Sunday, February 24, 2008

Live Blogging ~ The Oscar Arrivals

6:04 PM Inauspicious beginnings: I turn on the television and who is E! Entertainment Television discussing? None other than my " favorite " actress Hilary Swank. I think it's safe to say that it's going to be a long night.

Already E!, the place to go for endless arrival footage, is pissing me off. They're referring to Ms. Swank as a "scene stealer". I know that none of them know anything about the movies -- Montage and mise en scene are furrin' words! But scene stealing is really easy to understand. You can't do it if you're the lead. The scene is already yours. People will try to steal it from you.

6:15 To get me through, I have invited my actual favorite actress to attend with me. This will hopefully get me easy access to the arriving stars... I slip in under the cover of one of their own.

6:28 Amy Ryan looks nothing like her character in Gone Baby Gone (she was only acting. Excuse me, ACTING! She's asked me to clarify the size of it). She's wearing an extremely safe fashion choice... navy blue assymetrical sheen dress but it's pretty.

6:30
Whatshername just introduced Ben Lyons as a "movie expert". If I get sick, I'll try not to heave on Pfeiffer's gown... I'll aim for Swanks.

6:44 La Pfeiffer here. I believe that Heidi Klum's hair piece is a tribute to my work as Velma Von Tussle in Hairspray. There is definitely room in the bun for a bomb of some sort to interrupt live television broadcasts that have spiralled out of control Plus: red dress. Which, you know, is my best color. Other than black.

I'm so disappointed in how little Armani I'm seeing!


6:46 Wasn't it Deborah Harry who had the bomb in her--oh never mind. I love you. Even when you're wrong. Which you aren't, kiss kiss.

6:47 George Clooney is ridiculously handsome. His girlfriend could be his daughter, though. Not that he's not aging well. But still. I guess he truly is old school Hollywood. In every way. Speaking of young girls. They showed a very brief glimpse of Saoirse Ronan who was wearing a great and unusual color for the red carpet: aqua I believe. Anne Hathaway is wearing fire engine red. And they're talking about the fact that she always embraces her own coloring. (i.e. white as a ghost... or Tilda Swinton) This is the type of thing that E! reporters are allowed to discuss under my decree.

6:59 You were just name checked in a Clooney discussion, babe

7:01 Yes yes. He will be a groom soon. I shall win the bet.

7:07 Ryan Seacrest can't resist flirting with every male celebrity. As a gay man I should probably find that hot but instead it makes me ...[>gulp<] where's Swank?

7:13
I absolutely approve of all of the basic black and fire engine red and solids. Everyone has chosen form fitting one color dresses. Classic. Basic. If it can't be Armani at least it's Armani like!

7:14 Zzzzzzz. zzzz. Huh what...? Oh, um...

7:16 It's so cute that Amy Adams brought a doll of Giselle to the red carpet. Amy Adams is trying to climb to the peak of the cute charts. But baby kittens are not ready to give up the #1 position.

correction: apparently Seacrest foisted the doll upon her!
7:19 Gary Busey just totally jumped on a clearly alarmed Jennifer Garner with his hands and lips. I'm not making this up. Also: Jennifer didn't know who he was. Oh, Jen. Where is Gary's parole officer when you need him? Where is Ben Affleck come to think of it? Trust the Lovely Laura Linney to pull Jennifer away. The boyfriend and I are laughing because Laura Linney was obviously explaining All About Busey as they moved away.

The Lovely Laura Linney will explain it all.

7:21 Helen Mirren in da houze! Woot


Although... shouldn't they keep her away from poles? That babe gets frisky. She is really funny when Seacrest interviews her. Keri Russell and Jessica Alba were not. They couldn't form an interesting sentence between them. I mean sentences were formed. But what was said? He even gave Keri a great opportunity to adlib and she just went blank.

7: 36 I don't know where the last few minutes went at all... It's all one mass of black tuxes and black dresses. TILDA SAVE US ALL. WHERE ARE U?

7:37 Hilary Swank has arrived. Also in black. It's so irrational but I look at her and I just hate. It comes so naturally. The flames. Breathing. On the side of my face. I just... she just...

7:38 Is she your Jessica Tandy? Because that old bi --


7: 42 I am very sad to report that Tilda Swinton has arrived and she is wearing...

BLACK

woe is me. No fashions to truly engage with tonight. Unless you count Marion Cotillard's mermaid dress. Which I'd rather not. At least on first impression. Although Marion did say she was having a very "eunuch" experience. Which made us laugh our asses off. What exactly would a eunuch experience at the Oscars be?

Maybe she was planning a biopic of Ryan Seacrest as he interviewed her?

7:47 Now they're discussing fashion and not interviewing people which means it's time to change the channel. And start a new post.

Part 2 More Arrivals and 1st Third of Show
Part 3 -I run out of steam channeling all my energies into the good fight against default biopic wins --I'm bested again ARGH
Part 4 -prediction stats

Red Carpet Timelines & Oscar Linkage

Penélope Cruz


teflon goddess Nicole Kidman


Cameron Diaz


the perennial Cate Blanchett


last minute Oscar links
Style has a great feature on "fantasy" Oscar dresses for tonight's nominees
Nicks Flick Picks is finally back for the best night of the year
StinkyLulu Supporting Actress '07 Smackdown -five blog voices on the most unpredictable category this year
DListed Lindsay Lohan is now an award winning actress. But it's not the Oscar
Boy Culture hopes for a Blood upset and posts some fun No Country illustrations
Los Angeles Times on why a Michael Clayton win would be good for Hollywood

and...

