The New York Film Critics Circle forms, together with LAFCA (Los Angeles Film Critics Association) and the NSFC* (National Society of Film Critics), the holy trinity** of critics awards. LA & NY combined can be a potent influential mix... not that they often agree. But this year they did, further underlining the dominance of The Social Network this awards season. The other big boost went to The Kids Are All Right, Lisa Cholodenko's warmly funny family-at-crossroads film, which picked up three major wins (Actress, Supporting Actor, Screenplay)
PictureThe Social Network Director David Fincher for The Social Network Actress Annette Bening for The Kids Are All Right Actor Colin Firth for The King's Speech
We already knew that Best Actress was shaping up to be a Bening vs. Portman showdown. But it was not confirmed in a neatly bi-coastal way since Portman did not take LAFCA yesterday. She wasn't even runner-up. Nevertheless, it's still firmly on track to turn out that way, a two-person battle, since they're the likely Globe winners in Comedy and Drama, respectively.
Supporting Actress Melissa Leo for The Fighter Supporting Actor Mark Ruffalo for The Kids Are All Right ScreenplayLisa Cholodenko & Stuart Blumberg for The Kids Are All Right
CinematographyMatthew Libatique for Black Swan
Animated FilmSylvain Chomet's The Illusionist
DocumentaryInside Job
Foreign FilmCarlos
First Feature David Michôd's Animal Kingdom
Special Prize is there one this year? I haven't seen one specified online and their site has not been updated.
Having been a big fan of Animal Kingdom all year, I am pleased for David Michôd's win, since the praise has usually reduced the film to the Jacki Weaver show. Weaver aside, the entire cast is strong and so is the film so good on NYFCC for noticing.
Animal Kingdom's cast: Frecheville, Stapleton, Ford, Weaver,
Joel Edgerton and Ben Mendelsohn
In other film critics org news today, The Southeastern Film Critics Association named The Social Network the years best and also hilariously named True Grit's Hailee Steinfeld the best "supporting" actress of the year. What she's supporting, other than her entire Coen Bros picture, we don't know. They used to call that "carrying" a film and that's only done by lead actors. What the Christ? She's even more of a lead than Frances McDormand was in Fargo! See also: BFCA Nominations for this year's most egregious Category Fraud party. Every year has one.
*in recent years it seems that the NSFC has been fading -- so perhaps the only powerful critics orgs are now LA & NY... at least in terms of media interest -- given NSFC's late voting and the ever expanding roster of film awards.
Setting aside for a moment the personal view that people rush too quickly into naming their favorites every year (usually well before the annum is over) I do love reading a good top ten list. When those lists are from magazines, they have a long lead excuse so let's enjoy them.
The L Magazine, a local NYC offering ("the L"is a subway), has released their Best Films of 2010 and as usual there's a lot to argue with. For instance, Mark Asche lulled me into a state of hipster foreign-film auteurism before clobbering me by honoring Woody Allen at the end. Did not see that coming given the rest of the list and, what's more, I'd call You Will Meet a Tall Dark Stranger Woody's nadir if I hadn't failed at successfully erasing all memories of The Curse of the Jade Scorpion and Hollywood Ending. Where is Lacuna, Inc when I need them? Nicolas Rapold, like Asche, leads with Carlos but then has to go and throw in Oki's Movie. Someone please point me to a review of this that explains its worth. I remain perplexed that some cinephiles go apeshit for a movie that is so anti-cinematic; it all but refuses visual interest. "I'm just gonna leave this camera here and not for a brilliantly composed one shot either but just because I can't be bothered to think visually. There! Deal with it." And so it goes throughout the lists with the mix of "yes, good point." and "wtf?" but what would Top Ten Season be without that? Dull, that's what.
The most eccentric list belongs to Benjamin Strong who starts with Godard and ends with... Splice? The most surprising list is the most mainstream (they don't often go hand in hand) coming from Jesse Hassenger who mixes geek-causes, Oscar hopefuls, mainstream comedies... and Greenberg. Noah Baumbach's miserable middle-age protagonist is totes the new mascot for L Magazine appearing on five of the six lists. I liked the movie quite a bit, especially Greta Gerwig's deliciously unactressy actressing if you get me, but I'm not sure I follow all the top ten / awards enthusiasm. Not sure it clears those "best" hurdles, though it's definitely a worthy effort.
I Am Love, a succulent dish.
Finally, you should all head over to Anthony Lane's top ten list at The New Yorker. He's long been one of my favorite writers, no matter what he happens to think of any particular movie. He's just so damn readable; an expert at the turn of a phrase, the offhand quip and the skillful resolution. My favorite part is this awesome "divisive/unifying" double feature since I deeply love both of 'em.
