Patty Clarkson's 2010 Triple: Cairo Time, Easy A and Shutter Island

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Patty and the NYC premiere
this summer

Earlier this month I met with Patricia Clarkson to discuss another fine year in one of the most pleasurable of modern character actor filmographies. Hers. I was waiting for the right opportunity to share it with you, and since Cairo Time is out on DVD, Academy voters are busy weighing the various Best Actress options, and today is Patty's 51st birthday, it was high time.

Through an unfortunate scheduling snafu I was less prepared when I met her than I am accustomed to being. I apologized with a wee warning that I'd be winging it. I bring this up because, as many of will remember, I have closely clocked her career. She came in at #2 in my 2005 countdown "Actresses of the Aughts" (yes we should revisit that list now that the decade has wrapped) and because I just want to share the unedited transcript. She was just so delightful to talk to. The punctuations and descriptions are my own of course to convey the flavor of the conversation. Happily, she's as vivacious and fun to interview as she is to watch onscreen.

Our conversation started by chatting about the NYC premiere of Cairo Time this past summer.

Nathaniel: Really enjoyed the movie. We didn't get a chance to talk afterwards at the banquet but you seemed very buoyant and happy that evening.

Patty: Yes. It was very nice night and it had been a long journey with the film. So... just up until then my mother and sister were in town. It was just a wonderful night to share it with my friends and my family [pause] ...and strangers.

[Laughter]

Nathaniel: Strangers like me sitting at the corner table. But it was wonderful to see you carry a whole movie for change.

Patty: It's a nice thing. It's rare. You know, I've been the female lead in a few things but it's rare to really kind of carry a film -- especially for me but it's even rare for women in general. We're always sharing top billing with somebody, you know what I mean? Or we're often the supporting people. It's beautiful that Ruba [Ruba Nadda the writer/director] wrote a film with a woman, almost 50, in the lead. That's how she wanted it. I'm very thankful to her for that always.

Patricia as Juliette.

Nathaniel: This character ["Juliette" in Cairo Time] has a really slow burn. I mean the character arc is very gradual.

Patty: Very! So gradual. It's really truly one of the most deceptively difficult parts I've ever played in my career. Not only because you're in every frame and you're shooting every day all day. But emotionally, oddly, it was... [her voice trails off thinking of the work]. It's a very, very quarter-inch by quarter-inch slow burn progression.

Nathaniel: In a situation like that do you have to have a lot of trust that the editing, for example, would bear you out since there's not that one scene? If you compare it to something like Far From Heaven where you can play a hairpin turn in the character that's just so devastating.

Patty: Right. Well that's also such a more forward character. This is... she [Ruba] wrote a very passive protagonist -- I found it very beautiful -- a very setback reluctant, for lack of a better world, woman at times. Antithetical to me and often to many characters I've played which are very forward and very gregarious and very present. This is a woman who is reserved, truly reserved. But I still think lovely and approachable in her own way.

Nathaniel: One thing I loved about the movie was the costume design.

Patty: Beautiful dresses, yes.

Nathaniel: They went along with the gradual arc so well. And the resolution of the movie -- those final scenes are just beautifully played.

Patty: Oh, thank you. It's the courage that Ruba had to really trust that those scenes would work, that they'd stay with the film and take this very, very subtle intimate --no bells and whistles! -- film and be around for the end and have the payoff. Most of the people I've seen have gotten it. They took the journey and were moved and transported. So...

Patricia & Alexander Siddig in the final scenes of Cairo Time

Nathaniel: Would you reteam with Alexander Siddig when you could let 'er rip more?

Patty: IN ANYTHING! There will be a sequel to Cairo Time. And it's just me and Alexander on a train. I've already written it. Ruba doesn't know about it but I've written it. And neither does Alexander.

[Much laughter]

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Oscar Prediction Revisions: Costume Design, Documentary Shorts

The Oscar Prediction Pages are all finally revised and updated.

Costumes
This morning I was thinking about the costume designers who may be in play. Like many of the Academy's branches, costume designers can be a bit insular about who they nominate (though no group is anywhere near as "final club" elitist as the composers) but one previously unnominated designer I hope they consider is Louise Stjernsward who did the costuming for Made in Dagenham.

The period work in the film (late 60s England) doesn't seem unduly fussed over, which is a plus for a film that's aiming for a light touch on a serious topic. And it's one of those movies where the costumes actually play an important plot role once or twice, as in this red number we see Sally Hawkins wearing below. She's on her way to a very important meeting and she's borrowed the dress to look higher class. It's a touch too big on her.

The film also has quite a broad range of costumes on display since we have businessmen, factory workers at work and on their days off, politicians (Miranda Richardson, left), a swimsuit photoshoot (center) and even lots of undergarment on ever shape and size of woman since the women in the Dagenham factory regularly strip down to work, given the heat.

It seems like it must have been a big project for Stjernswad, but a hugely enjoyable one.

See the new costume design page now with animated gallery.

Documentary Shorts
Here is the trailer for one of eight Documentary Short finalists, Sun Come Up, which looks at the refugees of climate change. It looks gorgeous and sad.


Sun Come Up Trailer from Sun Come Up on Vimeo.

Oscar Prediction Pages: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Foreign Films, Costume Design, Animation & Documentaries, Visual Categories and Aural Categories

True Hooks For Oscar Grit. About Supporting Actor...

