Showing posts with label Sonia Braga. Show all posts
Showing posts with label Sonia Braga. Show all posts

Monday, October 27, 2008

Kiss of the Spider Woman Contest Winners

Monologue Monday (Interrupted)
This is where the important part begins. The part about the lovers...
William Hurt was named Best Actor @ Cannes and by Oscar, NBR, LAFCA & BAFTA voters

Lovers of actresses & cinema for our purposes today.

For the entire first reel (and then some) of Kiss of the Spider Woman, William Hurt's "Molina" tries to monologue his way through memories of a favorite film. He loves to perform but his cell mate "Valentin" (Raul Julia) never lets him get lost in his speechifying the way he plans to, continually interrupting him with requests, jokes, corrections and commentary. And so begins an odd couple film that wraps political idealogy, cinematic obsessions, and sexual identity into a memorable actor's duet with as much theatricality as Molina himself wraps his head while daydreaming of his favorite screen diva (Sonia Braga).

The Kiss of the Spider Woman was a best picture nominee for 1985. The other shortlisters were more traditional fare: a beloved novel adaptation The Color Purple, the romantic epic Out of Africa, the mafia black comedy Prizzi's Honor, and the contemporary hit drama Witness. Kiss... has since been the hardest film for younger Oscar completists to see but a 2 disc collectors edition is now out and I have four copies to give away, one for each of its nominations. But before I announce the winners (drawn randomly) I wanted to share some really fun contest entries. I asked contestants to throw a headwrap on and make like Molina, obsessing over a favorite actress/performance in their imaginary prison cell. Some of them even sent photos --can I just say that TFE readers are so awesome to play along!

Originally I was going to post my favorite entries but there were so many that I decided I had to limit the 'extra' sharing to the entries that came in with photos ;) The following contestants did not win the random drawing but but they are so awesome for playing along...

<--- Jonathan from NY
Meryl Streep. Sophie's Choice. Cliched? Perhaps. But can the others recite word for word, facial tic and intonation down pat, the scene where she struggles to tell Stingo about being sent to Auschwitz? Or what about that accent? And she's never been more sexually charged in a film. Best performance by any actor (that I've seen but no, I'm just going to say it, EVER) in history. Streep at her streepiest, and I've loved every 20+ viewings of it. Whoever's in that jail cell better know what I'm talking about when I reference the famous silent scream in the climactic scene, or else they'll be getting an earful.....
Brian in New Mexico --->
I would likely develop, and discuss at length, whose marvelous powers I most wished to possess on any given prison day. Would I want to channel Sissy Spacek's Carrie White and her telekinetic grudge match powers? Or would it Rita Moreno's Anita and her ability to deliver a scathing insult as though it was a love pat? Or would it be Meryl Streep's dexterity in self-transformation that I would covet? (Of course, on really bad days, I would likely pretend to be Hope Emerson and leave it at that...)
<--- JS in the Philippines
Anyone in prison would have to learn and emulate the virtues of Glenn Close's performance in Dangerous Liaisons because like her, you'd be in a similar environment where you would have to practice detachment, learn how to listen and deceive all in service of devising means of escape no one had ever thought of before. It's "win or die." :)
Mark in Manchester --->
I could have gone the easy route and picked Sigourney in Aliens but if I shared a cell i'd obsess over Brooke Smith as Sonya in Vanya on 42nd Street. I only saw this performance recently and was so moved we could act out her final monologue scene with the cellmate as Wallace Shawn.
<---
Cenzig in Florida
Liza Minnelli as Sally Bowles. She oozes that Fosse sexuality that we all know and love. She captures our attention with "Divine decadence darling!" and holds it, even through the tears during "Cabaret" You root for her. You know the mess that is about to be WWII and you want her out, to live with Brian in delicious sin. She's Fun. She's Fabulous. She's Fucking Sally Bowles!!!
You know who is fun and fabulous? Everyone who entered this contest!
For those that didn't win or haven't seen the film, catch up on a little 80s Oscar lore
by seeking it out now that it's available again for home viewing.

[drum roll please]

And the winners are...

Nick in Connecticut
I would talk with my cellie about Salma Hayek in Desperado, because, while the film isn't a masterpiece, she was INCREDIBLY sexy in that film. The way Rodriguez lit her, and her willingness to take part in that steamy love scene with Antonio, set my pulse racing as a 15 year old action-movie junkie. She's still one of the hottest women ever to grace the silver screen, and the way she looks in Desperado is the sort of thing that dreams are made of. Those sun-dresses, that long, wavy hair, her accent, her curves… man-o-man what a stunning creature she is.
Ben in Los Angeles
Naomi Watts in Mulholland Dr, hands down. You get two characters to talk about individually, and then you get to talk about the two together. Plus, you can obsess over how overlooked she was in terms of bling for the mantle - no Oscar? Psh!
Dennis in Wisconsin
If I had to go with one performance, it would be Vivien Leigh in Gone With the Wind. That movie had such an impact on me when I first saw it at 12 years old. She rocked my world! I could talk about Scarlett/Vivien for days.
Chuck in Kentucky
Maria Falconetti. Perhaps it is unfair to choose an actress who appeared only in one film. Yet I believe that Falconetti's performance in Dreyer's seminal The Passion of Joan of Arc goes beyond a mere cineast obsession, and can be viewed instead as a sort of religious longing, a desire for emancipation, a devotion to something intangible and ethereal. Falconetti's struggle would be my own, and the haunting memory of her performance would move me more than any other celluloid creation. My memory of those tortured eyes would no doubt provide the sort of spiritual solace only found in prayer; she would be the single slash of light that cuts through the coagulating and ever-present darkness.
I hope you enjoyed reading about these personal cinematic obsessions as much as I did. And while we're on the subject of Kiss of the Spider Woman... you can check out my vague recollection of my favorites in 1985 If you have any thoughts to share on that 1985 Best Picture race, do so in the comments. Out of Africa, Kiss of the Spider Woman, Prizzi's Honor, The Color Purple or Witness? How many have you seen and what's your choice for "Best" ?