New York Times has a very cool metrix of the year's box office with Oscar nominees in bold. That's some fascinating graphing that details the box office pull of certain times of years, Oscar bumps, and staying power (or not) of releases.

Back to the red carpet
Before I start live blogging (somewhere between 6:30 PM EST) I thought we should look to the person who will probably wear the weirdest, best or most swandress like fashion tonight. I can't recall if tonight's most deserving supporting actress nominee Tilda Swinton has ever made it to the Oscars before, but here are some things she has worn at various red carpet events.


* the asterisked outfit was not at a red carpet event but I included it because it's exactly what she was wearing the night I stood right next to her at a MoMA event here in NYC ~definitely in my all time favorite unexpected celebrity sightings list.
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8th Descriptor for Elizabeth

Every 8 days in 2008 we'll celebrate the 8th something of something. Whoa, Specific!

I was going to save this until next week, since... who will care about anything other than Oscars today? But I also want to put all things 2007 behind me so here you go... Ever since Oscar nomination time I've been trying to ignore the silliest of the main honors, Cate Blanchett's 'this one goes to 11' star turn in Elizabeth the Golden Age. For the most part while the film was ravaged, her work was praised (my review). But it's not as if she doesn't share that film's impulses for excessive grandeur and bold strokes... she's just infinitely better at selling and controlling them. So while the film is stinking up living rooms across the country on DVD and Cate will undoubtedly be thrilling on the red carpet tonight, let's revisit the original.

Cate's bewitching first closeup in Elizabeth (1998), turning to the camera while dancing

The poster to The Golden Age used the tagline "Woman. Warrior. Queen." I had forgotten that the original film also preferred a grocery list of nouns as descriptors. The DVD menu opts for "Heretic. Traitor. Queen. Assassin. Lover. Outcast. Prisoner... ELIZABETH" [cue huge orchestral score]

Setting aside the informal and abundant "milady" and "madame" here's where the first eight descriptors take us. "Sister", "Heretic", "Bastard" are bandied about first as the Queens advisers try to convince her that her Elizabeth is a threat to the throne. Her arrest starts with the royal address "Princess" and ends with the common "Prisoner" [tough demotion, that] Once she realizes the gravity of her situation, Elizabeth tries more florid self-titling "True and Faithful Subject" and "Your Majesty's Most Humble Servant". This last identity she assumes for the Queen herself. The royal's response? The eighth adjectival noun...


"I see you're still a consummate actress"
Hee. That about sums it up. She's really quite terrific in that movie.
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TONIGHT!

So many questions to be answered. Like...
  • How very wrong will my predictions be?
  • Will Cate Blanchett still win best-dressed even while very preggers?
  • How long will the show run? (I'm guessing very --they planned for a no stars show so they're going to have a lot of extra material... even if they claim they've abandoned it)
  • Will the red carpet catch fire when Javier Bardem and Penélope Cruz walk it together?
  • Which presenter will be god-awful at their job?
  • How will Sally Kirkland ever top this...


Will she even try?
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Saturday, February 23, 2008

Indie Spirits ~ Live Blogging

Live Blogging the Indie Spirits? I didn't even watch last year. But maybe I'm trying to warm up for tomorrow nights big event. Yes, that's my excuse for this foolishness. Apparently IFC is advertising their red carpet like so (Brangelina, pictured right) but do people really wear tuxes to the Indie Spirits? Not as I can recall. False advertising!

4:48 Ooh Anne Thompson is onscreen. She's sweet. She's talking about the jury and that their selections are more mainstream this year. The jury selection is one of the more interesting things about the Indie Spirit Awards but it actually makes it hard to get into from year to year, because there is no through line at all. It's impossible to predict and often reads as nonsensical from category to category. Philip Seymour Hoffman for The Savages but not Linney? Matt Singer is the host of this nomination special and he just said the craziest thing 'Philip Seymour Hoffman's roles in Before the Devil Knows You're Dead and The Savages are very similar'

That's so true. I've always found that holding up my parents jewelry store while embezzling from my employer brings up the exact same issues of character as writing essays on Brecht and putting my father in a nursing home.

er... Matt? Earth to Matt.

4:53 They're "live! uncut! right now!" only it hasn't started yet. It's still commercials.

4:58 I've been blocking out the fact that Rainn Wilson (Juno) is hosting this show, homeskillet. Else I would never have agreed to live blog it.

5:04 Patty Clarkson (they just showed her) is so pretty. I'm ignoring Rainn so let's just focus on the camera cutaways. Steve Buscemi. Mike White. Philip Seymour Hoffman. Rainn makes a joke that he's the prettiest. Actually Hoffman is. He actually looks pretty good tonight. Cate Blanchett. Sienna Miller. Bruce Greenwood. Ed Begley Jr. Parker Posey [I'm still focusing on the cutaway reaction shots] Let me guest... this Juno table is going to get a lot of shout-outs. I'm not even going to mention how tacky it is to have a host that's in the movie that will win everything. Or how tacky his performance is in the same movie. No matter how many awards Juno wins, that convenience store mess is one fumbled opening that can't be undid.

