Showing posts with label Fatih Akin. Show all posts
Showing posts with label Fatih Akin. Show all posts

Monday, October 25, 2010

7 Word Reviews: Made in Dagenham, Stone, 127 Hours, Etc...

Can you feel Oscar precursor season gearing up?

Left: Aron Ralson as himself.
Right: James Franco as Aron Ralston
The mountaintops are a-rumbling. To delude myself into thinking I've "caught up" before the avalanche, herewith seven word reviews on a bunch of movies I haven't got around to talking about just yet. More to come on three of them.

127 Hours
In which James Franco plays Aron Ralston who is pinned under boulder in southern Utah.
7WR: Nervously tricked up storytelling, but gripping nonetheless. B/B+


Made in Dagenham
Sally Hawkins leads fellow factory women on a strike for equal pay in late-60s England.
7WR: Engaging nuanced star turn elevates predictable story.  B

Stone
A parole officer who is about to retire (of course!) gets mixed up with an inmate and his wife.
7WR: Weirdly acted, overcooked presentation of undefined 'whatthefuck?'ness. D

Norton: What the fuck are you looking at?
Nathaniel: Honestly, I have no idea. You should tell me since you made it. 

Salt
In which Angelina Jolie is an American spy accused of being a Russian sleeper agent.
7WR (Angelina): An unactable enigma, so Jolie charismas instead. B+
7WR (Movie): Endearingly absurd but sadly disposable. Lame ending. B-


Soul KitchenFatih Akin's comedy about second chances, a flailing restaurant, and two German-Greek brothers.
7WR: Slow burn silliness and lusty adult appetites. B+

Leaving
Kristin Scott Thomas gets the f*** of her life from Sergi Lopez, then loses her cool.
7WR: Feverishly horny portentousness. Somehow Kristin sells it. C+

I Am Love
Tilda is the matriarch of a rich Italian clan whose family business is changing hands.
7WR: Mouthwatering visuals, melodramatic verve, subtextual theme;  Masterpiece?  A/A-
(big article forthcoming now that it's on DVD. Probably in a week's time.)

Mic-Macs
(From the man behind Amélie.) A man with a bullet in his brain seeks revenge on arms dealers.
7WR: Inspired (But Exhausting) Hijinx Setpieces 'R Us B-


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If you've seen any of these, do share your feelings. I lift the restrictions on word counts for the comments. You may use more than 7! (If you're ever in doubt about whether or not to comment try to think of comments as little crumbs and The Film Experience as a zoo. Here you may should feed the animals because they don't eat otherwise.) 
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Saturday, September 12, 2009

Venice: Two Trophies for A Single Man

By now you've heard the news that Colin Firth received the papal blessing in Venice.


What?!?

The only church I believe in is the church of cinema and Ang Lee is a holy man. Don't tell me otherwise, blasphemer!

If you have to receive a blessing from an auteur, a vote of confidence if you will, what better man than Ang Lee? He has exceptional taste. Colin Firth might be floating up towards heaven even as we speak since Ang Lee and his Venice International Film Festival jury named Colin Firth Best Actor. The honor came for his work as a grieving gay academic in Tom Ford's A Single Man (see: related posts).

I'd like to intone "The Oscar race has begun" in sotto voce right about now, but has it? A Single Man's distribution is still up in the air. Though the movie, based on the Christopher Isherwood novel, is having a great week (positive reception at both Venice and Toronto) only time will tell if the film will be eligible for any more trophies in 2009. For now, it has two.


The Golden Lion winner, Lebanon, which takes place in a tank

Ang's other holy blessings
Golden Lion (Best Film):
Lebanon, directed by Samuel Maoz and Maoz Shmulik [Israel]
Silver Lion (Best Director):
Women Without Men directed by Shirin Neshat [Iran]
Grand Jury Prize:
Soul Kitchen directed by fest trophy magnet Fatih Akin of Head On and The Edge of Heaven fame [Germany]

Actress: Russian thespian Kseniya Rappoport (pictured right) in The Double Hour [Italy]
Young Performer: Jasmine Trinca in The Big Dream [Italy]
Screenplay: Todd Solondz's Life During Wartime [USA]
Set Design: Sylvie Olive for Mr. Nobody [USA]

The sidebar juries handed out the following prizes
Lion of the Future (Debut Film):
Engkwentro by Pepe Diokno [The Philippines]
Queer Lion: A Single Man directed by Tom Ford [USA]
Documentary: 1428 directed by Du Haibin [China]
Special Mention: The Man’s Woman and Other Stories directed by Amit Dutta [India]
Controcompo Italiano: Cosmonauta by Susanna Nicchiarelli [Italy]

The only bum deal about the glorious Toronto International Film Festival that's in full swing as Venice shutters, is that they don't do juried awards. So this is your last big film award for awhile. Trophies, cups, scrolls, and golden statues are the way to go, you know. Oh sure, art is silly to quantify in that way but there's something generous and worthwhile about saying "you... you deserve this you beautiful piece of celluloid, you!" Ciao bella!

