Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

Sunday, November 07, 2010

Take Three: Kim Basinger

Craig here with Take Three. Today: Kim Basinger

Bay•sing•er

I think it’s time again to give Kim Basinger (remember, it's Bay-singer, not Bah-sinjahr, folks) some major credit. The lady's due. She’s gone from supporting eighties female through a love-hate (but Oscar-nabbing) nineties to her current career bloom as a character actress of some depth. Ms Basinger has always quietly impressed me. Here are three reasons why.

Take One: She loooovves purple.

Basinger’s career was birthed alongside the eighties. Feisty ladies in adventurous circumstances were her trade back then. Although through either slip-ups or fate she was often eclipsed by her male co-stars. In Never Say Never Again, The Man Who Loved Women, The Natural, Fool for Love, 9½ Weeks, No Mercy, Blind Date and Nadine she played second-fiddle female to, respectively, Connery, Reynolds, Redford, Shepard, Rourke, Gere, Willis and Bridges. These regulars of male-patterned eighties flicks manned the screen up to prematurely musty proportions, almost disguising Basinger’s versatile verbal retorts, bright mode of re-routing the drama her way and a daffy manner with a throwaway comic moment. She selflessly supported the fellas, but shone when it mattered.

With Tim Burton’s Batman (1989), she was the lone notable lady on set, and her Vicki Vale was more than mere distraction. Having to both glam-up the air around Michael Keaton’s dour-mouthed dark knight and de-glam the air around Nicholson’s garishly impish Joker was task enough. I've not read or heard of much credit being directed Basinger’s way for Batman, but in retrospect she’s to be cheered as a forceful female presence who cajoled Jack the Joker out of his randy advances. Outside of Michelle Pfeiffer’s ace feline-fatale in its first sequel, Basinger is still the only interesting lady in the Bat universe.


Wednesday, October 27, 2010

The Dark Knight Rises: A Review Starter Kit.

Christopher Nolan has revealed the title of his third Batman film (Batman 8 if you're counting*) to Hero Complex and it's The Dark Knight Rises. We also know that the villain will not be The Riddler so stop that photoshopping of Tom Hardy in green tights even though his musculature is undoubtedly fun to move one's cursor around. What? Okay, you may leave the question mark upon his chest because we still don't know who he is. We just know he's not The Joker, Mr Freeze, Two Face or The Riddler.

Now that we have this much info the reviews can practically write themselves. Blurb Whores all over the internet nation may now commence structuring their reviews...
Little intro --  The Dark Knight is the best -- It's been 4 years since The Dark Knight blah blah blah but in that time, Nolan has proven himself the greatest director who ever lived, even without the pointy cowl etcetera etcetera  Inception is a masterpiece ...more here. And other stuff yadda yadda but it must have been daunting as The Dark Knight is untoppable!


[Provocative question here] 'OR IS IT?' [insert "after the jump" here. Increase page views!!!]


Tuesday, October 26, 2010

Linky Linky

Movie|Line offers up pre 1970s horror movie suggestions for Halloween
/Film James Franco making another poetry film. From behind the camera this time.
MCN Halle Berry's Frankie & Alice to get Oscar qualifying release. Have I ever told you how much I hate the one week qualifier rule?  "YES. SHUT UP," the readers shout in unison. I'm just sayin' movies should be eligible only if the year of their real release. It's the only way a calendar year 'future history!' eligibility system actually means anything.
Serious Film wonders where the critical bar is set for Best Picture nominees in the wake of the cool response to Hereafter. As some of y'all know I don't put much stock in rotten tomatoes scores as Oscar signifiers (partially because all positive or all negative scoring (the dread thumbs!) is an inherently flawed system for reflecting worth and even true opinion. Unless of course everyone is all "A"s and "F"s these days and I realize that's the sad way it's been heading.
The Spy in the Sandwich reviews an interesting-sounding film I hadn't yet heard of called Le Fil (The String), a gay film with Antonin Stahly and Claudia Cardinale (!)
Hell on Frisco Bay looks at the explosion of film festivals over the last decade. I suspect this is our future since distribution has become so impossible for so many films. My guess: people attending festivals these days are the people that used to frequent their neighborhood arthouses.
Paul C wrote a (spoiler-heavy) review of Never Let Me Go that I think is really interesting and perceptive ...though he likes the movie much more than I.

offcinema just cuz
Before Glee revives The Rocky Horror Picture Show mania for the next few days, why not a peak at Russell Crowe in fishnets in 1987 playing Eddie & Dr. Scott. Whaaaaa? [hat tip: Cinemablend]



I wish I knew who was playing the other roles. Anyone else famous on that stage?

i09 You have taste receptors in your lungs. Wait... what?
Everything I Know a perceptive review of Bloody Bloody Andrew Jackson which I just saw on Broadway (see "crush of the moment" in the sidebar.) I wish movie biopics had this much irreverent invention.
ONTD Madonna to open fitness centers around the world. "Hard Candy"! Ha, I love this idea. Sometimes when celebrities branch out into other fields it's a big "No!" head scratcher. But this one makes perfect narrative sense.
Luc Latillipe awesome drawing of Yvonne Craig's Batgirl. There are no other Batgirls if you ask me.

Saturday, October 16, 2010

A Link of Their Own

Have your eyes yet feasted on this actual handwritten letter (thx Boy Culture) that Madonna wrote to photographer Steven Meisel? So much pop cultural memory jogging is happening: Herb Ritts, the "Sex" book in idea form, The House of Extravaganza, and --eep! -- everyone's favorite female baseball picture A League of Their Own ("Geena Davis is a barbie doll"... "I hate actresses..." HA!).