I'm updating the Oscar categories as you read [index] but today I'd like to talk specifically about the supporting category. Can the Coen Bros western True Grit figure in?

Supporting Actor
The excitement-boosting second trailer for True Grit gives us a good look at both Matt Damon and Josh Brolin. I had hoped that we'd get a good look at the always under-appreciated and under-used Barry Pepper [sigh] but if the trailer is any indication, you may blink and miss him in the finished movie.

Lately Oscar voters have been on a villainous bender in the Supporting Actor category. There are many reasons for this the first being who the hell would deny Ledger in '07, Bardem in '08 and Waltz in '09? But aside from a great quality performance -- nut usually the deciding factor -- Oscar has always enjoyed a good stock role, particularly in the Supporting categories. Are they in the mood for The Sidekick, The Villain, The Wisened Old Man/Mentor, The Sad Sack, or The Eccentric Weirdo?

Maybe I should chart out the last decade?

 You're welcome!

Obviously Geoffrey Rush is good to go this year for The King's Speech. Even if he weren't a beloved awards-magnetized actor, he's all these things they love (mentor, weirdo, arguable co-lead).

When they're not rewarding those stock roles and tropes, they're rewarding lead players they've fraudulently shoehorned to the 'lesser' category or certain types of performers that might crossover into any of these categories but might not: The Ham, The Overdue Giant or The Guy Who Happens To Be Having a Great Year (And This is The Film We Decided To Honor Him For).

But before anyone says "these are basic fictional tropes, of course they're rewarded" remember that not every "type" is rewarded. Oscar generally has no time for The Cocksure Young Upstart or The Longsuffering Boyfriend [Tangent: They love Longsuffering Girlfriends but no patient if exasperated men. Imagine if the sexes in Erin Brockovich were reversed. Wouldn't Erin Eckhardt -- ha! -- have been looking at a Supporting Actress nomination for co-starring in Aaron Brockovich]. They're not even all that crazy about The Loving/Proud Father or The Beautiful Loser or the Sexy "Interloper"/Seducer... this is probably why Michael Fassbender couldn't get any attention for Fish Tank despite great reviews and this is why I worry about Mark Ruffalo though everyone else seems assured of his nomination for The Kids Are All Right. He doesn't fit it any vague category that they regularly flock to and what's more he doesn't have an accent, a disease, a drinking problem or anything else to sell, showmanship wise. His character is just this fully articulated human and that type of brilliance is sometimes a tough sell.

In other words: Where's the hook?  He'll need help from his 'trouper who is overdue for attention' status. But then, Sam Rockwell (Conviction) wants those votes himself and he's got the showier character.

So I was thinking of True Grit and the way it fits into the mouthy sidekick and the charismatic villain categories (Damon and Brolin respectively) and how The Social Network doesn't really even though it also has two star hopefuls in play. You can definitely call Justin Timberlake a charismatic villain (Oscar's favorite type) but can you really call Garfield a "sidekick?"...  he's not mouthy or wisecracking, and part of the conflict is that he's really not interest in being a sidekick. He wants the co-leading role that he keeps getting turned down for. He's just kind of this guy who is losing control of the monster he helped create. And yet he's not really a pitiable sadsack either. This is all a long way of saying that Oscar likes characters to fall a little more to the extreme side of the personality spectrum. Garfield, like Ruffalo, is just beautifully examining a somewhat normal guy in an extraordinary situation. No hooks.

So, good luck to both. Or maybe you think they won't need luck. Do tell...

Updated: Picture, Director, Supporting Actor, Actor, Foreign Films

Unsung Heroes: The Costumes of The Big Lebowski

Michael C from Serious Film back again, this time with a Little Lebowski Urban Achiever whose work is already iconic even if few know her name.

I'd like to dedicate this one to the costume designers that don't do movies about dead monarchs or glittery musicals.

-Sandy Powell collecting her third Oscar

It's a common refrain among film lovers that flashier work may win the awards, but the subtler, more invisible work is the stuff that really deserves the recognition. But what about the crafts where the flashy stuff is also brilliant as well? Take costume design. In 1998 when the Oscar race came down to Shakespeare in Love vs. Elizabeth I don't think many would deny that those were two very deserving choices. Even though they were the Oscar's favored "Look at me!" more-is-more style nominees, that didn't make the costumes any less superb. And while a lot of people would agree with Powell's statement that contemporary costume design is woefully overlooked, it will still be difficult to skip over Elizabeth to mark your ballot for my choice for that year's best costume design: Mary Zophres for the Coen brothers' The Big Lebowski. 

If you contrast the amount of effort that went into making one of Cate Blanchett's royal gowns against, say, picking out just the right grungy beige cardigan for the Dude, it seems like a pretty indefensible choice on the face of it. But costume design, like any other creative profession, is about making choices. And every choice made about the costumes in Lebowski is a bullseye, right down to getting a T-shirt to properly accentuate the Dude's gut.

Zophres makes every character in the movie instantly recognizable from their attire without ever stretching credibility (at least without stretching it any further than the Coens already did) How many robes did she have to try before she found one that hung off Julianne Moore so perfectly? How many vest and tinted glasses did she go through before she found the perfect combo to give John Goodman that militaristic edge? I could have done a whole post just on John Turturro's legendary hairnet and tight purple bowling outfit alone, to say nothing of all the other bowlers, nihilists, avant garde artists, and young trophy wives who populate the film.