But back to "Darcy" himself for a second. I like Firth's chances in the Oscar race should the film find a distributor. Not only is that category awfully barren this year, but Firth is a respected enduring star who has never been nominated. When known previously neglected commodities do "best of career" work, big things can happen on Oscar night. Plus, he's a straight man playing gay as he reminded the world in his acceptance speech with a nod to his Italian wife.

I rarely seem to come home from Italy empty-handed – wine, balsamic vinegar, wife, two children, and now a nice piece of silverware.
Everyone knows how hard the Academy thinks that acting gay is for straight men. Imagine the unspeakable horror of locking lips with Matthew Goode! Poor, poor put upon Colin. He thought pretending to be in love with Bridget Jones was hard work.

Thursday, July 30, 2009

Denis, Rivette, and Moore!: Venice Lineup Announced

Robert here, noticing that the Venice Film Festival announced the lineup for it's 66th installment on Thursday. Here's the in-competition list, with a few bits I managed to find about each film.

Baaria (Opening Film) dir. Giuseppe Tornatore
The director of Cinema Paradiso gives us a three-generation spanning epic about his Italian hometown.

Soul Kitchen dir. Fatih Akin (pictured)
Akin directed the terrific Head-On and The Edge of Heaven (if you haven't seen either or both, do now). He re teams with Birol Unel from Head-On for a comedy about culture and gender clash.

La Doppia Ora dir. Giuseppe Capotondi
It's been tough finding information on this as Venice's website (nor IMDb) has much at the moment. I can tell tell you is that it's a freshman effort, it's Italian, and it's fun to say... La Doppio Ora!

Yi ngoi (Accident) dir. Cheang Pou-Soi
A Hong Kong crime film about a policeman getting in too deep as he attempts to take down an Assassins gang.

Persecution dir. Patrice Chereau
The newest film from the director of Queen Margot and Intimacy is a tumultuous love story. No word on whether there will be explicit scenes but it stars Charlotte Gainsbourg so a man can dream can't he?

Lo Spazio Bianco (White Space) dir. Francesca Comencini
This Italian film deals with the tenuous empty time (ala white space) a mother spends between the premature birth of her baby and its removal from an incubator.

White Material dir. Claire Denis
While us Denis fans in the states are still anticipating her last movie 35 Rhums, she's moved onto her next. This one stars Isabelle Huppert and Isaak de Bankole and involves a French coffee grower in Africa during a time of great conflict. Those unfamiliar with Denis probably shouldn't expect any action sequences.

Mr. Nobody dir. Jaco van Dormael (pictured)
Here's a film about a 120 year old man who is the last mortal living in a world of immortals. I'm already sold. Jared Leto and Sarah Polley star.

A Single Man dir. Tom Ford
Ford's first film stars Colin Firth as a gay college professor dealing with the death of his lover. Julianne Moore also stars. I smell lots and lots of potential.

Lourdes dir. Jessica Hausner
Hasuner's films have been staples on the festival circuits (though still relatively unknown among wider audiences). Lourdes (which will also play Toronto) is about a wheelchair-bound woman who, wouldn't you know it, travels to Lourdes in the hope of a miracle.

Bad Lieutenant: Port Of New Orleans dir. Werner Herzog
Nicolas Cage stars as a wild flailing police lieutenant who totters on the edge of sanity... as directed by Werner Herzog. This will either be a horrible disaster or a fantastic disaster, or a total masterpiece. It'll certainly be something.

The Road dir. John Hillcoat
Remember back when Esquire called this the most important film of the year? We'll soon see.

Ahasin Wetei (Between Two Worlds) dir. Vimukhti Jayasundara
I look forward to finding out more about this film from award-winning short director Jayasundara. Meanwhile, here's a picture of him at some event with Miranda July. Cool.

El Mosafer (The Traveller) dir. Ahmed Maher
Word is, Maher's been trying to make this project his entire career. It's described as: "Set in three different time periods, “El Mosafer” traces the life of one man over three days in three different years: 1948 in Suez, 1973 in Alexandria and 2001 in Cairo."[src] I figured no paraphrasing of mine could do better.

Levanon (Lebanon) dir. Samuel Maoz
A semi-autobiographical picture about four soldiers at the start of the 1982 Israeli invasion of Lebanon.

Capitalism: A Love Story dir. Michael Moore (pictured)
Unfortunately there's not much on the internet about either this film or director. Apparently he's a documentarian of some sort who people don't feel strongly about one way or the other. Seriously though if Moore's latest is like the rest of his films it stands to be controversial, sad, and true (mostly).

