Interview: The Return of Kirsten Dunst (A Very Good Thing)

at the NYC premiere
of All Good Things.

It might sound silly to say, but seeing her in the flesh is something of a shock. Kirsten Dunst has been in the movies for many years, and she's made such indelible mark in them, whether as a child vampire, an unknowable teen dream, a disciplined cheerleader, a superhero's better half and so on; one half expects her to flicker when one meets her,as if she's being projected still. But there she was earlier this month at a New York City luncheon honoring her heartbreaking work in All Good Things. Her image did not fade or dissolve but remained steady in medium shot. She ate, she sipped, she walked around the room talking with reporters, friends and peers.

There was, however, a close-up. We shook hands and exchanged a few pleasantries. Then she was whisked off, not by a sharp edit, jump cut or a quick pan, but by her people taking her to the next reporter. Imagine it!

I remind her of the busy luncheon a few days later over the phone. She's already thousands of miles away.  This time, she's a disembodied voice which is surprisingly more familiar, like a movie image. "You were so in demand," I say, reminding her of the crowd and well-wishers.

"You know...," she says, and I do having been there, "A lot of babies to kiss. A lot of hands to shake."

Katie (Kirsten) fixes her husband's bow tie in All Good Things.

It's good to hear the smile in her voice and remember her amiable presence in the room that day. Especially considering the sadness that lingers from her fine work in All Good Things. People have won Oscar nominations for giving much less to their films than she does here, in one of her finest performances. She starts out sunny and delightful, the girlish woman we sort of recognize from numerous other films but she's soon torn apart by her husband's (Ryan Gosling) dark almost alien soul.  The film is based on a true story, the unsolved mystery of the disappearance of Katie Marks (Kirsten), the bride of the heir to a wealthy New York family.  I've followed her career enthusiastically for many years, once even referring to her as "the future of the movies" but naturally we start with the present and the subject at hand.

It's not the first time she's played a real life character but how did she tackle someone who isn't easy to research, someone who went missing? Here Kirsten cedes most of the credit to her director, who knew the case inside and out.

Kirsten: Everything that we knew about [Katie] is in the script. She's not a public figure. Yes, she's a real person but not someone that we know her mannerisms. It was really about making her feel like a whole person that was unravelling, as he was in a way, someone with her own strong motives so it wouldn't just be The Victim of this crime.

Doomed Love

Nathaniel: You have to have the full range of their romance.

Kirsten: That was so important. You have to believe these people were completely in love with each other in order for her to stay and to excuse the behavior.

Nathaniel: Did anything change a lot from filming to the finished movie?  You're acting piecemeal and the movie takes place over a really long span. Did anything surprise you about the finished product?

Kirsten: With every movie you kind of never know how exactly it's going to come together. I had an idea but obviously I wasn't there for the last half of the movie. [She pauses briefly, considering] ...I only saw Ryan in drag once on the set so I wasn't sure how all that was going to come together.

While we were working we played things very differently; we improvised a lot. The scene where he asked me to marry him was very different in the script. We got to play around a lot which was exciting. But you never know what it's going to end up being.

Nathaniel: I thought it was interesting that this movie  opened so close to Blue Valentine, another unravelling Ryan Gosling marriage, and then I remembered that you've worked with Michelle Williams before on Dick. Hollywood is a small world.

[more on All Good Things, Eternal Sunshine, and her favorite films after the jump]

Read more »

7 Word Reviews: True Grit, The Illusionist. Somewhere

Because this week is about trying to keep up with screenings, interviews and endless precursor announcements, here are some very very short reviews.

The Illusionist
A magician in the twilight of his career, finds companionship in a young woman.
7WR: Slow but just sublimely rendered. Devastating finale. B+/A-?


All Good Things
Unsolved mystery from the 80s about a wealthy heir and his missing wife.
7WR: Nightmarishly uneven, convoluted. But Kirsten hurts authentically C-

True Grit
The Coens adapt a western about a young girl seeking to avenge her father's murder
7WR: Even the horses act with meticulous predetermination. B-

And in conclusion a highly narcissistic double feature. Both films are rendered with visual aplomb and quite in tune with their own unique frequencies but you should steer wide and clear if you're allergic to wealthy people hosting their own pity parties and expecting you to bring gifts.

