Showing posts with label Dietrich. Show all posts
Showing posts with label Dietrich. Show all posts

Monday, July 05, 2010

Falling in Link Again

cinema
Self Styled Siren terrific piece on memorable movie costumes. The Siren writes beautifully. My favorite write-ups are those for Breathless and Strangers on a Train.
Dennis Cozzalio has an amazing piece about the 35th anniversary of Robert Altman's Nashville, one of the best movies ever made.

Boy Culture on the new Burlesque stills and out writer/director Steve Antin. I'm excited for this movie but also fearful that it'll just be the Christina Aguilera show. That would be epically disappointing given the rest of the cast list: Cher, Tucci, Cumming, Bell.
Cinema Blend Viggo & Fassbender on the set of David Cronenberg's Freud/Jung picture Dangerous Method. Can't wait. So excited to see two of today's best actors in character.
Cinematical Neil Gaiman is sick of vampires.


movie stars
I Need My Fix Jude Law in the Czech Republic. Apparently Sadie Frost is writing a book about their marriage. Uh oh.
Old Hollywood Ernest Hemingway to Marlene Dietrich. Awesome quote.
Diva Asia Apparently Gong Li is now divorced. I'm not that concerned with her marriage. I just want her in some incredible movies again. Like something as good as Ju Dou? That's too much to ask, right? I can dream.

a Buffy moment

Flickr
Holy Hellmouth, this "Buffy Alphabet" is awesome thus far.
Low Resolution has a three-part incredibly detailed interview with one of the writers on Buffy the Vampire Slayer. If you love Buffy you'll want to read it.

just for fun
pop licks "Best Headline Ever?" Maybe it is. It is pretty vivid.
Chateau Thombeau "Been There" hee x several.

....and because it's just amazing, the video "Big Bag Big Boom" by Blu.

BIG BAG BIG BOOM - the new wall-painted animation by BLU from blu on Vimeo.

Wednesday, November 11, 2009

Linklets

And the Winner Is... following the Oscar race on Twitter. This is quite comprehensive it is
Esquire interview with Sherlock Holmes's Robert Downey Jr. Amazing photoshoot
Paste Magazine 25 Best Docs of the Aughts. The Gleaners and I wayyyy too low
MovieLine Mad Men power rankings, a recap with an angle. A hoot



MNPP dreams of Jake Gyllenhaal's ostrich impression
Indie Wire 20 Films to compete for 5 Best Animated Feature Oscar spots. I want everyone to remember I assured 5 nominees right from the beginning of the year despite all the "there's not enough" naysayers. Toot Toot (my own horn)
Old Hollywood Marlene Dietrich. So quotable
The Advocate interviews Tom Ford on the eve of that directorial debut A Single Man which I'm seeing tomorrow. Wheeeee
In Contention thinks Dion Beebe's got the cinematography Oscar this year for Nine

Finally... have you heard of this website SoundWorks Collection? They'll be doing bi-weekly profiles for this year's Oscar contenders in sound. That could prove interesting since it's a category that's often still like a foreign language to most civilians (that's us).

SoundWorks Collection Promo from Michael Coleman on Vimeo.



There's not much coverage for 2009 yet but they do have one up on Up from earlier this year which could well figure into the sound categories as animated films do from time to time.

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Monday, August 24, 2009

MM@M: "9 out of 10 Hollywood stars depend on LUX"

Mad Men at the Movies. In this series we've been covering movie references made on the 1960s show. Even if you don't watch, you're here because you love talking 'bout the movies. Previously we covered a telling Gidget reference, a throwaway Wizard of Oz bit and the scandal of Lady Chatterley's Lover. Episode 4 mentions an ad campaign that featured Hollywood's A-List actresses.

1.4 "New Amsterdam"
Young account executive Pete Campbell is at dinner with the rich in-laws. The father in-law has some unsolicited advice.
Tom: You've got to get that LUX soap campaign over to Sterling Cooper. Janet Leigh, Natalie Wood -- now, there's a day at the office. I'm telling you, you boys have got it made: Martini lunches, gorgeous women parading through. In my next life I'm coming back as an ad man.