Thursday, October 16, 2008

DVD Contest: Kiss of the Spider Woman Unearthed

Whenever a landmark film resurfaces for home viewing, it's cause for rejoicing. Kiss of the Spider Woman, a surprise Best Picture contender way back in 1985 long before indies dominated the Oscar race, is finally getting the deluxe treatment. A 2 Disc Collector's Edition comes out next Tuesday and I have 4 copies to give away, one for each of its historic Oscar nominations.

Kiss of the Spider Woman, 4 time Oscar nominee

For those of you who haven't seen it: Trust me, you want to. The film, set in a prison in an unspecified Latin American country, throws a homosexual film buff into a cell with a political prisoner and the polar opposites engage in an odd, compelling and terrific acting duet. The movie raised Brazilian auteur Hector Babenco's profile, won William Hurt the Best Actor Oscar at the peak of his winning 80s streak, gifted Sonia Braga (all kinds of memorable as the actress that Hurt's character obsessively swoons over) with international fame and gave Raul Julia his best screen role.

To enter --please note: you must be 17 to enter this contest --e-mail me by Sunday October 19th with the following 4 pieces of information:
  1. SPIDER WOMAN in the title line.
  2. Your full name (and nickname if you want to go by something else if you win)
  3. Your address (in case you win)
  4. And a sentence or two on which actress and performance you would repeatedly obsess over / talk about with your cellmate if you were ever thrown into prison with no contact to the outside world and no more new movies to enjoy. Don't pretend you don't know which actress that would be.
Extra points if you doll yourself up with a towel and robe like Hurt here whilst typing #4. Quadruple bonus points if you send a photo of same for publication. I kid (or do I?). Winners will be drawn randomly and announced next week.
*

Saturday, June 10, 2006

Tony Watch: BEST ACTRESS in a Musical

Previous Categories Investigated: Lead Actor, Featured Actor and Featured Actress. Watch the TONYs tomorrow night (Sunday, June 11th) on CBS! Read these entries first and you'll know more than all of your friends...

AND THE NOMINEES ARE...

Sutton Foster as "Jane Roberts" in The Drowsy Chaperone
If you've been reading the Film Experience for the past couple of years you know how I feel about Ms. Foster. I'm a fan. She was great gangly fun in her TONY Winning role in Thoroughly Modern Millie and undervalued as Jo' in the musicalized Little Women but her performance here may be favorite yet. She plays a spoiled star who is threatening to retire from showbiz. The best number in this show "I Don't Wanna Show Off" is hilarious and the choreography and Sutton herself keep extending and upping the joke which is that she doesn't mean it at all. Whenever Sutton shows off, I'll buy a ticket. Strangely for such a young and talented beauty she hasn't done any television or film. I'm glad to have her on stage but it's odd considering the general pattern of how stage careers work.

LaChanze as "Celie" in The Color Purple
This is LaChanze's sixth Broadway show and her second nomination. She's been mostly OffBroadway for the last several years having success in shows like Dessa Rose and Bubbly Black Girl Sheds Her Chameleon Skin and benefit concerts. She also does frequent TV guest work.


Patti LuPone as "Mrs. Lovett" in Sweeney Todd: The Demon Barber of Fleet Street
Patti is one of two true Broadway legends nominated in this category this year. This is her umpteenth Broadway show and her fourth nomination. Her Broadway career started in the 70s. Her one and only TONY award came for her star-making role in Evita in 1980, sixteen years before Madonna won the Golden Globe for the film version. She has worked often in TV and Film. Her most famous film appearances are arguably her brief appearance as Harrison Ford's sister in Witness or her part in the award winning ensemble of State and Main. Her new 14 song CD is called The Lady with the Torch.

Kelli O'Hara as "Babe" in The Pajama Game
This is O'Hara's sixth Broadway show and is coming right on the heels of her biggest success, last season's The Light in the Piazza which you've heard me rave about endlessly. [PLEASE NOTE: Piazza without O'Hara but still starring its headlining TONY winner Victoria Clark will be broadcast live on PBS on June 15th. If you love musical theater you'd be crazy to miss it -ed.] This is O'Hara's second consecutive nomination. I'm not impressed with her as a headliner and leading lady (too bland) but her voice is clear and beautiful and, to her credit, this performance surprised me. I think it's her best.

Chita Rivera in Chita Rivera: The Dancer's Life
Patti Lupone is not the only true legend nominated this year. 73 year-old Chita has been a prized hoofer on Broadway since the mid 50s. This is her 9th nomination for her 15th Broadway run. Her resume is astonishing. She originated two roles which went on to be Oscar winning ones for others: "Anita" in West Side Story before Rita Moreno and "Velma Kelly" in Chicago before Catherine Zeta-Jones. In addition to being a trailblazer for Hispanic actresses, Chita has won two TONY Awards. The first came starring opposite Liza Minelli in The Rink and her second was for the Sonia Braga role in the Broadway adaptation of the Oscar-nominated Kiss of the Spiderwoman. Sadly, this revue of her career was not a hit with auds or critics. If it had been she would probably be a sentimental threat for the win. I saw her three years ago in Nine for which she was also nominated. And even @ 70 that woman could high-kick. She floored me.

WHO WILL WIN?: It's between LuPone and LaChanze for the prize. I think the 26 years since Patti Lupone's one and only win will tip the scales in her favor. The Color Purple is not a sure thing in any category (though certainly a threat in several) and could theoretically go home empty handed after 11 nominations... just like at the Oscars.