That's better than any time machine in taking me right back to 1992. This is why no one should ever throw anything handwritten away ever.

The Big Picture $40 million is the new ceiling for Hollywood drama budgets. It's about time they figured that out. You can make a great one for that amount so why not improve your profitability potential?
All Things Fangirl on Batman 3 speculation (it's actually Batman 8 if you ask me, though I know everyone likes to pretend the first 5 Bruce Wayne pics didn't happen) Which female villain should appear. I say none because of Nolan's girl problem. I was just innocently reading along and then my fur went up and I started hissing. You'll know why.


i09 interviews Eliza Dushku about the departed Dollhouse now that it's all on DVD. Will she work with Joss Whedon again?
Star East Asia Reign of Assassins character posters. I am so ready to see Michelle Yeoh again. Bring this movie to me.
Empire Black Swan graphic design
/Film Green Hornet poster
I Need My Fix Adam Sandler in drag? My eyes!
Topless Robot They're converting the whole Harry Potter series into 3D. I would someday like 2 pennies to rub together myself but sometimes the insatiable miserable greed in this world is really unsettling.

<--- Meanwhile, in my weekly column for Towleroad I've issued a cinema-altering challenge to James Cameron involving Elizabeth Taylor, bitched about the MPAA and their fear of peen, and shared a performance moment from the dueling trans stars of Portugal's Oscar submission. Why is it that no matter where you go in the world, the drag playlists remain exactly the same?

Friday, July 09, 2010

"i will be your preacher teacher, any link you have in mind"

crazy people
Radar Online Mel Gibson's lost his marbles again. His angry angry marbles.
NatashaVC explains the ridiculousness that is Lindsay Lohan's absences from her alcohol classes
BlogStage
speaking of crazy... albeit a more entertaining more benevolent kind. Lea Michele seems to think she could film Glee by day and take on the ghost of Barbra Streisand at night in Broadway's Funny Girl. This is, in a word, insane.
People Bruce Willis now has his own cologne. I love celebrities. They are so shameless. Smell like me!

linkage
My New Plaid Pants "Do it, Jake"... MNPP always makes me lol.
Self Styled Siren This is wonderful. The Siren interviews Mary Astor's daughter. A must for you classic movie fans. I'm glad that Siren opens with Meet Me in St. Louis because Astor is just wonderful in that picture (my review).
Cinematical Some enchanted evening, someone decided to remake South Pacific. With and edge. I'd love some original musicals but if we have to have remakes, so be it.
Art of the Title Sequence The Emmy nominees in this category. I do love the Nurse Jackie credits. Opening titles are one of my favorite parts of TV shows and this is why I knew I made the right decision to stop watching Weeds when I saw they had dumped the "little boxes" opening.
Flick Filosopher 8 extra minutes for Avatar rerelease. Do you care? I loved Avatar but if half of those 480 seconds don't fall under the category of explicit full braided neon sex scene with jakesully and Neytiri (hotness), I'm not forking over another $20!
Just Jared uh-oh. Colin Farrell is muscling in on Tom Cruise's Les Grossman-style makeup comedy
Writing the Wrong sequels that never were (for better and worse)

Being Boring
watches lots of movies while sick. Derek Jarman this time. Do you do that too?
Towleroad A Betty White calendar? Betty White is our master now.
Asian Movie Pulse and Sina are covering a new film City Under Seige starring the beauteous Qi Shu and Aaron Kwok. Sounds like an interesting hybrid of sci-fi/horror... with circus performers. Wha?
EW If you've read my Julianne Moore interview, you know that I felt for Michael Ausellio yesterday when he spoke with Connie Britton. Now, he chats with celebrities all the time so it's no biggie for him but he's been pumping for Friday Night Lights Emmy recognition forever, so it's a sweet read after the lead acting nominations finally happened.

Housekeeping note
I've recently done a bit of sprucing up of the sidebar for your infotainment. For example, I can't believe I didn't have a "search" box before. My apologies. I know people are always asking "where's ______?" It's right below the advertisement in the sidebar.

Father Figure
Finally, hat tip to Anne Thompson, but the third Chris Nolan Batman film may start shooting next Spring. The "info" i.e. rumor is culled from this Michael Caine red carpet interview.



The interwebs will surely say claim this as breaking news but considering Michael Caine also states that he doesn't even know if his character is coming back, I'd take his 'I think they're starting next April' with a huge grainlake of salt. But I like what he says about his career
I'm a father figure now. I'm Goldmember's father. I'm Nicole Kidman's father. I'm everyone's father.
It took me a second to connect him with our Darling Nicki... that'd be from Bewitched (2005). Of all the movies to remember Michael? I mean, really. That's where you want to go?
*

Wednesday, July 07, 2010

Down in Fraggle Link

the classics
The Film Doctor '10 things I learned about Breakfast at Tiffany's...'
Birth of a Notion well, well. Batman's Boy Wonder just turned 65. Who knew?
Okinawa thinks Olivia de Havilland's Melanie is a badass in Gone With the Wind.


of the moment

popbytes True story of my Lady Gaga moment in the supermarket today. Plus news on Madonna's second feature W.E.
The Big Picture Inception backlash coming in 3...2...1...
AV Club strangest news of week: Rob Lowe may be buying Miramax to become 'the next Harvey Weinstein.'
Film Business Asia The Golden Horse Awards have added a "new director" prize for the next generation of Asian filmmakers.
Empire Captain America Chris Evans talks about his costume for Captain America
"I think everyone that’s going to see it is going to say, 'Okay, well done. Well done. I think they got the costume right. The casting they completely ruined, but the costume they nailed!'"
You gotta love self deprecating celebrities.

