgotten. Perhaps I'll be thrown into the stocks for this sin of omission.
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Friday, April 25, 2008

Hugh Jackman Pinches Himself. In a Manly Way!

Hugh Jackman's adamantium claws won't be onscreen again till 2009, but watch more and more Wolverine news litter the internet while we wait and wait... and wait. Here's a good snippet from Moviehole. Hugh doesn't want the kid who plays Wolverine as a youngster (Kodi Smit-McPhee) on the web because it's too full of pre-release speculation and movie expectations. Um, Hugh... he's 12. He's already running rampant online.

Wolverine, pinstriped @ 12 (Kodi Smit-McPhee) and @ 39 (Hugh Jackman)

The quote on Australia is also of note and goes like this
Recently I saw another five minutes, and I just pinch myself I'm a part of it. It's an amazing moment for Australian film. Fingers crossed we can pull off the ambitions being set
Aside from the visual of Jackman touching himself (OK, pinching isn't that sexy but it's Jackman -- shut up!) it's nice to see some honesty in sound bite interviews. There's both excitement, pride and a little worrying in there. As well there should be.

Yes, I'm too obsessed with Australia. Help me!

Incidentally, the apparently pin-stripe loving Kodi Smit-McPhee already played son to Eric Bana in Romulus My Father (for which the young actor won big raves) and before Wolverine (or after depending on release strategies) you'll see him as Viggo Mortensen's son in the upcoming adaptation of Cormac McCarthy's The Road. Quite a collection of father figures this kid is amassing with just three years in the biz.

Thursday, March 13, 2008

Hulk, Incredible ?

True story: I was drunk when I saw Ang Lee's Hulk ...which might explain why I liked it. Apparently, you weren't supposed to.

I am very seldom inebriated at the movies! It was a fluke, really. There was this jumbo frozen margarita and then another one and before I knew it I was in the Empire 25, hugging some startled friends who happened to show at the same movie but probably weren't expecting wobbly manhugs at the opening night of a superhero blockbuster. And then I was gobbling popcorn like I had not just eaten way too much Mexican food at El Azteca while I waited for Bruce Banner to get really angry. The next thing I remember was thinking 'why isn't he getting angry?' Then I think there were some mutant dogs and some CGI nudity that was just as prudish as actual flesh nudity in the movies. I do remember that. And then the Hulk started hopping around in the desert and I was 10 years-old again reading comic books.

And thus concludes my tequila soaked memories of that evening!

I recognized even at the time that Hulk had some problems -- like way too much time dilly-dallying before the action and the casting of Jennifer Connelly as the weepy girlfriend (seriously. does any actress need to branch out more?) --but I basically enjoyed it. So now they're trying a reboot with The Incredible Hulk. Here's the new trailer.



It doesn't do anything for me. I might be the only one thinking: Do Ed Norton and Liv Tyler really want to be the poor man's Eric Bana and Jennifer Connelly? I mean look at Julianne Moore trying to be Clarice Starling after Jodie! It's not always wise to take over a role that someone else originated. Not that you couldn't improve on Bana & Connelly in that movie, mind you. Clarice Starling was perhaps a bad analogy. It's more like Christian Bale taking over for George Clooney. Or maybe even George Clooney taking over from Val Kilmer. We'll see.

Maybe it doesn't matter who plays it. In Batman movies, the pointy cowl hides the man in the suit real well and CGI disposes of the actor altogether in Hulk. It's a paycheck for Mr. Norton either way.

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Monday, March 03, 2008

Ubiquitous in 2008 (Pt 1)

Last year we investigated actors who might dominate 2007, hard working SAG card holders with 3 or more movies arriving. Oddly many didn't have a "big" year. Will the casting director pets of 2008 fare better? You might want to buy stock in the following careers...

Ubiquitous Actors
Part 1 ~ A-K scroll down
for Part 2 ~ L-Z (click here)


If you're the type of moviegoer who regularly asks "who's in it?" than you're going to love the new year of movies or hate it depending on how you feel about these thesps, who might be all over your screens. This year is tougher to guess about since the ripples of the now ended writer's strike might be felt and actors themselves could go on strike soon. You'll be surprised to note that Cate Blanchett is not on this list. But be warned: she will be just as ubiquitous as ever on magazine covers, red carpets and screens this year since her two '08 projects will both be inescapable: it doesn't get much more high profile than Indiana Jones and the Place of the Thing or the reunion of Se7en's director and star David Fincher & Brad Pitt for The Curious Case of Benjamin Button. Both films are already in post-production so there's plenty of time for her to squeeze in something else. She doesn't sleep.