Pete Campbell: Well, there's slightly more to it than that.
Tom: Yeah? Well, I'd keep that to yourself.
When Tom says "Natalie Wood" he gestures briefly toward his wife rather than the son-in-law he's speaking to. Is the Mrs. a fan? It wouldn't be surprising.

Natalie Wood for LUX soap --->

Wood's fame was not yet at its peak in 1960 (West Side Story, Splendor in the Grass and Gypsy coming right up) but she'd been quite famous since the mid 40s. She belonged to that rare breed of actor, the child star who becomes an even bigger teen idol and then a full on A List movie queen. As the book Pictures at a Revolution reminds us, Natalie held an odd cultural position in the 60s. Though Natalie was younger then many of the members of what came to be known as 'New Hollywood'
"she was Old Hollywood to the core... even if the term New Hollywood had been in use, Wood certainly would have considered herself no part of it.
It figures that she held great cross generational appeal.

But back to LUX soap for a minute. Their ad campaign was an enduring familiar one. It had featured legendary Hollywood beauties for decades with slogans like "To him, you're just as lovely as a movie star" and "9 out of 10 Hollywood stars depend on LUX"

Here's a few actressy LUX ads for fun.


An Olivia deHavilland ad from 1941, a German version starring Marlene Dietrich and Claudette Colbert's from 1935.


Rita Hayworth's from 1957. These ads were generally doubling as sneaky movie advertisements... this one for Pal Joey) and Debbie Reynolds' from 1956.

Other references in this episode
Television: a black and white western series... but which one? | Celebrities: Bob Newhart and Lenny Bruce | Books: Psalms and Nursery Rhymes From France | Theater: Bye Bye Birdie
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Friday, July 31, 2009

Two Ladies.


Hello, Jose from "Movies Kick Ass" here. On July 31st, 1919 the Weimar Constitution was approved in the German Empire giving path to one of the most complicated eras in European history.

Weimar was a limbo of sorts between both World Wars, time during which Germany sunk in political and economical problems, but flourished culturally; Brecht, UFA, Expressionism and Bauhaus were a few of the things that came out from this period.
But thinking of a perfect way to sum up the entire history of Weimar only two people come to mind: Sally Bowles and Lola Lola.

They are the "heroines" from their respective films. Sally in "Cabaret" and Lola Lola in "The Blue Angel".
They are linked by their profession (cabaret performers/aspiring actresses), their exuberant sex appeal and their love of divine decadence.

But beyond the obvious comparisons (it's obvious that Lola and UFA films inspired Christopher Isherwood who wrote the book "Cabaret" is based upon...) there is something fascinating about how both these women embody Weimar history.
Sally and Lola take special pleasure in luxurious goods. One fur coat in "Cabaret" goes through all the phases of hyperinflation; first it becomes an almost guilt-inducing device of desire and consequentially turns into a life saving object covering her medical expenses.

Then there's the whole issue of how cabarets blossomed amidst the upcoming political chaos brewing with the Nazi party.
Isherwood, who wrote about homosexual experiences from autobiographical facts, came to Berlin because being gay was still illegal in his home country.
Sally in "Cabaret" is involved in a love triangle with two other men who also have feelings for each others.

Sex got so out of control in Weimar that a law was passed forbidding pornography. This whole issue in fact triggers the plot in "The Blue Angel" as a bitter professor (Emil Jannings) visits a cabaret to prevent his students from visiting it.

Sally and Lola became iconic characters for the actresses who portrayed them, but more than that they should be seen as fascinating representations of history through different eyes. Lola was a portrait of her times, Sally is a postmodernist vision.

Interestingly enough the very nature of their professions announces their eventual cinematic relevance; the word "cabaret" comes from the Latin "camera" (which means "small room") which later gave name to the photographic device.
If their whole history is contained in something as elemental as a word, then a line from "The Blue Angel" sums up the way in which the characters' incite public reaction.
"You've got a false conception of your profession" says someone to Lola. He might as well have been talking about the way the modern world has come to perceive Weimar.

Monday, March 02, 2009

Don't you wish old photos came with audio tracks?