Movie Dearest I love reading about bizarre off cinema projects from cinema faces. Seems that god fearing Esmeralda from Edward Scissorhands (aka actress O-Lan Jones) is directing an complex possibly travelling opera.
I Need My Fix Lindsay Lohan sentenced to jail time. Incidentally in case you were worried. That porn biopic is going to wait for her release. That's loyalty!
Topless Robot True Story: Watching The Twilight Saga: Eclipse can kill you. Oh my god how depressing. Can you imagine if that's the last movie you were ever able to see?
Pop Hangover's Celebrity Headswap. These images are disturbing BUT for the first time ever a Twilight image made me want to see a Twilight movie. Kristen Stewart androgynized? Way sexier.
Collider Tree of Life gets an MPAA rating but distribution still looks shaky to me.

You Bent My Wookie has a lengthy interview up with the director of the upcoming Fraggle Rock movie. Seems the Weinsteins are giving him trouble. Quelle surprise. I have no special affection for Fraggle Rock (not that familiar) but I do love puppets and his heart seems to be in the right place
...time and again, I will run into people – and I’m talking about anyone from a fan boy sitting at a coffee shop to someone in the industry – everyone seems to long for an analog performance, a live performance, a real performance.

I loved Avatar, and I love what Andy Serkis does with motion capture as Gollum. There’s magic there, too. But I know that people have a hunger for tactile characters right now. I think the pendulum is swinging in a direction where people want to know they’re watching something real on camera, something that they can reach out and touch.

Though I would love desperately for this to be true, as I too miss tangible things and I love in camera effects and such, but I'm pessimistic that it actually is. CGI has conquered.

Wednesday, April 21, 2010

Happy Administrative Professionals Day!

I apologize for the absence of posts today. I clearly need a secretary executive assistant!

Selina Kyle has a rough day at work. And afterwards, too

My four favorite movies about administrative professionals are probably Executive Suite (1954), Secretary (2002), 9 to 5 (1980) and Batman Returns (1992). What? Batman Returns is totally about a secretary. Which movie were you watching? The title is misleading because Batman is barely in it. It's a gothic dramedy about a lonely secretary and her open window policy for the neighborhood cats. It's all about the secretary and she's in every single frame of the movie. At least that's the way I remember it.

If you are an administrative professional the Film Experience sends you virtual flowers today and encourages you to leave work early. Don't let your evil CEO push you out an impossibly high window. Don't let them work you like a dog!


Saturday, March 06, 2010

Thursday, February 25, 2010

Modern Maestros: Christopher Nolan

Robert here, continuing my series on great contemporary directors.  In the past ten years or so the Hollywood summer blockbuster has been steadily improving in quality.  Now don't worry, there's still lots of trash reinforcing the fact that studio execs never lost a buck aiming for the lowest common denominator.  But there's been a resurgence in good big budget films (Can I say resurgence?  Was there ever a surgence?).  Christopher Nolan isn't singularly responsible for this.  Others were making good action movies before him, but he has come to represent all that can be right about blockbusters if the right director is given the right material.

Maestro: Christopher Nolan
Known For: Dark and moody thrillers and occasionally Batman.
Influences: Stanley Kubrick, Ridley Scott, not comic books as much as you might think.
Masterpieces: High marks all around, but none yet (With my genuine apologies to those who disagree.  Let's not have that conversation again. Let's argue about Avatar instead.)
Disasters: definitely none
Better than you remember: I'm not sure I want to get caught up in the ongoing argument about how Nolan's films have compared to the hype.  Let's just say that I suspect history will remember all of his films accurately.

Box Office:The Dark Knight made a few cents here and there.  Over 533 million.
Favorite Actor: Both Christian Bale and Michael Caine have been in three films but once Inception opens, Caine will officially take the crown.


When Christopher Nolan was awarded the Batman franchise, reaction was hopeful and surprised.  But in fact this wasn't a new studio tactic.  Finding a promising new filmmaker and signing them to a franchise deal has always been part of the process. Rumor has it the Coens were originally offered Batman after Blood SimpleBurton fit the aesthetic so he eventually got the call.  Bryan Singer was courted after The Usual Suspects and though hardly new, one has to assume Hollywood had been ignoring Sam Raimi for decades before it finally discovered him and gave him Spider-Man.  But two things made the Batman/Nolan match more exciting.  First was the utter state of disrepair the (possibly most beloved and iconic of all comic franchises) franchise was in.  And second was just how closely the Batman myth aligned itself with the themes that Nolan loved most.  Nolan makes movies about desperate men and the moments that drive them to extremes.  In most cases it's the death of a loved one (wives or parents) but more than that I think it's a sudden and violent realization of the chaos present in the world.  This often results in the "rebirth" of an individual.  Bruce Wayne is reborn as Batman, Harvey Dent as Two-Face.  Leonard from Memento is, in a way, continually reborn every few minutes.  The Prestige also delves into the topic of continual rebirth but I won't spoil it.

 Two sides of the same coin.

