Showing posts with label Garbo. Show all posts
Showing posts with label Garbo. Show all posts

Thursday, September 09, 2010

Judy Garland's Clark Gable Fixation

Actors on Actors



You know what's odd? Though Judy Garland excels at dreamy sadness, I always end up smiling when I listen to her sing. As soon as she tears up onscreen I feel way better; she alchemizes sadness and turns it towards the bittersweet at the very least. I love her two movie shout-outs here in Love Finds Andy Hardy: one is to Greta Garbo but she also has to reference her main man.
I'm allowed to go to picture shows. That is if Nurse is feeling able. But we only go to Mickey Mouse, I'm not allowed Clark Gable!
Oh Judy. They'd let you go to Clark Gable pictures if you hadn't already gotten so stalkerish just one summer earlier in The Broadway Melody of 1938.



All of this begs the following question:
Who made you love them when you were only 15?

*

Tuesday, March 24, 2009

Classic Film Stars: Now Less Elusive!

Have you heard the news that Warner Bros has opened up their vaults? Seems at least one of the major studios has realized that those who truly love the cinema love the entire history of it. They'd like to see more of that history.

Norma Shearer and Robert Montgomery live Private Lives but they
still want to show off their brand new DVD collections!

There's a reason that some former mega stars (Norma Shearer is a good example) fade in the public consciousness quicker than others. Actually there are many reasons: changing tastes, mediocre filmographies, undramatic personal lives -- especially if they don't end tragically, pop culture's rapid "who's next?" star meat grinder, lack of gay appeal (think about it: fascinating the gays insures a long shelf life for entertainers. I don't think I need to cite examples... they've probably popped into your head just reading that sentence). But I'm thinking of the most infuriating reason for premature fading: sometimes their work just isn't seen.

Part of that is public disinterest in film history (Boo!) but a lot of it is Hollywood's weird disinterest in their own history. They'd rather remake an old film than promote the previous best of their industry. I know that it all boils down to money but in an industry filled with so many "creatives" you'd think more of them would funnel some cash back into film preservation and film history education and promotion. It stands to reason that if everything was available, some titles and stars would not remain as obscure. Surely the renaissance of interest in Louise Brooks was fueled at least partially by Pandora's Box VHS release.

Starry titles now available include: a few from both Clark Gable and Joan Crawford, Liv Ullman in The Abdication, Spencer Tracy in Malaya and Edison the Man, Warren Beatty and Eva Marie Saint in All Fall Down (the tagline is too funny on that one... "male enough to attract a dozen women... not man enough to be faithful to one!"), Greta Garbo in both Love and Wild Orchids, Cary Grant in Mr. Lucky and Crisis, Greer Garson in Sunrise at Campobello. Shearer herself gets at least three titles: Strange Interlude, Private Lives and We Were Dancing... though it's hard to say exactly since the archive isn't very user friendly. It's not searchable in convenient ways.


As I continued reading the articles about this and scanned the archive I realized that the whole thing is less juicy than it sounds. Only 150ish titles are now available within this new "custom order" dealio. The Warner library is nearly 7,000 films strong and according to the AP
Twenty more films or TV shows will be added to the program of re-releases each month, with 300 expected by year's end. To put it in perspective, the studio has released only about 1,100 movies on DVD since the technology was spawned 12 years ago.
While I'm glad that this is happening, I'm also disappointed that it's so tentative. They haven't so much opened the vault as installed a mail slot in the wall by which they can shove a few DVDs through when they feel like it. Cinephilia needs its own Moses to storm the studios with righteous fury "Let My Movies Go!"
*

Sunday, March 15, 2009

Valentina !

utterli-image

Mobile post sent by nathanielr using Utterli. reply-count Replies.

Visited the Valentina exhibit at the Museum of the City of New York today. The gloved gown to the left was for exotic Hollywood beauty Merle Oberon. The green gown was designed for Lillian Gish who apparently wore Valentina both on and off stage. Finally to the right this Katharine Hepburn ensemble was for The Philadelphia Story. Valentina declared "At last, I made her look like a woman."