5:12 Felicity Huffman is bad at reading from a teleprompter. Best Supporting Male: Chiwetel Ejiofor (Talk to Me, I always pretend I'm watching him in Serenity whenever I see him), Marcus Carl Franklin (I'm Not There), Kene Holliday (The Great World of Sound), Irrfan Kahn (The Namesake... he's such a good actor) and Steve Zahn (Rescue Dawn... he looks so cute in his tan blazer). Chiwetel Ejiofor wins. Kasi Lemmon accepts since Chiwi is in London playing Othello.

Eliza Dushku and Parker Posey. Two (indie) girls I love

5:17 Glen Hansard and Marketa Irglova singing "When Your Minds Made Up" from Once. I love them very much and the movie but this sounds a little rough. Off key and forced. I'm going to blame it on the acoustics in the room since I will be sad if their performance at the Oscars isn't a lot better tomorrow.

5:20 Kerry Washington is dreamy. Now... what the hell is wrong with Oscar that she isn't presenting there? Seriously, Patrick Dempsey??? Why. It angers me. Kerry Washington! Now, that's somebody AMPAS should get familiar with. Diablo Cody wins screenplay for Juno and Jason Bateman presents it. TACKY! It's like when The Producers won all the TONY Awards with Nathan Lane hosting. Why do awards shows do these things. It just screams complete and utter tastelessness.

5:23 Maria Bello is presenting something. Best First Film I think. I am distracted because I don't want her to keep playing second fiddle to horses, country singers and Alison f'ing Lohman --all of whom she is infinitely superior to. She needs another A History of Violence. Pronto. Is that the Mad Men star presenting with her? I must watch that show. The guy from The Lookout wins (Scott Frank).

5:32 They just cut from Matt Dillon to Don Cheadle. No joke. What is this 2005? I don't need that reminder when I'm watching awards shows. No I do not.

5:34 Supporting Female. Cate Blanchett (I'm Not There), Anna Kendrick (Rocket Science), Tamara Podesnski (name of movie?), Marisa Tomei (Before the Devil Knows You're Dead --yay!), Jennifer Jason Leigh (Margot at the Wedding) they describe her as a "free spirited sister"... huh? Did Matt Singer write this? (Hee. sorry Matt, I couldn't help it). Pauline is not a free spirit. That girl is all locked up in her depression and her sister is one mean warden, that's for damn sure. Cate wins for I'm Not There. Of course. She is very pregnant ---ooh, awesome shoutout to "Todd Haynes's body of work" Hear, hear.

The "F***" count is now at 5. "S***" has only been uttered once. There's no bleeping on this show. Naughty IFC.

5:41 The spoof songs. This one from Diving Bell and Butterfly was actually funny.

5:44 Rainn is doing "spoof" auditions for all the best features. This time it's I'm Not There. Todd Haynes is hot --I'm just sayin' cuz nobody ever says. Rainn keeps calling him "Ted". Hee

5:50 Meg Ryan looks like herself again! This is the second star they've brought out saying "From The Women" -against my better judgment I'm excited for the remake. She and Tom Wilkinson are presenting the John Cassavettes Award which is for the true independent / shoestring budget movies. August Evening wins. Other than this award and a couple of others the whole concept of the Indie Spirits is kinda pointless since you can bet if a big hit or Oscar nominee is nominated, that's the person who wins. Not exactly hard core independence you know?

5:52 Cate Blanchett is so cute pregnant. She no longer looks emaciated. She introduces herself as Marcus Carl Franklin to introduce I'm Not There clip. Hee. Steve Zahn is singing "Like a Rolling Stone" as a spoof for the movie. "to speak in a monotone. like a dylan clone"

5:56 MAGGIE CHEUNG --GODDESS ALERT !!! Foreign Film goes to Once. Maggie seems happy about that. They made Once (one of the year's best) for $100,000. Wow, crazy that it's a gazillion times better than movies that are made for $100 million. But now John Carney needs to shut up. He's giving the complete history of the packaging and making or and distribution. Glen Hansard shuts him up. Thanks Glen!

6:00 I did NOT need to see Rainn Wilson's ass. I really did not. Cut to: Brad Pitt, who looks like he's 30 again. Delicious. Botox is a magical magical thing. It should be free or at least government subsidized.

6: 07 Best Actor. I want Tony Leung Chiu Wai to win for Lust, Caution but of course he won't. The delicate fabric of the universe would tear if something that wonderful happened. Philip Seymour Hoffman wins. Nice speech -- he called Laura Linney "sublime." And how.

6:12 Alison Janney's dress is fresh and kicky and exactly right for this event, casual but still glam. I'm sure it's not easy to dress for any of these events. Anyway, it looks better moving than in this photo here to your right. She's presenting with John Waters who often hosts this very show. This is the part of the show where they give out grants to filmmakers.

6:25 Is this over yet? Raiiin Wilson is not funny.

6:26 The Artist Formerly Known As Keri Russell would like everyone to know that she will lose however many lbs Angelina Jolie and Cate Blanchett gain while pregnant. She feels it's the least she could do for Hollywood's beauty standards. Tamara Jenkins won screenplay for The Savages.

6:32 You know how some people read romance novels that are all sort of the same and even if they're smart people they keep reading them... even though it maybe doesn't challenge them, this habit. That's me with fantasy novels. Only the books are much better (I would guess) and the sameness is only in the archetypes and general conceits... though the details are much different from author to author. I just finished reading Transformation by Carol Berg and I found it to be quite a page turner. Really enjoyed it. I was excited to discover that there are sequels (I don't know why I feigned shock. Every fantasy book every written is part something of something --they're more franchise focused than Hollywood even.) Part of me is embarassed about this habit of mine but part of me is like 'sorry, that's just what I like.' If you're wondering what this has to do with the Film Independent Spirit Awards, than congratulations: you've actually read this post. But it doesn't. Have anything to do. I'm just bored of watching is all.