Tied into this is another favorite Nolan topic: the duality of man.  Characters in Nolan films are often reflections of each other.  Consider Batman and his Rogues.  Both Ras Al Ghoul and Batman believe the world to be full of evil, but one thinks the solution is saving it, the other destroying.  Two-Face is another parallel.  He's reflection of what Bruce Wayne could have become if his tragedy propelled him toward evil.  The Joker though isn't so much a reflection of anyone as much as he is a personification of that ever-present chaos in the world.  This phenomenon isn't just limited to Batman.  The two men in The Prestige are mirror images of each other surging toward the same goal, one with emotional abandon the other with precise calculation.  There are further examples of man's duality in The Prestige, but I won't spoil it.

It's this perfect match of man and material that has resulted in such success.  But there have been other factors too.  Much has been made of Nolans insistence on realism and how it has served his films well.  Of course any film where a man dresses up as a bat isn't realistic but his determination toward a realistic universe has allowed the strange and supernatural to be that much more clearly punctuated.  Other comic book films like Spider-Man or Iron Man (both very good) exist in comic book reality and the difference is noticable.  Some have noted that Nolan's action sequences and plots are often too opaque.  But I maintain that audiences really aren't adverse to elements of mystery or confusion (people are still watching Lost aren't they?) as long as the excitement level stays high.

There's every reason to believe that Nolan will keep the excitement level high.  His next film, Inception is among the most anticipated of this year.  And it was recently announced that he'll be overseeing a new Superman film and directing a third Batman.  It's still something of an unknown whether Hollywood will heed the right message from Nolan's success.  Thus far they seem to have wrongly interpreted it to mean everything needs a "reboot."  And Nolan's films (as is now the case with all big budget pictures) must go through a prolonged series of internet-fueled stages (hype, backlash against the hype, backlash against the backlash, and finally acceptance).  All of that should be secondary to the movies themselves which remain solid and entertaining.  If Nolan really does come to represent the state of the Summer Blockbuster I can't imagine anyone who wouldn't be perfectly happy with that.

Tuesday, November 24, 2009

The Blog Saga: New Link

Movies Kick Ass deconstructs yet another photoshop casualty (i.e. movie poster), this one for NINE . My thoughts on that film will hopefully be up later today... time is a tough taskmaster.
Cinema Styles looks forward to Luise Rainer's 100th birthday in January. We should all be celebrating! Especially since she'll (god willing) still be alive for it. She was Oscar's very first two-time acting winner... beating Spencer Tracy to the title by one year.
Topless Robot Batman's TV villains who should make the leap to the screen
Scanners (sarcastically) hates on ambiguous movie endings
Empire keeps track of Thor's ever expanding cast list so you don't have to. The only person this chart is missing (as far as I know) is Kat Dennings (Nick and Norah's Infinite Playlist)
In Contention looks at the Adapted Screenplay Oscar race
Noh Way
expresses photographic love for director/muse duos beyond Pedro & Penélope

Sexiest Men Alive?
popbytes is on the Brad Pitt beard watch. Did it cost Brad the title of...
People's "Sexiest Men Alive". It's not just Johnny Depp. Roughly every famous person shows up. Though...
Go Fug Yourself has a laugh about the Glee photoshoot therein
My New Plaid Pants, uninfluenced by mainstream rags, remembers his love for Jean Claude Van Damme [nsfw]

Twi-Hard
Bright Lights After Dark "tortured longing is the new coke" Erich's inner 13 year old makes a case for The Twilight Saga: New Moon
Erik Lundegaard gleans box office meaning: stop ignoring girls
Variety director Chris Weisz blames New Line for the way The Golden Compass (2007) turned out. You know, I liked that movie more than most but it was but 1/20th of what it could have been given how excellent the book is. But I'm not sure you can take this in a black & white way, blame wise. Why would they interfere so much there but not on The Lord of the Rings? Would they have interfered with Peter Jackson if he weren't such a goddamn visionary? I just think this is probably a gray area unless Weisz has suddenly shown new cinematic mastery with New Moon. And well...
Antagony and Ecstasy thinks it's "boring as fuck-all". And wouldn't that indicate some degree of problems with Weisz' powers behind the camera?

...and no, I have no real plans to see New Moon. Unless it falls into my lap, I shan't ever know if it improves upon the original (which wouldn't be a significant hurdle). Time and money are both precious commodity this time of year. I have so many movies left to see in such a short time frame before awards are passed out. So I'm not going to pay hard earned $ to be bored (and support Mormon causes financially) if I don't have to for Oscar write up purposes. I'm guessing I don't have to worry about this movie securing nominations. If I'm wrong I promise to stare at Kristen Stewart and her dead eyes (shouldn't she be playing the vampire?) for 2.5 hours and issue my mea culpas.
*

Monday, November 23, 2009

Uncanny Birthday Suits

Celebrating cinematic folk, born on this day 11/23. Get out your kazoos.

Franco, Maxwell and Harpo. Half of the fun of building these posts
is these completely nonsensical groupings!


1859 Billy the Kid, outlaw. I've always thought it a mystery as to exactly why people routinely idolize characters whom they would never want to meet in real life. Murderers, criminals, thieves, (especially gangsters)... they all get the silver screen pedestal treatment. Billy has been portrayed dozens of times and Val Kilmer, Emilio Estevez, Kris Kristofferson, Buster Crabbe and Paul Newman have all done the job.
1888 Harpo Marx I'm embarrassed to say this but I can never remember which Marx Bros is which. When I watch 30s comedies, I almost always select a screwball romance.
1892 Erté artist over whom wee Nathaniel obsessed, wanting a whole animated movie to spring forth from his theatrical illustrations of ladies in elaborate headdresses and fab gowns.
1913 Michael Gough, I know that people like Chris Nolan's Batman approach (a movie star in every role!) but to me, Gough will always be "Alfred Pennyworth". Take that Michael Caine!
1924 Anita Linda, award-winning Filipino actress
1941 Franco Nero, Mr. Vanessa Redgrave and sexy Sir Lancelot in Camelot (1967) "♪ ♫ If ever I would leave you..."