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Amy Adams has just woken up from her nap in a nearby meadow and hollow tree. Everyone's favorite new princess is ready for more close-ups. None of her upcoming films are as blockbuster-friendly as Enchanted but it's a safe assumption that she'll continue to sparkle in them. First up is Miss Pettigrew Lives for a Day, a period comedy in which she hires Frances McDormand as her personal assistant. Later she'll be cleaning crime scenes with another rapidly rising beauty (Emily Blunt) in Sunshine Cleaning, before putting on the nun's habit for the adaptation of the Pulitzer winning stage play Doubt (with Meryl Streep and Phillip Seymour-Hoffman). A lot of people will be predicting Doubt for a swath of Oscar nominations. It's an exciting water-cooler type experience as a stage play but as a film? We'll see.

Jennifer Aniston. Proclaiming that the ex Mrs. Pitt will be "ubiquitous" in a calendar year is a little like claiming that Michelle Pfeiffer will be beautiful, Tom Cruise crazy and Britney Spears tragic. But, let's say so anyway. Could be a bigger year that usual. She's part of the all star ensemble in the dramatization of the best-seller He's Just Not That Into You, she has the lead role in the romantic comedy Management and she's filming Traveling , a drama with Aaron Eckhart. Three more films are lined up beyond that to so she'll stay spotlit well into 2009.

Eric Bana The former Incredible Hulk won't go green this year (that gamma curse has now fallen on Ed Norton) but he's definitely earning some. Things get hot and heavy quickly. This month bring us the Australian drama Romulus, My Father with German wonder Franka Potente (Run Lola Run, The Bourne Identity) as his co-star as well as the already-in-theaters The Other Boleyn Girl (pictured right) in which he muscles Natalie Portman and Scarlett Johansson into his bed, poor things. He'll follow that by freaking Rachel McAdams out in The Time Traveler's Wife and he was supposed to cap the year off with some sort of glorified cameo in Star Trek as "Nero" but the movie is now pushed back to summer 2009. When tent-poles are delayed its often a bad sign.

Elizabeth Banks is F***ing Seth Rogen (offkey!) on YouTube

Elizabeth Banks, that naughty nozzle-loving comic delight from The 40 Year Old Virgin, is gracing the Vanity Fair fold-out for a reason. She's got a passel of movies coming out. The romantic Definitely, Maybe (Ryan Reynolds is a lonely dad and Abigail Breslin his matchmaking daughter) is already out. Later in the year she'll appear in the horror thriller A Tale of Two Sisters but it's a trio of comedies that could bestow A list status by year's end. She has the lead female role in the odd summer film Starship Dave in which a human-looking spaceship (Eddie Murphy) falls for her, displeasing the aliens who live inside him. Later in the year she returns with her Wet Hot American Summer co-horts Paul Rudd and writer/director David Wain for Little Big Men and she's also one of the two title characters in the upcoming comedy Zack and Miri Make a Porno (Zack is Seth Rogen). At Christmas time we might see her in Lovely, Still an elderly romance starring Martin Landau and Ellen Burstyn.

Emily Blunt is a tease. She glided down the stairs in just a man's dress shirt and her skivvies in Charlie Wilson's War (yowza) and then *poof* disappeared from the movie, leaving you wanting much more. As the top hat top girl on the new Vanity Fair Hollywood cover the year looks promising. First up is a co-starring gig with another cover girl Amy Adams in Sunshine Cleaning. She also has a supporting role in The Great Buck Howard an indie with John Malkovich as an over the hill entertainer. Most importantly, if Oscar history is any indication, she'll be enjoying an awards run next winter for the biopic The Young Victoria (previously discussed here) in which she plays... well, you've already figured that out. Oscar does love a royal. But... they don't always love younger queens. We'll see.

Jim Broadbent. Fans of this delightful and often inspired character actor have been hankering for another 2001. Remember that? He was right there providing dramatic, moving or hilarious support to 60% of the Best Actress nominees (in Moulin Rouge!, Iris, and Bridget Jones Diary) and he won the Oscar, too. This year could be as big. We hope that the father/son drama And When Did You Last See Your Father? (already completed) makes it to America. Then there are supporting roles in the aforementioned The Young Victoria and and some fantastical probable blockbusters like Indiana Jones and the Kingdom of the Crystal Skull, Inkheart and Harry Potter and the Half-Blood Prince. In the latter he has the plum role of potions instructor Horace Slughorn who has crucial information about Lord Voldemort's youth.