To your left are three Greta Garbo pieces. Apparently Garbo was pretty damn specific about what she wanted. The coat to your left she asked that it be
...a combination of The Duchess of Windsor, Lady Mendl and George Bernard Shaw
You can't see the details too well here but the gown to your right, the "petal pink and black floral medallion silk brocade" is amazing.

Valentina was quite a high society character (why no biopic of her?), a young immigrant who became a self made celebrity carefully controlling her image and lying about her past. She was one of the original superstar designers, on equal fame footing with her clients and fond of delivering eminently quotable soundbites like
My salon is like a clinic where I treat clients for bad taste
The exhibit also had a clip of a fun televised interview between her and Edward R Murrow which brought back memories of David Straitharn's Oscar winning* performance in Good Night, and Good Luck. Good night, good luck and good times.

*I like to pretend sometimes
*

Wednesday, July 23, 2008

One Hotel To Rule Them All

Best Pictures From the Outside In, a weekly series in which myself, Nick's Flick Picks and Goatdog's Movies examine a best picture winner from either side of Oscar's 80 year timeline [which means we'll be finishing up in the middle, the 1960s, next summer -ed.], has hit episode #5. [click here to read]

We're discussing Peter Jackson's JRR Tolkien capper Return of the King (2003) and 1932's all star ensemble drama Grand Hotel (an early prototype of what's now often referred to as the "hyperlink" film) in which several hotel guests crash into each other, their lives becoming intertwined. Almost to a one they're desperate in some way: for cash, for love, for companionship. But it's not a downer of a film so much as a soapy grabber. Joan Crawford is the bee's knees in Grand Hotel. She's glam, high spirited, funny, sexy and warm too (you heard me right) as a semi jaded stenographer whose looking for love but definitely willing to settle. Good performance, good movie. It's a happy episode of the Best Picture retros.

And, yes, Grand Hotel is the film in which Greta Garbo utters her immortal "I want to be alone". Poor sad ballerina Greta. She just wants to be left alone.

the series so far
episode 1
No Country For Old Men (07) and Wings (27/28)
episode 2
The Departed (06) and Broadway Melody (28/29)
episode 3
Crash (05) and All Quiet on the Western Front (29/30)
episode 4
Million Dollar Baby (04) and Cimarron (30/31)
episode 5 over @ GOATDOG's The Lord of the Ring: The Return of the King (03) and Grand Hotel (31/32) Meanwhile Nick provides more on the 1931/1932 best picture race and its many nominees. I haven't seen enough of them. I must get on that.
*

Tuesday, March 21, 2006

An Illustrated History of...Gender Bending

It's Tuesday. Time for "A History of..." But today we're doing things a little differently. It's an Illustrated History of Gender-Bending @ The Movies. Today's topic is inspired in part by the fact that it's the birthday of one hit wonder Jaye Davidson who startled moviegoers in The Crying Game many years ago.

1930s Marlene Dietrich puts on a suit. Garbo strolls around like she has an extra bit between her legs. Millions swoon.

1959 Hollywood's first transgendered gay marriage

1970s Susan Sarandon squeaks. Tim Curry peaks.

1980s Hollywood's gender-bending apex.
Dustin hoffman plays "Tootsie", Streisand is "Yentl", Julie Andrews plays a woman impersonating a man impersonating a woman. and Daryl Hannah begins passing.

1992 oops...


1993 Kurt Russell discovers eyeliner in Tombstone. Val Kilmer still upstages him.

1994 Guy Pearce cannot find a copy of The Texas Chainsaw Mascara. Still looking. Has now also misplaced his career. I swear that Guy. If his head weren't attached...

2006 Amanda Bynes in She's the Man finally replaces Barbra Streisand in Yentl as the world's most unbelievable and ugly boy. Babs sends 'thank you' note.

If you're here for the first time...
please check out the blog entire, homebase, and some other histories...
Jodie Foster * Bald Women * Sarah Jessica Parker *
Gay Cowboys * Julianne Moore's Screen Kids * Gyllenhaal
Enjoy!

Tags: She's The Man, gender, movies, Amanda Bynes, Barbra Streisand, celebrities, Rocky Horror, gay, transgender