I absolutely love this, don't you? One of the dreamiest numbers ever

1944 Joe Eszterhas self assured writer of oft terrible but usually hugely entertaining and vulgar screenplays: Flashdance, The Jagged Edge, Showgirls and the Sharon Stone box set. How does he do it?
1944 James Toback writer and director, not always simultaneously. Films include: Bugsy, Tyson and a Robert Downey Jr double feature (Two Girls and a Guy, The Pick-Up Artist)
1948 Bruce Vilanch Emmy winner, Oscar joke writer, strange character
1959 Maxwell Caulfield, La Pfeiffer's 'Cooo-oooo-ooo-ool Rider'
1959 Dominique Dunne, young actress who was murdered the same year her career took off with several TV gigs and the smash hit Poltergeist (she was the teen daughter)
1966 Vincent Cassel Mr. Monica Bellucci. He's very busy between American supporting roles (Eastern Promises, Oceans 13, Black Swan) and French stardom (Public Enemy No. 1, Irreversible ...a bit more on that one here)
1970 Oded Fehr, Israeli actor. Busiest in American television but you'll occassionally spot him onscreen in films like The Mummy
1970 Danny Hoch, actor/monologuist
1992 Miley Cyrus, ubiquitous gazillionaire

Finally, today marks the kickoff a week long blog-a-thon in honor of the immortal Boris Karloff, who brought so many imaginative film characters and movie monsters to life. Today is the 122nd anniversary of his birth. What would horror cinema be "Karloff the Uncanny", the man who brought Frankenstein (1931) and the Mummy (1932) to life? Though he's best remembered for those films of the early 30s -- he made a ton of them -- his career spanned from silent short films all the way to 70s horror pictures and one particularly memorable voice gig. He's the star of the 1966 animated TV classic How the Grinch Stole Christmas.

Friday, November 20, 2009

Birthday Suit (With Bright Yellow Trench)

Today is the 109th anniversary of one Chester Gould the creator of Dick Tracy. Every time Dick Tracy (1990) comes up, I think "you should watch that movie again!" but I never do. I think I'm still mad that Warren Beatty kept cutting away from Madonna's "More" performance... which should've easily been one of the best movie musical numbers of the 90s (sigh). Otherwise I quite like the movie

Trivia Alert! Dick Tracy is one of Oscar's two favorite comic book movies along with The Dark Knight (2008). Their Oscar track was very similar. Dick Tracy had 7 nominations and 3 wins. The Dark Knight had 8 nominations and 2 wins and in mostly the same categories, too.
  • Supporting Actor (both, and the only two comic book performances ever nominated*: Al Pacino and Heath Ledger, winner)
  • Cinematography (both)
  • Art Direction (both)
  • Costume Design (Dick Tracy only)
  • Sound (both)
  • Sound Editing (The Dark Knight only, winner)
  • Original Song (Dick Tracy only, winner)
  • Make-Up (both, Dick Tracy winner)
  • Visual Effects (The Dark Knight only)
Why was there no sequel to 1990's primary-colored hit? Aside from Beatty's periodic Brigadoon-like vanishing it's because the rights are all tied up in legalese. Boo hoo.

Other birthdays for 11/20
1915 Kon Ichikawa, Japanese film director of Oscar nominee The Burmese Harp (1958) and Golden Globe winner Kagi (1959)
1925 Robert F Kennedy, assassinated hero and frequent movie character. I've still never seen Bobby (2006) though, have you?
1927 Estelle Parsons, Oscar winning actress (Bonnie & Clyde). She's still on the road with August: Osage County -- she's in Connecticut right this very second (5 more shows over the next 3 days. Hurry!), DC next month and hits the southwest in January and the midwest in February. I hope you bought your tickets because the show is so worth it. Our post about the casting of the movie is the 2nd most commented on this year (106 comments!). Everybody's got an opinion.
1928 Aleksey Batalov star of Cannes Winner The Cranes Are Flying (1957) -- rent it immediately if you haven't seen it, it's one of the best romantic war dramas ever -- and Oscar winner Moscow Does Not Believe in Tears (1980).
1936 Don DeLillo, amazing novelist

1956 Bo Derek 80s icon, famous in swimsuit for "10", infamous in birthday suit for Tarzan the Ape Man and Bolero (right)
1959 Sean Young 80s actress, wildcard. Best remembered in pop culture as the desperate creature who wandered around in a catsuit trying to convince Tim Burton to cast her in Batman Returns. What's less remembered, unfortunately for Young, is that Burton had actually cast her... as Vicki Vale for the first film before an injury sidelined her and Kim Basinger got the part. Even less remembered and also to Young's credit: she definitely had screen presence. See: Blade Runner and No Way Out for proof.
1989 Cody Linley of Hannah Montana and Dancing with the Stars fame, busy creating a filmography composed entirely of ridiculous character names: "Spit McGee", "Mullet Fingers", "Brownie" and "Tough Boy"



* I may be wrong there. It depends on how you define 'comic-book performances'. More in the comments

Wednesday, November 18, 2009

Salt N' Pepa N' Linkerella

mmmmmANGELINA. Mangelina. I'm so curious to see Salt now that Jolie is staring me down from the poster (she does so more intimidatingly there -- the gaze is more benevolent in real life) and I'm reminded that Salt was originally written for a male star. Will we see any telltale signs of that gender-switch in the movie?