And, hey, if you want traditionally attention grabbing, Zophres and the Coens oblige with a wacked-out Busby Berkeley goes bowling musical showstopper with the most outlandish costumes this side of a Terry Gilliam movie. Sandy Powell was a totally worthy Oscar winner for Shakespeare in Love, but I defy anyone to name me a costume from Shakespeare, or from any other film that year, that has brought more joy to people over the years than Julianne Moore's Viking bowler ensemble.

10th Anniversary: MUSIC

Ten years ago today, Madonna's Music (2000), one of her very best records, dropped into record stores. Director Guy Ritchie, to your left, was then her new man. He was advertising -- the record I mean! See the "Music" logo on his tanktop? Ever the selfless altruist, Madonna wore a black t-shirt promoting his project, Snatch (2000) which had opened the month before in the UK and was soon going to the US. It would become his biggest hit. Until Sherlock Holmes (2009) that is.

But back to 2000. Ah, the heady days of early romance. She had given birth to Rocco, her only biological child with Guy, the month before. They were married by December.

Madonna was of course, no stranger to loving alpha male movie men since actor/directors Sean Penn and Warren Beatty preceded Guy. Famously, she's now entered their realm. Paparazzi are basically snapping Madonna daily now while she films W.E. (2011) starring Abbie Cornish (see previous post). There must be a lot of outdoor shots. I suspect she wanted to do this much earlier than her first feature Filth & Wisdom (2008) -- I remember her discussing it back in the early 90s when she was still trying to become a film star and mentioned how much she loved Sally Potter's Orlando! It's curious that she didn't start with her own music videos. That career path has no stigma anymore given how many hipster cinematic giants have transferred over from music videos: David Fincher, Mark Romanek, Michel Gondry, Spike Jonze etcetera...

The videos (and movie connections) in order of release.

Music

Is you Madonna? You babylons look less big than they do on the telly but I still definitely would.

With this video, directed by Ray of Light man Jonas Åkerlund, Madge introduced Americans to Sacha Baron Cohen before HBO's Da Ali G Show and Borat and Brüno.

The actress Debi Mazar makes her fifth Madonna video appearance. They've been friends since they were both hitting dance clubs in the early 80s (before the Fame hit). To your left is a private pic of them from Fire Island which Debi showed Wendy Williams. It's around the Dick Tracy time period since they were flying there in a private plan with Warren Beatty. Lifestyles of the rich and famous, you know.

Don't Tell Me



This one comes from frequently collaborator Jean-Baptiste Mondino. It was a huge success worldwide and parodied by Kirsten Dunst and Jimmy Fallon at the MTV Movie Awards. The costumes are by DSquared and Oscar nominee Arianne Phillips. Phillips is also a frequent Madonna collaborator and is working on W.E.. There was a fascinating interview with her in the New York Times when she was promoting A Single Man (2009) that you should read if you haven't. Phillips has only been nominated for one Oscar (Walk the Line) but her filmography includes costuming gems like The People Vs. Larry Flynt, Hedwig and the Angry Inch, 3:10 to Yuma, Tank Girl and The Crow. Oscar's costuming branch doesn't regularly have an eye for iconic contemporary or genre wear, preferring superbly executed period pieces for the bulk of their nominations and especially their wins.

What It Feels Like For a Girl



The third and last official single was directed by Guy Ritchie and banned on MTV for violence. Not that banning on MTV meant anything by this time since they weren't really showing videos. But the song largely tanked, ending the singles release from Music.

The spoken word portion is by singer/actress Charlotte Gainsbourg from this scene in the film The Cement Garden (1993). As you know I thought she was pretty fantastic as the Bob Dylan-proxy's abandoned wife in I'm Not There's (2007). Other people went nuts for her recent turn in Antichrist.

American Pie



This is not an official song from Music but is on some of the CDs depending on the country. It's from the soundtrack to The Next Best Thing (2000) which is why you get then Madonna BFF Rupert Everett himself -- Sean Penn introduced them when Penn had just started dating her -- on back-up vocals and dancing with Madonna toward the tail end. They were very tight and though Rupert claimed in a revealing and typically prickly interview (he can be such a handful) that they're friends again, most sources say they she did not react well at all -- in a permanent way -- to his book in which he claimed that she dropped gay friends due to Guy Ritchie's homophobia.

I've only ever read Rupert's first book Hello Darling Are You Working? Has anyone read the one that caused the rift? If you own Music are you about to put it in for a 10th anniversary spin? [tangent: I'll use it today for workout soundtrack. I've finally gotten back to the gym. But I can't be proud of it until it becomes an actual habit rather than a once a quarter "maybe this time" delusion.]

Speaking of the now... Rupert Everett will be back in cinema's next month opposite Bill Nighy and Emily Blunt in Wild Target. But wouldn't his brutal Brit wit be a perfect fit for the Sherlock Holmes franchise in some capacity? Ah well, something tells me Guy Ritchie won't be casting him any time soon. The untitled sequel starts shooting next month (?) with Noomi Rapace and Daniel Day-Lewis joining RDJ & Jude. The Guy Ritchie film will be opening for Christmas 2011. No word yet on when his ex-wife's movie will arrive.

