Overheard: The Blind Side

I am terrible about eavesdropping when I hear a movie mentioned. Overheard in midtown Manhattan yesterday between two co-workers.

woman: Did you see The Blind Side? We rented it last night. Sandra Bullock was so good in it. Because of that accent.

Honestly, I had a lump in my throat from the beginning to the very end.

man: [earnestly] It really puts things into perspective.

Puts what into perspective!?! Jesus. That super rich people have easier lives than poor people?

I wouldn't hate that movie half as much if it would leave me alone but people are still talking about it. For this I suppose we must blame the Academy slightly and Jesse James most of all.
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DVDs: Fantastic Blind Red Cliffs for Mad Men

A fresh batch of DVDs. Which will you eagerly consume?

• The Blind Side will have huge DVD sales. I'm *cough* blind to this movie's appeal but millions love what they see and will continue to. If it weren't based on a true story, you KNOW that they would already be adapting this into a television series for some young C Lister to try and survive, risking comparisons to a movie star. Kinda like when Sandra Bullock herself got the Melanie Griffith sloppy seconds for television's Working Girl. Who knew then that Bullock's fame would so eclipse Griffith's?
  
• Brothers has arrived for those of you curious about Tobey Maguire's Golden Globe nomination. Do you think he came in the dread sixth place for an Oscar nomination this year? Whoever was sixth was a distant sixth given events on the road to Oscar night, but someone was sixth!
  
• Fantastic Mr Fox is probably going to be even better on DVD. I'm sensing "highly rewatchable". You know what scene makes me howl with laughter each time I'm reminded of it? "Whackbat"
  
• Red Cliff is basically a porn movie to me given that it stars Chen Chang, Takeshi Kaneshiro and Tony Leung Chiu Wai... so I, uh, probably shouldn't watch it at home. But, that said, I might because in DVD form you can see all 4 hours. I liked the movie in theaters (big action scenes, colorful costumes, and fun war strategy sequences) but it felt suspiciously like a miniseries that had been repackaged for movie length... which, in fact, it had.
  
• Seraphine. Yolande Moreau stars is the painter in this biopic. She won the French Oscar as well as the recent LAFCA Best Actress prize. For those who are impatient it's available on instant play at Netflix.
  
• The Twilight Saga: New Moon ...no comment.
  

Which DVD would you like Nathaniel to type at'chu about right here? A simple review, tossed off thoughts or even a liveblog. Who knows? Vote.

poll by twiigs.com

Mad Men Season Three is also available. I own all three seasons and the packaging is so choice. A scotch neat this time (last season it was a dress shirt in its package). I can't wait to watch it again but first I have to rescreen Season 2 for "Mad Men at the Movies", my series on the film references therein. It'll be a good summer Sunday diversion right here at TFE while we wait for Season 4 to begin. If you've never watched the show you still have a few months to get caught up. It's pretty hard to resist once you've succumbed to its spell. If you haven't yet seen Season Three, you should also rent Bye Bye Birdie (1963) for kicks. It factors in more heavily than just about any film ever has on the show.
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Oscar Symposium Day 3: Big Finale Remix

Previously on the Symposium: Nathaniel was talking about Tarantino's mastery of 'The Moment' and how it excuses his messy indulgences elsewhere. As a filmmaker he's a perfect match for our DVD chapter-menu culture


Guy Lodge: I think it's a spot-on point, and I'm both intrigued and troubled by the idea of Basterds being a success story of latter-day audience inclination to edit their own movies. My problem is that, while I'm as capable as anyone else of filleting out treasurable moments -- -- "Attendez la crème!" -- from the sheer morass of stuff in the film, my brain can't blithely discard the missteps as you imply others can. For much sorrier reasons, the wincingly awful appearance of Eli Roth burns as brightly in my memory as that exquisitely extended opening sequence, so much so that one can't eclipse the other.

But I think you've latched onto a selectivity that has boosted the fortunes of a number of contenders this year besides Basterds: everyone has cut out and stuck the 'Married Life' sequence of Up into their cinematic scrapbooks, but who really wants the rest? Precious, whatever your take on it, is made for mental re-editing -- Joe Klotz's baffling nomination notwithstanding.

Tim Robey: What we're basically saying here is that a lot of these movies are screener-friendly. They can be browsed. And I have to say this faintly depresses me as an old-fashioned, packed-audience-on-opening-night, communal experience sort of guy. This is where I think the 3D selling point of Avatar is quite a canny ruse -- a trick to get people going back out to the movies rather than waiting for the inevitably diminished experience on their home TV -- and it's a ruse for which I have some respect. Did Cameron send out screeners for Avatar? Did he need to? To lesser extents, Up and District 9 (and to be fair, even The Blind Side) are films that audiences discovered together in their first few weeks of release, whether in a mall in Kentucky or the Odeon Leicester Square (where The Blind Side has yet to be unveiled, actually -- Sandy or no Sandy, UK distributors are understandably never in much of a hurry to release anything to do with American football. We get confused! Don't ask me what a Tight End is.)