There were films that divided, in 2010, like Luca Guadagnino’s “I Am Love,” whose peach-like ripeness of sensation made some recoil, but which to others, a mite less embarrassable, showed with fine, Italianate panache how uncontrollable feelings can be held and sustained by an organizing eye. And there were films that united, like David Fincher’s “The Social Network”; who would not revel in the irony of a movie about smart-ass kids that was suitable for intelligent grownups? People felt moved to feast, in the aftermath, on its many implications—scary or succulent, depending on your taste for the new, endlessly mediated world. And how long, incidentally, has it been since you saw a film that was gripped by great animus and hostility but was not resolved by violent means? Quite the opposite, in fact; when someone raised a hand against Justin Timberlake, he backed away like a kitten.
One should probably discuss it weekly (and not on Wednesday? Shut it. I'm late.) if only to be more "in the world" and less hermetically sealed in one's own bubble, he said to himself while gazing at his navel in his 360º mirror.
In all seriousness this is a problem. I sometimes stare at box office charts and think "'The Warrior's Way'? What the hell is that?" And, bear in mind, I think and write about movies 7 days a week so these blind spots can be problematic. And yet, when you live in a big city and you have options you don't always notice what's playing in thousands of theaters when you can obsess over something like Black Swan which is playing in just over a dozen. Thus one stays sealed in one's bubble.
Box Office Blather Bakers Dozen
("Bobbed!"...why do I need names for everything? It's a sickness)
Tangled (2nd week) $21.6 [cumulative: $96.5] -55%
Harry Potter and the Deathly Hallows Pt 1 (3rd week) $17 [cumulate: $244.5] -65 %
This is a gay rag here in NYC. Anne was on the holiday weekend cover promoting Love and Other Drugs, and though the inside article is dependably slim, she once again proves herself not just a wonderful celeb but a cool person and major friend of the gays.
"I was at the Empire State Pride Agenda dinner a few years ago," she recalls. "And Margaret Cho put it perfectly. She said, 'I can't believe we're still dealing with this shit!'" If a class act like Hathaway is cursing, you know she means business.
Love her. How beautiful are these photos by twin photographers The Riker Brothers?
The New York premiere of Black Swan was held last night at the Ziegfeld which is the theater for premiere's here in Manhattan. I have so many fond memories of the place. All the stars were in attendance including Darren Aronofsky, Vincent Cassell and Barbara Hershey. Plus the deliciously dark rival ballerinas Mila, Natalie and Noni.
I think it goes without saying but I'll say it: Winona Ryder is still one of the most beautiful women on the planet. Those eyes. That coloring. Gah.
Why Noni is wearing a tux we can't be sure but we love that she did. Why Aronofsky refuses to shave that Flynn mustache we can't be sure but we wish he would. Why Natalie is carrying around Nabokov's Lolita* we... wait, what?
There's got to be a story there. I hope it does not involve obsessive fans of The Professional.
*Okay, it's apparently a clutch by Olympia Le Tan - thx Dom - fashioned as a replica of the literary classic. The replica costs only $1,321.00more than the real thing. But can the real thing hold your lipstick, keys and money?
I'll share a few more interesting movie-specific quotes I couldn't find room for in this article tomorrow here at the blog. But for now a piece I wrote for Tribeca Film.
He’d be unrecognizable but for those enormous blue eyes. In fact, when Jake Gyllenhaal walked out on stage at the SVA Theater in Chelsea on Saturday night, a full bushy beard covering what seemed like all of his face, film critic David Denby didn’t even introduce him by name. “I don’t know who this guy is,” Denby joked. “He looked a little lost, so we invited him in.”
But who needs a big introduction when they’ve been headlining movies big and small for a full decade?
The New York Film Festival starts officially on September 24th. Critics screenings have already begun but so far I've been in absentia. I have my reasons though the selection committee and certain cinephiles would surely scoff at them so they will go unnamed. This morning I picked up my credentials but opted to skip Carlos the Olivier Assayas film about Venezuelan revolutionary Ilich Ramirez Sanchez or "The Jackal" as he's infamously known in history and inthemovies. I love Assayas (Summer Hours + demonlover = movie heaven plus rare artistic range!) but I can't do 5½ hour movies. I just can't!
That's one of the reasons people will scoff (oops. so much for unnamed). I've heard it's terrific but I know my limits. My back and ass know them, too. Hopefully I'll get a chance to see it in its piecemeal French miniseries form at some point. I love serialized drama as much as anyone but for me that's a television-specific experience and it should stay where it belongs.
While exiting the Walter Reade I spotted a "coming soon" poster for Desperately Seeking Susan.