Tiny Furniture
A college graduate returns to her artist mothers home; regresses, refuses to leave it.
7WR: Navel-gazing finds funny highly specific lint. B+

Somewhere
A famous actor, lost to himself, kills time with his daughter.
7WR: Director/Protagonist treads water but what form! B

Jeremy Renner. Kirsten Dunst. It's "All Good..."

Here's some worthwhile reading today: a top ten list from Tom Shone. It's a performance list rather than a movie list and it's crowned by Jeremy Renner's dangerous ex-con in The Town. Shone goes so far as to compare Renner's gift to Steve McQueen's which is an interesting comparision but begs the question: Will Renner start getting major lead roles after his back to back successes with The Town and The Hurt Locker? Or has The Town - Hollywood not Boston - already fixated on him as a major supporting character actor? Either way, continued employment is assured which is a very good thing.

Shone prefaces his list claiming that he doesn't believe in "great acting" at least not the way it's commonly defined by the Oscars.

Read more »

All Good Links

Before we get to today's link roundup -- I went a little crazy as I sometimes do -- enjoy the heat sensor-like photography of the All Good Things poster. Perhaps Ryan and Kiki were a bit jealous of the ruckus Jake & Annie's nude poster caused online.

P.S. Jake Gyllenhaal is obsessed with Ryan Gosling. Just saying. I would try to quote his answer from Saturday night when the audience question 'who would you like to work with?' popped up but it was so rambling and long and confusing that I can't. But let's just say it began with Ryan Gosling, was jilted by Ryan Gosling via text "I'm busy" and then ended again with a circular non sequitor shout of "Ryan Gosling!" Jake likey. Ryan Gosling is what you might call an actor's actor... since everyone seems to want to work with him.

On to the linkage...
Candy Magazine A double take of pleasure. Yes, that's James Franco to your left continuing his trans formation from one of the great herd of Hollywood pretty boys to an actually interesting celebrity.
My New Plaid Pants is an über fan of Let the Right One In. Doesn't hate Let Me In. Since the response has been so positively muted like "it's good: also, a recreation" I've decided not to see it.
Broadway.com Carrie the Musical being revived. Wow.
Cinema Blend Me pal Katey basically says all I have to say about the trailer for Julie Taymor's Tempest so I don't need to cover it here. What she said, minus the positive bits since I liked the movie even less than she.
The Big Picture Tony Curtis grand sendoff in Las Vegas
Hero Complex Emma Stone will play Gwen Stacy in the new Spider-Man. I'm glad that early reports were wrong. Why do the whole Mary Jane story again. That said, isn't it weird that someone known as a redhead is going to play Spidey's favorite blonde and someone known as a blonde was cast as his favorite redhead. Weirdness.
The Awl Sasha Frere-Jones and Natasha VC on The Social Network. If you haven't read enough yet, it's fun as always to read these two.
50 Best Theater Blogs I'll have to investigate this list.
Just Jared Joseph Gordon-Levitt lost his older brother. So sad.
Towleroad celebs speaking about gay bullying on Larry King Live
Movie|Line offers tips to Renée Zellweger on how she could regain her A list status. I love the suggestion of a brilliant twitter feed. I hope she calls it @Zeéeee after my new nickname for her. Zeéeeee reads me right? *

Double Duty!
Movielicious Have you seen this great mashup poster for Toy Story and Tron? I wish I knew who did it to give them proper cred.
Scott Feinberg "Are Bening *And* Moore All Right." Some smart words on the The Kids Are All Right Oscar campaign.
John Luciano a Calvin & Hobbes mashup with Let the Right One In. Teehee. I used to love Calvin's girlcrush but can't remember her name right now

*Obviously I am kidding. Someone I am acquainted with who works in the industry once told me that every star googles themselves --whether they admit it or not -- and is familiar with their biggest cheerleaders and nemeses online. But I chose not to believe her because it weirded me out too much to think of Beelzebub, She Who Must Not Be Named, La Pfeiff and The Bening reading or even knowing of my puny existence.

Hit Me With Your Best Shot: Bring It On

It's time for Best Shot, in which we choose a favorite single image from a film. 

This week...

BRING IT ON !

"I'm major. I roar. I swear I'm not a whore."

Damn but I didn't know how hard this week's decision would be. Sometimes you love a movie for the entire duration and it's hard to single out a scene. Bring It On is 98 minutes of uncut joy.