Read the rest at Day Three of the Symposium
In which we discuss "the Ten", The Hurt Locker, Where the Wild Things Are, the scores, missing foreign films, screeners vs theatrical and wrap up this three-day party with Meryl Streep vs. Sandra Bullock and Nathaniel's favorite movie game "Re-Casting Couch"

Return and comment. It keeps the conversation going!
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Best Picture and The Oscars. Same As It Ever Was?

In the end, didn't we basically end up where we always do with Best Picture: a mix of message movies, epics, dramas and war films. Same as it ever was only more diversely populated. We definitely did not end up where we usually do with Best Director: a woman, white men of different generations, a gay black man? It's still kind of amazing, right?


Things that got AMPAS all hot and bothered this year: the color blue and/or flying (Avatar, Up, Up in the Air), race (Avatar, Blind Side, District 9, Precious), thinly disquised allegories (Avatar, District 9, The Hurt Locker), young girls coming-of-age (An Education, Precious), existential crises (A Serious Man, Up in the Air), war (The Hurt Locker, Inglourious Basterds) and illiteracy (Precious, Blind Side, Basterds).

Things that AMPAS dated but couldn't commit to: race dramas that didn't star aliens, Sandra Bullock or illiterate black kids (Invictus with 2 big nominations), stage bound musicals about cinema (Nine with 4 nominations)

Things that turned AMPAS off: literacy (Bright Star), manboy comedies (500 Days of Summer, The Hangover) the apocalypse (The Road) and live-action children with animated imaginations (Where the Wild Things Are, The Lovely Bones).

Predictions? I did pretty well on my complete predictions scoring 86% correct in the big eight categories, 77% if you count the technical categories. And if you include the shorts and the docs which most people aren't foolish enough to try and predict, it falls to a less impressive but respectable 72%. But I got the two hardest ones: The Blind Side and Maggie Gyllenhaal in Crazy Heart. So uh, "yay me!" he said sheepishly.

I am less concerned with statistics than most pundits because what I love best is trying to catch the weird detours or catching things really early. You have to take risks if you hope to do that. While I'm still proud that I never predicted and always doubted Daniel Day-Lewis making the Actor list for Nine (I took a lot of heat for that one), I was shaking my head today looking at my "year in advance" predictions. I totally fell for ALL of the majors that didn't pan out: Invictus, The Lovely Bones, Nine and Public Enemies. Oy. This is my way of saying that it was one of my least impressive "year in advance" showings so that either means I've lost it (possible) or the year was a bit hard to predict before it really got going (equally possible).

At least I never bought that weird media meme that 'ANYTHING could be a Best Picture nominee' (The Hangover! Star Trek!) as if there were 35 spots open and they had replaced the entire Academy membership with randomly selected moviegoers of mystery tastes.

Release Dates.
It's a quirk of mine that I care so much about these. Many movie addicts are content to just wait until December to see movies that hope to wow adults with a mix of subject matter, ambition, and big stars. I prefer to see that type of movie intermingled with all the other types of movies all year long. Can you imagine eating food the way movies are released: you may only eat grains in the spring, vegetables in the fall, desserts in the summer and sandwiches in the winter! BO-RING. So I thought I'd break down the release dates and how they're reflected in the Oscar nominations.


The chart to the left clearly shows that you don't need to be a December release to win the highest honor (a best picture nomination). In fact, you could argue that December is the likeliest time to fail if you have gold statues on your mind. The Lovely Bones, Nine and Invictus were all somewhat crushed by the weight of expectations implied by their release dates. But unfortunately, the chart to the right reiterates why the studios cram everything into one month. Even though December isn't hogging the best picture spotlight at all (The Hurt Locker, Inglourious Basterds and Avatar lead the race and they're spread out:June, August, December) you're still more likely to win nominations in random categories if you come out late in the year. Even if people aren't that into you (see the three December failures again). Would The Young Victoria or Crazy Heart be up for 3 Oscars each if they'd been released in May? Would Bright Star be up for the tech prizes it definitely deserved had it opened in December?

Just about the worst news for we devout year-long moviegoers is that the dread "qualifying release" -- wherein a movie only pretends to come out but doesn't -- actually worked this year. It had been failing in recent years but I fear it'll be back with a vengeance after these successes. The Last Station managed two major nods, despite that "f*** you moviegoers!" tactic. The Secret of Kells, the surprise animated feature nominee, also refused to let you see it before seeking Oscar's seal of approval.

