Boston Society of Film Critics. Juliette is a Rock Star

The Boston Society of Film Critics have been known to surprise in the past and this year, they've opted for Juliette Lewis as Best Supporting Actress in Conviction. Bet you didn't see that under five minute surprise coming! A good day for The Fighter, Black Swan and The Social Network. Less so for The Kids Are All Right which did manage two runner up citations but, alas, runner up citations aren't really official and don't get you great FYC material. It was also a bad day for Ben Affleck's The Town. Home-town bias didn't help it to place anywhere.

Full list with commentary after the jump

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Juliette Lewis Interview: From "Cape Fear" to "Conviction"

In her music video "Uh Huh" Juliette Lewis sashays around with a bouquet of colorful balloons, smiling radiantly. Her mood seems lighter than air. It's an incongruous musical moment in her rock grrrl career -- in the newest video "Terra Incognito" she's back to her old in-your-face provocations -- but the softer side was lovely to see.

And why shouldn't Juliette's mood be lighter these days? After years of touring to build a music career while doing thankless cameos in mainstream comedies, could it be that filmmakers are finally on the verge of rediscovering her unique gift?

Juliette Lewis has taken up more than her share of my actressy headspace ever since I first heard her inimitable voice in the opening frames of Martin Scorsese's Cape Fear (1991). I don't even like narration -- in anything -- and I was instantly enamored.

I met with Juliette Lewis in October at the stylish Crosby Street Hotel in Soho, where she was holding court promoting the Oscar hopeful Conviction. The film is still playing around the country (check the listing for yours) and speaking of holding court, Juliette's role is minor but attention grabbing.

Juliette Takes the Stand.

You meet her character Roseanna Perry first as she takes the witness stand. Roseanna's testimony will make things hopeless for soon to be life-sentenced Terry (Sam Rockwell). Later his sister Betty Anne (Hilary Swank) will come calling hoping that she'll recant that damning testimony.

When you only have two scenes, you have to make them count. I wondered if she prepared any differently knowing it was such a minor role. "NO." Juliette replied emphatically, explaining that the smaller the role, the bigger the acting challenge in a way.

Juliette the day we met.

Juliette: How do I tell what's been going on with this character in two scenes? I think with all my roles, I want them to be visceral sort of a live experience. I've been doing live shows for the last five years so I carry that with me but I always want you to get a sense of this personality. It's not necessarily in the words. When she's on the witness stand you see that she's troubled, she's damaged, she's not a very joyful creature. And then the exciting thing is to meet her 18 years later and telling a story of what she's been doing. I hope that you get the sense that she never leaves her trailer, she's been drinking for 18 years and doing drugs --we don't know what kind.  If you just took those two elements and had a conversation with that person that would be incredibly complicated and interesting. But then you pile on that she's created a world of her own fiction through guilt and lying and then she's being confronted by the person she's wronged. It's intense and amazing and that's why she bounces off the walls emotionally.

Short answer: I had all these details and all these ingredients that I had to then put together and make an organic person. To me, I was like 'Oh, I get to play one of these characters,' a person that you walk the other direction when you see them on the street. These people who have a very upsetting unsettling energy. I wanted people to feel uncomfortable because she's uncomfortable.

We continued talking about her research. Despite what some would deem a loud performance, Roseanna Perry offscreen sounds like an even bigger nightmare than the one Juliette dreamt up for us. I told Juliette that as a fan I'm always hoping she'll get bigger parts. "Someday," she replied with mock dreaminess. "We'll build it together!"

Nathaniel: One of the reasons I love your second scene is that you are suddenly the star of the movie. If you think about it all the characters are surrounding you and they're living or dying based on what you're about to do. Plus, the punchline is so great. It's like your holding court in the scene.

Juliette: That's amazing. That makes total sense, I love that; it's her show. At the same time there's this oddity that she's receiving guests. 'Oh, guests are at my place. Would you like some wine?'

Nathaniel: She probably doesn't get guests that often.

Juliette: That's what I'm thinking. I'm thinking she talks to her TV.

Juliette went on to describe Roseanna's psyche, sounding almost sad in the process, indicating that as an actress she'd really dug down into the contradictions of someone who is self-serving, who feels a lot of guilt yet won't make amends.

Nathaniel: I imagine as an actor you have to always believe in the truth of your character,  even if they're a born liar?

Juliette: ABSOLUTELY. Human beings are so contradictory and colorful and a blend of so many things. She [Roseanna] turns up her own emotions to get affect but she also feels what she feels. 

Juliette Lewis as Roseanna Perry

As the conversation shifted away from Conviction, Juliette talked about her year's away from the movies touring to building her music career but despite the devotion to her music career she seemed genuinely happy to be back in the mix of the movies. "I don't know if I've changed or the movies have changed," she explained "but everything has been this sort of delicious experience." Yes, even small roles in Jennifer Aniston movies are deemed delicious  so you know Juliette Lewis means it when she says she's glad to be acting again.