Today is the 10th anniversary of its release. My anniversary with it is tomorrow. I still remember my first encounter vividly. I had spent the whole day at the beach with my best friend. I was probably a little crisp and was definitely sun fatigued. We had planned to catch 'that cheerleading comedy' on our way home but I was wavering, tired. We trained back into Manhattan and hit the Union Square multiplex with our beach bags in tow. The movie was so high spirited and well executed that it was as bracing and life-affirming as jumping back into the ocean again.

To this day I'm so proud of putting it on my top ten list of 2000. [It's also on my 50 best of the decade list] Great comedies endure but they rarely get critical props during their actual run.

But best shot? That's a tough tough call. Peyton Reed is an underrated director and totally thinks about the framing, the costumes and the actors (see also: Down With Love). I really hope he gets a solid project again soon (forgive him the unfortunately blah Yes Man). I almost went with the beloved toothbrush scene. It's the single cutest and most confident romantic comedy scene of the past ten years. Call it hyperbole if you will but I stand by it. Bring It On is, as a whole, more of a sports comedy but today's sorry romcoms could learn a lot from studying any sequence here that pairs Jesse Bradford's crooked smile with Kirsten Dunst's hyper cuteness.


Reed and Jessica Bendinger, who wrote the screenplay, are also very smart about each and every character introduction. The intros are highlights throughout the movie. The pre-credit dream cheer "T-T-T-TORRANCE" is just insane comedy perfection, perfectly conveying Torrance (Kirsten Dunst) in both her joy, her pre-movie story, and her serious cheer fever. And what about the shot of Missy's (Eliza Dushku) ass entering the auditorium with dangling keys? She's about to unlock the plot. I also dig the low angle first shot of Isis (Gabrielle Union). She gets her very own halo spotlight a name check from offscreen "Isis, do your thing!" all so that you may instantly understand and worship this giantess of cheerleading.

My choice for Best Shot requires two frames with a focus shift. Missy, the new girl, is about to watch the signature Toros cheer. We see her in default hard-to-impress mode, kicking back. BAM! Torrance hair flips her way into the frame, blocking Missy's 'whatever' posturing, shouting "Ready Girls?". It's so so very funny and serves up an instant picture of both the smashingly conceived opposite-but-complimentary leading girls and of potential reactions to the movie.


You know a lot of people went into this movie just like Missy. They're all "A cheerleading movie? Puhleeze" and then, well, JOY. This movie is aggressively fun. Even if you're too cool for school, you will sign up with this team.

Ten years later, Bring it On is still the poo so take a big whiff.

"Oh, they'll bring it."
Click away for cheer fever on these participating sites!

• Stale Popcorn ______AWESOME
• Against the Hype ____OH
  
• Cheap Seats _______WOW
  
• Season Days ______ _LIKE
  
• Brown Okinawa... __... TOTALLY
  
• Nick's Flick Picks ____FREAK
  
• Sorta That Guy ______ME
  
• Missemmamm ______OUT
• The One With MJD .......I
  
• The One With MJD ---- MEAN
• My New Plaid Pants ....RIGHT
  
• Largely Unrepeatable... ON
• Dial P for Popcorn ____!!!
  

 Other Films in This Series

• Angels in America (2003)
• X-Men (2000)
• Showgirls (1995)
• Black Narcissus (1946)
• A Face in the Crowd (1957)
• Pandora's Box (1929)
• Se7en (1995) 
• Requiem for a Dream (2000)

*
*

Red Carpet Lineup: Tribeca Blowout

red carpet lineup. random celebs who've been out and about this week...

With Tribeca handing out their awards last tonight and me coming back to life (things have been crazy) I thought we'd talk about some people attending New York's glitzy festival. I'm asking a comment question in red for each of them because I'm "reader discussion guide" annoying like that. Maybe I should have been a T.A.? Tribeca doesn't have the same prestige or art-driven mentality as the far older New York Film Festival (always in the fall) but it does pack theaters all over town, offer up a diverse 'something for everyone' slate and bring out the celebrities in droves. To hawk their films. Though I did see Ben Stiller and Denis Leary as audience members at the religious satire The Infidel.

from left to right

• Ellen Barkin plays a sullen drug addict in The Chameleon and she'll start her Shit Year at Cannes next month in the Directors' Fortnight lineup. Is her career revving back up or is this another Oceans 13 false alarm. Do you care?
• Mark Ruffalo seems to be letting himself go. Maybe it's just a 'between projects' kind of thing. Though, when is he between projects? Always working. I'm already stealing myself for disappointment if he doesn't get the credit he deserves for sly great work in The Kids Are All Right. Will he ever be Oscar nominated?
  