Why did it take me so long to speak to you today? Real life interfered. Plus, in more related news, today marked my first ever live news interviews which were broadcast somewhere in London and Canada respectively. If you saw or heard me, I apologize! You see, I do a lot of talking. And I have a head. And but I am still learning to combine the two... don't call me for your documentary just yet!

Actor and Actress Trivia? You know you want it.
The Oscar Map. Find out which actors and movies you're closest to.

Now that you've had a few hours to think about the nominations, what's still bothering you? Or do you think the Academy basically done good?

The Hurt, Precious, Inglourious, Crazy, Complicated, Blind, Single, Serious, Up-in-the-Air 2010 SAG Awards Liveblog!

txt critic liveblogs SAG

Greetings all. I've just returned from my shitty movie day with my Quizno's, Tasti Delite and Orville Redenbacher in tow, ready and super-pumped for this evening's festivities. Feel free to chime in with any thoughts along the way!

6:17 EST: Revelation from Giuliana Rancic: "Guys, when TV stars and movie stars mix, anything can -- and usually does -- happen."

6:31 EST: She just suggested to Ed Helms that Susan Boyle appear in the "Hangover" sequel.

6:32 EST: Tracy Morgan: "Morgan Freeman could be my daddy."

6:35 EST: Ross the Intern just asked Carey Mulligan "Where is Shia LaBeauof tonight?" and she looked flustered and said "I don't know" (i.e.: "You're not allowed to talk about that"). Awkwaaaaaard.

6:50 EST: Questions are being asked about what Ryan Seacrest does in steamrooms.

6:57 EST: Apparently, the first award of the evening -- for Best Stunt Ensemble -- has been given to "Star Trek."

6:58 EST: Tina Fey just confronted Giuliana with "Are you one of the ones who took a big steaming crap on me last week?" Effing Awesome. For the record, I don't care what anyone says, I LOVED that dress.

7:08 EST: You know you're stoned when you see a commercial for "Valentine's Day" and think for the first time: "Hm, maybe that won't be so bad."

7:12 EST: Me still no likey Jon Hamm + beard

7:19 EST: Whoa, Meryl Streep is wearing a beautifully ugly dress. LOVE it.

7:25 EST: "An Education" seems to be buying a lot of TV spots for this E! pre-show. I know a lot of people who love it. I am not one of them.

7:39 EST: Is it wrong that I completely forgot about the TV awards? I totally associate the SAG awards with movies.

7:47 EST: Gabby Sidibe appears to be WILDLY drunk, and confirms her place as my favorite person at these awards. She just confessed that she's never watched the SAG awards.

7:55 EST: Holy hell. Why do I still get surprised when Helen Mirren shows up somewhere looking sexy as shit?

7:59 EST: Adam Lambert, diva that he is, is the last guest to show up before the awards start. Wait, why is he here?

8:04 EST: Jeremy Irons is wearing sunglasses indoors. Hrm, his pretentiousness is offset by his yellow-and-red bow tie.

8:07 EST: Lead Actor in a Comedy Series. Me say it's Baldwin, though him, Steve Carell and Larry David are all consistently great. I've never seen "Monk" or "Two and a Half Men," so I can't speak for Shalhoub or Sheen. And it's... Baldwin.

8:09 EST: Fuck, Christoph Waltz is handsome.

8:13 EST: Lead Actress in a Comedy Series. I've not seen "Samantha Who" or "The New Adventures of Old Christine." Noticing a theme? I don't really watch CBS except for Letterman. This will probably be Toni Collette. I'd be happy with Falco, Collette or Fey. Whoa, it's Tina Fey for "30 Rock"! Apparently, her 25th win from them.

8:14 EST: "I just want to take a moment to say to everyone at NBC... that we are very happy with everything. And happy to be there." So funny.

8:21 EST: There is currently a clip reel devoted to honoring/commemorating... Comedy. WTF? And set to the wackiest generic music you can imagine. I hate this.

8:23 EST: Man, Ray Romano just made a Kevin Bacon / Jon Hamm joke. Blech.

8:26 EST: Ensemble in Comedy Series. Even though I can't stop watching it, "Glee" consistently infuriates me. As great as the cast of "The Office" and "Curb Your Enthusiasm" are, this should really go to "30 Rock" or "Modern Family," currently my two favorite shows on TV. I'm sure it will be "30 Rock." And it's.... "Glee"?!?! Christ! Okay, I guess none of my issues with the show have to do with the cast, but still! Eh, as long as Jane Lynch gets an award, I can't complain that hugely.

8:28 EST: Gabby and Mo'Nique present a clip from "Precious" while holding hands. Me likey.