Daniel Brühl. Who loves this German actor (most recently seen in The Bourne Ultimatum and Two Days in Paris)? Raise your hands. Oh, so many of you! I keep wishing he'd have more of an international breakthrough... or at least something as big as Goodbye Lenin again to remind people about him. With European stars it's nearly impossible to know whether or not we'll get to see any of their films but he's got several going on so if the distributors are kind we'll see some of the following: In Tranzit (a WW II drama with Vera Farmiga) A Tram in SP (plot unknown) Krabat (a German fantasy about sorcerers), John Rabe (a German biopic about a businessman who saved hundreds of thousands of lives during the Nanjing Massacre in the late 30s). And he's already signed for a few more. Chief among them is Julie Delpy's period epic The Countess about the infamous 16th century noblewoman Erzebet Bathory who bathed in blood and inspired all those vampire stories. The cast is in place so we hope Delpy speeds it through production. Hurry up you crazy multi-talented French wonder!

Bradley Cooper
. Was I just imagining it or was he not well liked in those first couple of seasons of Alias? It's years later and he's in demand and delighting audiences. He was laugh out loud funny on Nip/Tuck this year as a narcissistic actor with no boundaries and now he has four motion pictures due. He's part of a strong cast in Peyton Reed's (Bring It On, The Break Up) next comedy Yes Man (Jim Carrey, Zooey Deschanel, Terence Stamp also star) which is due this Christmas.


He's part of the huge star-studded ensemble of He's Just Not That Into You but the key to a future A list movie career might be found in what he does with the title role in All About Steve. Sandra Bullock is his stalker in that Fox comedy. As if that comedy triple feature weren't enough he's also got the lead in the summer horror film Clive Barker's Midnight Meat Train.

Daniel Craig
I saw him first. No seriously. At this point I'm totally annoyed with all his new crazed fans and the entire blogosphere posting any picture of him they can find. Where were you when I was shouting his praises before Bond. Huh? You were complaining when I did saying 'he's weird looking'. Now, will you learn to trust me when I fawn over an actor you haven't heard of? Anyway Bond is back in Quantum of Solace but that's in November. Before then, cross your fingers, we could see him in the memoir-of-a-star drama Flashbacks of a Fool. After Bond, he'll close the year with Defiance which is directed by Edward Zwick. Zwick never gives up chasing that Oscar dragon. So many baity projects on paper (Glory, The Last Samurai, Legends of the Fall, Courage Under Fire, Blood Diamond) but the Academy never completely bites down once they're on screen. The bait this time? Jewish brothers leading a resistance movement in the Belarussian forest against the Nazis during World War II. Will Zwick finally capture gold?

Melonie Diaz
. I don't usually do Sundance but I hear that if you bought tickets to anything she was in it. The new indie queen? We'll see. I hold a special place in my heart for anyone who was in Raising Victor Vargas (seriously, put it on your rental queue) and this year she's in the comedy Be Kind Rewind (out right now with Jack Black and Mos Def) I'll Come Running (a romantic drama), American Son (an indie about a Marine on leave) and the comedy/mystery Assassination of a High School President which I can't really recommend but in which she is her usual adorable self... and I'll give her this --she does a fine drunken dance in a hot red dress.

Robert Downey Jr
is in one--OK, let me rephrase: the rumor is that Downey Jr will appear in not one but two superhero films this year. Which means he's going to have a very big year. Basically if you're in even one you're as high profile as it gets. Iron Man we're well aware of. But it's rumored that that tin man will have a cameo in The Incredible Hulk too. I think that's a smart move on Marvel Entertainment's part, even if it's not true. He's also got two comedies: he plays the principal to a therapist teen in the high school comedy Charlie Bartlett and he's part of the comedic crowd in Ben Stiller's Tropic Thunder about a group of actors becoming soldiers. Finally and with the most trepidation I approach The Soloist . It's directed by the talented rising star Joe Wright (Atonement, Pride & Prejudice) but the subject matter sounds terrible on paper: a schizophrenic homeless musician (Jamie Foxx) with big dreams. Doesn't that sound so 90s and Desperately Seeking Oscar? Yikes.

Ralph Fiennes
needs to get his calendar in order. It seems like we never see him. And then we see him constantly. And then we never see him. 2008 is Fiennes-full. In Bruges a gangster comedy is the first attack. Bernard and Doris a long delayed never released biopic with Susan Sarandon should be on DVD soon, and a war drama The Hurt Locker which finally brings director Kathryn Bigelow (Point Break, Strange Days) back to the action genre where she made her name. He's also Duke to Keira Knightley's The Duchess and for his last act of 2008, he could be in the Oscar race again (it's been a long time) co-starring with Kate Winslet in Stephen Daldry's (The Hours) adaptation of the novel The Reader. But since the new Harry Potter picture focuses on Voldemort's youth, word is that you won't see him in that one. Still... I wouldn't be surprised if they worked in a cameo somehow.