Put the tunes in your headphones for an anniversary spin.




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Early Emmys: Hathaway, NPH and a Mad Men Rant

I've neglected to mention that Our Miss Anne Hathaway is now an EMMY winner. (The Emmys have so many hundreds of categories, that they have to start weeks before the actual show in passing them out.) Next step: Oscar... or maybe Tony? (she did get bang up reviews for her theater gig in Twelfth Night, too) Yay! She won the prize for her Simpsons voicework in the episode "Once Upon a Time in Springfield."


Voicework for The Simpsons is always a good idea for actors.

1. You get paid.
2. It's probably fun.
3. It's a pop culture merit badge. Many celebrities have have had the honor -- everyone from La Pfeiffer through George Takei to Don Cheadle -- but you're still in a cool club.

But... you don't actually win Emmys for it. That can't be a reason to do it. While the principle Simpsons cast (Yeardley Smith, Julie Cavner, Nancy Cartwright, Dan Castellanata, Hank Azaria) has won several Emmy awards, Hathaway is only the third non-series regular to win or even be nominated. The first was Jackie Mason who guested on three episodes as Rabbi Krustofski. Kelsey Grammar, who has "appeared" in 13 episodes won later. Maybe they changed the rules and this won't be so unlikely in the future I don't know -- it's so hard to keep track of Emmy rules and there hundreds of categories.

<--- Red Carpet Break. To your left is Kristin Chenoweth & Kathy Griffin doing Charlie's Angels on the red carpet. They're such hams. I don't watch Life on the D List that often -- finding KG funny but quite wearying in repetition -- but the recent episode that Cheno appeared in was hilar', especially when they went all Singin' in the Rain moment with Kathy "singing" with Cheno's voice.

Some Early Prizes
Guest Actress Comedy Betty White SNL
We knew that was coming but she did not attend. Strange.
Guest Actress Drama Ann-Margret Law & Order: SVU
Was she a victim, a perp, a witness? Doesn't matter. She's Ann-Margret! (pictured further down the page)
Guest Actor Comedy Neil Patrick Harris, Glee
He finally has his Emmy, two of them actually since he also won as part of the Tony ceremony team. Congrats NPH. Now have those babies with Burtka and take that well deserved break. Just don't stay away too long.


Guest Actor Drama John Lithgow Dexter.
I haven't seen this particular season yet but it's about to arrive for my viewing. Lithgow is practically magnetized when it comes to awards statues so it's a little weird that he couldn't manage the Oscars. I think if he went back to movies full time, it'd be a done deal. He has 4 Emmys, 2 Golden Globes and 2 Tonys. No joke.
Host, Reality Series Jeff Probst, Survivor.
Are people still watching that. Sheesh. Expiration dates, people!
Casting Comedy Series Modern Family
Casting Drama Series Mad Men
Both casting awards are well deserved, don't you think... especially Modern Family in its first season. Mad Men only had to find key new players and guest stars.

A couple more notes...

Wendy?
Yes, Lisa.
Is the water ready?
Yes, Lisa.
Shall We Begin?
Yes, Lisa

Wendy and Lisa, pictured above to the right, won for scoring Nurse Jackie. They have a different type of career since those 80s Prince paisley rock days but it's still celebrated, so good on them. Nurse Jackie is such a strongly conceived show up to and including those opening credits and the music. I still think it's pilot episode is one of the most perfectly constructed pilots television has ever seen. It's fun to see Wendy holding a golden trophy. Now, can Wendy's wife Lisa Cholodenko (a different Lisa mind you) repeat that trick at the Oscars for The Kids Are All Right?

RANT! And finally because the Emmys always find some way to piss me off, it should be known that The Tudors bested Mad Men in the field of costume design. This means that Joan Bergin now has three Emmys for her four seasons of eligible work on The Tudors thus far and the absolute genius of Janie Bryant, Mad Men's costume designer, is still zero for three (though she won previously for Deadwood). Bryant goes home statueless each year of Mad Men despite delivering complex ultra-specific character costuming work with evolving period details that has also affected actual fashion trends in the outside world it's so smartly executed. Blasphemy!

See, Royalty Porn is the simplest statue-winning trick at the Emmys, too. It's not just the Oscars that will always give you a prize for dressing Queens.


...or undressing them in the case of Jonathan Rhys-Meyers.
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"Is this how we dress for the office?"

.

"You look like a blood clot."

[Great Moments in Screen Bitchery #404, Bette Midler in Big Business]

JA from MNPP here. I just gave a ton of love to Lily Tomlin's performance in this movie over at MNPP. I probably have too high an opinion of this film but what can I say, I was eleven when it came out and deeply infatuated with everything Midler at the time.

And the way Bette's naive-country-twin studies the Grand Dame bitch of them all, Alexis Carrington (Joan Collins) in Dynasty, for clues on how to be a ruthless business woman!

As if Bette ever needed lessons on bitchiness from anybody!
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MM@M: Live From Times Square

TV's greatest show has a love affair with the movies. So we have a love affair with TV's greatest show. We call it Mad Men @ The Movies.

The world premiere party for Mad Men Season 4 kicked off in Times Square a few hours before the show on Sunday night. I was honored to be invited so I must give thanks to the wonderful Lipp sisters of Basket of Kisses who always keep me in the swing of things when it comes to Sterling Cooper, excuse me, SCDP (Sterling Cooper Draper Pryce). It's always good to hang with the vivacious Lipps and I also got to chat with other MM fans including the adorable talented Carol Hannah of Project Runway fame.