It's not every day you see a "coming soon" poster for a movie that's 25 years old starring your favorite celebrity of all time. Director Susan Seidelman will speaking to the crowd at the screening (Sept 23rd -- get your tickets) and Rosanna Arquette and Aidan Quinn will also attend. If they blasted "Into the Groove" through the speakers and Madonna made a surprise appearance in her original costume I would die on the spot with a stupid grin on my face. What a way to go.
Susan is not part of the official festival (shame) though the fest usually does have a few retros. See, NYFF isn't exactly known for comedy if you know what I mean. They lean hard on Cannes lineups but only the dour subtitled selections. If NYFF goes "mainstream" it's usually for something gloomy, like say dead children a la Clint Eastwood's Changeling but not dead children a la Rachel Getting Married because that movie was too warm and humane! I'm partially joking since I love the NYFF but that 2008 selection committee decision will haunt me forever. They crazy. I shan't ever forgive them.
My point is this: in one particular NYFF year I sat through three films in a row from multiple countries starring voyeuristic barely verbal loners who stalked / killed women. I can't even talk about it! I just can't.
For 2010, I'm most excited for the following seven in roughly this order:
Another Year -because it's a Mike Leigh film. That's all I need.
Uncle Boonmee Who Can Recall His Past Lives -because it won the Palme D'Or and I found Apichatpong Weerathesakul's Tropical Malady so worthwhile in its enigmas.
Meek's Cutoff-because Michelle Williams and Kelly Reichardt's last collaboration Wendy & Lucy was so moving.I'm sometimes allergic to westerns, though, so we shall see.
Poetry -because I still think about Lee Chang-dong's Secret Sunshine frequently and staying power is not properly rewarded at the cinema.
I'll see other pictures too but those have made me the most curious.
And because Jonathan Glazer's Birth (2004) seems to be coming up frequently in discussions round here lately, you should probably know (should you be in NYC) that one of the special events this year is an evening with film scholar David Thomson (The New Biographical Dictionary of Film) in which he will screen and discuss this wonderful and misunderstood picture. *
I'm working on revising the Oscar predictions. So far we've updated the extensive foreign film pages (yet, we're already behind again the news is coming so quickly), the animated and documentary categories, the aural categories like best score and song (I could use some help there -- offer it in the comments) and NEWbest picture. And yes I know that many people believe that The Way Back will not be released in time. But I don't believe for a second that the current plans will keep.
About Best Director. After a banner year for diversity last year this year looks like a return to the standard. It'll take a while for cinema's burgeoning spread of voices to register on a frequent basis. If you fuse all my predicted nominees together -- that'd be David Fincher, David O. Russell (pictured left), Mike Leigh, Peter Weir and Christopher Nolan -- you've got a 54 year old white auteur with 9 films under his belt who has been nominated once before in this category and is generally perceived as overdue for a win. But why would you fuse them together? That's only something I sometimes do with statistics because I am weird.
I would have loved to predict Darren Aronofsky for Black Swan (because I am a fan* in general, though I haven't yet seen the film), but here's something I fear about the new 10 wide Best Picture system. Though it gave us a nice spread of genre and mood and consensus last year, I fear the noisy mainstreaming of that category will end up drowning out the hoopla for those left of center choices that the directorial branch sometimes honored in their gutsier moments. And if my fears prove correct going forward, that'll be a real shame.
Your thoughts and armchair punditry are welcome in the comments as always.
*fan not stalker. Which I must differentiate because a friend of a friend of a friend did point out his & Rachel Weisz's apartment to me the other day quite unexpectedly, even though movies weren't even the topic of conversation. The exterior was red. That's neither here nor there. I'm just sharing for a bit of organic blog flavoring. *
I never actually see them changing one, so this was a welcome sight. So much better than digital marquees where someone's just typing on a computer.
Typing on a computer is so mundane. I'm totally going to start handwriting The Film Experience! Why should posts take a few hours to write when they could take whole days?
Mad Men @ The Movies discusses the cinematic references in television's best series.
Peggy (Elisabeth Moss) and Don (Jon Hamm) succumb to exhaustion. Four seasons of great acting will knock the wind right out of you.