When I asked if we could discuss the 90s, Juliette didn't hesitate though she did get a little contemplative about a retrospective "It's so funny when you don't have perspective at the time. You don't know what you're necessarily doing that's relevant or whatever. You sort of learn in hindsight." Nearly twenty years have passed since she first made a big mark on the screen, but her memory of the films seemed razor sharp.

We didn't peruse the films chronologically but jumped around in conversation beginning with Natural Born Killers (1994). It was the first time I'd heard her sing as she paced her prison cell singing "Naturally Born Bad." I theorized on what made that particular performance so special.

Nathaniel: Watching Mallory --- it's like she's hearing music in her head that you can't hear. A radio station that's JUST her frequency. So then when you start singing in that scene it's a natural fit, like the part is coalescing.

Juliette: I love that. That makes sense. That's funny -- for different parts I use music for brainwashing if that's what you want to call it. I was listening to Jimmy Hendrix. It's not so much his voice but the guitar playing. It had so much danger despair torment chaos if you listen to "Voodoo Child" it's everything of that journey, that character. I would listen to that over and over before filming so that was living inside.

We moved from talking about Oliver Stone who she called "brilliant" to Husbands and Wives (1992). One of my personal favorite scenes in Woody's filmography is her scene in the taxicab when her character Rain admits that she's lost Woody's book --- "his manuscript," Juliette corrected me, recalling the scene just as I'd begun to describe it. She had loved working with Woody Allen because he encouraged improvisation. I asked her if she was aware that he was going to leave the camera on her for practically the whole scene. He has most of the dialogue and yet we're watching her.

Juliette: That's crazy that he did that. What a nice director.

Nathaniel: Rain seems so amused by how much she's upset him.

Juliette as the precocious Rain in Husbands and Wives (1992)

Juliette: She is! Young girls... they just drive you nuts, that youthful arrogance, that superiority. I've had a 22 year old call me "honey" and I was just like 'WHAT? I don't think so!' Honestly she likes the attention of her mistake and she likes seeing him get all riled up. It's very flattering for her that he's asking her opinion. The more insecure he gets the more superior she feels -- classic younger girl and older guy. All those things I discover when playing it.

Nathaniel: But did you know it was your scene, that you would hold the camera?

Juliette: I had no idea, no. I thought we were shooting my take and than we shoot his take. I never even thought about that. I didn't really think of it in a heady way. I don't contrive these things so much before hand. I just sort of understand the scene and the character. My goal always is to surrender and be in the moment -- ultimately you're just surrendering and seeing what happens.

One of Juliette's favorite directors is of course her own brother Lightfield Lewis who she has worked with numerous times. Juliette raved about their new collaboration (the video is below, it had just come out a couple of days before the interview) for "Terra Incognito". "It's really visual and has a lot of fighting in it -- for taking your licks and getting back up."



Terra Incognito

"Terra Incognito" is the most recent single from her latest record but I had to tell her how amused I was to see a subliminal insert of the famous thumbsucking scene from Cape Fear in the previous video to "Uh Huh." Did she know that was going to be there?

Juliette: No, I didn't know it. That's my brother. He loves all things pop culture. He's very cinematic. My brother is the movie buff, the filmmaker. All the things that influenced me were all musicals: All That Jazz, Hair, Rocky Horror Picture Show, Grease.  No, I didn't know he was going to do that.

She had actually asked him to remove it, fearing that the music fans would be confused. Not all of them knew she was an actress. The conversation about these movie referencing videos sent her into thinking about her different worlds and where they did and did not merge comfortably "It's funny that i'm used to being this underdog in different dimensions." But she believed she was finally finding the balance and merging the two. Does this mean she'd be willing to make a musical?

Juliette: I'd love it. I want it to be super strange though like Terry Gilliam style or Bob Fosse.

Nathaniel: John Cameron Mitchell, maybe. Like a Hedwig sort of energy?

Juliette: YES. I actually met with him. He wanted me to play Hedwig somewhere.  Wouldn't that be neat? In the play. Wouldn't that be interesting?

When my time was up -- promotional rounds have tight time frames -- Juliette offered to keep chatting, holding the clockwatcher (i.e. publicist) at bay. "He has a million great questions!" We ended by chatting for a few minutes about Kathyrn Bigelow's Strange Days, her recent Oscar win (Juliette was "over the moon" about it) and the birth of Juliette's own music career by way of P.J. Harvey's songs.

I told her about the first time I saw Strange Days and being as thunderstruck watching her as Ralph Fiennes was from his crosswalk overlook. It was hard not to think of her as a fully formed rock star. This wasn't pretend. At first Juliette rejected the Faith/Juliette comparison and amusingly described her vision of her self with sing-song wit.

Juliette: It was very much Kathyrn's vision of what she was so it wasn't me per se. Faith is really damaged. I'm a much different creature on stage -- I like to think a superhero or a magical pixie -- but, yes, that was amazing. That's when P.J. Harvey entered my life as a musician. I just drank her up. There's nothing like her.

Nathaniel: Well, to me Strange Days was your debut as a rock star; it was the start of the music career before the music career actually started. 