Oh link it, link it real good
MovieLine awesome composer Alexandre Desplat doesn't believe in holding his tongue. Doesn't approve of Quentin Tarantino's music
Old Hollywood Hedy Lamarr in ecstacy
Nicks Flick Picks finally gets around to "best actress 2008", both his own and Oscar's, but hot damn it's a good read. Plus: awesome comments section with heated / lucid opinions
In Contention Mélanie Laurent promoted to Lead Actress for Inglourious Basterds campaign
Cinema Blend Katey dives into the Screenplay categories. Cheerleads In the Loop
Cinematical maybe you missed my tweet on the Tim Burton exhibit at MoMA? Here's a whole interview.


C'est La Gêne I can't read French but I can read enough French to know that any post where you admit you saw Batman and Robin six times in the theater is a fun one. For French readers only I suppose.
i09 More Black Cat rumors for Spider-Man 4 and the internet's tendency to freak the hell out over them. It's gotta be that plunging neckline because white-haired heroines don't work out so well onscreen [cough*Gwen Stacey/Storm*cough]
mainly movies a personal top 100 of the decade
Birth of a Notion remembers Ben-Hur today, which happens to be its 50th anniversary

Monday, November 16, 2009

Birthday Suits: Cougar Town

Celebrating the birthdays cinematic: actors, actresses, and other filmtypes. If it's your big day, a happy one to you as well.

The Penguin and The Secretary

Today's B-Days 11/16
1908 Burgess Meredith two time Oscar nominee. But no, not for the Penguin in Batman: The Movie. Those honors came back to back in his late 60s for Rocky and The Day of the Locust.
1964 Harry Lennix best known for his TV work in shows like Dollhouse and Commander in Chief but he's cut an imposing figure in the movies too (Titus, the Matrix trilogy). But yes Dollhouse was cancelled last week. sigh.
1967 Lisa Bonet mostly retired actress, Huxtable, one of Marisa Tomei's besties
1970 Martha Plimpton. My friends have this thing where they cast the book they've just read for their book club each month. It's their tradition that they have to give 80s teen film star turned ubiquitous Broadway thespian a role in every film. And why not?
1977 Maggie Gyllenhaal incredible actress, give or take, um,... No, I'm not ready to say it. I love you, Maggie!

Two more from Cougar Town! And I don't mean the sitcom (which I enjoy by the way) And I don't mean that as a pejorative either. Italian beauty Valeria Bruni Tedeschi turns 45 today. She's made American films like Munich and A Good Year but remains most vivid in French cinema. Films include: 5x2 (fine work there), Those Who Love Me Can Take the Train, Actrices and Queen Margot. And yes, her boyfriend is ubiquitous French actor/sex symbol Louis Garrel who is 26.

I also want to say a quick word of praise for Missi Pyle, turning 38, who has been an ensemble player in a ton of comedies (Galaxy Quest, Big Fish, Dodgeball, Charlie and the Chocolate Factory, etc) and does a lot of TV guest work. She was recently hilarious as boozy cougar "Charlene" in the long-delayed Spring Breakdown with Amy Poehler and Parker Posey. The movie is not half as funny as the cast list suggests but it has its moments and many of them belong to her. Well done. Missi also just recorded an album with another actress Shawnee Smith (the Saw movies) called Smith & Pyle "It's OK to be happy". Judging by the lyrics and video blogs, they're selling comedy with their country music.
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Friday, October 30, 2009

Movies That Make Me Think of Halloween

Recycled Film Experience! I wrote some of this in advance -- years in advance in fact -- to free up time to enjoy this costume crazed holiday. I originally published this list in 2005, but I've tweaked it some. Plus, not all of you were around in 2005. Herewith, the top 12 movies that remind me of Halloween. It's a top ten list and it's not even Tuesday. I'm so generous.

12 The Batman franchise (1989-2008)
In 1997 I went out Halloween clubbing as the Uma version of Poison Ivy. Whenever you dress up as a movie character the year the movie comes out, you'll have competition. There was another Poison Ivy there but I buried her, I promise. I had the horns and all the details, see. It was the longest I ever spent getting ready for Halloween (which is saying something): glue guns, orange wigs, fake foliage, you name it. I don't try as hard anymore. Last year, there were hundreds of Ledger versions of The Joker. I suspect there will be this year, too. Group costumes are always my favorite so I love seeing whole groups as Batman and his rogues gallery.


11 Sleeping Beauty (1959)
It's all about Maleficent. She makes me think of this festively dark holiday because I always thought that, on the right person and with the right commitment, the perfect Maleficent costume would be unbeatable. I know you can buy mass produced versions but I've never seen anyone anywhere come close to approximating this sorceress' majesty, gorgeous evilness, or the correct color of her flawless skin. And even if the right Halloween reveller could nail this singular look, they couldn't morph into a fire breathing dragon anyway.

Maybe the only way to do right by Maleficent on Halloween is to ditch the witch costume halfway through the party and finish the night out as the dragon?

10 Velvet Goldmine (1998)
Sandy Powell's costumes are glam rock heaven. And, more universally, looks that go with music (glam rock, disco, goth) are always hits as costumes go.

09 Clue (1985)
I imagine you're scratching your head. That Tim Curry comedy from the 80s? That board game? Why, yes, my friends. I played the game all the time with my family growing up. I still play the game actually -- two weeks ago in fact. I saw the movie three times in the theater. Little remembered fact: The DVD features three 'what if' endings but in the theater there was only one. You had to try different theaters to see all the endings. Dutifully, I fell for the marketing ploy.