Episode 4.7 "The Suitcase" This week's episode was a well timed Peggy & Don duet. The historic backdrop was the infamous boxing match between Sonny Liston and Cassius Clay (Clay had already changed his name to Muhammad Ali but not everyone had acclimated to the switch. Interesting that Don in particular shows resistance to it given his own name change/reinvention). Given that context and the episode's actual content it might be more appropriate to call "The Suitcase" a well timed Peggy & Don brawl. By the end of the episode they'd put each other through ten rounds, with an actual brawl (albeit with Peggy watching rather than throwing punches). We'll call it a draw. Shockingly, they both had a good cry before the hour was out, and seemed both more vulnerable to the viewing audience and to each other; it was a brutal episode but it wound down with surprising tenderness. The two characters have so often been used as imperfect parallels and generational / gender distorted reflections of each other that moments where they come head to head like this are nearly always memorable. And a whole episode of it? I can't help but say it: "The Suitcase" was a knockout.
But, for our purposes at MM@M, it was a rare episode without any movie star / movie name dropping. The closest we came was a James Bond reference and the opening shot/scene when Harry Crane (Rich Sommer) passes out tickets to see the big match... on the big screen.
Ken: Where are these exactly? Harry: It's a movie theater -- no bad seats.
Those seats costs $15 which is quite a hefty price tag in 1965 (the hookers a few episodes ago cost $25). The SCDP team is seeing the match broadcast live at Loew's Capitol Theater in Times Square. The legendary theater once housed world premieres like Doctor Zhivago in 1965. After the last engagement in 1968, 2001: A Space Odyssey, the theater was demolished. Sadly movie theaters like that don't exist anywhere these days, really. It had over 5000 seats and a 25' by 60' screen.
As for Harry's assertion that movie theaters have no bad seats... do you agree? I'd beg to differ as I hate the front row. I'm a middle/middle man, though lately I've taken a liking to aisle/middle/right. But anything's fine really so long as it's not the front row! *
6:30 So Kevin McHale of Glee was very nearly the first person "E!" has talked to that I remotely cared about. He's wearing a yellow bowtie -- I almost typed yellow boytoy -- Weird. I blame Madonna.
Glee Boys.
Kevin named Sally Field as his celebrity crush (!) and Brothers & Sisters as his favorite show. I hope he was conveniently forgetting this past season because it blew.
Moments before Ryan Seacrest was actually wishing Emmys on the Jersey Shore cast. I am so embarrassed for everyone. E! should have rechristened themselves S! for Shameless or Stoopid long long ago. But at least they changed their red carpet people and got rid of the silver haired pancaked makeup person.
6:40 Claire Danes looking gorgeous with relaxed hair and shimmery gown. A Truth: I sometimes wonder what Angela Chase would think of Claire Danes. It's not that I get fantasy and reality confused so much as I just tend to prefer fantasy. Danes claims the only critic she worried about for this movie was Temple Grandin herself. Danes always strikes me as so fragile with all the tics and flinching that I imagine that bad reviews ACTUALLY hurt her, like cause blistering or some such.
6:45 Eva Longoria. That rumor she was going to play the Wasp in The Avengers was one of the darkest moments of my summer.
6:50 Jon Hamm (Mad Men) named Tatum O'Neal as his first celebrity crush because of Bad News Bears. That's so cute. She was one of mine, too. Only it was because of Little Darlingswhich scandalized me as a kid. Scandalized! But there's definitely a connection between being scandalized by someone and crushing on them, don't you think?
7:00 Ryan Murphy is wearing a blue tux and blue sunglasses. And he actually seems a little blue (mood not porny). Maybe he's less excitable in real life than he as a TV god. Because Nip/Tuck and Glee are nothing if not excitable.
7:01 January Jones is going to play Emma Frost "The White Queen" in X-Men: First Class which I think is kind of a brilliant casting decision. I understand the internet thinks otherwise but the internet is craycray
7:03 I'm not kidding you that this is what the E! cameramen did intermittently throughout Christina Hendrick's interview. Again: S!
or maybe E! is correct: E! for Exploitative. P.S. I love those Mad Men barbie dolls. I don't have Joan though. Just the Drapers.
7:12 Bill & Sookie (Anna Paquin) are now married. It's true. And yet they still have to answer constants nudity and sex questions on the red carpet. They're talking about their Rolling Stone photoshoot and how they covered each other's bit. One of the weird annual joys of awards season is watching Bill (I forgot his name. Deal) get embarrassed while talking about the sex scenes and use hand motions to describe body parts. Last year he used his hands, cupped, to demonstrate his butt pumping technique on the show. I kid you not.
Classy! But True Blood is A grade B trash and that's why we love it.
7:34 I'm so bored right now. I was all excited for about 41 minutes. But there are too many TV stars I don't care about. Like Juliana Marguiles. I have this fear that The Middlebrow Wife is going to win lots of awards tonight. It seems so Emmys.
7:52 Julie Bowen just said that her favorite shows on television are 30 Rock which she deemed an "old school" choice (... um, it's only been on for like four years. It's not like Law & F'in Order) and Project Runway her guilty pleasure. Meanwhile the reporter appeared to be headed to Las Vegas right after the show. A cut-out at your waist?