• Kirsten Dunst is on the comeback trail despite being only 28. Today is her birthday! She was at Tribeca because she directed the short film Bastard. Are you rooting for her comeback?
  
• Melissa Leo can't say no. That's my theory because she's made 15+ movies since Frozen River (2008) -- no joke -- and she's in two miniseries this year too (including Todd Haynes' Mildred Pierce). Should she be saying yes to everything? Riding that Frozen River momentum til it stops paying dividends.
  

from left to right

• Andy Serkis came to town with his BAFTA nominated star turn in the rock bio sex & drugs & rock & roll. I wondered a few times if he could get any Oscar traction for it. Pro: there's the disability factor AND the biopic factor. Con: It's probably an unfamiliar rock story to most AMPAS voters and they like familiar. I admit I didn't know the story either. Do you know Ian Dury and The Blockheads?
  
• she who must not be named was in NYC for My Own Love Song. You know how I felt about the trailer but believe me I don't want to be this frightened to go near her work. In all honesty I was really hoping to get back on board but then came that trailer. I even tried to give her a new nickname Zeéeeee which is vowel-accurate and friendly-like. Are you rooting for her comeback?
• Christy Turlington is my favorite model of all time. But I realized sitting in the audience of her new documentary that it's weird to have a favorite model of all time. Because what can you do other than look at them? With favorite actors there's all sorts of imagination connection, storytelling, catharsis, etcetera. There I sat thinking "she's pretty" and my thoughts pretty much ended there. Unlike many of her supermodel peers from the 90s, she didn't try acting. But after marrying Ed Burns she is trying filmmaking. For a good cause though! Visit the website every mother counts. Have you a favorite model of all time ever?
  
• Patricia Clarkson starred in a travel drama called Cairo Time in which she misplaces her husband in Egypt. Somehow I missed it even though I love my Patty and also enjoy her co-star Alexander Siddig. Bad planning me. Why do people go to the desert on vacations?
  

from left to right

• Amanda Seyfried was starting her Letters To Juliet tour. Dominic Cooper walked her down the aisle -- I mean the red carpet -- for the premiere. Do you like them as a couple or do they give you painful flashbacks to Mamma Mia?
  
• Guy Pearce should maybe be hired for Christian Bale's health scare roles. I'm just sayin'. He was in town for a special screening and discussion of Memento. Do you love Memento?
  
• Sissy Spacek was promoting Get Low. I didn't like the movie -- which I saw before the festival and which most people do like for Oscar noms -- but it sure was nice to see her again in a substantial role. Still waiting for another In the Bedroom, though. What's your favorite Sissy? Other than Carrie I mean.
• <---Brian Geraghty was the unofficial poster boy of the 9th annual Tribeca Film Festival. He was a home invader in the erotic thriller Open House, a muscley redneck brother-in-law in The Chameleon and he also appeared in Kiki's short Bastard. It's like Melissa Leo's Frozen River longtail... only with The Hurt Locker. Thoughts?
  

Finis.
* Renée Zellweger

Link-By Posting From Nashville

Hi y'all. Nathaniel (c'est moi!) is still in Nashville and feeling very out-of-time and place, shuttling from downtown hotel to movie theater to well attended/scrumptious VIP tent between said movie theater and parking garage. It sounds strange but it's pretty on the inside. There's even a red carpet outside for celebrities I don't recognize (Music City, you know). Celebrities seen wandering through VIP tent that I *do* recognize include Michael Clark Duncan, Mario Van Peebles, Sheryl Crow, Jane Seymour and always memorable character actress Beth Grant (No Country For Old Men, Little Miss Sunshine, Donnie Darko among many others). She's pictured below in what was a very flattering flowing emerald dress... though I wished when I saw her that it was more sparkly in motion. Uh... Get it? Ba dum dum. I'm here all week.


No Nicki Kidman like last year though *sniffle*. Last night I played poker until the wee hours (my first time ever!) with fellow jurors and a couple of filmmakers. Texas Hold Em Whilst In Tennessee. My my my my my my my my poker face. I don't have one. I lost.

There's so many newsy bits I haven't discussed since I'm in the alternate reality of the film festival and they all feel so ancient now despite just happening in the past week. Anyway, for now, random links!