The VIP crowd got Barbies. I managed to procure a Don & Betty set. (More on these dolls here. They retail for $75)

Left: Me (the hat was with the gift bag); Right: Girl from costume contest. I didn't catch her name but that's totally a Betty dress (the Barbie is wearing that same dress, albeit in miniature). She bought it on eBay which the judges called cheating.

This is the whole crowd shortly before the actresses arrived (hence the empty front row). I've circled the Lipp Sisters up front, true VIPs, and then that's me, further back to the side. It was a good crowd. Lots of rubbernecking on the street.

The evening came with two trivia contests (Pt 1 too easy / Pt 2 just right), two celebrity cameos from "Peggy" (Elisabeth Moss) and "Betty" January Jones who is sexy and statuesque in person and looks nothing like Elizabeth Hofstadt Draper Francis without the 60s costumes and hairstyling. My only gripe about the evening was that the panel of judges for the costume contest was quippy/bitchy to the contestants and, this being a fan event, more softball American Idol style criticisms were the way to go. If you have to criticize, tell them you love them first. They're fans. They aren't professional costumers.

January Jones and Elisabeth Moss. They joked that they were nothing like their characters but they were maybe like each other's characters. haha. The crowd sang Moss happy birthday and they wheeled out a cake.

The view from my seat. A crowded stage for the costume contest.

The strangest thing that happened at the event (for me... few noticed) was just outside of it. Before the actual screening, two teenage girls to the left of me on the street just outside the VIP area starting screaming. I turned to see what the commotion was about. There was a young guy, perfectly coiffed and teen idol fresh (he couldn't have been over 17, if that) who agreed to sign autographs for them. He was not with the Mad Men event, just walking through Times Square and had stopped momentarily to look at the party. The two teen girls were crying and hysterical and one even tried to touch his hair, her fingers visibly shaking like he was a hot stove and she just wanted to know what it would feel like... just this one time! Her friend slapped her hand away before the burn, both of them crying. Since he had bent over to sign something, he didn't even notice. I have no idea who this person was, but he handled it like a pro, smiling, asking where they were from ("O h h h i i i o" warbled through tears).

I've decided he was from the Disney Channel since that's where all the "stars" that I've never heard of or don't recognize come from. The girl he was with was visibly annoyed by the hysterics but stayed off to the side, dutifully, before grabbing his arm to pull him from a potential mob scene. No one else mobbed and suddenly they were gone. I'm surprised anyone is ever recognized in Times Square. It's always so crowded that you can barely spot your loved ones if you get separated, let alone a celebrity in their off duty hours.

Where were we?

This post is going to be so long. Oh yes, Mad Men. Here's what you missed in the first three seasons if you're planning to start now...



On to Season 4 and its movie-loving ways... however those turn out.

Episode 4.1 "Public Relations"
My preferred title How Draper Got His Groove Back. In this episode, we try to get acclimated to the new offices (there's too many doors. I miss the open space), new characters (who is Peggy's co-worker? Love Henry Francis's mom played by Pamela Dunlap) while trying to stay patient (What is going on with Joanie's marriage? Where the hell is Ken Cosgrove?). Don reminds us of his movie-loving ways early in the episode through his pride in a commercial that plays like a movie. Plotwise Don and Peggy both make separate PR blunders. By episode's end Peggy gets an angry earful and Don gets his mojo back, professionally speaking.

On the personal life side, he's still a trainwreck. He's even blind dating ...and letting Roger, whose lovelife he doesn't exactly approve of, set him up.

Roger: Forget that she knows Jane. This girl's terrific. She looks like Virginia Mayo. She's 25. See her this weekend. You hit it off, come Turkey day you can stuff her.

Hmmm. Does Anna Camp (from True Blood) playing "Bethany" look like Virginia Mayo? You be the judge.


In a strange coincidence I was just watching Virginia Mayo in The Best Years of Our Lives (1946). She's terrific as the trashy restless wife of Dana Andrews. (That movie is so great.) People don't really speak much of Mayo these days but referencing her apple cheeked pinup looks is most definitely a compliment. She was a frequent movie presence from the early 40s through the late 50s. In addition to the aforementioned Best Picture winner, she's probably best remembered for noirs like White Heat and frequent Danny Kaye comedies including The Secret Life of Walter Mitty. She died just five years ago at the age of 84.

Mayo with Danny Kaye and with Dana Andrews

other references in this episode: (Music) novelty single "John & Marsha" (Magazines/Papers) Wall Street Journal, Ad Age, The Daily News (Celebrities) Luci & Dezi

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Did you see this episode? If so, your comments please. If not, speak up anyway. How cool are those Barbie dolls? Or are you sick of the hype? (If you are, please note that there will be only one Mad Men post a week, Mondays, starting now.)