7:59 Billy Bush is TERRIBLE at his job. He really is. He's like "The Emmys" like that's as interesting as a message from their sponsors.
8:03 Opening skit. Glee themed. Gee, I wonder who will win tonight. Was that really Jon Hamm's voice just now? It's fun to see Dr Drew reunited with Liz Lemon but otherwise that number was atrocious. There were lots of pauses for laughter with no laugh track and (presumably) no one laughing.NEXT DAY NOTE: I'm reading around that net that people mostly loved this opening. Hmmm. The dangers of live blogging and divided attention?
So the straight man playing the gay man in the gayest category ever won. But he is truly hilarious on that show. "I ate the sun!"
8:20 txtcritic explaining The Bing Bang Theory to my clueless BFF "it's about three nerds that live together." That sounds unmissable! Modern Family takes another award for Best Writing in Comedy. Well deserved.
Thanks the cast, her agent, "my lord and creator Ryan Murphy" (ha!) her wife. and then a "God Bless"
She's so talented but I feel a bit bad for Krakowski who had her best season ever I think. Is she having a "rage stroke" right now?
8:35 Ryan Murphy wins Best Comedy Director Glee. He says the show is about the value of arts education. My friend (who watches Glee every week) "That sounds so interesting. I'd love to watch that show. What show is he talking about?" Ha! Something tells me that Glee has peaked. Even fans are mocking it tonight.
I should note that somewhere in there was a skit with the Modern Family cast that actually had a good 3D joke featuring Sofia Vergara's boobs. I feel certain that the entire camera crew of E! television guffawed.
In her acceptance speech she says "I'm not funny." Ha. Well, that's true. But your supporting cast sure is. And Edie is marvelous on that show, don't you think? And even better: very little like her Sopranos self. That's range.
8:51 Top Chef wins Best Reality Series. I had no idea that Padme was this divisive but my friends all started arguing about her. There was only pure hate and big love. Nothing inbetween. Weird.
8:55 They keep showing Oprah commercials. We're laughing because we've decided that "Steadman" is the best fake boyfriend name since "George Glass."
9:00 Chris Meloni. I just had to turn the air conditioner back on.
9:02 Best Writing Drama for Mad Men. This is the lamest live blog ever. I apologize. The Emmys are somehow sucking the life out of me. Maybe it's because the awards have not been embarrassing. And the acceptance speeches have been very standard so far. And the hosting not inspired. So... uh... APOLOGIES.
9:04 Supporting Actor NomineesAaron Paul, Breaking Bad | Martin Short, Damages | Terry O'Quinn, Lost | Michael Emerson, Lost | John Slattery, Mad Men | Andre Braugher, Men of a Certain AgeAnd the winner is...Aaron Paul. I guess I need to watch this show. Aaron Paul looks like the tiniest person alive. A pocket Emmy winner.
9:10 Supporting Actress Nominees Sharon Gless, Burn Notice | Rose Byrne, Damages | Archie Panjabi, The Good Wife | Christine Baranski, The Good Wife | Christina Hendricks, Mad Men | Elisabeth Moss, Mad MenAnd the winner is...Archie Panjabi. I like her but it's not OK that Christina Hendricks lost when she doesn't even get nominated for each season. But Mad Men doesn't have much luck winning acting prizes, does it.
9:15 Lead ActorBryan Cranston, Breaking Bad | Michael C Hall, Dexter | Kyle Chandler, Friday Night Lights | Hugh Laurie, House | Matthew Fox, Lost | Jon Hamm, Mad Men And the winner is Bryan Cranston for the third time. Poor everyone else. This is actually why I've never been into the Emmys. It's like making your bed in the morning. There's always deja vu.
Beautiful gracious speech from Cranston, though. If there's a takeaway from the evening it's that we're all supposed to be watching Breaking Bad. I feel left out.
9:24 Jimmy Fallon just isn't funny. I think that's the problem. He's doing a musical In Memoriam to shows that went off the air. The lyrics were mildly amusing for the 24 spot. But otherwise I'm lost. And he's doing Lost "I didn't understand it, but I tried."
9:25 My best friend on Glee"If Glee loses, it will follow the storyline of the show. And thus, will only serve the show." Hee.
9:30 I forgot to mention that Dexter won Direction of a Drama. I feel like I am seran wrapped to a table right now and the Academy of Television is a serial killer ready to do me in. I'm so over this.
This will not help to free me up from the seran wrap.
I'll say come on, come on, come on, come on, yeah take it! Take another little piece of my heart now, baby. (break a..)