8:29 EST: Helen Mirren is presenting BEST SUPPORTING ACTOR IN A MOTION PICTURE

In a just world, would've been nominated: James Gandolfini ("Where the Wild Things Are"), Peter Capaldi ("In the Loop"), Garrett Dillahunt ("The Last House on the Left"), Robert Duvall ("The Road"), Saul Rubinek ("Julia")

ChrIstoph Waltz will probably win this, and he deserves to, but I wouldn't be angry with Woody Harrelson. Christopher Plummer is a threat to win simply because he's old, but the performance really isn't deserving. Damon is fine in "Invictus," but basically just has to shout things in a huddle.

I happen to adore Stanley Tucci, but I seem to be one of the rare few who thinks he's AWFUL in "The Lovely Bones" (though I don't outright hate the movie). He just piles on affectation after affectation -- like talking with a weird speech impediment -- that it feels like a parody of an actor playing a serial killer.

8:32 EST: Yay, it's Christoph! This is a thoughtful, eloquent speech, but it's not the YouTube clip, outpouring of emotion or fireworks display supposedly needed at an early awards like this. Luckily, the performance is strong enough that he doesn't need to rely on anything else to be the Oscar winner.

8:39 EST: Outstanding Female Actor in a Drama Series. The nominees are Patricia Arquette, Glenn Close, Mariska Hargatay, Holly Hunter, Julianna Margulies, and Kyra Sedgwick. I've never seen one episode of any of these shows. Wow, do I not watch any Dramas?

8:41 EST: And it's Julianna Margulies. Okay.

8:45 EST: Male Actor in a Drama Series. Simon Baker, Bryan Cranston, Michael C. Hall, Jon Hamm, Hugh Laurie. Oh, I do watch "Dexter" and "Mad Men." I guess I do watch dramas, just not those boring, lady-driven TNT detective-esque dramas. Yay, Michael C. Hall! Though that Bryan Cranston clip reminded me that I need to start watching "Breaking Bad."

8:47 EST: I will try to cut down on my "An Education" hate, since I really don't hate it, but these clips just remind me that I don't understand what anyone is finding special about this movie. It's a nice, fairly entertaining, middle-of-the-road, learn-your-lesson movies made for grandmothers. But whatever I guess.

8:50 EST: Ensemble Cast in a Drama Series. Never seen "The Closer" or "The Good Wife" and I only half-watch "True Blood," but I love "Dexter" and "Mad Men." This should really be "Mad Men" .... and it is!

9:00 EST: As president of the SAG, Ken Howard is doing his duty by saying some very boring things for minutes on end. He was wonderful in "In Her Shoes."

9:02 EST: And now Sandra Bullock is beginning the presentation of the Lifetime Achievement Award to Betty White. Is it wrong that the former golden girl's appearance in "The Proposal" last year (ever-so-slightly) diminished the love I had for her?

9:18 EST: This "Extraordinary Measures" commercial seems to be advertising a much happier, smilier movie than the two-hour dying-children movie I saw this afternoon.

9:22 EST: Best Actress in a TV Movie or Mini-Series. This should really, really, really be Drew Barrymore. I always like her, but always find her more charming than actually thinking she gave a particularly special performance, but she was truly fantastic in "Grey Gardens." If this goes to her co-star Jessica Lange, it's purely because Lange is older..... Ahhh, awesome, it's Drew!

9:24 EST: Loved that speech. Even with all the "um, um, um," it clearly was coming from the heart. I don't presume to think we actually really 'know' any Hollywood celebrity, but she just seems like a genuine person.

9:27 EST: Best Actor in a TV Movie or Mini-Series. I didn't even hear of these films with Cuba Gooding Jr. and Tom Wilkinson, and alas I missed "Georgia O'Keefe," but Kevin Bacon was terrific in "Taking Chance." It will likely be him... and it is.

9:33 EST: In Memoriam. I know they do it at every single awards show every single year, but I really wish they'd stop doing the applause-meter thing.

9:36 EST: P.S. We're 96 minutes into a supposedly-two-hour-long awards show, and they've officially given out ONE film award.

9:41 EST: SUPPORTING ACTRESS IN A MOTION PICTURE

In a just world, would've been nominated: Catherine Keener ("Where the Wild Things Are"), Patricia Clarkson ("Whatever Works"), Marion Cotillard ("Nine"), Vera Farmiga (for "Orphan"), Melanie Laurent ("Inglourious Basterds")

Penelope was fun in "Nine" but she's playing the exact same role she won an Oscar for last year. I happen to love, love, love "Up in the Air" but count me among the few who doesn't think Vera was anything special in it. Sure, she's sexy and has great chemistry with Clooney, but I didn't think the role required a whole hell of a lot. Call me crazy. Kendrick and Kruger are deserving of their nominations, but not for the win. Mo'Nique will be winning this, and rightfully so.

