I know I'm not alone in feeling tres heureux when I think of "Carol" (Margo Martindale) and her broken French in Alexander Payne's section of the omnibus film Paris Je T'Aime.
And she's now a film bitch nominee for Best Actress in a Limited or Cameo Role along with one large and in charge manager, a lost actress, a widow and a guilt ridden woman. Did these women catch your eye with their brief roles ... or were you looking elsewhere when it came to the edges of the movies?
But back to "Carol" and Margo Martindale for a second. She was so sweet and sad and simple and self aware (only not ?) as Carol in 14ème Arrondissement, that perfect length gem within the Parisian film, that when it was over I immediately started wishing her into other movies.
Consider the possibilities, indeed