6:45 Crazy Love won Best Documentary and Janusz Kaminski (who used to be Mr. Holly Hunter) just won cinematography. And now Patty Clarkson is onscreen with Dennis Quaid (both from the great Far From Heaven) for a brief shout out to Heath Ledger and presenting the Robert Altman Award to I'm Not There. Casting director Laurie Rosenthal is accepting. She's happy that casting directors are finally being acknowledged. And hey, Laura, so am I. And more on Heath Ledger. I am a little embarrassed to say that I didn't know about his directorial efforts at all. Now I'm sad again.

6:53 Javier Bardem just agreed to f*** Rainnn Wilson. Javier is a good sport. Best Director nominees Todd Haynes (I'm Not There), Tamara Jenkins (Savages), Jason Reitman (Juno), Julian Schnabel (The Diving Bell and Butterfy) Gus Van Sant (Paranoid Park). Julian Schnabel wins. He is not wearing pajamas. He invited Jason Reitman to share the stage with him. Strange. Even Schnabel likes Juno? This speech is odd. It has so many half sentences and changes of subject... Where is Juliette Welfling when we need her? Edit him! "I want to thank Javier Bardem for being Javier Bardem"

6:58 Best Actress: Angelina Jolie (A Mighty Heart), Sienna Miller (Interview), Ellen Page (Juno), Parker Posey (Broken English) and Tang Wei (Lust Caution). And the Spirit Award goes to Ellen Page. I know a lot of people say that Ellen Page is playing herself in Juno but I think that's a too-easy dismissal. Nice humble acceptance speech there and no Juno tics. So there.

7:05 Dustin Hoffman:
I did fuck Javier Bardem and Philip Seymour Hoffman is the product of our union.
...I hope you understand I mean that metaphorically.
Dustin Hoffman you crazy crazy two time Oscar winner. He's here to present Best Picture The Diving Bell and the Butterfly, I'm Not There, Juno, A Mighty Heart, Paranoid Park. Gee, I wonder... which movie will win. Juno (duh... it's the Oscar nominee). Love Fest. I'm out.

7:10 I did not turn off the television in time and they showed us Philip Seymour Hoffman's ass as well as he spanked and wrestled with Raain Wilson as credits rolled. I did not make any of this up.*
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Best Actress Battleground

I probably should have posted earlier but better late than never. Consider it an olive branch and a 'see ya, next year' when we start all over again (your predictions in the second annual "best actress psychic" contest will be due on March 28th --details to come. My first predictions always go up on April 1st... I have to start studying the upcoming releases)

The Best Actress race has had an unusual degree of animosity this year. I haven't seen it this contentious between awards-watchers since probably "Swank vs. Bening (Round 2) + Staunton" (2004). I'm predicting Cotillard and totally rooting for Christie ~ and the reason I never make any pretense of objectivity about it is that I think it's essentially a sham for anyone who blabbers about entertainment consistently (entertainment pundits, critics, Oprah ;)...and all of you) to hide their own feelings. The judging of art is a subjective activity.

Regardless of how it goes tomorrow, Christie OR Cotillard, there will be a huge swath of people who didn't get their way and who feel that there was a terrible injustice committed ...and I hope everyone will understand that that's a shame. It's the downside of a competition about something that is impossible to definitively qualify. 20 years from now some of these movies will have been forgotten, some may not and the performances or careers involved may have been completely reevaluated or not... Even after Oscar closes the book the book remains open for history to decide if they chose well or not. And history is fickle, too.

The time capsule reaction and the subjectivity are the very things that makes awards watching both fun and aggravating. But really, as the cliché goes... they're all winners. The 5 nominated actresses nabbed terrific roles, and beat out hundreds of other performances to be recognized as the best and they're all fabulously wealthy talented and beautiful women on top of that. So essentially they all "won" long before AMPAS got involved or before any fans took sides.

Peace out,
____Nathaniel

1 Day...


Hollywood is getting ready. I usually throw a big bash but this year, I'll be live blogging right here. Just for a little change of pace...

What are your plans for Hollywood's High Holy Night?
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Friday, February 22, 2008

Final Oscar Predictions

I confess: this has been a somewhat haphazard year of Oscar coverage for me. I was really raring to go at nomination time but then... where did the time and obsession go? In an odd turn of events I think the general quality of the shortlists (so little to be infuriated by this year) prevented me from becoming too enthralled with the race. In several cases I'd be happy with more than one winner. It's hard to root for anyone in particular when you love a lot of them and when you can't even decide who you would vote for yourself (Viggo vs. Daniel / No Country vs. There Will Be Blood --both are toss-ups)


Nevertheless, predict I must.

FINAL PREDICTIONS
Read and report back? How wrong am I? ...or maybe you're more charitable and think me a wise Oscar prophet this year! (Hey I was right about Laura Linney in January)

What say ye?
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Film Bitch Award Medals Are Here

Under the heading of better late than never, I've finally ironed out the rankings in my (previously alphabetical) top ten list and given out the medals in all 3,079 FiLM BiTCH categories. I'm exaggerating on the numbers but sometimes it feels... excessive. (Yes, that's a nice way of putting it.) I often wish I didn't give medals at all because I always want to reevaluate or switch the colors later on. And really, it's a cliché but it's true: the nomination is the reward.