"Too make a long story short..." "TOO LATE!"

Much later in college one year, a Clue discussion erupted into party plans. There were six of us. We would dress as Clue for the party we were attending! I was Mr Green. [tangent: It was the first and the last time that I was ever seen w/ a moustache. Yuck]. The brilliance of dressing up with a group as Miss Scarlett, Mrs White, Mrs Peacock, Professor Plum, Colonel Mustard, and Mr Green (and a dead body if there's a seventh person) cannot be overstated. It's easy. It's creative (the movie characters are just one visual interpretration). It's not expensive. And, despite there being no definitive look to adhere to, people will recognize who all of you are, provided you stick together and especially if you bring the weapons.

08 Kill Bill (2003)
For the past several Halloweens I have had this fantasy of being Uma Thurman as The Bride. (What is it with me & Uma, come October 31st each year?) Long blond locks. An imitation Hattori Hanzo sword. A yellow jumpsuit. With blood stains. Friends as the remaining DVAS (Deadly Viper Assassination Squad) or the crazy 88s. They form my entourage and strut down the street with me. It's like one massive Sally Menke edited, Robert Richardson lensed, Quentin Tarantino directed dream sequence that's all about glorifying me. Me. Me. Me! (This fantasy has been brought to you by the holiday Halloween, my inner drag queen, and my tireless enthusiasm for self-aggrandizement. Just pretend that Halloween is my birthday. Go with it.)

07 Meet Me In St. Louis (1944)
Mainly because during its warm holiday-filled Americana it breaks for that lengthy somewhat atonal trick or treat segment. [more on that classic]

06 The Wizard of Oz (1939)
I'm thinking of I should make this movie exempt from all lists -- I talk about it too much.-- because it has so many advantages. This movie is so deeply enmeshed into the collective subconcious that one can, if inclined, connect it to all else. The more fascinating list to make would probably be along the lines of "Top Ten Things That Don't Make Me Think of The Wizard of Oz". It makes me think of everything: childhood, television, the cinema, Thanksgiving, Christmas, other 'friends of Dorothy', showtunes, midgets, shoes, Broadway, lions & tigers & bears, fantasy versus reality debates, beauty fascism, dreams, emeralds, short work days, hot air balloons... I could go on all day. I'll spare you.



But we're talking about Halloween. You'll see riffs on every one of its main characters this time of year. Silly spins (hirsute drag queens in Dorothy wigs), innocent enthusiasms (it makes a great family group costume), and every other imaginable interpretation. The second and better reason is the beautiful wickedness of The Wicked Witch of the West. Audience affection for this villain runs deep, but only on Halloween, the night when evil is good, does it seem appropriate to wish that Dorothy had never tossed that bucket of water her way. What a world... what a world.

05 The Crow (1994)
I've seen the mime face w/ black leather pants (easy, iconic) every year on the streets. But that's not why it reminds me of Halloween. There's also the creepy intertextual ghoulishness of a story about a dead man being played by a man who was killed on the set while filming the role (Brandon Lee, rest in peace). But that's not why it reminds me of Halloween. The Crow appears because I hail from Detroit, Michigan and so does this gruesome story.

If you'd have told me as a child that I'd have to explain "Devil's Night" (the night in which all The Crow's narrative mayhem occurs) to other people when I grew up I would have laughed at you with the easy myopia of childhood. 'Who doesn't know what Devil's Night is?' I would have scoffed. Apparently lots of people. Or so I discovered when I moved out west for college. When The Crow opened, I suddenly had an easy-to-cite cultural reference to explain the night of vandalism, arson, and general mischief that precedes Halloween. I thought everyone grew up tepeeing houses, egging cars, setting fires, and sneaking around their neighborhood on October 30th each and every year.

04 Whatever Happened to Baby Jane? (1962)
Which I talked about briefly in my Towleroad article this week

03 Halloween (1978)
Well, duh. Of course it would be on the list. True story: I saw it for the first time in 2004. I have this way of avoiding movies that I think will scare me. I only saw Silence of the Lambs a year after it opened because I had to (the Oscars you know) and I kept having nightmares about it. I figured, 'why the hell not? I'm already having nightmares!' The nightmares stopped once I saw it. It wasn't as scary as the nightmares. But Halloween is evilscary. The daylight scenes are even scary.

02 Bram Stoker's Dracula (1992)
Nothing says "Halloween" more than sunlight aversions and blood-lust. Of all vampire films, Francis Ford Coppola's elaborately bizarre, colorful, and passionate treatment of the vampire mythos is the one I hold most dear. It's not the "best", though. The most peculiar thing about this film and my love for it, is that I don't really think that much of it works. A good deal of the problems seems to be in the casting. The most interesting performance among the major characters (Sadie Frost as Lucy... previously discussed) has the least screen time. Keanu Reeves is wooden as Jonathan Harker, Gary Oldman lacks the sexual charisma that this romantic horror epic needs (though otherwise the performance works) and strangely, despite it being filmed during what were unarguably her peak years, Winona Ryder also flails about for the entire running time. She never was adept at period (nevermind those two Oscar nominations) but her star turn reads over the top rather than operatically passionate once the blood hits the wall. Still, despite many misgivings, the film is a spectacle in the best sense. You can't take your eyes off of it. Coppola's passion for le cinéma is evident throughout as he tries every conceivable camera trick in the book. His approach is a perfect fit for this grand guignol tale.

