We've been looking at each Meryl Streep Oscar nod and its competitive field. Previously: 78, 79, 81, 82, 83, 85, 87, 88 and 90.
When The Bridges of Madison County premiered in summer (a rare Eastwood berth, indeed) it seemed like Streep might finally win her 3rd Oscar the following Spring. She'd been away from the awards race in what seemed like forever. Hilariously, that "forever" absence had only been four consecutive years (1991-1994) but for Meryl, that's an eternity. In fact, a four year absence had never happened before and has never happened since all these years later. By the end of the 1995 film year, a really actressy one, the story was a lot different and the race was suddenly all but sewn up for Sarandon with only Streep and Stone as dark horse possibilities.
1995 the nominees were
- Susan Sarandon, Dead Man Walking
- Elisabeth Shue, Leaving Las Vegas *Nathaniel's pick. This performance kills me.*
- Sharon Stone, Casino
- Meryl Streep, The Bridges of Madison County
- Emma Thompson, Sense & Sensibility
Back to the actual competition. How many times have we heard this almost-win story now? Meryl is flouncing along giddily in the general direction of the podium for her third triumph when suddenly...
But let us not bemoan that elusive third Oscar and instead marvel at how many valid choices Oscar made for 1995 and how good their roster might have been even if it had looked a lot different.
---> Meryl with Tom Cruise at the Oscars in March '96. (Note frosty snubbed Nicole, not yet ascendant, by his side)
Other 1995 women for context: Oscar chose the entire Globe Drama slate which meant that the comedic nominees were snubbed: Nicole Kidman (To Die For), Vanessa Redgrave (A Month by the Lake), Toni Collette (Muriel's Wedding), Annette Bening (The American President) and my fav Sandra Bullock perf (While You Were Sleeping). Two critical darlings Julianne Moore [safe] and the eternally snubbed Jennifer Jason Leigh (Georgia) were ignored due to being ahead of their time and upstaged by their co-star, respectively, though Leigh did win the coveted NYFCC prize. Box office queens Alicia Silverstone (Clueless) and Michelle Pfeiffer (Dangerous Minds) failed to scare up awards attention outside of MTV.
Other female leads that year included: Angela Bassett (Waiting to Exhale), Julie Delpy (Before Sunrise), Lori Petty (Tank Girl), Winona Ryder (How to Make an American Quilt), Elizabeth Berkely (Showgirls) and Sarah Jessica Parker (Miami Rhapsody) getting her first taste of romantic comedy lead stardom to come.
Bassett had a fiery 95 (Strange Days & Waiting to Exhale)
Finally, the year included a few leads who were previous Oscar winners Jessica Lange (Rob Roy), Geena Davis (Cutthroat Island), Holly Hunter (Home for the Holidays) and Kathy Bates (Dolores Claiborne) none of whom were received as warmly as had often previously been the case.
See what I mean about the year being actressy? And so many fine examples of different flavors of it, too.
Nathaniel's List: It's a tasty Oscar vintage for sure -- they done good -- but I'd have to remove Stone's effortful hot mess and Thompson's sensible sister to make room for two redheads who staked their first unmistakable claims to genius: Moore & Kidman. And though I'll always love "Cher" in Clueless, I can't make room for her in such an abundant year. That said, it's utterly shameful that the Globe Comedy nominations excluded her.
Your thoughts on the year, please. It's so rich, don'cha think?
*
---> Meryl with Tom Cruise at the Oscars in March '96. (Note frosty snubbed Nicole, not yet ascendant, by his side)Other 1995 women for context: Oscar chose the entire Globe Drama slate which meant that the comedic nominees were snubbed: Nicole Kidman (To Die For), Vanessa Redgrave (A Month by the Lake), Toni Collette (Muriel's Wedding), Annette Bening (The American President) and my fav Sandra Bullock perf (While You Were Sleeping). Two critical darlings Julianne Moore [safe] and the eternally snubbed Jennifer Jason Leigh (Georgia) were ignored due to being ahead of their time and upstaged by their co-star, respectively, though Leigh did win the coveted NYFCC prize. Box office queens Alicia Silverstone (Clueless) and Michelle Pfeiffer (Dangerous Minds) failed to scare up awards attention outside of MTV.
Other female leads that year included: Angela Bassett (Waiting to Exhale), Julie Delpy (Before Sunrise), Lori Petty (Tank Girl), Winona Ryder (How to Make an American Quilt), Elizabeth Berkely (Showgirls) and Sarah Jessica Parker (Miami Rhapsody) getting her first taste of romantic comedy lead stardom to come.
Bassett had a fiery 95 (Strange Days & Waiting to Exhale)See what I mean about the year being actressy? And so many fine examples of different flavors of it, too.
Nathaniel's List: It's a tasty Oscar vintage for sure -- they done good -- but I'd have to remove Stone's effortful hot mess and Thompson's sensible sister to make room for two redheads who staked their first unmistakable claims to genius: Moore & Kidman. And though I'll always love "Cher" in Clueless, I can't make room for her in such an abundant year. That said, it's utterly shameful that the Globe Comedy nominations excluded her. AS IF!
Your thoughts on the year, please. It's so rich, don'cha think?
*
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