Or that you could time travel into the room as they were being taken.


And if either of those things were possible, wouldn't you grab every Old Hollywood candid you could find in order to listen in or join the party? What exactly would Rosalind Russell, Greer Garson and Merle Oberon chat about anyway? Roz only cares about the camera but who are Greer and Merle all smiles about?

I mean just fantasize for a moment about a night at ... on the bar with Marlene Dietrich and Claudette Colbert.


How much would you have to drink to not be starstruck and join right in. Too much. Too much I say. The mind clouds. The hangover would be epic.

Here's a photo I've cherished my whole life from an old out of print Natalie Wood book from the 80s. It's Dennis Hopper and Wood discussing acting styles as they screen A Streetcar Named Desire in the 50s. (Vivien Leigh was Natalie's favorite actress)


Imagine how many times "Method" and "Actor's Studio" were invoked in that conversation. Imagine the names that were casually dropped.

Blog challenge!
If you have a blog, post a hollywood candid or three you'd most like to hear the accompanying audio track to. I'll link up right here. Spread the namedropping / eavesdropping love.

first responders
Opportunistic Cinephile imagines that Bette Davis cares
Film Awards Watch goes on set with Jane Fonda and to theater with Orson Welles
A Blogwork Orange wonders if Liza Minelli was faking her laughter. Robert DeNiro can be so touchy. 'You talkin' to him?'
My New Plaid Pants gets kinky with Hitchcock and Kim Novak. Throw in Brando and Dean while you're at it.
Extra Criticum has a laugh with Monty & Liz. (sigh... How much do I love these two together? As much as kittens chasing their tails. Yes, that much)
Wipe That Smirk... attack of the princesses: Grace & Audrey
got here as soon as they could
Situated Laundry chooses Bette Davis and Joseph Cotton on the set of Beyond the Forest (I haven't seen this movie, have you?)
Culture Kid doesn't think Judy G needs that much cake. And what the hell are Queen Latifah and Meryl Streep doing?
The Silver Screening Room goes for Peter O'Toole and the "ladies", two Dames and confessions of a shopaholic?
Oscarvations wonders if DW Griffith was an the alpha male of United Artists? (I'm guessing it was Mary Pickford)
backup has arrived
StinkyLulu Sophia, Sal Mineo and Mae West. Oh my.
Stale Popcorn goes mental with Liza and Liz. Ha!
Reel Artsy Dorothy Dandridge wonders...

Tuesday, March 21, 2006

An Illustrated History of...Gender Bending

It's Tuesday. Time for "A History of..." But today we're doing things a little differently. It's an Illustrated History of Gender-Bending @ The Movies. Today's topic is inspired in part by the fact that it's the birthday of one hit wonder Jaye Davidson who startled moviegoers in The Crying Game many years ago.

1930s Marlene Dietrich puts on a suit. Garbo strolls around like she has an extra bit between her legs. Millions swoon.

1959 Hollywood's first transgendered gay marriage

1970s Susan Sarandon squeaks. Tim Curry peaks.

1980s Hollywood's gender-bending apex.
Dustin hoffman plays "Tootsie", Streisand is "Yentl", Julie Andrews plays a woman impersonating a man impersonating a woman. and Daryl Hannah begins passing.

1992 oops...


1993 Kurt Russell discovers eyeliner in Tombstone. Val Kilmer still upstages him.

1994 Guy Pearce cannot find a copy of The Texas Chainsaw Mascara. Still looking. Has now also misplaced his career. I swear that Guy. If his head weren't attached...

2006 Amanda Bynes in She's the Man finally replaces Barbra Streisand in Yentl as the world's most unbelievable and ugly boy. Babs sends 'thank you' note.

If you're here for the first time...
please check out the blog entire, homebase, and some other histories...
Jodie Foster * Bald Women * Sarah Jessica Parker *
Gay Cowboys * Julianne Moore's Screen Kids * Gyllenhaal
Enjoy!

Tags: She's The Man, gender, movies, Amanda Bynes, Barbra Streisand, celebrities, Rocky Horror, gay, transgender