9:43 EST: And like we all thought/knew, Mo'Nique won. She delivered a really excellent speech, to boot, one that seemed (to me) significantly more sincere than her Golden Globes one last Sunday.

9:51 EST: ACTOR IN A MOTION PICTURE

In a just world, would've been nominated: Robin Williams ("World's Greatest Dad"), Nicolas Cage ("Bad Lieutenant"), Matt Damon ("The Informant!"), Tom Hardy ("Bronson"), Viggo Mortensen ("The Road"), Patton Oswalt ("Big Fan"), Sam Rockwell ("Moon"), Michael Stuhlbarg ("A Serious Man")

Honestly, anyone EXCEPT MORGAN FREEMAN would totally deserve this. Colin Firth was my personal favorite (though I didn't love the movie), but Clooney, Bridges and Renner are not far behind. Happy to see anyone win this, but it really should be (and will be) the long overdue Bridges. And unlike Winslet last year, it'll actually be for a deserving performance.

9:54 EST: Jeff Bridges for the win! Good for him. Meryl Streep encourages him to ignore the "Please Wrap It Up" cue.

9:56 EST: ACTRESS IN A MOTION PICTURE

In a just world, would've been nominated: Tilda Swinton ("Julia"), Ellen Page ("Whip It"), Catalina Saavedra ("The Maid"), Charlotte Gainsbourg ("Antichrist")

I want to see Gabourey Sidibe win this. Only her and Helen Mirren gave deserving performances, and Gabby is easily the best in the category. If Tilda had gotten nominated on the other hand... I still say if "Julia" had been put out by a distributor that had any money to support it (it was Magnolia), she would far and away be the frontrunner in this category. This will likely go to Meryl (snooze) or Sandra (cuts wrists). Thankfully, Carey Mulligan appears to have lost steam.

9:57 EST: Oh, fuck. Sandra Bullock. There are no words.

10:00 EST: Yes, yes, nice speech. But completely, completely undeserved. Just a little anecdote to share -- not saying it's related: I attended a SAG screening of "A Serious Man" a couple weeks back, and a gentleman behind me said to his screening partner that he was going to vote for Sandra Bullock even though he hadn't seen "The Blind Side," using the following rationale: "She's had such a long career, and she's always been good, as opposed to someone who just lucked into it like Precious."

10:01 EST: And Clooney clinches the best moment of the night by implying he's had sex with Betty White. And making the joke "An Education: Based on the Novel 'Push' by Sapphire." Interesting that he's presenting the category that his film was surprisingly snubbed from.

CAST IN A MOTION PICTURE

While Alfred Molina and Rosamund Pike rocked the shit, I generally don't think the ensemble of "An Education" is worthy of winning an award. I also think that, aside from Jeremy Renner, the cast of "The Hurt Locker" has been a bit overvalued. "Nine" -- don't make me laugh. This should go to "Precious" or "Inglourious Basterds," and dare I say, it will go to one of them.

10:02 EST: And it does indeed go to "Inglourious Basterds." I'm very happy about it, but somehow it seems inappropriate for Eli Roth to (again!) be the one accepting the award, considering he gives the worst performance in the film.

10:05 EST: And it's over. Well, to be honest, I enjoyed blogging this more than the actual awards, so I don't how all y'all who were just watching it felt. Either way, whatever the reason, I had fun, hopefully you did too. Now, I'm off to drink in the East Village, and I'll leave you with the following words:

VOTE 'NO' ON SANDRA BULLOCK FOR BEST ACTRESS.

Golden Globe Predictions & BFCA Fashions

I'm doubling up because aren't predictions and fashion rundowns fall on the same level of disposable fun. They're both instantly irrelevant pleasures: the reality of the winners will render predictions obsolete in mere hours, and tonight red carpet's will be totally "in the now" as opposed to 'soooooo two days ago!'. Plus, I'm scrubbing the apartment for a Golden Globes party tonight and time is short. Are you hosting a party or attending one?

Golden Globe Predictions
Drama: Up in the Air (?????)
Director: Kathryn Bigelow, The Sexy Locker
I know that people have stopped doubting The Hurt Locker as a potential Oscar Best Picture winner but for whatever reason I still can't buy it as a big winner there or especially here. Even though I love it. It's too small and tightly wound when awards bodies generally prefer big and roomy (i.e. bloated with hot air). Then again, nothing else really feels like a slam dunk. The only win that would surprise is Precious. I think Avatar, Basterds and The Sexy Locker -- yeah, I renamed it. Deal -- are all more than robust possibilities. If there's ever going to be another tie at the Globes wouldn't it be great fun, if it was tonight?