Juliette: [Suddenly excited] What I'm not telling you is that it did! I was a closeted songwriters/singer. I was keeping it in because it was the most personal -- too vulnerable. Having to sing for a role made me step out and go 'remember this? You're a singer.' But I still wasn't ready because I was so self critical. I had to go through some changes in my life. I finally did it when I was approaching age 30. A little bit late but i'm making up for lost time.

Nathaniel: Hey, late bloomers... that's fine. I started writing when I was approaching 30 and now I don't love anything else more.

Juliette: Isn't that amazing? It's like 'This is who I was all along and now I finally let it out.'

Uh Huh

Let it out, Juliette. Keep letting that magic out.
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White Trash Cameo Hameos Forever!

Since America proved tonight at the polls (yay democracy!) that we are all just one tiny step away from being uneducated white trash who vote against our own interests and functioning society -- seriously if there's no government, who will pick up the garbage, who will protect us if someone breaks into our homes, who will make sure our children aren't as idiotic as we are? --  I thought this might be an appropriate way to "celebrate"!

White Trash Cameos!

God bless Catherine at the Guardian for the word "hameo". Maybe she didn't invent the word (?) but I was unfamiliar and I will now use for-e-ver.

The article is inspired by the hot mess bliss of Juliette Lewis in Conviction and features a spot on appraisal of what Ms Lewis does for and to the film (I'm sorry my article on Lewis is so delayed). Catherine surveys memorable "hameos" and then asks readers for theirs. You must read the comments section. It's joy upon joy upon joy... a veritable stack of blueberry pancakes smothered in syrup (the hefty portions of bacon on the side are a given).

Weirdly Catherine cites Keanu Reeves in The Gift (which, if you've never seen it is like THE perfect embodiment of "erratically acted movie") as an, uh, problem. My favorite so-terrible-maybe-it's-good? performance in that 'Cate Blanchett is Totally Psychic!' movie actually belongs to none other than Hilary Swank (the defacto star of the movie that Lewis is currently stealing away).

In The Gift Swank plays, you guessed it, Poor White Trash. But she's doing it with this absurdly tinny/squeaky little girl voice. To this day, I can hear her bizarre line reading of "I was thinking baaaad thoughts." It's literally the only thing I remember from the movie. That and Katie Holmes's  Demi-Moore-like breast baring, which is to say: she got those babies out emphatically, as if her career depended on it.

What is it about playing white trash that makes actors go so bonkers? They always become cartoons.

"People heare bout what yer doin' and they laugh at yyyeeeewwww"

I'm going to DisneyLand!
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You eat that watermelon, Juliette...

Just eat it!

I'm totally not crazy about watermelons myself. I don't like anything where I have to spit out seeds. You?

This entirely random post has been brought to you by a recent screening of What's Eating Gilbert Grape? (1993) in which just about everyone is excellent even though people only talk about it today in terms of Leonardo DiCaprio's first entirely deserved Oscar nomination. I meant to watch just one scene from it the other day and ended up sitting through the whole thing. Addictive, I tell ya. There's so many choice scenes but one moment I fell hard for all over again is when Johnny Depp's enormously obese mother (played by Darlene Cates), embarrassed to meet her son's new girl (Juliette), introducers herself with a shameful "I wasn't always like this." Juliette merely repeats her phrase "I wasn't always like this" and then a barely visible shrug. It's this unlikely mix of total empathy, unsentimental observation (we're always changing), and 'whatever -- nice to meet'cha' nonchalance. I love Juliette.

Pssst. Interview with Juliette Lewis is coming early next week... I'm behind in transcribing.

Justin Timberlake Wrecked My Piano. And Other Dream Mysteries.

My subconscious is angry that I have only done one big NYFF write up. Last night I tossed and turned -- 3 hours of sleep tops -- and had one of those persistent dreams which recycles stuff you've just experienced. Each time you fall back asleep you return to it and in its relentless disturbance, it becomes a nightmare even though it's not scary.

It took place in a huge empty house in which I'm throwing a party. At some point I was doing an elaborate photoshoot with two actresses. Please don't stop to ponder why they were Franka Potente (!) and Meg Ryan (???) or why they were then Juliette Lewis* and Sandra Bullock. (Was this a 1990s period piece?) Everyone was angry when they discovered the shoot was in black and white. At one point someone wore a Princess Valhalla Hawkwind costume. My dad was suddenly there smiling with approval that I knew famous actresses (This was the "you're dreaming!" moment -- or like that bit in Inception where all the subconcious projections turn to look at you -- whoever the forger was, he wasn't as prepared as Tom Hardy. My dad would never do this.) I went out for coffee since the party was running low.

Then I'm in the atrium and I see Justin Timberlake and Jesse Eisenberg lowering my rented grand piano down through the building and all is chaos. The piano strikes a railing and begins to break into pieces. They claim they were trying to help but they've ruined my life as the cost of a grand piano will bankrupt me.

Then there is no party, and the dream is a mystery about some crime which keeps changing and to which I am not privvy and the detectives (Mills & Somerset, natch) keep asking me if David Fincher did it. How self referential! They also tell me they're investigating "Joe" and Abbas Kiarostrami** and I keep telling them I know nothing but everyone is sure that I do.