9:36 I swear Jimmy Fallon is hosting this show from his basement. It's so 12 year old boy "funny" rather than funny.
9:40 The Tonys just won something. My friend thinks that awards shows should be ineligible to win prizes at other awards shows. Listen, I love Broadway but seeing a Broadway show will not change your life. And as my friend Ed says "It'll change your bank account."
9:53 Ricky Gervais is SO funny. "Bucky Gunts" for the win.
9:55 I may actually expire before this show is over.
10:08 Julia Ormond just won Supporting Actress for a TV Movie Temple Grandin. They spelled her name wrong "Julia Ormand" and then she couldn't remember Catherine O'Hara's last name? A joke? I'm very confused right now. Earlier today I forgot the word to "balcony" I am terrified that I have Aphasia. Or at least I am terrified that awards shows have it.
10:16 Temple Grandin won another. Is that about a disease? I shouldn't joke about Aphasia. But I really did forget the word for balcony earlier. WTF?
10:17 Jewel is doing In Memoriam? But without an intro. I remember HER but I can't remember "balcony"
10:20 These In Memoriams are always so sad. Sniffle.
10:23 We're now eating Iceland skyr... it's a little mealy or chalky or something. Do not like. Sorry Iceland.
10:24 I have lost the thread.
10:26 Some time ago George Clooney won a humanitarian prize. He really is a great person. But my apartment -- I have a couple friends over -- we're now experimenting with cuisine and discussing the Scissor Sisters. I tried!
Look how A-MAZ-ING this photo is that my BFF took? The light is emanating from Jake Shears chest. It's not the first time. Light is also absorbed there. The light in my eyeballs.
10:30 Oh all right. If I must. Back to the Emmys.
Lead Actress NomineesJoan Allen, Georgia O'Keefe | Judi Dench, Return to Cranford | Maggie Smith, Capturing Mary | Claire Danes, Temple Grandin | Hope Davis, That Special RelationshipAnd the winner is... Claire Danes.
Her acceptance speech was fun. I would quote it for you now but I lost the thread. I'll have to backtrack. But she was cute and, it's like, something Angela Chase would've said if she'd become, like, a tv star. For reals.
10:38 Lead Actor NomineesJeff Bridges, A Dog Year | Ian McKellen, The Prisoner | Al Pacino, You Don't Know Jack | Dennis Quaid, That Special Relationship | Michael Sheen, That Special RelationshipAnd the winner is...Al Pacino. I hate his hair so much.
BTW Latisse is probably loving how many opportunities Claire Danes has had to blink and coo at the camera tonight. Those lashes sure are lovely!
10:40 Yes, please wrap it up Pacino.
10:41 OMG. He is STILL talking? They would drown anyone else out with orchestra music.
Except maybe Betty White.
10:42 I am beyond TIME. I am now going to share a screencap that happened before Al Pacino won. Because I cannot be contained by time or by my own time stamping. F*** you 10:42 I am 10:36 or something. Take it. You'll take it and you'll like it.
MmmmmSkarsgård.
10:46 I feel like if you add up all the times Tom Hanks has been on awards stages accepting prizes -- best miniseries -- you would equal my life. Or at least up until say high school graduation. He's logged years up there is what I'm saying.
10:50 So Claire Danes was just called "bottomlessly talented" does this mean her bottom is without talent? She'll always have her eyelashes.
LAST TWO AWARDS. YEEHAW.
Defending New York City champs 30Rock and Mad Men, both of which have won for every season aired (thus far), defend their titles. Will they repeat for their 4th and 3rd respective seasons? We'll find out in seconds.
DramaBreaking Bad | Dexter | The Good Wife | Lost | Mad Men | True BloodAnd the winner is...MAD MEN. Yes! Best show on TV. You know my feelings about it. January Jones is wearing a dress made of a blue chinese new year dragon. Shell breasts. How cute was that little exchanged look between the Drapers on stage?
ComedyCurbYour Enthusiasm | Glee | Modern Family | Nurse Jackie | The Office | 30 Rock And the winner is...[nailbiter] Modern Family! Great great show. Yay. Deserved. So consistent and so beautifully executed and just, well, funny. And the award is called "Best Comedy"
10:59 Okay wow. So the awards went to fairly deserving things but Jimmy Fallon was terrible. I'm out.
The clear winner of the night is... (I think we all know).... Claire Danes. How soon does HBO offer her her own series?
11:54 OK. I really must sleep now but I just wanted to remind Sofía Vergara of her commitments.
Robert here, back with another entry in my series on great contemporary directors.