Flickers remembers Yentl warmly. Someone needs to
Techland names 12 disaster movies that are better than Titanic for the 98th anniversary of the great ship's sinking
Deadline People keep asking me what I think of Kirsten Dunst joining Lars von Trier's Melancholia. A hearty nod of approval is what I think. She's making the right moves for a major comeback...i.e. potentially reminding people that she's actually a very talented actress, not just some overly famous celebrity


Guardian offers an amusing solution to the creativity drought of today's "remake it!" frenzy
GreenCine Daily on Summer Hours and the myth of age-appropriate cinema. Good piece but I have one tiny bone to pick. Kohn asserts that the main character is several decades older than he, suggesting that he is still in the womb. Charles Berling is only 51. If you were to be several decades younger than 51 how young exactly would you be? Have your parents even met yet?
Coming Soon Looks like Viola Davis is finally getting that lead role we've all known she deserves. She'll star as The Help, a drama about a housekeeper whose candid comments to a writer send shockwaves through her community.
/Film Joss Whedon to direct The Avengers? I refuse to be as enthused as the rest of the internet. Like I've said before I'll believe this entire movie's existence when I see it. It sounds like way too many contracts to corral into one movie. To me at least. Nevertheless the internet will keep writing about this movie until 2022 and beyond even if it spends decades in development hell.
Thompson on Hollywood on Ryan Phillipe and abs
Erik Lundegaard another interesting review of Kick-Ass
Peel Slowly remembers Jaws and investigates the tiny shifts in its iconic marketing

That's all for now. Enjoy...
*

Compartmentalinked

creativity is not a waste of time
Laz Marquez amazing freshly imagined Hitchcock movie posters [heads up]
The Awl a conversation about Lady Gaga's "Telephone"
Gallery of the Absurd Lindsay is a "milkaholic"
Very Important Pixels how great are these simple movie director drawings? You can recognize them instantly!
Pop Eaters Mad Men dolls? Me want


classics
Self Styled Siren on Merle Oberon and her hidden mother
Old Hollywood 'subtle moments in American cinema' with Jayne Mansfield
If Charlie Parker... two bitches

oscar night
Towleroad more lingering (gay) questions from Oscar night
The Hot Blog has a few (harsh) words on the media's reaction to Farrah Fawcett's absence from Oscar's 'In Memoriam'. I personally think she should have been included since Michael Jackson was. I mean if we're opening it up to celebrities who weren't movie stars, shouldn't they be treated equally?

coming soon
The Big Picture Leonardo da Vinci, action hero. Oh dear
I Need My Fix Dakota & Kristen premiere The Runaways. In hideous clothing.
V Magazine The Art of Being Kirsten Dunst (Can we expect a comeback? *crosses fingers*)
LA Times more females behind the scenes in Hollywood? We can hope. It's still VERY much a boys club


the state of moviegoing
LAist I have shushed people in movie theaters. Fortunately I've never been stabbed with a meat thermometer for doing it
Erik Lundegaard statistics on moviegoing for the past 100 years. Crazy how the attendance is the same but the population has grown enormously. The 70s had the least amount of moviegoing. No wonder all those great directors got away with so much.

Kiki Dunst is Turning Japanese. I Really Think So

I've been waiting and waiting and waiting and waiting and (well you get the picture) for things to turn around for Kirsten Dunst. I've loved Kiki long time. Somewhere in the middle of building a rep as one of our best young actresses the public began to turn wildly against her, spurred on by uncontrollable Gyllenhaalism (how dare she dump him?) and snowballing Mary Jane Watson fatigue.

So I'm totally happy to point you to this video "Akihabara Majokko Princess", a collaboration between artist Takashi Murakami and director McG in which Kiki sings "Turning Japanese". Pointed you towards paparazzi shots of this online awhile ago and have been waiting for the actual video to show up. It's a bit NSFW since Murakami loves cartoon nudity.


Watch Kirsten Dunst "Turning Japanese" in Music | View More Free Videos Online at Veoh.com

Her voice is processed here but if you've ever watched the end credits of The Cat's Meow you'd know that she is one of the actual movie stars that they should look at for film musicals. In other words, girl can sing. You can read an interview about this project here. I love it when celebrity actors do weird left field projects inbetween movies. Not that she has all that many movies in the works...


But things will turn around. They will. They must.
*

Four score and seven years ago our forefathers...

.
... did something.

JA from MNPP here, wishing y'all the happiest of President's Days (here in the US). Whenever this day rolls around I think of my favorite movie about the presidency. You can keep your All the President's Men's and your JFK's and even your Air Force One's... no, for me, it's always gonna be all about Dick.