There's no trace of laziness in the movie (even the bad actors are trying hard), no fingerprints of the undead were involved in this film's making, only fully committed living and breathing artists attempting something awesome. For whatever reason, this particular Coppola film is never booked for repertory houses or even midnight screenings (though it would seem an ideal fit for both) . That's a shame because this epic was meant for big screens where the enormity of its oddness and those Oscar winning techs (costumes, makeup, visual effects) were properly showcased and able to cover for the clumsy bits.

01 The Nightmare Before Christmas (1993)
Who better to be considered the cinematic patron saint of Halloween than weird, wild-haired auteur Tim Burton? Maybe his films aren't what they once but it's hard to argue with that initial run encompassing Frankenweenie, Pee Wee's Big Adventure, Beetlejuice, Batman and Edward Scissorhands (1990). Other highlights like Ed Wood and Mars Attacks! (and Corpse Bride, Sleepy Hollow and Sweeney Todd if you're feeling generous) display a magical combo of the macabre and innocent, bound together with dark humor and visual invention. In other words, it's easy to love Tim Burton's movies for the exact same reasons that it's easy to enjoy Halloween.



The storyline of the frequently rereleased The Nightmare Before Christmas, which was actually directed by Coraline's Henry Selick (Burton produced and came up with the story), is actually or at least initially about a longing for Christmas. But from its hilarious and jokily gruesome opening number "This is Halloween" to its triumphant 'let's put on a show' reaffirmations of purpose at the end, this movie subverts all the yuletide love into an ode to Halloween as the supreme holiday for those with ghoulishly creative minds. That twist is this movie's grand trick and The Nightmare Before Christmas is still a treat.

I went pretty personal with the list. So let's hear yours: what movies most remind you of Halloween and why? And what are you dressing up as this year?
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Thursday, September 10, 2009

Before There Were Websites... (Pt 2)

...there were scrapbooks (prev. pt 1)

Let's continue that silly reveal of my "Movies of the Eighties" scrapbook. I'm still hoping to locate the "Movie Stars of the Eighties" companion volume in which I ranked all the actors and actresses of the decade. Wouldn't that be a ROTFL experience? If I can find it I will share, despite the loss of dignity it will surely occasion.

Behold! To your left is the tv guide cover that started it all. I guess it wasn't an actual TV Guide as my personal mythology has always relayed but whatever television magazine thingie was inserted into the Detroit Free Press back in the day. That cover right there started my whole Oscar obsession -- look how worn, damaged and fingered it is. I thumbed through it so many times. What is this naked gold man they call Oscar??? This cover unlocked my latent awards mania. I had seen Tootsie and E.T. (massive family friendly hits both) but it was the center statue that seized my imagination. Soooo shiny.

Shiny shiny sha-na-na-na.
Shiny shiny bad times behind me

From there I became more and more movie obsessed. Based on the "everything I've seen" scribblings it looks like I was seeing about 25-40 films a year. Not all of the clipping collages matched the screening lists. I can't recall exactly what dragged me to theaters back then, but Dennis Quaid was a factor.


Do you know the 14 films displayed there? Some of them I barely remember...

The 1988 and 1989 pages are heavily Burtonesque with a late blooming burst of Pfandom by way of The Fabulous Baker Boys. I thought this clipping below was an interesting time capsule: a note about who might play The Joker before Batman (1989) was even filming. It was superhero casting speculation before steroids the internet.



It's smudgy but it reads
Although an unknown will be considered for Batman, Jack Nicholson (far right) has been mentioned in connection with the Joker. _____'s personal picks for the role are Ray Liotta (Something Wild, left) or Willem Dafoe (Platoon, center).
For the Record: Heath Ledger was 10 years old when Tim Burton's Batman arrived in theaters. Who imagined that Nicholson's Joker would eventually have to stand down?

If you want to see more of this scrapbook, say so in the comments.

But I wanted to wrap up this part 2 peak with this: Lists! Apparently I thought the best "losing sanity" performances of the 80s were:
Jack Nicholson Batman
Meg Tilly Agnes of God
Glenn Close Fatal Attraction
Meryl Streep Plenty
With the distance of time, I'd only feel comfortable standing by the bunny boiler. Not that there isn't much to admire in Streep's 1985 performance. But why only four performances? The magic number is five, Nathaniel, hello. Everyone knows that.

Stranger still is the "best sequels of the decade" ranking
5. Superman II 4. Star Trek IV 3. Aliens 2. The Empire Strikes Back 1. Return of the Jedi
That order is ALL wrong: Jedi is a sorry sibling to Empire, The Wrath of Khan crushes other Trek adventures and sentient humans and drooling monsters alike recognize that Aliens is the sequel of the 80s as well as one of the best action flicks ever. I like to think that somewhere inside I knew this and thus felt compelled to scribble A-L-I-E-N-S in large capital expanding letters.

Finally, there's the list of the movies I saw most often, "Again and Again and Again" This one honestly surprised me. I don't remember seeing some of these movies multiple times. I never see things more than twice in the theaters now. Unless the movies are called Moulin Rouge!
(4 times) A Chorus Line, The Empire Strikes Back, Dreamscape, Fire and Ice, The Lost Boys, The Princess Bride, The Secret of My Succe$s, Romancing the Stone, The Karate Kid, The Little Mermaid, Beetle Juice and Ladyhawke
(5 times) A Room With a View, Who Framed Roger Rabbit, Clue, St. Elmo's Fire
(6 times) Batman
(9 times) Return of the Jedi
(10 times) The Breakfast Club
You know what question I am forced to ask now: What movie did you see the most in grade school, junior high and high school?
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