• BFCA Best Dressed
  Zoe Saldana reminded that she wasn't uptight Lt. Uhura in Star Trek or nature girl Neytiri in Avatar, but a rising movie starlet. She was one of the only stars to take a fashion risk. It's fun, flirty and just weird enough (is that plastic wrap?) to be memorable. Winning always looks good on people but at least Sandra Bullock's basic black had some fun detailing (patterns, fringe). Diane Kruger isn't exactly a movie star (yet) but she plays on on the movie screen. And almost played one on the red carpet, too. All this needed was better choices in hair and makeup to really sell the glamour.
  

Comedy: (500) Days of Summer
Animated Film: Up
Actress (Drama): Sandra Bullock, The Blind Side
Actress (Comedy): Meryl Streep, Julie & Julia
I still think the Oscar will end the season in Meryl's hands on account of momentum (27 years of it... but especially the past 3) but the media will definitely try and tip the scales towards Bullock, because that's how they do. Once you're this far into the season the performances matter far less than the stardom and the campaign. The performances and films become abstractions. Essentially they're the limos which have driven to the curb of awards season, and dumped the star on the red carpet. The rest is up to them. This is a long way of saying that usually when the media gets too involved [sigh. Crash over Brokeback] they don't use their powers for good... they just use them to create drama where there doesn't need to be any. They have to sell papers, magazines and page views. I enjoy Sandra Bullock, I really do. But she doesn't need to be an Oscar winner, for a charming but inconsequential performance. The Blind Side has been more than rewarding enough for her at this point.

Actor (Drama): Jeff Bridges, Crazy Heart
Actor (Comedy): Joseph Gordon-Levitt, (500) Days of Summer
Ever since they decided to release Crazy Heart, Bridges was finally going to win his Oscar. So why not all the other prizes, too? As for JGL. Why not? it's a weird category. Could be anyone and if any awards body is least resistant to young thespians, it's the Globes. I'm just going for broke.

Supporting Actor: Woody Harrelson, The Messenger
Supporting Actress: Mo'Nique, Precious
I keep making this Harrelson prediction and it keeps biting me in the ass. Waltz may be a true sweeper but I keep thinking that somebody somewhere is going to tilt for Hollywood stardom and maybe it'll be the Globes who are far more likely to surprise in their acting categories than other awards shows are. In fact, I don't really think Mo'Nique is safe either. If the Globes want some of their rising starlet flashiness, they could easily crown Anna Kendrick.

• BFCA Boredom
  Why did everyone play it so safe fashion wise. It was a night of seeing stars wear things we've seen them wear before (Emily Blunt loves the silvery sleek, Marion Cotillard loves the mermaid dresses) or basic white, black and red (Heather Graham, lovely as always). Of these dresses, Julianne Moore's is the most risky but its sculptural beauty only worked from certain angles. Botched Opportunity: Kristen Bell was at a movie star event and should've been trying to look like a movie star rather than a TV star since she's trying to make the transition.
  

Foreign Film: A Prophet (France)
Screenplay: Up in the Air
Song: "Winter" Brothers
TV Drama: Mad Men; Actor: Jon Hamm, Mad Men; Actress: Anna Paquin, True Blood
TV Mini: Grey Gardens; Actor: Brendan Gleeson, Into the Storm; Actress: Drew Barrymore, Grey Gardens
TV Comedy: Glee; Actor: Alec Baldwin, 30 Rock; Actress: Courtney Cox, Cougar Town
TV Supporting Actor: Neil Patrick Harris, How I Met Your Mother; Supporting Actress: Jane Lynch, Glee

• BFCA - Worst Dressed
  Jena Malone & Carey Mulligan need several big meals before the Oscars. Slimming black when you need to eat might not be the best idea. The fussy flourishes don't help much. I still don't understand what Saoirse Ronan was wearing but at least she provided some of the only color of the evening (that wasn't red). Note to Abbie Cornish and her stylist: When someone is not nominated but they are invited anyway (presumably as "forgive us!", the best revenge is to look sensational and hit the best dressed list, not show up looking like you're attending a boring business event... even if that's exactly what it is.
  

The Golden Globe predictions above are not preferences though in several cases they overlap. On the TV front, since I rarely talk about it, I'm really hoping for a surprise win for January Jones in Mad Men (who doesn't get enough credit for that difficult-to-play character). And much as I delight in Glee I really think Modern Family absolutely deserves Best Comedy. I almost can't believe what an exquisite comic jewel it is week after week. It's got everything: brilliant writing, superb comic timing and great laughs per minute ratio.

Who are you rooting for tonight at the Golden Globes? What do you expect to see happen?