"Dick frightens me!"

I could go on and on quoting the film, I've done it before. But the film's a delight. Dunst and Williams are like an infectiously addle-brained Gidget-version of Lucy and Ethel, and Dan Hedaya does some hysterical bug-eyed spittle-flecked work as bug-eyed spittle-flecked Tricky Dick.

My favorite President movie, hands down.
But what's yours?

.

Crazy and Beautiful, That's Kiki

Dave here, popping in to offer thoughts on a sliver of 2001's cinematic offerings as per Nat's request.

As a movie, crazy/beautiful isn't nearly as offbeat as its uncapitalized title and forward-slash want to suggest - the arc of the story is effortlessly predictable and the social divisions between the couple are often drawn in laughably implausible ways. But it marks itself out as a movie worth watching by having Kirsten Dunst burning a hole through the screen throughout. She seems to have been missing from the movies lately, which probably makes a lot of people quite happy... but I don't count myself as one of them. Her performance as Nicole in crazy/beautiful was perhaps the first time her charisma, as seen from her debut in 1994's Interview with a Vampire to 2000's energetic Bring It On, was backed up by blindingly evident acting chops.

She shoots this routine plot through with a bare-faced honesty, a vibrant but completely confused girl, switching from violent temper to coy flirt to desolate weeper at the blink of an eye. Her 'biggest' scene - a heightened encounter with her father and her cold stepmother - is sadly also the one crack in Dunst's armour, as she rather overdoes the emotional breakdown. But for the rest of the film, she makes Nicole a pathetic mess, but one that you can see the spark that attracts Carlos (Jay Hernandez) and makes him want to 'rescue' her. The film ends up spelling out why she's reached this state, but it's all been clear in Dunst's performance from the start - she's almost given up on herself at the very start, as she half-heartedly says "stay away, I'm dangerous" to Carlos and his friends. Frequently it's obvious how much she relies on other people to indulge her pretences, and Dunst excels at the self-conscious, pathetic sadness Nicole feels when someone cuts through it.

I'm not pretending it's the best performance of 2001 (not when Naomi Watts is staring at me...), but it certainly deserves more attention than it got and should remain a highlight of Kiki's career. Maybe her taking some time out of the limelight will help in final breaking her out of being perceived as a teenager and give up some parts, like Nicole, that are worthy of her considerable talent and charisma.

(A shallow postscript: is she not infinitely preferable with the glowing red hair to the slightly pasty-blonde? Yet another reason the Spider-Man movies - we'll just pretend the last one didn't happen - are golden.)

Prince Gyllenhaal

One of the things I've never quite understood about videogames turned movies is how you're supposed to play them.

But I miss Jake Gyllenhaal so here he is all acrobatic like in The Prince of Persia: The Sands of Time

More Prince of Persia: The Sands of Time Info

I haven't yet read any internet opinions about this new trailer, so haven't a clue what the consensus is but if it's hugely negative, I'm here to say that that's just silly. This looks exactly like the other video games turned movies (Tomb Raider) or movies that seem like they're based on video games even when they're not (The Mummy... or wait, was that?). They're all marketed in this same bombastic way with loud music, "fun" bits and CGI heavy promises of spectacle. Though I can't remember offhand if most trailers for films of this genre spend this much time describing the plot (which I feel safe in assuming will turn out to be unneccesarily complicated and utterly inconsequential to whether or not the movie works)

I'm feeling weirdly defensive in advance... even though I don't think it looks very good.

Would you rather be buried in sand... or internet ridicule?

Most of what I read on the internet these days seems to have a touch of the anti-Gyllenhaal to it (be it involving Maggie or Jake) and I don't want to see another repeat of that weird collective sudden loathing that happened to Kirsten Dunst a few years back. I hate it when that happens. There's usually little in the way of real or defensible reasons why people turn against actors that vehemently. I find that it's often based on perceptions of their public persona rather than their work and/or it's about one movie which the actor in question wasn't suited for in some way. Then people get weirdly resistant to believing that the actor will be enjoyable in another context. Not liking Maggie Gyllenhaal because she was annoying in The Dark Knight, for example, is utterly self-defeating. You would end up depriving yourself of abundant fantastic performances. Anyway, it comes down to this: I am an unrepentant Gyllenhaalic. I've never cared whether actors are "in" or "out" only whether they have talent and whether they do things for me onscreen when I'm sitting in the dark watching them. Jake often does. So, for better or worse, I'll end up seeing this next summer.