We know you've seen them! They were at your party

Nothing makes any sense from moment to moment in the dream's third act. It's all fractured clues, 2 second scenes, filmmaker name-checks. The last image is a shot of dusty footprints leading nowhere. I don't know who did it or what they were supposed to have done but I'm pretty sure that bastard Justin Timberlake who wrecked my piano is guilty.

My dream was edited with a chainsaw. The chainsaw had ADD. I hope your night was more restful and the celebrity cameos less willfully destructive and angry. Feel free to share.

*regularly makes cameos in Nathaniel's REM life.
** I assure you this is a first time appearance.

Imaginary Actress Wars

Weird but true confession: Whenever I look at photos from film festival press conferences, I always end up imagining that it was one big press conference with all of the movie stars and films represented at the same table. This can lead to weird imaginary resentments, unspoken battles and other duets.


I mean what would Nic' & Hil' even have to say too each other? Not that Hilary wouldn't feign amiability and Nicole wouldn't glare frostily. Maybe they'd talk about Best Actress wins? It's the only thing they have in common.


And what does Juliette Lewis think of Vera Farmiga? Or maybe she's just wondering when Vera is due or what it's like to kiss George Clooney or maybe why they both don't get first choice of every movie script in town since they're so uniquely talented.

Perhaps you can make better sense of these imaginary mash-ups in the comments.

This message has been brought to you by ADD and afternoon boredom.

Hilary Swank Nicole Kidman

"You are such a buzz kill"

That's a Juliette Lewis moment from the Jennifer Aniston comedy The Switch. I'm glad that this scene in which she (apparently) gently chastises Jason Bateman for being insufficiently perky is on Apple. It's the closest I want to come to that movie, unless there's a scene in which Patrick Wilson actually performs his "donor" duty. What? I'm only human.

And speaking of... Patrick Wilson needs to be a bigger star. I suspect people have found him too bland for leading roles but that's a shame really because he's terrific in both Little Children (2006) and Angels in America (2003) and it's not like anyone was all that good in Watchmen (2009) or Phantom of the Opera (2004), so why hold those against him? Plus he was kinda great on Broadway in both The Full Monty and Oklahoma! ...not that they're making that many movie musicals and when they're making them they aren't casting for musical ability. [Editor's note: Dead horse. You are beaten!] It's just that he's totally great at playing these "generically idealized man" types and those characters are often in danger of being a touch bland... even or maybe especially if you're playing them well.

<-- Maybe Barry Munday (pictured with Judy Greer) will help since his looks are so downplayed and his body is so unchararcteristically that of a mere mortals?

Anyway...

I hate to be a buzzkill myself but I just can't get behind Jennifer Aniston as a movie star (though I would gladly watch her headline a sitcom). I always seem to want to recast movies with the lively supporting character actors switching places with the duller leading ladies and men. I would totally buy a ticket to see an artificial insemination comedy that was about Juliette Lewis's romantic foibles with Patrick Wilson wherein Jennifer Aniston throws some sort of party and dispenses supporting actress advice. Just like I might have actually bought a ticket to P.S. I Love You if Gina Gershon or Lisa Kudrow were communing with their dead husbands played not by Gerard Butler while Hilary Swank smiled from the sidelines doing best friend duty, always in danger of landing on the cutting room floor.

But if Hollywood made movies to please me they'd go bankrupt. Truth.

Here's the Weekend Box Office should you be curious about these things. (I know nobody comes here specifically for this -- why would you? -- but would you like seeing the chart referenced casually each week? Maybe you do look it up each week even if you don't really care. That's how I do.)

1. The Expendables $16.9 (total $65) 2nd weekend
2. Vampires Suck $12.2 (total $18.5) opening weekend
3. Eat Pray Love $12.1 (total $47.2) 2nd weekend
4. Lottery Ticket $10.6 opening weekend
   
5. The Other Guys $10.1 (total $88.2)
6. Piranha 3D $10.1 opening weekend
7. The Switch $8.4 opening weekend
8. Nanny McPhee Returns $8.4 opening weekend
9. Inception $7.8 (total $262, #5 of the film year thus far behind some teen vampire thing) 6th weekend
10. Scott Pilgrim vs. The World $5.2 (total $20.8) 2nd weekend
    

Did you contribute to any of these box office takes? Money well spent? Also if you've seen The Switch do speak up. I'm curious against my will. Some people I follow on Twitter had me convinced that Jen would soon win an Oscar (not for this but for something). That's totally plausible given what AMPAS voters value most in Best Actress (likeability, sex appeal, career heat. Acting is like 7th on the list.). But I'd have to retire. I just couldn't deal. The horror. The horror.
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Link Narcissustic

Box Office Mojo The Tourist with Depp & Jolie will be opening in 2010. Time to adjust those Oscar charts? Yeah, yeah. I'll try to start this weekend.
Rope of Silicon mixes Inception music over Black Narcissus images for a 2010 trailer for the 1947 classic. Neato (if a bit spoilery)
Mighty God King P.S.A: Fozzy vs. Pac-Man (?!)
I Need My Fix pics from the premiere of The Switch. In a just world Juliette Lewis would be 1,000 times more famous than Jennifer Aniston. You know it's true.
Dennis Cozzalio just turned 50 and celebrates with a funny post. (Mmmm, brains.) Go wish him a happy 1/2 century year! I mean it.