Year in Review Part 2: Burn the Negatives!

The title of this post is indefensible, exclamatory (!) and puerile. But these movies piss me off and if they can be super obnoxious, so can I. Now, in truth, I probably never see the absolute "worst" of the movies that play in theaters since I can pick and choose my own film menu. My New Year's Resolution is to be more constructive when I criticize (I'm not giving up criticism. That's mother's milk). I'd also like to be more positive in 2010.

Thus, I retract the titular command: No negatives of the following movies and performances should be incinerated ... instead let them live on as cautionary tales to actors and filmmakers. People are watching. Try harder.

Worst Supporting Actor
I've already expressed my concerned about the "too much!" of Stanley Tucci's continually nominated performance in The Lovely Bones. I don't know what the hell Richard Gere was doing in Amelia, do you? And I don't want Alan Arkin to do what he was doing in Sunshine Cleaning one more time. You won an Oscar for that performance already. Move on! Other than his suddenly legal elfin beauty, I can't see what Colin Firth could have possibly seen in Nicholas Hoult in A Single Man. In the end though it was clear that this would have to be a group "honor". I considered giving it to Everyone in G.I. Joe, none of whom seem to nail the cartoonishly one-note style that the movie desperately needs (not that they're playing whole octaves either, mind). I wasn't entirely crazy about what Stephen Lang was doing in Avatar but it's exactly what everyone in G.I. Joe needed to be doing. But in the end I have no choice but to hand this to the Muggy McMuggerson twins Jae Head and Ray McKinnon in The Blind Side. I partially blame them for Sandra Bullock's sudden Oscar contention. Standing next to them (and the unfortunately blank Quinton Aaron as "Michael Oher") she looks like some kind of genius dramatist. I guess that's a new way to be a "supporting" actor.

Worst Supporting Actress
Rachel McAdams seems completely lost in Sherlock Holmes, doesn't she? I love Jenny Beavan's costumes in the movie but Rachel seems lost inside of them. I got nothing from that performance. Nothing! I can barely remember her in the movie and I saw it one week ago. It breaks my hard to express my dismay about Betty White in The Proposal ("too much!") because she's practically our collective grandmother and she's absolutely my favorite Golden Girl. But this dishonor goes no contest to Rose Byrne an actress I have never warmed too. That said, she's not usually flat out awful the way she is in her shrill performance in Knowing. [spoiler] I wasn't so sad when the world ended because at least that meant I was rid of Rose Byrne and Nicolas Cage.

Worst Actor
I dedicate this award to Nicolas Cage but I'm not actually giving him the prize for Knowing (in which he is typically terrible) because, he's won too many of these already. Plus I hear he's lunatic inspired in Bad Lieutenant Port of Call New Orleans and I'm willing to give him the benefit of the doubt since Werner Herzog is directing him. Herzog is, as you know, quite good with certifiable movie stars (See also: Klaus Kinski). Larry David made me bonkers in Whatever Works because he doesn't modify his schtick at all to suit a different writer's voice and he's even less believeable as a romantic lead to young beautiful women than Woody Allen ever was. I wish Hugh Jackman had remembered to have fun as Wolverine in that X-Men Origins dirge. He was better the other three times he played the role. But the loser here is Channing Tatum as "Duke" in G.I. Joe: The Rise of Cobra because I think he thinks that the movie was a drama. Oops. He is stupid hot. And I mean both adjectives emphatically.

Worst Actress
I seem to be in the distinct minority that would rather watch almost anything other than Kristen Stewart's mopey twitching ... even in Adventureland but I've already talked about that. It's too obvious to tell you that I thought Hilary Swank was embarrassing in Amelia but, so what, I did. She was stiff, stilted and sexless in a movie that needed an actress with spontaneity and fire. But this one is no contest: Hayden Panetierre plays the title role in I Love You Beth Cooper. Beth is a standard spoiled beauty who discovers that a less attractive 'loser' has real soul (funny how that's always happening in movies. I wonder who the movies are made for?) Panetierre can't even manage this stock character that thousands of actresses have explained how to play for the past century of film.

Hell's Multiplex

The Worst Pictures of the Year

10 Fighting
I still giggle when I think of Joe Reid's brilliant take on this Channing Tatum is a streetfighter drama. Is it really a comedy about retarded men having hardcore gay sex? If that's what the filmmakers intended maybe it's a masterpiece and it belongs on next week's Top Ten list?

