Foreign Film Hoopla, 60+ Oscar Submissions

In the years I've been documenting Oscar's once largely undocumented foreign film category, we've seen the number of players creep up virtually every year, despite the concurrent dwindling of foreign film distribution in the United States. In 2001 for example when I first began tracking it and sharing the info online, there were 51 official submissions for Best Foreign Language Film. Last year there were 67. For the 2009 Oscar race (the submission deadline has now passed) we've now heard from 62 countries. But that doesn't mean the official list will only be 62 films. In the eight years I've been documenting this race, something always changes between the submission deadline and Oscar's official announcement of the list (coming soon): Films are disqualified, last minute switcheroos happen, countries that didn't make noise when they first submitted are revealed. There will be drama... albeit the mostly invisible kind.

You can see more about these 62 entries (cast, posters, miscellania) on the super comprehensive charts at The Film Experience

• Albania to France
• Georgia to Morocco
• The Netherlands to Vietnam

We'll have a lot more once things are "official" but here's a few early topics to think about...

Clockwise from top left: Albania's Alive, Luxembourg's Réfractaire, Czech
Republic's Protektor, Macedonia's Wingless and Iran's About Elly

World War II Fetish
World War II is to "Best Foreign Language Film" what Disabilities are to "Best Actor" and what DeGlam is to "Best Actress" and what Longsuffering Spouse is to "Supporting Actress"; the juiciest of bait for AMPAS taste buds. So we have to suspect that the following five films have a tiny boost in the competition: Norway's Max Manus, Luxembourg's Réfractaire (with Love Songs' breakout young star Grégoire Leprince-Ringuet), the Czech Republic's Protektor, Slovakia's Broken Promise and Slovenia's Landscape No. 2 which you can actually already rent from Netflix.

The Stars
Having a recognizable face in your movie can sometimes put you on a voter's good side. They are only human and who among us isn't won over (at least initially) by the presence of a familiar well loved face? Switzerland's Home has the great Isabelle Huppert, Italy's Baaria has Raoul Bova, China's operatic biopic Forever Enthralled has Ziyi Zhang, Mexico's Backyard (see previous post) has Jimmy Smits, Argentina's The Secret in Their Eyes AND Spain's The Dancer and the Thief both star Ricardo Darin.

Clockwise from top left: China's Forever Enthralled, Switzerland's Home,
Argentina's The Secret in Their Eyes and Romania's Police, Adjective

Critical Darlings
Oscar has been rejiggering the rules in this category in a number of ways these past few years to try and curb the animosity that they often engender in the press when they skip extremely well-regarded foreign films like Romania's 4 Months, 3 Weeks and 2 Days. Critical raves and festival prizes are no guarantee but contrary to the protestations of disgruntled cinephiles, they do not hurt.

Films that already have an enviable pool of well wishers include Germany's The White Ribbon from Michael Haneke (who was invited to join the Academy two years back), France's Un Prophete, Canada's I Killed My Mother, Australia's Samson and Delilah, Greece's Dogtooth, Korea's Mother and Romania's Police, Adjective.

You can argue that some of these pictures are anti-Bait... but let's be fair: the Academy can and does surprise. Sometimes they go against their grain and embrace the violently confrontational (Mexico's Amores Perros), the unusually risque (Austria's Revanche) or the utterly alien (Finland's The Man Without a Past). Anything can happen even if Anything usually doesn't.

the submission charts
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