Camp Blood True Blood "Rolling Stone" cover now made extra gay!
DListed Speaking of... Alexander Skarsgard cracks me up. So casual about his scorchingness. What would Daddy Stellan think of all of this?
popbytes has my favorite reaction to this whole sockless news. How do you really feel about this "news" Jeremy? Quit hedging!
Ginger Williams made nesting dolls of Golden Girls and Steel Magnolias. Wha...?
The Entertainment Junkie remembers Lost in Translation and thinks Sofia Coppola's Oscar is a bit of a cheat (in a complimentary way!)
BlogStage Jenelle meets Dennis Quaid. I love it when writers meeting their acting idols. Sweet.

Off Screen
Tom Scott I love these warning labels to place on bad journalism. My favorite is the press release one. So many blogs are like that. Sigh. Though you can't really stick stickers on a blog. Can you? You wouldn't be able to see your screen when you click away!
Just Jared Ricky Martin's memoir is called Me. That's all they could come up with?

And finally, for no reasons other than it made me laugh, excuse me, lol -- and I am the type that reads scifi/fantasy novels -- and I'm in a juvenile mood (sorry!) try this hilarious raunchy ode to sci-fi novelist. NSFW unless you're on headphones.

Yes, No, Maybe So: Conviction (née Betty Anne Waters)

First things first, changing your movie title from something very specific like Betty Anne Waters to something as generic as Conviction is not a good sign. Searching for Conviction on IMDb will get you several films, theatrical/dvd/made-for-TV. Searching for Betty Anne Waters gets you just one. Are they scared of people thinking "ewww, it's a girl's movie!" or maybe "Is this a sequel to Amelia? That sucked" or what?

But here's the trailer.

So here's where we break it down.

Yes, no, or maybe so?

The supporting cast is jam-packed with good actors: Melissa Leo - sure okay; Sam Rockwell - yes, please; Minnie Driver -why the hell not?!; Juliette Lewis -Yes, please x 10. And wherever I can get her which isn't on silver screens that much. I had all but forgotten that she had a role in this film. I never knew, even before the forgetting, that it would a real role, and not some throwaway part. But she's even name-checked in the trailer and with her Academy Award Nominee status no less. Yay and also Wow because that doesn't happen much. With all of these good actors on board, maybe they'll all escape the typical "I'm poor! Listen to my weird townie/rural accent!" actor's trap. An accent is not a character.

You're
smart.
You'll
know
that I
don't have
to explain
myself here.
Kapeesh?

I don't think there's enough films made about brothers & sisters and their unique bonds. I really don't. Usually if you see a film about siblings it's almost always brothers with a random sister act hitting us now and then. I'm always curious to see if actors can pull off a familial bond. Most of the time this game of pretend is no more than adequate but when something really clicks between two actors in terms of family chemistry, it can be truly potent stuff. I'm hoping Swank and Sam pull it off since the whole film will kind of depend on it.

I suppose I'm a "maybe so" based solely on Juliette Lewis and Oscar interest. But I'll be an immediate "no" with mediocre reviews. I really can't be bothered with courtroom dramas unless the reviews are strong. I personally think it's the genre that's most "dead" onscreen. As in, why is someone making this movie? They'd better have a damn good reason and explain it with some cinematic zing! But every once in awhile there's a great one (see Erin Brockovich)

This is neither here nor there but the film is directed by Tony Goldwyn, grandson of legendary studio mogul Samuel Goldwyn. You might not know Tony's name but you surely know his face. He's that vaguely eyebrow-less guy who Hollywood always wants you to loathe and also loathe yourself for loving because he's super attractive.


Hey, it's a niche. An actor's gotta work.

But is it really fair to hate on him for killing his best friend to get into Demi Moore's pants? Because who wouldn't have offed their buddy for Demi circa 1990? I mean, cut a guy some slack. It's Demi.

Goldwyn A.D./B.D
before and after psychoanalyzing one Dexter Morgan

I've been watching Dexter lately on Netflix Instant Watch (that obsession has cooled a bit). Goldwin directs multiple episodes and in one he even directs himself as a psychiatrist who kills off powerful women after reducing them to hot messes with a lethal combo of bad therapy and drugs. [Why are psychiatrist always evil in movies? Discuss.] Naturally, Dexter cuts him up into little itty bits.

Goldwyn previously directed the critically well received A Walk in the Moon (1999) but, alas, Conviction (née Betty Anne Waters) doesn't star Diane Lane and Viggo Mortensen.

Are you a yes, no or maybe so?
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Hilary Swank

"Who knows what goes on inside that whore's head?"