Further reading?
Gold Derby thinks Mad Men is well timed for an Emmy 3peat.
The Loop publishes a satirical letter from "Carla," the Draper maid.
The Loop also has a rebuttal of sort. Claiming that the show isn't diverse enough is entirely missing the point.
Cinematic Passions interviews costume designer Janie Bryant
Inside Scoop bring back chicken kiev.
Mad Men Unbuttoned the tune that's playing when Don gets his groove back.
Put This On imagines how Draper would look in the WSJ. Love.
Cinema Blend Sugarberry Hams for everyone. A ratings uptick.
Best Week Ever gives funny recap...and awards.
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Falling in Link Again

cinema
Self Styled Siren terrific piece on memorable movie costumes. The Siren writes beautifully. My favorite write-ups are those for Breathless and Strangers on a Train.
Dennis Cozzalio has an amazing piece about the 35th anniversary of Robert Altman's Nashville, one of the best movies ever made.
Boy Culture on the new Burlesque stills and out writer/director Steve Antin. I'm excited for this movie but also fearful that it'll just be the Christina Aguilera show. That would be epically disappointing given the rest of the cast list: Cher, Tucci, Cumming, Bell.
Cinema Blend Viggo & Fassbender on the set of David Cronenberg's Freud/Jung picture Dangerous Method. Can't wait. So excited to see two of today's best actors in character.
Cinematical Neil Gaiman is sick of vampires.

movie stars
I Need My Fix Jude Law in the Czech Republic. Apparently Sadie Frost is writing a book about their marriage. Uh oh.
Old Hollywood Ernest Hemingway to Marlene Dietrich. Awesome quote.
Diva Asia Apparently Gong Li is now divorced. I'm not that concerned with her marriage. I just want her in some incredible movies again. Like something as good as Ju Dou? That's too much to ask, right? I can dream.

a Buffy moment
Flickr Holy Hellmouth, this "Buffy Alphabet" is awesome thus far.
Low Resolution has a three-part incredibly detailed interview with one of the writers on Buffy the Vampire Slayer. If you love Buffy you'll want to read it.

just for fun
pop licks "Best Headline Ever?" Maybe it is. It is pretty vivid.
Chateau Thombeau "Been There" hee x several.

....and because it's just amazing, the video "Big Bag Big Boom" by Blu.

BIG BAG BIG BOOM - the new wall-painted animation by BLU from blu on Vimeo.

Let's Link Together, yeahyeahyeah, think of all that we could sha-are.

Tyler Coates shares my favorite personal anecdote post of this past week. Yay, Parent Trap.
Peel Slowly offers up several examples of movies recreating paintings. Neat stuff.

Material Girl Yes, it's true. Madonna's firstborn is now a (fashion) blogger. She loves all things 80s apparently like 4realz. Believe it or not I threw a first birthday party for Lourdes (aka Lola) in 1997 with my roomie at the time who was also a Madonna man. Our apartment was packed -- anything Madonna themed you know -- and we gave all the donations to a local children's hospital. So, see, one can use celebrity obsessive powers for good.
Movie|Line "9 dates that will shape the rest of 2010."
I Need My Fix Megan Fox and Brian Austin Green are now married in case you hadn't heard or cared.
In Contention Tree of Life is Apparition's sole 2010 release now. "And who knows if we'll even see it in 2010," Nathaniel the cynic adds.


Anita Kunz She's one of my favorite illustrators and she drew 100 nude male celebrities for an artshow in Toronto. How funny. This is but a 3% sample. But if you're in Toronto, go see it. Report back.
Eye Scoop Excuse me, how had I not heard that Christophe Honore was doing another musical with Ludivine Sagnier and Louis Garrel (from Love Songs)! So excited. That film just grows on you.
Cinematical Peter Sarsgaard goes Bluegrass.

A Blog Next Door suggests you watch TiMER on Netflix Instant Watch and so do I. Anya!
A BlNYT Wonder Woman has a new look. I'm sure this will be applauded widely but I can't help but worry that it's one more step in completely genericizing all superheroes. Watch it turn into black form fitting armory leather for the movie which all superheroes seem to be wearing ever since they held a mass costume designing conference in 2000 and decreed that The Matrix and The X-Men were the new standards for f/x costuming.
The Awl a conversation about The Twilight Saga: Eclipse that has to be more entertaining than the movie.

Finally, Towleroad alerts us to a rare moment of levity in the Supreme Court confirmation hearing for Elena Kagan. The "Edward vs. Jacob case"



I don't even know what to say...

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P.S. If you've been following me on Twitter, you already know that I met Julianne Moore today. Yes, yes, I'll tell you all about it soon enough. I have to process first. [gulp] I reached out my hand to shake hers and... she hugged me!

Top Ten: New Academy Members 2010

it's not Tuesday but it's time for a Top Ten anyway... as this is yesterday's news already!

AMPAS used to hide their membership roster like the vote tallies but in the information age, they've opened up. Now we get to see the whole list of new invitees each year. I wonder how they keep they're membership around 6,000 given how many people they invite annual. Maybe enough people reject the offer, stop paying their dues, or pass from this mortal coil each year to balance it out?

You can read the full list of recipients at Indiewire, but as is the Film Experience tradition, we like to pinpoint the newest (potential) members whose future ballots we'd most like to see. So let's have at it.

New Academy Member Ballots We Most Want To See

10 Bono & The Edge (music)
They're two separate people but we'd like to imagine them filling out their ballots together inbetween sets. We'd like to also imagine that they'll have better taste than the rest of the often confounding music branch.