Maestro:Woody Allen Known For: witty comedies about life, dramas about love, often though not exclusively set in New York Influences: Early comedy owes much to cartoonist Jules Feiffer, drama much to Ingmar Bergman. Masterpieces: Anything I write here is going to get me in trouble. But let me say I agree with the popular sentiment that Annie Hallis most of all. Also Manhattan, Hannah and Her Sisters, Crimes and Misdemeanors and maybe The Purple Rose of Cairo.
Disasters: Disaster is such a strong word and there are several that may (yet may not) qualify. Better than you remember: And for everyone there's at least one Allen film that the world seems to loathe but you love. For me it's Scoop (recently). Box Office: Annie Hall is tops with 136 mil. Favorite Actor:You may think it's Diane Keaton (7) or Mia Farrow (13) but in fact Woody Allen's favorite actor is Woody Allen, having starred in 17 Woody Allen movies.
Woody Allen is nothing if not a victim of his own prolificness. Anyone who steps up to the plate as much as he does is going to strike out a lot. But the hits he gets are often home runs, or at least triples (someone help me before I stretch this metaphor out any more). My standard for this series has been to ask whether a director has made at least two notable quality films in the past ten years. And though it's fair to say that he's been missing more than hitting lately, Woody Allen certainly meets that standard. The two films of note here, of course, are Match Pointand Vicky Christina Barcelona, though I also find Scoop to be just as good as both of them. I mention that not because I can really make a case for Scoop, but to point out how Allen's "bad" films even have worthwhile elements that speak to people. And so there are people who think Melinda and Melinda was great or who champion Whatever Works or Cassandra's Dream. The question with each new Woody Allen film isn't whether or not it'll be wholly embraced by the critical community and play for awards but also whether it'll be a small gem that you and you alone seem to appreciate.
Allen's career has been much discussed, especially in the 70's 80's and 90's. His thoughtful New York comedies, his sentimental love notes to jazz and early cinema, his Bergmanesque dramas have all been analyzed and analyzed again. To focus on his recent career is to focus on a man abroad, outside a city more closely associated with him than perhaps any other modern man. The two previous aforementioned films of note came from England and Spain respectively. Thematically they are about the nature of passion and how it is rooted in the seductive call of the foreign away from the warm and safe loving embrace of home. This is what Woody Allen thinks about when he's in Europe. While the man's heart clearly belongs to New York City, it is obvious that his experiences flirting with locations that belong to the hearts of others has breathed a new tilt into his career with interesting results.
A brief note about Allen's "lesser" films of recent years. While they may not have achieved a critical consensus, they still explore classic Woody Allen territory, touching on issues of love, loneliness, crime and guilt. They still feature quality acting and classically glamorous cinematography. It's comforting that Woody, if not consistently great, is still consistently Woody. And that's why we keep coming back and rooting for another hit. It's why his movies are still embraced and anticipated and rolled out at high status film festivals. It seems odd to suggest that perhaps more than any working director, Mr Allen's bad films are almost always worth seeing. Yet it requires a special kind of talent to accomplish that and it's worth celebrating. Allen's next film, You Will Meet a Tall Dark Stranger premiered in Cannes to pretty good reviews and will arrive for our consumption soon. If you're not excited for that, the next film after his next film will feature French First Lady Carli Bruni and is hotly anticipated for the fact. That's the thing about Woody Allen. There's always another shot at greatness around the corner. *
TV's greatest show has a love affair with the movies. So we have a love affair with TV's greatest show. We call it Mad Men @ The Movies.
The world premiere party for Mad Men Season 4 kicked off in Times Square a few hours before the show on Sunday night. I was honored to be invited so I must give thanks to the wonderful Lipp sisters of Basket of Kisses who always keep me in the swing of things when it comes to Sterling Cooper, excuse me, SCDP (Sterling Cooper Draper Pryce). It's always good to hang with the vivacious Lipps and I also got to chat with other MM fans including the adorable talented Carol Hannah of Project Runway fame.
The VIP crowd got Barbies. I managed to procure a Don & Betty set. (More on these dolls here. They retail for $75)
Left: Me (the hat was with the gift bag); Right: Girl from costume contest. I didn't catch her name but that's totally a Betty dress (the Barbie is wearing that same dress, albeit in miniature). She bought it on eBay which the judges called cheating.
This is the whole crowd shortly before the actresses arrived (hence the empty front row). I've circled the Lipp Sisters up front, true VIPs, and then that's me, further back to the side. It was a good crowd. Lots of rubbernecking on the street.