[Great Moments In Screen Bitchery #867: Juliette Lewis, Strange Days]

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related ancient post: Monday Monologue "It's Over"
That monologue series got a lot better, didn't it? I shoulda written up this performance proper.
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Cape Link

cinema
stale popcorn is counting down the 00s in a comprehensively personal way. Love it
92nd Street Y are you going to the Grease 2 Sing-along?
serious film wonders what film might eventually throw Citizen Kane from its "greatest" throne
hot blog James Cameron discusses science in his science fiction. I love this bit

Asked whether the Alien or a Na'vi would win a fight, Cameron's answer was, "Sigourney (Weaver) would win."

Heh and duh!


/film Ang Lee and the Life of Pi in 3-D
thompson on hollywood talks with Annette Bening about her awards-contender roles in Mother and Child and The Kids Are All Right
natashavc young hollywood '98 fetal flashback: Reese & Ryan
movies kick ass talks up Oscar's 1964 Best Actor race with friends

small screen diversion
critical condition a great thinky piece on Glee's Madonna episode
i need my fix an evening with Glee
what's good... let's hear it for Jonathan Groff's agent
newnownext rich from fourfour visits the set of RuPaul's Drag Race. Lengthy interesting piece with wonderful photos

back to big
Finally, I just wanted to draw your attention to a great reunion pic: Juliette Lewis and Robert DeNiro at the Tribeca Film Festival!


DeNiro showed up at the party for Juliette's latest pic Metropia (she's not in it -- sigh -- just voicework). I mean seeing these two together again is just bananas. The last time I saw them together Juliette was sucking on Bobby's thumb. Which was also bananas. In both connotative senses of the fruit.


At the risk of embarassing one of my best friends, I must ask that if you ever meet Nick Davis you demand to hear his Juliette/Cape Fear voice. It's so unnervingly spot on that the first time he did it for me it made me love both him and Juliette more. And I didn't think I could in either case! So while I'm spreading the link love, please note that Nick is still on his best actress tear having recently written up performances by Ann-Margret, Jane Wyman, Talia Shire and, most controversially, Maggie Smith. Read 'em.

Having a Juliette Lewis Moment

It happens from time to time.

Came in from the cold, fed the cat and the next thing you know. There she is. Juliette Lewis filling every nook and cranny of me brain.

<-- 8 year-old Juliette kissing Clint Eastwood. She is (literally) a child of Hollywood.

When actresses invade my consciousness to that degree I immediately surrender to the moment: Think about the last time I saw them (Whip It in this case which was such fun), look at pictures or videos, surf the web to find out what they're up to. In Juliette's case she's still plugging away at that music career (her last record Terra Incognito hit in September) and she's filming or was filming Due Date, Todd Phillips' follow up to The Hangover.



We'll also see her next year in Betty Anne Waters, the latest Hilary Swank vehicle. I have no idea how big her role will be but I hope she shares a scene with fellow Whip It alum Ari Graynor, to ably demonstrate that they're the two coolest people in the movie... give or take Sam Rockwell.

Who takes up more space in your brain than you can justify or explain?
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The 13th Link

Au Current
Nick's Pix is not going to tell you how much he loves the latest Coen Bros, A Serious Man. No way. He won't do it
BuzzSugar Angelina Jolie + Johnny Depp = hottest screen couple ever?
Just Jared But Nicole Kidman + Robert Pattison = urrrgh-aa--well... NO! (at least to me)
Mighty God King Americanized poster of Pirate Radio née The Boat That Rocked sinks
Pop Elegantiarum Film Experience contributor Alexa does Joanie from Mad Men for Halloween. Her husband as Roger Sterling. I love this so much. It's almost as good as dreaming about this weekend's season 3 finale
Low Resolution Joe on Avatar's second trailer "...everything went Ferngully"
My New Plaid Pants but JA is more excited. And not just for that movie. What's left in '09?


Miscellania
The Auteurs What's left to discuss when it comes to Alfred Hitchcock?
The House Next Door Betty White...
...By Ken Levine a brief explanation of how movie determine screen credits. I knew most of this already from a lengthy piece in some magazine (about a disputed case) but if you don't know, it's totally interesting to learn
Go Fug Yourself thanks Juliette Lewis for her consistency, with or without The Licks
Boy Culture Mariah Carey's moustache. Deglam demystified

Oscar
Yahoo has a disturbing wrongheaded article on the Original Screenplay category. Thanks to Jose for pointing it out. Every time I read a story (in any year) that claims one category is totally empty... I always think "look harder". There are hundreds and hundreds of films released each year. It's sad that we need them to all be in one genre or of a certain box office profile or in English to consider them awards-worthy. While this article mentions The Hangover and Star Trek as possibilities (Star Trek... yep, how is that "original" when its based on über familiar stories and characters from 30 years of film and television? Especially when something like Before Sunset was considered adapted merely from revisiting characters from one earlier film?) Original Screenplays not mentioned in this strangely tunnel visioned article include: Bright Star (some might consider it adapted but it considers itself original -- probably because it's drawing from so many sources to imagine its historical love story. ), The Hurt Locker, Moon, The White Ribbon, District 9 (based on a short but this category is sometimes flexible), It's Complicated, Broken Embraces and In the Loop (spun off from a series... but if Star Trek is eligible, this should be too. We shall see). Here are my predictions.