No Country For Old Men took home the most prizes (a medal in every category it was nominated in, friendo) but in the end I opted for Blood for my Best Picture prize. There will be gold medals.

It's peculiar how years go. Last year my two favorites were Marie Antoinette and Volver -hardly consensus choices. For what it's worth, I might switch their gold and silver status if I had it to do over again but neither of them were widely awarded and acclaimed films. This year my top two also happened to be the critical consensus. Funny how it's so much easier for the indisputably "masculine" movies to win mass critical favor, isn't it?"I wonder why that is?", he asks facetiously...

See TFE's own awards starting with best picture
How many medals for each film? the final tallies
Readers choice polls were also closed and you can see your communal Oscar favorites here. You win a gold star on your forehead for loving Tilda Swinton as much as me but a slap on the wrist for not rallying for Darling Julie.

Predictions from the participants in the Oscar Symposium are finally all posted and complete
And if you're just joining us, my final Oscar Predictions are here
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2 Days...


custard or cheesecake?
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Gravida

"Blogger" is often a hyphenate description. I don't mean writer-blogger because that's obvious so much as that blogging is often a side gig or a platform tool for creative people. Creativity can and does spill out of artists in multiple ways. Lucas McNelly who I knew of as the blogger behind 100 Films is also a filmmaker. His short film Gravida is up for some prizes in the Now Film Festival (I hadn't heard of this before but it's in its third year online)... so watch the film if you have time and if you like it best in this short festival, vote for it!

Short films, like short stories, are often disappointingly gimmicky or one note --the form lends itself to a narrow focus, requires it even, but I think this is a graceful snapshot of a particular situational loneliness. It's subtle enough to suggest answers but wise enough not to ask the questions in the first place. The very fetching Rachel Shaw does lovely work in the lead 'girl in trouble' role.

Thursday, February 21, 2008

We Can't Wait #1 Synecdoche New York

And so we come to the end of the 2008 "We Can't Wait" countdown. There's actually 2 more anticipatory posts to get you revved up about the new cinematic year but those are actor focused and they arrive next week (after we're done with the naked gold man). So let's wrap up this countdown with a group hug for MaryAnn of Flick Filosopher, Gabriel of Modern Fabulousity, Glenn of Stale Popcorn and Joe of Low Resolution who played in my little sandbox this week.

Our collective most awaited movie is... (drumroll)

Synecdoche, New York
Directed by Charlie Kauffman (directorial debut for the acclaimed screenwriter of Being John Malkovich, Eternal Sunshine of the Spotless Mind and Adaptation)
Starring we'll get to that in a second
Brought to You By US Distributor TBA
Expected Release Date Unknown but it's in post-production

Nathaniel: Synecdoche New York is about a theater director (Philip Seymour Hoffman) who builds a life size replica of New York City inside a warehouse for a production. Say what? There's also this -- his trouble with women. Those women are ...Dianne Wiest, Hope Davis, Lynn Cohen, Jennifer Jason Leigh, Samantha Morton, Michelle Williams , Catherine Keener and Emily Watson. Whew. And if the cast isn't enticing enough they're all in service to what sounds like another original oddity from the mind of the auteur-like screenwriter Charlie Kauffman.

So many reasons to love it on paper already. What more is there to say? I hope you'll find something...

MaryAnn: This movie was partly shot in my neighborhood in the Bronx. Part of the whole Bronx renaissance thing I was talking about before. But that's not why I can't wait to see it. I can't wait because no one consistently blows my mind like Charlie Kaufman does. And I don't get my mind blown anywhere near often enough.

Glenn: I'm intrigued and confused by this movie. I don't tend to get all excited for trailers, but I am for this one purely so we can see what on Earth Kaufman is doing? "life size replica of New York City"... say what? It is Kaufman after all so I'm sure it's even far less literal than I imagine it to be. I still can't wrap my head around it, which, in turn, is what makes me anticipate this movie so much. Plus, when you throw in a cast like that - I hope Kaufman becomes the first director in too long to properly utilise Dianne Weist - you have all the ingredients for the #1 most anticipated movie of 2008 (albeit not mine, but the group as a collective).

Can I just say how overjoyed I am that we showed a bit of spunk and personlity in our list?! USA Today did their top 16 and it's just summer/Christmas tentpole flicks such as Indiana Jones, Iron Man, The Incredible Hulk, Narnia 2, Star Trek, The X-Files and The Mummy. I'm much more comfortable with my auteurs in action, epics in motion and all the other films we've discussed.

And thank you Nathaniel for doing the hard yards in organising this shindig. It's always great to discuss movies with people who are as equally passionate about them as I. Even if we disagree.

Joe: I agree with Glenn: we ARE awesome.

While I can't entirely ignore the nagging worry that an unbridled Kaufman could get in his own way (collaboration can be a good thing, and Spike Jonze can't be that busy on Where The Wild Things Are, can he? Okay, maybe he can.) That's a heck of a collection of women for ol' Phil Hoffman. Are we sure he's up for all that cardio?


I'm talking around the subject, because what else can we do? Glenn's right, until we see a trailer (and maybe not even then), we can't possibly presume to know what Charlie's up to. But if anyone in Hollywood has earned my complete and utter trust, it's Charlie Kaufman. Bring it on, however bizarre.