The evening came with two trivia contests (Pt 1 too easy / Pt 2 just right), two celebrity cameos from "Peggy" (Elisabeth Moss) and "Betty" January Jones who is sexy and statuesque in person and looks nothing like Elizabeth Hofstadt Draper Francis without the 60s costumes and hairstyling. My only gripe about the evening was that the panel of judges for the costume contest was quippy/bitchy to the contestants and, this being a fan event, more softball American Idol style criticisms were the way to go. If you have to criticize, tell them you love them first. They're fans. They aren't professional costumers.
January Jones and Elisabeth Moss. They joked that they were nothing like their characters but they were maybe like each other's characters. haha. The crowd sang Moss happy birthday and they wheeled out a cake.
The view from my seat. A crowded stage for the costume contest.
The strangest thing that happened at the event (for me... few noticed) was just outside of it. Before the actual screening, two teenage girls to the left of me on the street just outside the VIP area starting screaming. I turned to see what the commotion was about. There was a young guy, perfectly coiffed and teen idol fresh (he couldn't have been over 17, if that) who agreed to sign autographs for them. He was not with the Mad Men event, just walking through Times Square and had stopped momentarily to look at the party. The two teen girls were crying and hysterical and one even tried to touch his hair, her fingers visibly shaking like he was a hot stove and she just wanted to know what it would feel like... just this one time! Her friend slapped her hand away before the burn, both of them crying. Since he had bent over to sign something, he didn't even notice. I have no idea who this person was, but he handled it like a pro, smiling, asking where they were from ("O h h h i i i o" warbled through tears).
I've decided he was from the Disney Channel since that's where all the "stars" that I've never heard of or don't recognize come from. The girl he was with was visibly annoyed by the hysterics but stayed off to the side, dutifully, before grabbing his arm to pull him from a potential mob scene. No one else mobbed and suddenly they were gone. I'm surprised anyone is ever recognized in Times Square. It's always so crowded that you can barely spot your loved ones if you get separated, let alone a celebrity in their off duty hours.
Where were we?
This post is going to be so long. Oh yes, Mad Men. Here's what you missed in the first three seasons if you're planning to start now...
On to Season 4 and its movie-loving ways... however those turn out.
Episode 4.1 "Public Relations" My preferred title How Draper Got His Groove Back. In this episode, we try to get acclimated to the new offices (there's too many doors. I miss the open space), new characters (who is Peggy's co-worker? Love Henry Francis's mom played by Pamela Dunlap) while trying to stay patient (What is going on with Joanie's marriage? Where the hell is Ken Cosgrove?). Don reminds us of his movie-loving ways early in the episode through his pride in a commercial that plays like a movie. Plotwise Don and Peggy both make separate PR blunders. By episode's end Peggy gets an angry earful and Don gets his mojo back, professionally speaking.
On the personal life side, he's still a trainwreck. He's even blind dating ...and letting Roger, whose lovelife he doesn't exactly approve of, set him up.
Roger: Forget that she knows Jane. This girl's terrific. She looks like Virginia Mayo. She's 25. See her this weekend. You hit it off, come Turkey day you can stuff her.
Hmmm. Does Anna Camp (from True Blood) playing "Bethany" look like Virginia Mayo? You be the judge.
In a strange coincidence I was just watching Virginia Mayo in The Best Years of Our Lives (1946). She's terrific as the trashy restless wife of Dana Andrews. (That movie is so great.) People don't really speak much of Mayo these days but referencing her apple cheeked pinup looks is most definitely a compliment. She was a frequent movie presence from the early 40s through the late 50s. In addition to the aforementioned Best Picture winner, she's probably best remembered for noirs like White Heat and frequent Danny Kaye comedies including The Secret Life of Walter Mitty. She died just five years ago at the age of 84.
Mayo with Danny Kaye and with Dana Andrews
other references in this episode: (Music) novelty single "John & Marsha" (Magazines/Papers) Wall Street Journal, Ad Age, The Daily News (Celebrities) Luci & Dezi
* * Did you see this episode? If so, your comments please. If not, speak up anyway. How cool are those Barbie dolls? Or are you sick of the hype? (If you are, please note that there will be only one Mad Men post a week, Mondays, starting now.)
Further reading? Gold Derby thinks Mad Men is well timed for an Emmy 3peat. The Loop publishes a satirical letter from "Carla," the Draper maid. The Loop also has a rebuttal of sort. Claiming that the show isn't diverse enough is entirely missing the point. Cinematic Passions interviews costume designer Janie Bryant Inside Scoop bring back chicken kiev. Mad Men Unbuttoned the tune that's playing when Don gets his groove back. Put This On imagines how Draper would look in the WSJ. Love. Cinema Blend Sugarberry Hams for everyone. A ratings uptick. Best Week Ever gives funny recap...and awards. *
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