Katey and Nathaniel Don't Have Funny Skating Names

So, it turns out Katey has actually been to the Roller Derby so she knows of what she speaks when it comes to Drew Barrymore's Whip It. Katey is so cool.

Now I've already reviewed Whip It but Katey and I hadn't seen each other in way too long (long boring offline story) so we laced up and skated from Brooklyn (Katey) and Harlem (Nathaniel) and met in the middle. That last part isn't strictly true but you can pretend that is is since we wore protective gear.



Whip It ! Y'all were so suspiciously quiet when the review hit. If you haven't seen it yet, what are you waiting for?

Whip It Real Good

Whip It is based on a novel about a young girl who joins the roller derby.
Whip It is not based on the classic Devo tune. But still...♫ "Whip It good!"

Girl Fight! Don't worry. Drew even uses herself as comic punching bag

For her fictional novel turned movie, writer Shauna Cross drew from her own experiences as derby girl "Maggie Mayhem" and imagined what it would have been like to discover this alternative grrrl world as a young woman. So Whip It introduces us to Bliss Cavendar (Ellen Page), a sad eyed highschooler who is eager to get out of BoDeen Texas and into the big city. In this particular case that's Austin, Texas, which just happens to be the spot where roller derby resurrected itself a decade ago. Bliss doesn't share her mom's (Marcia Gay Harden) tenacious dream of beauty pageants. She doesn't even exactly share her best friend's (Alia Shawkat) college plans. Bliss is basically a dreamer without a dream, until a serendipitous sighting of derby girls passing out homemade competition flyers sparks a fire inside of her.

Bliss hungrily learns everything about this new world of self-made skating "stars" like Maggie Mayhem (Kristen Wiig), Smashley Simpson (Drew Barrymore) and undefeated derby champ Iron Maven (Juliette Lewis). With their oversized personalities and theatrical names, it's rather easy to view all of this as an elaborate drag competition on skates...

Read the rest of my review at Towleroad
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Juliette Lewis IS "Iron Maven"

Below is my fav shot from the Whip It trailer below. Ellen Page is all serious and ready to go. She's willing to sweat for her leading lady status. But it's Juliette Lewis who's hogging the attention, sticking her tongue out, coarsely flirting with the camera. The girl can't help it.

Juliette Lewis "Iron Maven" and Ellen Page "Babe Ruthless"

When I first saw the trailer, I got all tingly thinking about seeing the elusive 90s star again but resigned myself to what was sure to be a short raucuous and welcome cameo. The film has a ton of characters and surely Ellen Page (star) and Drew Barrymore (director/producer/co-star) would eat up the running time!

I am elated to report that I was wrong. Juliette has plenty of screen time as the tough chick star of the Texas derby, "Iron Maven". The actress even won considerable applause during the end credits from the appreciative mixed crowd last night (some critics, some civilians, some roller derby types).

Turns out "Iron Maven" is Juliette's best role in years. It's speaking her language baby! She knows it and, god bless Drew Barrymore, the director knows it, too. Judging from the trailer and marketing, she'll be the movie's secret weapon... until Friday at least.

I'd scream "Welcome Back Juliette!" from the rooftops but I'm a little scared of Iron Maven, and as you'll see on Friday, she doesn't like suck ups.

Whip It opens Friday, my review is coming soon.

For old time's sake...


Damn, I love that woman.
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Musicians and the Acting Bug

The A.V. Club has an interesting piece up on musicians who aced acting roles. Lot of good choices inside including Björk (Dancer in the Dark), Tom Waits (Bram Stoker's Dracula... how odd that we just barely spoke about that) and Frank Sinatra (The Manchurian Candidate) but it's obvious that their listmakers tried to steer away from... the obvious. "How you make a list like that and don't include Cher, I'll never know," he said whilst rolling his tongue and tossing hair back.



I think Dolly Parton was also aces onscreen. Sure, she was playing variations of Dolly every time but what giant movie star (outside of the small chameleon circle) doesn't do that exact same thing?

Why did Sting quit acting? He was doing it pretty regularly for awhile and his performances were fairly well received. Why do you suppose Gwen Stefani never tried again after that bizarre SAG nomination for The Aviator? Cyndi Lauper keeps dipping her toes in. She's already won an Emmy and she has a lead role in an indie called Here and There (pictured left) which is about New Yorkers marrying Serbian immigrants for the ole cash/citizenship papers deal. It's currently working the festival circuit.

What do you make of Justin Timberlake's screen career? What kind of role could they ever find for Lady GaGa? Amy Winehouse? [editor's note: I'm trying really hard not to mention Beyoncé in that Obsessed movie. The trailer is practically BEGGING for Razzie votes.] Wouldn't you like to see Sufjan Stevens in a movie (blue or otherwise)? What do you think P.J. Harvey thinks of Juliette Lewis's impersonation of her in Strange Days? Which musician are you fond of onscreen?