D'ats Link

Boy Culture on a new book of letters that's a must have for Grey Gardens fans
Netflix is streaming The Wizard of Oz for free (today only)
Art Net Kirsten Dunst goes Harajuku for artist Takashi Murakami. I saw his last show in Brooklyn featuring anime characters with shape-shifting ejaculate and whatnot. Very crazy / racy / grotesque stuff. I ♥ Kiki... anxious for a new film right about now
In Contention Guy asks the question we all must ask every year if we really care about the movies and not just Oscar. What are precursors for anyway? I'm happy to have Guy by my side in the good fight


She Wired This is a complicated first but Ming-Na (The Joy Luck Club) is now playing the first lesbian Asian-American series regular with her new role on Star Gate Universe. My first reaction is Star Gate is still on? My second is more appropriate: 'congratulates Mulan'! Yeah, I was looking for another link to pad this post. Sue me
Movie | Line interviews Lee Daniels and talks Precious. I love this bit on Mo'Nique

the comic dredges up a sneering, mind-blowing flair for movie monsterdom. For all the film’s tonal shifts and turbulence, the raw dread of her turbaned, chain-smoking fury up every stairwell and around every corner supersedes anything distributor Lionsgate will package for its latest Saw installment.

Goatdog looks back at Carmen Jones (1954) and doesn't like what he sees, outside of the mesmerizing Dorothy Dandridge of course
Guardian UK Terminator franchise for sale. Low low (high) price
My New Plaid Pants fanboy delusion: bullfighting with Javier Bardem

de Havillink

Go Fug Yourself "well played" Kirsten Dunst & Demi Moore
Noh Way for counter programming purposes, here's a good piece from a writer who is not joining the Meryl Streep Julie & Julia love-in
Slate "the many accents of Meryl Streep" I wish this video was quicker and more inclusive but it's still kinda cool to hear the voices in close succession
My Internet... finally sees Reservoir Dogs
babblebook is not happy about the revisions to The Time Traveller's Wife
Cinema Blend Iron Man 2 footage leaked
Deep Focus on Dollhouse Season One. I'm itching for Season Two to start, aren't you?

three John Hughes pieces
NYTimes AO Scott's fine appraisal of John Hughes (RIP)
We'll Know When We Get There "Sincerely, John Hughes" an article from a John Hughes' fan turned pen pall
The Spy in the Sandwich on the poetry of John Hughes writing

Finally...


Finally, I neglected to spot this lengthy interview with the great Olivia de Havilland (The Heiress, Gone With the Wind and many more classics) when it was published last month. She's 93 years old and still trying to finish her memoirs. She wants people to understand what the 30s were really like in Hollywood, the sexual mores, the fame, the studio control. Unfortunately it sounds as if this book will exclude her much gossiped about multiple decades estrangement from her sister Joan Fontaine

That is one subject on which I never speak. Never.

Oh gods, please let her finish this book before she passes away. One nitpicky note, though. She is not, as this article implies, the oldest living Oscar winner. I believe that's Luise Rainer who, like Olivia, is a two-time winner (The Great Ziegfeld) who is still walking this good earth. She's 99 years old.

Peter Parker TBA

I keep meaning to give you updates on Spider-Man:Turn Off the Dark, the 2010 Broadway musical. It keeps slipping my mind. Perhaps it's a psychological entertainment defense mechanism because the project seems like such a potential stinker. A superhero musical? Even if you can imagine the songs in your head (I can't), one wonders how the stage craft can manage webslinging and swinging? It better look better than the vine work in Broadway's Tarzan, he said gagging.

Two of the three principal roles have been cast so it's time to discuss.


Alan Cumming the Broadway Diva, X-Man, Gay Celebrity and Fragrance Hawker will be playing The Green Goblin. That seems like an inspired choice to me and I smell another TONY nod unless this things a disaster. Will this role make Cumming the first actor to have played two different famous characters within the Marvel Universe?

Kirsten Dunst might want to warn the new Mary Jane -- that'd be Evan Rachel Wood -- that playing Spider-Man's girl can be a thankless chore. If you're in New York next spring and you can part with $100+, you'll be able to hear the young star belting live. I only hope that Bono and The Edge (they're doing the song score), give her an 11th hour number called "Tiger". I also hope the book writer doesn't let Mary Jane swing towards the mopey on stage. Y'all know I love Kiki (an unpopular affection to be sure) but the Spider-Man film franchise didn't do her many favors when they decided to make MJ a sadder and less sassy girlfriend than she was in the comic books.