Gabriel: I'm obviously a sucker for PSH and Kaufmann (as anyone who sat next to me at Eternal Sunshine of the Spotless Mind knows, right Nathaniel?), and of course being tangentially about the theater, Synecdoche New York plays directly into my wheelhouse.

But there's something rather splendid about the bevy of talented women here...in fact, I think it's their presence that makes me so excited in the first place. It's been so long since a great female-ensemble film has rocked my world...Evening was such a disappointment last year, and 2007 often seemed particularly oriented to the stories of men (No Country For Old Men, There Will Be Blood, The Assassination of Jesse James, etc.). With Synecdoche and The Women and Sex & The City, I'm hoping 2008 does female actresses proud.

Nathaniel: The massive female cast is giving me tingles in special places. But I can't say that I'm thrilled that it's Hoffman that all these amazing women are orbiting. Married to Marisa Tomei in Before the Devil... you'd think that would be the tops. But now he's romantically linked to Catherine Keener (ex-wife), Samantha Morton (lover) and Michelle Williams (wife) ...all in one film! He must have sold his soul to the devil.

But I'll take Kauffman and all these women in a heartbeat. I think Kauffman writes great female characters (think of Miranda Otto in Human Nature, Kate Winslet in Eternal Sunshine, Keener & Cameron Diaz in Being John Malkovich, and Meryl Streep in Adaptation to cite several examples. I'm so excited for this. And you?

~finis~

We can't wait. But we have to. In most cases we'll be waiting till the fall when Hollywood finally lets their meaty films out. Which film are you salivating for that we didn't mention? And what would've been your numero uno?

<-- Sister Aloysius prays for your wicked soul if you haven't been reading the "we can't wait" countdown #1 Synecdoche, New York / #2 Burn After Reading / #3 Australia / #4 Milk / #5 Blindness / # 6 Doubt / #7 The Curious Case of Benjamin Button / #8 Revolutionary Road / #9 The Dark Knight / #10 Sex & The City: The Movie / #11 The Lovely Bones / #12 Wall-E / #13 Stop-Loss / #14 The Women / #15 Harry Potter and the Half Blood Prince / Introduction / Orphans
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Linky Shop of Horrors

Today's MUST Read
The Onion "CGI Team Creates Realistic Oscar..." [thx]

Also...
Mondo Musicals is doing a whole series of posts on Little Shop of Horrors. A good time for it too, what with Ellen Greene's resurgence on Pushing Daisies. I love "Little Shop" -can't tell you how many times I've listened to the CD over the years. 'Feed me Mondo, feed me (posts) all night long. You can do it...'
Bright Lights After Dark on the "sympathetic listener" in film
Scott, To Be Certain thinks Tilda Swinton should play Julia Gillard
Flick Filosopher shares a hilarious surreal e-mail from a "fan"
Reverse Shot celebrates one of my favorite 70s performances, Shelley Duvall in 3 Women
MSN this is fun: how much would this year's Oscar characters make in terms of $ from their jobs as depicted

Whats Going On @ Some Oscar Blogs?
Emmanuel Levy offers up his predictions
The Carpet Bagger gets ready for the big event
Oscar Addict thinks Christie can hold off Cotillard's surge
Oscar Igloo looks at the short films
Oscar and the City wants to know what you think of EW's list of all time snubs
And the Winner Is... conjures up some "what if" scenarios
Cinemascopian "things I learned this Oscar season"
In Contention Kris Tapley on the best shots of the film year. Let's hear it for the DPs.
Gold Derby theories on acting wins & Best Picture
Little Gold Men on the "winningest" nominees
Oscar Frenzy dispels some myths. These things won't happen...

Finally...
I try to devote at least 30 seconds of each day to thinking about topics that don't directly involve the cinema --so here's a funny web cartoon from xkcd





and now my 30 seconds is all used up. Back to the movies!
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Prevues

Don't be a fair weather reader. Once the Oscars are over The Film Experience is still daily. And, imho, it's even better in the off season when its less beholden to Oscar news. Not that the naked gold man won't make frequent appearances. I know She You Gotta Have It (as do I)!


02/22 Fri Final Oscar Predictions & Film Bitch Award Winners
02/23 Sat Live Blogging the Indie Spirits --why not? maybe? partially? We'll see how it goes...
02/24 Sun Live Blogging of the 80th Annual Oscars (right here)
02/25-02/26 Oscar wrap up, fashion & afterwords
02/27-02/28 UBIQUITY: the new batch ~which actors will we be sick of by December 2008? The list is long.
02/29-3/05 Short Break (post-Oscar recuperation... you'll need it too!)

And on approximately Thursday, March 6th the daily cinematic shenanigans [now 2007 free!] start up again. As usual I have eyes-bigger-than-stomach plans. Watch me flop around trying to do too many things at once! I have currently taken down some portions of the site for remodelling and still plan to fuse the blog to it so there will be less constant cross-clicking. But here's a vague outline of what's coming up...

March: "Actress Psychic Contest", more podcasting, a road trip out west (no, really. I have to go so I'll take y'all with me and hopefully we'll take in some movies along the way) and we'll look at at least a few classic films like A Touch of Evil, Network and The Piano. Plus: the beginning of a cool co-production/countdown with another website (tba)

April: Annual 'Year in Advance' Oscar prognostication. Last year I did really well, best on the web I believe --3/5 in several categories including best picture and best actress, way back on 04/01/07 ... so you won't want to miss those. We'll check back in with those "Actors of the Aughts" and see how they're doing. Plus: Pfeiffer's 50th Birthday!