Why do I have so many questions today?!? It's like I'm ready to dance and there's no music playing.
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"You can't smoke grass in school!"

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Tuesday Top Ten: Weirdos

Let's venture where few actors dare to go... or stay, rather. Many thespians go to strange places onscreen but few remain in those outer regions for several films in a row or radiate that quite naturally as a celebrity. This list is dedicated to Angelina Jolie who used to be magnetically weird despite her beauty but is now a classy world-famous humanitarian and earth mother. Shame.

Top Ten Weirdo Actors

This list does not include Tom Cruise because.... too easy.

10 Rossy DePalma -She's not the only bizarre looking person on the list but she's the only one who is here because of how strange the mug is. And yet it's made for the screen, too, don't you think? So pleased that Almodovar has cast her for the sixth time (She'll be in his 2009 feature Broken Hugs. I like to think of this director/muse pair as the modern Spanish counterpart to 70s era Shelley Duvall & Robert Altman. Would Rossy be too much to handle in a lead role? Try Pedro, try.

P.S. Has anyone sniffed her perfume? What ever does it smell like?

09 Johnny Depp -I almost didn't include him because of the familiarity. His weirdness is Disney marketable now: cute, safe, beloved. But then again it doesn't feel artificial, or like a costume he puts on for show the way Norma Jean could famously flip her switch to access Marilyn Monroe. One only has to consider how quickly it came to him --his first Burton film (Edward Scissorhands) and the way the delicious 'beautiful people' years with Winona Ryder always had a gothic undercurrent and sense of humor "Wino Forever" -- and that it never left again. Defecting to France, Captain Jack Sparrow, and that sartorial sense that seems to be composed of equal parts 70s pimp, 90s grunge rocker and Batman's The Joker, all of it just underlines the genuine strangeness.

08 Isabelle Huppert -She's either the greatest actress who ever lived or she's insane, possibly both. I came to this conclusion after watching The Piano Teacher and 8 Women in short succession. Ma Mére only confirmed it. Please don't leave me alone in a room with her.

07 Daniel Day-Lewis -If there is a God and that whole favorite Christian saying 'don't hide your light under a bushel' applies to life in general than God is very mad at DDL for working so infrequently. But he's on this list because he makes his own shoes and because we suspect God is actually more Daniel-Fearing than the other way 'round.

06 Tilda Swinton -Subversive. Brilliant. Iconoclastic. Odd in all of the most inspiring enviable ways. Plus the filmography is to die for ...any artistically bent actor should be green with envy.

05 Vincent Gallo. Maybe the people who agree to (ahem) co-star with him are even crazier.

04 John Malkovich. Charlie Kauffman, screenwriter extraordinaire, has made many perceptive and bizarrely witty choices in his oeuvre. None are greater than putting a portal inside this actor's head for Being John Malkovich. Sure, you could have creative fun for hours imagining variations of this film with a different name following the Being... [it becomes a whole 'nother film --try it], but no actor could have possibly fit better into the inimitably odd demands of this head trip.

"Malkovich! Malkovitch! Malkovitch!"

03 Crispin Glover. Perhaps an obvious choice but even when he goes entirely mainstream (Charlie's Angels or Back to the Future f'rinstance) he's decidedly off. Couldn't quite call myself a "fan" but I do at least cherish all three "Groovin' Larry/Gary"s in The Beaver Trilogy. I seriously do. Have any of you seen it? You won't soon forget it.

02 Juliette Lewis. Many actors dream of being rock stars (and vice versa) but Juliette is one of the only ones who does both convincingly. She was a freak from the get go: an emancipated minor at 14, shacking up with Brad Pitt at 17, Bo Derek braids to the Oscars after salaciously sucking Robert DeNiro's thumb in Cape Fear. She's given so many fine and disturbed performances. Her greatest is in Natural Born Killers in which she's both scarier and funnier than Woody Harrelson with her possessed mood switches and jumping bean mayhem. But the rosetta stone to her public persona onscreen is "Faith" in Strange Days (1995), in which she gives half of a great performance, seems a little wasted and is also possessed by rock n roll dreaming while she's channeling PJ Harvey on stage.


She's one of a kind. Why is Hollywood so scared to use her properly? She's only 34 but she hasn't had a decent movie role since 2000. Get with it casting directors. Time is a wastin'.

01 Christopher Walken. Whether he's imagining deadly car crashes with numb conviction (Annie Hall), playing Russian roulette (The Deer Hunter), dancing in an empty hotel in one of the best music videos ever made (Weapon of Choice), sexing up John Travolta (Hairspray), or badly in need of dental hygiene (Sleepy Hollow) he's always defiantly joyfully weird. Well done.

Would love to hear your lists. Obviously oddity is in the eye of the beholder. There were many others I almost included instead like Sharon Stone [check this out. tee hee] or any proselytizing Scientologists. There's a whole other list to be made of faux-weird ...people we suspect may be deeply and utterly suburban despite outward appearances to the contrary.

if you're here for the first time and you read blogs through a service, please consider subscribing. More weirdness to come. Not so directly mind you... But this blog sells its own crazy




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