Colin Firth
is a star I don't really get. I'm agnostic about his charms....you might even say atheistic. Yet the abundant love others feel for this everyman Brit is impossible to deny. If you're a Firth lover you'll be happy to hear he's got a whole bunch of celluloid coming your way. Mamma Mia! (he'll play an old paramour of Meryl Streep's), Genova (a new drama with a strong role for him opposite Catherine Keener and Hope Davis), And When Did You Last See Your Father? (if it ever opens in America), The Accidental Husband (an Uma Thurman romantic comedy), St. Trinian's (a girl's school drama with Rupert Everett), Then She Found Me (directed by Helen Hunt) and even more films are on their way --at least three already marked for 2009. Colin Firth = busy.

Gael García Bernal
. Unlike Daniel Brühl listed above, Gael is a foreign star who has broken out in America. He turns 30 this year and he's already one of the best actors on the planet. It still feels like the sky is the limit. So why aren't we getting all of his Spanish language films? Grrrrr. And, more to the typical Hollywood point: why isn't he being cast in more English language films when his English is fine? If we're lucky we'll see him this year in Déficit (which Gael directs and stars in), The Past (a romantic breakup drama from Hector Babenco -still best known for helming the Oscar nominated Kiss of the SpiderWoman, 1985), Rudo y Cursi (inside the world of competitive soccer, directed by Carlos Cuarón), Mammoth (the new international film from the controversial Swedish director Lukas Moodyson). But if we don't see any of those we will at least be seeing the diminutive star with giant talent in Oscar hopeful Blindness in which he plays 'King of Ward 3'. A lot more on that film in previous posts.

Anne Hathaway
makes me go goo-goo eyed. I just. Well... I just. I'm sorry but I do. I'm happy to report that she has the high profile role of Agent 99 (who I had a huge crush on as a wee boy) in Get Smart . Later she's part of the dramatic ensemble in Passengers and last but definitely not least she headlines Dancing with Shiva about a recovering junkie and ex-model (Hathaway) returning home for her sister's wedding. The reason I'm excited for it --apart from the Hathaway love is that it's a Jonathan Demme original. He's had a rough go of filmmaking this past decade doing a lot of poorly received remakes of superior films. But I'm hoping that we see a burst of his 80s spirit and invention this time out. Demme was once an important director for actresses who were looking to step it up. He directed Melanie Griffith's best work in Something Wild (1986). He gave Michelle Pfeiffer (who he claimed was his favorite actress) one of her best roles in Married to the Mob (1988), and she was never looser or funnier in another comedy. And before he started fumbling his career he won the Oscar directing Jodie Foster to her second statuette for The Silence of the Lambs. Will he work magic with Anne Hathaway and Debra Winger (who plays her mother)?

Angelina Jolie reminded people about her Mighty Talent in 2007 so this year she goes back to just being a diva. You'll hear her as the voice of Master Tigress in Kung Fu Panda and you'll see her in the flesh tossing around a lot of heavy artillery in the politically suspect action movie Wanted in which she and Morgan Freeman convince James McAvoy to be a wolf rather than a sheep. Shoot first, second, third and fourth. Ask questions much later. Most importantly, she'll play the lead in the 20s drama The Changeling for Clint Eastwood. Eastwood pictures lately have a habit of being major Oscar players but who knows. He made a lot of movies that weren't Oscary before he was suddenly the Academy's favorite septugenarian. We'll see.

Catherine Keener, an actor's actor and audience fav', will have five to seven pictures out this year (!) In no particular order there's An American Crime (delayed from last year) in which she abuses Ellen Page in her basement. Strangely it's going to cable instead of the theater. You'd think distributors would want to catch little "Juno" while she's hot. Catch her and tie her up in the basement! Keener will also be featured in Michael Winterbottom's next, Genova which is about a father raising three young girls. I've already written a big post on Synecdoche, New York which is screenwriter Charlie Kauffman's directorial debut. Keener is currently filming the next Joe Wright picture The Soloist where she'll appear with Jamie Foxx and Robert Downey Jr. Plus: we might get her fourth collaboration with writer/director Nicole Holofcener. That's a director/actor pair worth getting excited about. But that's not all. Catherine was featured in two Sundance ensembles in January. Sometimes Sundance movies take more than 12 months to make it to a theater near you but at some point you'll be able to see the high school theater comedy Hamlet 2 and the inside Hollywood satire What Just Happened? with Robert DeNiro.

Will these 17 actors lead you into the movie theater?