09 Bob Murawski (editor)
We love his work on The Hurt Locker and the Spider-Man films and he's a fellow Michigander. Extra points for that. Plus editing happens to be the most fascinating category in terms of how one judges it? How do you know how well an editor is doing if you can't see all the unused footage? And are they really that obsessed with just choosing the movies they love as their nominees or are their individual ballots so very individual that only the absolute common denominators are able to rise up to snag nominations, the common denominators being the pictures people love most, regardless of editing skill (i.e. Best Picture nominees)

08 Laura Rosenthal (casting director)
It's the job I'm personally most jealous of in Hollywood. I assume the casting directors can only nominate in the Best Picture category but in a way, shouldn't they have a say in all four acting categories? Their very business is studying actors and deciding who is best... for the part. Some interesting things on her resume: The Messenger, Chicago, I'm Not There, Far From Heaven and Savage Grace. It's worth noting that this woman was smart enough to give Samantha Morton her first two American gigs (Sweet and Lowdown and Jesus's Son)

07 Janet Patterson (costume designer)
Her filmography is short but damned if her accomplishments aren't tall. Consider: Peter Pan, The Piano, Oscar & Lucinda, Bright Star, Holy Smoke!, The Portrait of a Lady. She should already be an Oscar winner by now but after four nominations, it's nice that they're extending an offer. Strangely, the Academy's costuming branch is so small that last I checked it wasn't even listed among their categories. Are there really more makeup artists in AMPAS than costumers (click here and scroll down to bottom of page). If so, why? But then again, maybe my numbers are out of date.


06 Peter Sarsgaard (actor)
He finally wore down their resistance. That Shattered Glass (2003) snub still stings years later. He works a lot and even if we're starting to want him to truly surprise us again (we fear he's going to become a Ben Kingsley i.e. a great actor who shamelessly phones it in for too many paychecks) we like him. Who will he vote for? Besides Maggie & Jake.

05 Adam Shankman (director)
He's had experience in producing, acting and directing and was a key player in this last Oscar ceremony. We don't mean this in a judgmental way but he strikes us as the type that will vote for his friends. But he seems to have so many of them that won't he have to snub most of them each time he votes? Does having a million friends, mean voting for your friends doesn't really compromise your ballot? Now, Academy members can only nominate in the category of the branch they're invited to join (as well as Best Picture... then they can vote for the winners in most other categories when the final ballots go out). So this means that he'll be able to have his say at who did the best directing job each year. We love Hairspray and we don't begrudge him Academy membership -- he's a serious power player -- but as a director? Wouldn't he be a better fit for the producer's branch?

04 Zoë Saldana (actor)
This All American beauty (of Dominican/Puerto Rican descent) was probably invited due to those back-to-back blockbusters (Avatar, Star Trek) but if you stop to consider that she's acted opposite everything from green screens (Avatar and the like) to wood (Britney Spears, Crossroads) and on to A grade thespians like Johnny Depp and Sigourney Weaver she probably knows a thing or two about the acting process in all its iterations. And having recently singled out Tang Wei in Lust, Caution as one of her favorite performances, we know the girl is discerning and willing to look beyond Hollywood for "best". AMPAS could use more of that. We would love to see her nomination ballot in all four acting categories this coming January.

03 Jacques Audiard (director)
This French auteur's last three features Read My Lips, The Beat That My Heart Skipped and A Prophet have all crackled with intelligence, electricity, fine acting and interesting choices. Now being great at something is not the same thing as being great at judging it... but it surely can't hurt. We're always curious about AMPAS's foreign outreach. How many of them say yes to membership and when they do, how international are their ballots compared to, say, Ron Howard's... or Adam Shankman's for that matter?

Audiard directs with his hands.

02 Vera Farmiga (actor)
Her breakthrough, critically speaking, came when she won the LAFCA Best Actress prize for Down to the Bone (2004). Incidentally that film was directed by Debra Granik, who's currently helping Jennifer Lawrence break through with Winter's Bone (2010). Will more actresses line up to work with Granik? That'd be a smart move. It took the Academy another five years to notice Farmiga. Given her frequently fine rapport with male co-stars, we're actually more curious about how she'll vote for the male acting categories than her own. We know she loves Michael Fassbender so... points for that. But the real reason she's ranked so high is those crazy eyes. What do they see? We like to theorize that people with crazy eyes are actually crazy. And crazy is way better than same ol' same ol' when it comes to awards balloting.

01 Mo'Nique (Actor)
Admit it, she'd top your list too. On account of what the hell would that ballot look like? Her already legendary performance in Precious showed previously hidden depths so maybe she'll be able to see it in others, too? In addition to her being an atypical Oscar winner (they don't usually go for female comics) we're intrigued by whether or not she'll take the process seriously given that when last year's race first began she seemed famously disinterested. Will that initial skepticism make her one of those types that just votes for her friends, or doesn't vote at all or even refuses membership? Or will she just crack herself up like she does onstage while she scribbles down outlandish performances? Or did the Oscar journey, which culminated in that beautiful shout out to Hattie McDaniel's history-making win for Gone With the Wind (1939), convert her to the importance of the legacy of Hollywood's High Holy Night?
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The rest of the lists if you're curious [source]

