Screen Queens: Hammer Horror

Hi, Matt here with your weekly dose of Queer Cinema. With Halloween coming up, we turn our focus to horror.


Hammer Horror films are not truly part of the gay canon, and as a body of films they are conservative in their narrative arcs and messages. However, I've always been a huge fan. They are undeniably camp and always feature either subtle homoeroticism or full on Lesbian Vampires. For those unfamiliar with this horror subgenre, it is a collection of films produced by Hammer Film Studios from the late 50s to early 70s that mixed Gothic melodrama with exploitation horror. The studio was most famous for their vampire, mummy, Frankenstein, and cave girl pictures.

The vampire films stand head and shoulders above the rest. Hammer's Vampires went through two major cycles, the gothic Dracula films with Christopher Lee and the later sexploitation-y lesbian vampire films. The early Hammer films are the most respectable. The closer you get to the seventies, the trashier and campier the films become. Obviously the later ones are my favorites! Two representative films from each cycle are the Dracula Has Risen From The Grave (1968) and the girls boarding school set Lust for A Vampire (1971).

Dracula Has Risen From The Grave has Dracula being resurrected accidentally by a cowardly, wayward priest who becomes the dark prince's slave. Dracula returns to his castle only to find it has been exorcised by the Monsignor. He goes off in search of the Monsignor's virginal niece to corrupt and bring her over to the dark side.

The film's camp is off the charts, with heaving bosoms, fake blood, and Dracula's potent sexual allure entrapping men, women, and......virgins. Dracula's blood shot eyes are supposed to signify his evil, but they really just look like he's smoked alot of weed before going out cruising.


Lee's relationship with his slave priest has elements of S&M, while the virginal Maria is only too happy to trade in her virtue for some dark and steamy vampire sex. The film might end reaffirming the superiority of heterosexual monogamy, but it has too much fun showing all the transgressive sexuality embodied by Dracula to be effective. The overacting, melodramatic plots, kitchy sets, and costumes all add to the fun, making the film as campy as Mommie Dearest. The director uses endless coloured filters, making sections seem like a Gothic acid trip. While it has an overlong prologue, the film is really fun and has a lot to offer the gay spectator, not the least of which is Christopher Lee's dominant Dracula.

Lust for A Vampire is loosely based on Sheridan le Fanu's archetypal lesbian vampire novella Carmilla (1872). The film has the Karnstein family resurrect the buxom Carmilla Karnstein in order to enroll her in an all-girls boarding school for the sole purpose of allowing her maximum access to dishy young virgins. This film's camp is exponentially higher than the Lee films, because the whole point of this film is seeing a minxy vampire seduce anyone who makes eye contact with her (literally).

There are plenty of girl-on-girl massages, blood soaked breasts, and over dramatic declarations of love and lust to keep even the most jaded cult fan interested. The acting is dreadful, the dialogue is worse, but the look (sets, costumes, cast, and again use of filters) is beautiful, in that iconic Hammer Horror style. There are so many incredible moments. Richard's dream sequence is amazingly kaleidoscopic in its use of fade-outs, dayglo filters, psychedelic music, and sex-and-gore images.


Another key scene is the resurrection of Carmilla where a virgin's blood makes her materialise naked and blood soaked. Any of the lesbian sequences or spontaneous declarations of love (my count: 4) are worth the price of a rental. It's possibly the trashiest and most enjoyable of the entire Hammer oeuvre and not to be missed.

These films have so much to offer a spectator who relishes camp, and their explorations of non-normative sexualities (regardless of their ultimate affirmations of heterosexual monogamy) make them important and enjoyable members of the Queer Horror cannon. Other late greats are Taste the Blood of Dracula (1969), The Vampire Lovers (1970), Dracula A.D. 1972 (1972), and the mummy film Blood from the Mummy's Tomb (1971).

Kate Bush pays tribute in the amazing song Hammer Horror

Does anyone have any other favourite gay or gay-ish horror films for us to enjoy over Halloween?
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