All that plus returning & new "series"... Let's see where '08 takes us. Stick along for the ride.

Tonks' Failed Audition For Penelope

Executive producer Reese Witherspoon found Tonks' ever changing hair color distracting. Christina Ricci won the lead role by a nose. Hardy har har

3 Days...

May you be played by three beautiful and talented people should they ever make a movie about you.

Something I Have Been Obsessed With This Week For No Apparent Reason

That Jack Fisk, art director extraodinaire (There Will Be Blood) is married to Sissy Spacek. And that's not all. That they've been married since...1974. They were in their 20s and they're still together. I wonder if they met on Badlands (1973)? --they've worked on several of the same projects including a personal favorite, Carrie. Y'all know I love that one. I have no idea why this particular nugget of info has captivated me all week. But it has. I suspect he might win the Oscar this coming weekend.

Wednesday, February 20, 2008

We Can't Wait #2 Burn After Reading

Directed by The Coen Bros
Starring George Clooney, Brad Pitt, John Malkovich, Richard Jenkins, Tilda Swinton and Frances McDormand
Synopsis OK... this is a Coen Bros comedy so the plot is pretty crazed and probably best left discovered in the theater. It involves a CIA Agent (Malkovich) his friend (Clooney) his wife (Swinton) and two gym trainers (McDormand and Pitt) who get their hands on a disc containing the Agent's memoirs and plan to blackmail him with it. Lots of confusion, internet dating (?) and comedic hijinx ensue.
Brought to You By Working Title Films & Focus Features
Expected Release Date Sept 26th, 2008

Nathaniel: We're reaching the tippity top of the list and it's harder to breathe up here. All I heard was the Coen Bros and my mind sort of went blank like a dial tone. Only in a pleasureable way like Meryl Streep humming to her toes in Adaptation. I realize that isn't a Coen Bros reference but my mind wanders through celluloid like that.

Anywayyy... someone take it from here. Please to explain. It's obviously high on everyone's lists.

MaryAnn: It's the Coen Brothers. Honestly, need more be said? Well, okay then: It's George and Brad. And Tilda. And Malkovich and McDormand.

George Clooney filming a scene in Brooklyn Heights

And -- oh my god -- parts of this were shot in the Bronx, too!

Glenn: Unlike The Curious Case of Benjamin Button, I am looking forward to Brad Pitt in this Coen Bros flick - their first after their sure-to-be-Oscar-winning No Country for Old Men. He's worked well with George Clooney before and we all know that George Clooney worked well with Tilda Swinton before, too, so throw in the Coen Bros who are coming down from their (feel free to argue this point) career apex and I'm doing my best not to quake in anticipation.

Joe: It really is like a Six Degrees Mobius Strip kind of thing, where Brad worked with Clooney and Clooney worked with Tilda (who is in Benjamin Button with Pitt), and also with the Coens (the underrated O Brother, Where Art Thou?), and the Coens have obviously worked with Frances McDormand, who was in North Country with Richard Jenkins, and on and on. Good to see the Coens returning to (I'm assuming) screwball comedy after the dark night of their Oscar-winning (fingers still crossed) soul. Great director plus all-star cast. It's the easiest math I know.

Nathaniel: Yes, math and I aren't tight but that's a simple mouthwatering equation. It's always tough to come off of a masterpiece or near masterpiece or whatever No Country was but this should be an easy transition on account of... how do you compare? That's another way of saying that I'm glad it's a comedy and an original screenplay again after the adaptations they've been doing. I love Fargo and Raising Arizona like crazy. And The Big Lebowski I've been itching to see again. It's time for a comedic Coen home festival.

What's your favorite Coen Bros? I mean, apart from No Country For Old Men.
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<-- Sister Aloysius prays for your wicked soul if you haven't been reading the "we can't wait" countdown #1 Synecdoche, New York / #2 Burn After Reading / #3 Australia / #4 Milk / #5 Blindness / # 6 Doubt / #7 The Curious Case of Benjamin Button / #8 Revolutionary Road / #9 The Dark Knight / #10 Sex & The City: The Movie / #11 The Lovely Bones / #12 Wall-E / #13 Stop-Loss / #14 The Women / #15 Harry Potter and the Half Blood Prince / Introduction / Orphans
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Lunchtime Poll: Oscar Clips

So.... sorry for the uncharacteristically late updates for the Oscar pages. But Actor and Supporting Actor pages have been filled in now. All that's left is my final prediction article (Friday), and your votes as to who should win (it's not a close call for first place in either category but beyond that the voting is tighter. Polls close late on Thursday) and...