Actors:
 Tobin Bell (Saw), 
Miguel Ferrer (Traffic), 
James Gandolfini (In the Loop), 
Anna Kendrick (Up in the Air), 
Mo’Nique (Precious), 
Carey Mulligan (An Education), 
Jeremy Renner (The Hurt Locker), Ryan Reynolds (The Proposal), LaTanya Richardson Jackson (Mother and Child), 
Peter Riegert (Traffic), 
Sam Robards (American Beauty), 
Saoirse Ronan (The Lovely Bones, pictured left), 
Adam Sandler (Funny People), Gabourey Sidibe (Precious), Shaun Toub (Iron Man), 
Christoph Waltz (Inglourious Basterds), 
George Wyner (A Serious Man)

Animators:
 Ken Bielenberg (Monsters vs Aliens), Peter de Seve (Ratatouille), 
Steve Hickner (The Prince of Egypt), 
Angus MacLane (Toy Story 3), 
Darragh O’Connell (Granny O’Grimm’s Sleeping Beauty), Simon Otto (How to Train Your Dragon), Bob Pauley (Toy Story 3), 
Willem Thijssen (A Greek Tragedy)

Art Directors/Set Decorators/Production Designers:
 Kim Sinclair (Avatar), Dave Warren (Sweeney Todd), Maggie Gray (The Young Victoria), Douglas A. Mowat (The Sixth Sense), 
Caroline Smith (The Imaginarium of Doctor Parnassus), 
Kirk M. Pertruccelli (The Incredible Hulk), 
Edward S. Verreaux (G.I. Joe: The Rise of Cobra)

Cinematographers:
 Barry Ackroyd (The Hurt Locker), 
Christian Berger (The White Ribbon, pictured left), Hagen Bogdanski (The Young Victoria), 
Shane Hurlbut (Terminator Salvation), Tom Hurwitz (Valentino The Last Emperor), 
Dan Mindel (Star Trek), 
Tobias Schliessler (Hancock), 
Stephen Windon (The Fast and the Furious: Tokyo Drift), Robert Yeoman (The Squid and the Whale)

Costume Designers:
 Catherine Leterrier (Coco before Chanel)

Directors:
 Juan Jose Campanella (The Secret in Their Eyes), Lee Daniels (Precious), 
Claudia Llosa (The Milk of Sorrow), Lone Scherfig (An Education)

Documentary:
 Nancy Baker (Born into Brothels), 
Rick Goldsmith (The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers), Davis Guggenheim (It Might Get Loud), Tia Lessin (Trouble the Water), 
Cara Mertes (The Betrayal), 
Frazer Pennebaker (The War Room), 
Julia Reichert (The Last Truck: Closing of a GM Plant), 
Morgan Spurlock (Super Size Me)

Film Editors:
 Robert Frazen (Synecdoche, New York), 
Dana E. Glauberman (Up in the Air), Joe Klotz (Precious), 
John Refoua (Avatar)

Live Action Shorts: 
Joachim Back (The New Tenants), 
Gregg Helvey (Kavi)

Makeup Artists and Hairstylists:
 Kris Evans (X-Men The Last Stand), 
Jane Galli (3:10 to Yuma), 
Mindy Hall (World Trade Center), Joel Harlow (Star Trek), Jenny Shircore (The Young Victoria, pictured left)

Music:
 Christophe Beck (The Hangover) 
T Bone Burnett (Crazy Heart), 
Brian Tyler (Fast & Furious)

Sound:
 Frank Eulner (Iron Man 2), Adam Jenkins (I Love You, Man), Tony Lamberti (Inglourious Basterd), Dennis Leonard (The Polar Express), 
Tom Myers (Up), 
Paul N.J. Ottosson (The Hurt Locker), Resul Pookutty (Slumdog Millionaire), Gary A. Rizzo (How to Train Your Dragon), Michael Silvers (Up), Gwendolyn Yates Whittle (Avatar)

Visual Effects:
 Matt Aitken (District 9), Karen Ansel (Angels & Demons), 
Richard Baneham ( Avatar), Eric Barba (The Curious Case of Benjamin Button), Paul Debevec (Avatar), Russell Earl (Star Trek), 
Steve Galich (Transformers), 
Andrew R. Jones (Avatar), Dan Kaufman (District 9), 
Derek Spears (The Mummy: Tomb of the Dragon Emperor), 
Steve Sullivan (Avatar), 
Michael J. Wassel (Hellboy II: The Golden Army)

Writers:
 Neill Blomkamp (District 9), Mark Boal (The Hurt Locker), Geoffrey Fletcher (Precious), Nick Hornby (An Education), Alex Kurtzman (Star Trek), 
Tom McCarthy (Up, pictured left. He's also an actor), Roberto Orci (Star Trek), Terri Tatchell (District 9)

At Large, Executives, Producers & Public Relations
 Christopher W. Aronson, 
Jim Berk
, Philippe Dauman
, Sheila DeLoach
, Donald Peter Granger
, Nathan Kahane
, Andrew Karpen, 
Ryan Kavanaugh, 
David Kosse
, David Andrew Spitz
, Emma Watts, Stephanie Allain, Gregory Jacobs, Jon Landau, Marc Turtletaub, Glenn Williamson, Dwight Caines, Suzanne M. Cole
, Tommy Gargotta
, Sophie Gluck
, Josh Greenstein
, Pamela Levine
, Wendy Lightbourn, 
Michele Robertson, 
Tony Sella, Darcy Antonellis and John Lowry

Which ballots do you want to see?
Do you think anyone will reject the offer?
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