Hugh gives Channing the beat down

09 X-Men Origins: Wolverine
Greedily hordes all the well known pitfalls of inferior superhero movies like they're actually merit badges: operatically self important, humorless, needlessly complicated backstories, the introduction of so many characters that none resonate, battles for battles sake, invulnerable characters that rob fight scenes of any actual drama... Note to filmmakers: if people cannot be killed or even injured it is SUPER boring to watch them fight. Unless the set pieces are insanely creative or well choreographed and these aren't. I will always love the X-Men. I grew up reading them. But the past two pictures have unfortunately cured me of all desire to see them on the silver screen.

08 The Lovely Bones

Peter Jackson's nadir. Garishly colorful when it needs the beauty of a simpler palette, entirely negligent about tracking the true heart of its drama (a family torn asunder), weirdly repetitive about its most obvious plot points, lazy with emotional shortcuts and telegraphed character details. In short, a disaster. Most hated moment: [Spoiler] Did we really have to equate Susie Salmon's cathartic posthumous first kiss (which she's happy about by the way) with the extended coundtown scene of her mutilated dead body being rolled towards a garbage dump? It's the worst and ickiest cross cutting I've seen in a movie since Eric Bana's orgasm in Munich but at least the latter made a solid narrative point.

07 My Sister's Keeper review
06 Knowing review
05 Amelia review

04 Push (Not Based on the Novel by Sapphire)
I don't often watch movies and think 'this would be way better as a TV series' but...yeah. Push spends a lot of time (a lot) setting up the mythology of an evil corporation that experiments and tries to control people with psychic powers. The prologue itself felt like it should have been extended by a half hour and function as a "pilot". But even accepting that they decided to make this convoluted premise into a stand alone movie, it's a huge inept mess. It rarely goes for laughs but I couldn't help laughing at one recurring gaffe. Every single time someone used one of their powers in a crowded room the extras mysteriously disappeared. I suspect they couldn't afford the extras for more complex special effects shots but you can't really show them in a scene and then make a quick edit to the same set with special effects occuring and remove the extras and not have the audience noticing the mass vanishing, you know? Worse yet this occurs in the climactic battle. A "pusher" is controlling a small group of armed men. It's actually a cool effect as she turns them like synchronized soldiers to attack any opponent. Then the emotional climax occurs. They're surrounding her like bodyguards in the medium shot, there's some close up drama and suddenly they're not in the scene any more. What... the... hell?

The third stupidest thing I saw in a movie this year: The recurring visual of a "bleeder", whose power is screaming really loud until people die from internal bleeding, removing his sunglasses so that he can scream (f/x magic makes his eyes crazy). Apparently you can't scream while you're wearing glasses. Who knew?

03 G.I. Joe The Rise of Cobra
The stupidest thing I saw in any movie this year: constant fiery explosions UNDER WATER.
The second stupidest thing I saw this year (regarding movies): abundant people trying to make thumbs up excuses for this movie. Thank god that James Cameron finally came back to the cinema to remind people that action films can be thrilling and fun ... especially when you can actually follow what's happening and there's some beauty and style to the big booms.

02 The Ugly Truth
Over the past few weeks I've been trying to catch up with films I'd missed during the year. I've rediscovered something I knew already: it can be easier to watch mediocre or outright bad movies than quality films. I suspect this is why the box office charts are so often littered with disposable junk. Bad and/or unambitious movies require almost nothing from their audience. But if you're not in the right frame of mind, a quality movie's best attributes may slip right by you. I suspect this is why more complicated movies often get the dread "boring" tag from the general public. Junk is easy to engage with on superficial levels if you're feeling tired, stressed, distracted or not completely on top of your game... and who doesn't feel those things regularly? But when a movie is reallllllllly bad and offensive, none of this applies. It can prove very difficult to watch. I actually briefly hated the cinema (my great love!) when the credits rolled on this one.

Who knew that Tom Cruise's 'sperm receptacle' nastiness in Magnolia could actually be played straight for romantic comedy. And that audiences were expected to sign on and swoon? I'd name this the worst movie of the year but for the saving grace/problem of Katherine Heigl. She is actually a natural at romantic comedy but she's totally using her powers for evil. She called Knocked Up out on its sexism and then made this...?

01 I Love You I Hate You Beth Cooper.
I've already said my piece on Hayden earlier. But I would like to add that after the Home Alone franchise's elaborate pain-making slapstick and this movie's insanely violent "funny" moments (people wouldn't live through these things in real life) I do worry about writer/director Chris Columbus's sadistic streak. Maybe he should make a horror movie instead of all these sentimental pictures. He definitely likes to inflict pain.

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Whew. Got that out of my system. I'm nice from here on out as I pass out the FB Awards starting next week.

But before we get to the top ten movies of 2009 which movies made you crazy hateful this past year... which prompted your own berzerker rage? And if you love any of the movies I just barked at ... what's wrong with you? (Joking! Don't freak out) If you love any of these movies... teach us how to love them more.

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