Zanan-e-bedun-e mardan (Women Without Men) dir. Shirin Neshat
Neshat is an acclaimed photographer whose been delving into film recently. Her latest is about a group of women who band together to form their own personal rural utopia.

Il Grande Sogno (The Big Dream) dir. Michele Placido
This film is set in 1968. I wish I could have found more than that. It's Italian and despite what Quentin Tarantino might have you believe, that country has been turning out some really good cinema lately.

36 Vues Du Pic Saint Loup dir. Jacques Rivette
Rivette's latest is a biopic about author Raymond Roussel. And considering it's Rivette behind the wheel, I'm guessing it's not your standard biopic.

Life During Wartime dir. Todd Solondz
Solondz's new movie has been described as a "dark comedy of sexual obsession" [src] and a companion piece to Happiness and Welcome to the Dollhouse. Solondz fans should be excited... hooray for sexual obsession!

Tetsuo The Bullet Man dir. Shinya Tsukamoto (pictured)
This is the third film in Tsukamoto's underground cyberpunk Tetsuo film series. I can't personally claim to have seen any of them but know that the first, Tetsuo The Iron Man is about a man who finds himself transforming into metal. I'm told it's weird... in a good way.

Lei wangzi (Prince of Tears) dir. Yonfan
Chinese director Yonfan gives us an exploration of friendship between four individuals in socially unresty 1960's Taiwan.

Hopefully that spread some interest around, and my apologies for the more sketchy summaries.

Saturday, May 24, 2008

Now Playing ~ Memorial Day Weekend

What will you be seeing this holiday weekend... or is it Off Movie adventures for you?

L I M I T E D
The Edge of Heaven -Anyone who saw writer/director Fatih Akin's (pictured left) powerful Head-On [queue it] probably should have his feature follow up on their radar. This one also toggles between Turkey and Germany and deals with an estranged father and son and the attempt to free an imprisoned Turkish activist, the daughter of the father's girlfriend.
The Children of Huang Shi -Ostensibly this stars Jonathan Rhys Meyers and Radha Mitchell rescuing orphans in 1930s China but the most interesting note (at least sight unseen) is that it reunites Crouching Tiger's Chow Yun Fat and Michelle Yeoh.
A Jihad for Love -This controversial documentary on the gay Muslim experience was filmed right inside deadly countries for gay men and women. Reviews are largely glowing. Here's the trailer.



Postal -Uwe Boll (!I know!) directed this satirical comedy about religious nuts and terrorists. Inspired by the video game.
War Inc. -Another contemporary political comedy, this one starring several 80s/90s stars including Ben Kingsley, Dan Aykroyd, Marisa Tomei and John and Joan Cusack (where ya been girl?)

W I D E
Indiana Jones and the Kingdom of the Crystal Skull -Nothing dared open against it which is possibly wise given the expected gold it will dig up. I am probably the only person alive who isn't very interested. I've been burned too many times by Lucas, occassionally by Spielberg, and fairly regularly by wanting something to continue that already ended. Nostalgia should really mean just plopping a movie you love into the DVD player. Nobody has had to wait for re-releases of beloved films since the early 80s! If anything, nostalgia should make much less sense in terms of ticket buying than it once did. Strangely, it still does. Perhaps I shall see Indiana Jones 4 but I'm not in a rush. This week has been a little tough as previously noted. I maybe could use some old fashioned adventure.

...and you?

Sunday, April 27, 2008

Linkup on South Street

Rob Scheer loves those actors but still hates Deception
The Hot Blog quotable Ang Lee @ Ebertfest
GreenCine Daily The Lola Awards in Germany. Fatih Akin wins big
Thompson on Hollywood anticipating Synecdoche New York (production still!)
Filmmaker Directors Fortnight at Cannes heavy on French film. One from the US.
Victim of the Time on Happy Go Lucky and Son of Rambow
Coming Soon Tilda Swinton to star in an Italian film
Guardian Unlimited on the British reaction to the Cannes lineup

StinkyLulu's "Supporting Actress Smackdown"s are my favorite thing about the last Sunday in each month. Today he and his rotating team of actress freaks (I couldn't participate due to my trip) take on Grace Kelly  in Mogambo, Geraldine Page in Honcho, Marjorie Rambeau in Torch Song, Thelma Ritter in Pickup on South Street and Donna Reed in the best picture winner From Here To Eternity, the supporting actress field of 1953. They dismiss Oscar's eventual choice (Donna Reed in From Here To Eternity ... I'm fond of her performance and the film) but their imaginary winner results are a true nail biter. If Charlie Parker..., participates unknowingly in this Smackdown delivering a photo of Grace Kelly preparing for a role.

And while we're on the actress front: Here's a video about Julianne Moore's mermaid shoot for Disney