Lunchtime Poll: Which clips do you think they should show for EACH of Oscar's acting nominees? There's 10 men and 9 women nominated. Name your favorite or the best "clippy" piece of their work in the comments! Obviously it's not necessary to detail all 19 (oh lordy that'd take a while) so just pick a few clips you hope to see aired on Oscar night... and if you're really feeling chatty, tell everyone why.
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We Can't Wait #3 Australia

Directed by the spectacular spectacular Baz Luhrmann (Strictly Ballroom, Romeo + Juliet, Moulin Rouge!)
Starring Nicole Kidman, Hugh Jackman and David Wenham
Images in this post mostly from Australia's fansite
Photos in this post from an Australia fansite and from various image searches
Synopsis
I'll just quote this one direct from IMDB "Luhrmann's film is set in northern Australia prior to World War II and centers on an English aristocrat (Kidman) who inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man (Jackman) to drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier.
Brought to you by Bazmark and 20th Century Fox
Expected Release Date November 14th, 2008

Nathaniel: LUHRMANN. KIDMAN. JACKMAN. AUSTRALIAN CATTLE RANCH EPIC PERIOD PIECE EYE CANDY NATHANIEL LOVES THE EYE CANDY... OH GOD DOES NATHANIEL LOVE THE EYE CANDY...AND BAZ. AND KIDMAN. AND JAC...

I can't talk about Australia lest I stop breathing... so perhaps I should let y'all do the talking. go

Nicole Kidman as Lady Sarah Ashley. Hugh Jackman as The Drover.

Gabriel: I can't talk either. I'm hyperventilating into a paper bag.

Glenn: I... I... umm... er... I... Nope, sorry. It's impossible to approach the subject of Australia and not go a little crazy, isn't it? This was my #1 anticipated title of 2008, just FYI. Just the mere thought of how incredibly extraordinarily brilliantly fantasmagorically, orgasmically, stunningly amazing Baz's Australian epic could be makes me speechless. To quote the immortal Elaine Benes - "I'm speechless. I am without speech."

Nathaniel: I'm recovering my senses just long enough to throw out this question to all of you but particular the two (Joe & MaryAnn) who are perhaps "with speech" --maybe they wonder what the fuss is about?-- but how do you think Baz Luhrmann's style might differ now that he is done with his Red Curtain trilogy (Strictly Ballroom, Romeo + Juliet, Moulin Rouge!) ... I know he has said it was concluded but will he really give up the "L'Amour" sign we've seen in all his movies, the intense theatricality, the eye popping color... or will he just subdue the urge a little?

Glenn: As the only Australian in this motley crue I must say I don't think there were any L'Amour signs in either the Australian outback or Darwin circa WWII. Although I'd love for Baz to prove me wrong! And while I'm sure he's done with the theatricality of the Red Curtain trilogy, I'm also sure he's still going to make movies that are as beautiful as can possibly be. It's not his nature to make anything less than beautiful.

I must say just quickly that I am looking forward to the supporting players almost as much as the combo of Kidman and Jackman. Actors like David Wenham, Jack Thompson, David and Jamie Gulpilil, Bryan Brown, Ben Mendelsohn, Bruce Spence, John Jarratt, Bill Hunter, Essie Davis, Barry Otto, Kerry Walker, Ray Barrett, Jacek Koman, David Ngoombujarra... they may not all be "names" to you guys, but that is one of the most absurdly overflowing big name casts I've seen in a long time. If you ask me it even bests the cast of #14 on the countdown The Women. That's a massive slice of Australian film history right there in the cast!

And now I'm back to being speechless.

Joe: Yeah, don't think I'm a detractor -- this ended up somewhere on my list, I know that -- but I have retained my ability to form words in this film's presence. I like Baz Luhrman a lot, I think it's been far too long since he's graced the film landscape with his particular brand of artistic tackiness, but I really have to wonder about how this whole project is going to work out. Either, as Nathaniel suggests, he sets aside the gaudy tendencies of the Red Curtain films that made them at once divisive but distinctive and risks making a film that feels comparatively dull, or else he tries to bend the historical epic genre into the big Baz style, which I think could be a total mess. Or brain-breakingly amazing. It's tough to tell.

Gabriel: While I'm happy to part with the overblown theatricality of Luhrmann's previous work, I hope we don't lose the entire romantic sweep of his style. When I look at the pictures of Australia, I immediately see the echoes of Giant. There's a grandeur to the romantic Western, and I'm hoping Baz makes fair and frequent use of it.


Glenn: Let's just hope it's more like the first half of Giant and less like the second when they start throwing thick aging make-up on the stars and give them really bad wigs. Yikes.

MaryAnn: Oh, I'm perhaps not totally speechless, but I am panting pretty hard over this one. Baz doesn't just make movies, he makes love to them. And the thought of him making love to Hugh Jackman and Nicole Kidman (and David Wenham, oh my)... well, I trust him to get it exactly right, whether he goes wild and florid or sweeping and romantic.

Nathaniel: but can't he do both? pretty please.
............~signed, Nathaniel... who may never get over the "red curtain" trilogy.

MaryAnn: Of course!

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Nathaniel: OK, now on to the readers. Are you hungry for another Bazmark production? If Australia --or rather, your anticipation for and dreams of Australia --leaves you speechless this post might not be full of comments. But for those of you who haven't fainted [um, why is this not #1. I'm shocked myself], do you think this will be another triumph, a midlevel success, or a pretty failure.

And what's with the sudden resurgence of Giant in the collective subconcious of filmmakers?






<-- Sister Aloysius prays for your wicked soul if you haven't been reading the "we can't wait" countdown #1 Synecdoche, New York / #2 Burn After Reading / #3 Australia / #4 Milk / #5 Blindness / # 6 Doubt / #7 The Curious Case of Benjamin Button / #8 Revolutionary Road / #9 The Dark Knight / #10 Sex & The City: The Movie / #11 The Lovely Bones / #12 Wall-E / #13 Stop-Loss / #14 The Women / #15 Harry Potter and the Half Blood Prince / Introduction / Orphans
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