Julie Taymor (Frida, Across the Universe) is directing this unwieldy beast. She was buried in an avalanche of praise when she brought The Lion King to the stage many years back but can "it can't be done!" lightning strike twice?

They still haven't announced who is playing Spider-Man himself, though tickets are already on pre-sale. One wonders if the producers will choose a Broadway star for Peter Parker or shove another movie name without stage experience into the mix ... though if they do spend the money for a name one will also have to wonder why an already expensive Broadway production would pay for a "name" when the production itself comes with instant pre-sale name recognition.
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Gwyneth Loves Actresses / Sofia Loves Vampires

We have something in common with Gwyneth Paltrow. I use the term "we" because I assume if you're a regular Film Experience reader you are at least partially actress cuckoo. Turns out Gwynnie is too. In a recent GOOP newsletter whilst talking about her taste in film she says...

The films I love best usually contain a breathtaking female performance (The Reader, Sophie’s Choice, Klute), as the genius of a creative woman inspires me in all areas of my life.

That's so gushy/lifestyle guru of her but it's tough to argue with that sentiment. Plus, the latter two of those performances I'd rank in the top ten of all time I suspect, should I ever make such a list.

Oh. Um... distracted by the actresses was I.

The article is actually about five DVD rental suggestions straight from five famous film directors and you can read the whole thing here. (Thanks to BSLS for pointing it out)

James Gray (Two Lovers) recommends Rocco and His Brothers which I have sitting at my desk right here from Netflix (coincidence!), Jon Favreau recommends Kung Fu Panda (which his son likes more than Iron Man. Hee). But my favorite of the recommendations is Sofia Coppola's thumbs up for Let The Right One In.

That makes perfect sense, if you think about it for a few seconds. Let The Right One In favors lonely, dreamy, haunting moods and obsesses over an isolated girlcreature... its just like a Sofia Coppola movie!


Minus Kirsten Dunst, plus snow and bloodlust.
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Vanity Fair's Hollywood ~ Episode 10 (2004)

Missed previous episodes? See: 1995 , 1996, 1997, 1998 , 1999, 2000, 2001, 2002, 2003, 2004 and 2005

With the annual Vanity Fair "Hollywood" issue about to debut for 2009 -- I'm guessing we see the new cover in less than two weeks (UPDATE: the new cover has been leaked and Vanity Fair has chucked their traditional photo shoot *sniffle* for the millionth magazine cover featuring President Obama), let's briefly return to our Vanity Fair retrospectives. "Send in the Gowns" was the title of 2004's photo shoot and they returned to the first year's game plan of glamour girls. The cover was more crowded though, bringing us an unlucky 13. But who was this cover unlucky for?


Maybe all of them, with the exception of Maggie Gyllenhaal (hurrah) and Hilary Swank (known affectionately around these parts as Beelzebub), who was just 11 months away from her second Oscar. Vanity Fair had gotten less daring in their cover selections as the year's passed (at least in terms of fresh "they'll be famous!" proclamations), but many of these careers had arguably peaked and were headed downhill.

Strange coincidence: 23% of these women are starring in He's Just Not That Into You

Julianne Moore was 43 at the time. She had been on the first "Hollywood" edition in spring '95 (before anyone had seen [Safe]) and got a deserved promotion. In the 9 years between the covers she'd gone from gorgeous up and coming redhead to a famously talented familiar actress as well as an Oscar nom' magnet. Unfortunately, round about this time as her fame and price kept escalating, she stopped wowing. 2004 brought her her only solo film-carrying "hit" in the traditional sense (The Forgotten) but it also brought stinkers like Laws of Attraction and films that no one even knows exist like Marie and Bruce (the only Moore film I haven't managed to get my eyes on). She's been misfiring both critically and box office wise since though she did have small roles in two acclaimed films Children of Men and I'm Not There.

This past year's double Moore dip, Savage Grace and Blindness (FB Body of Work nomination), reminded us that she's a unique and formidable dramatic actress... when she's not trying to be a romantic comedienne or action heroine. Next: She has three films in the can for 2009: the lead in a thriller (uh oh -- not playing to her strengths!) called Shelter, and supporting roles in the dramas The Private Lives of Pippa Lee and fashion god Tom Ford's filmmaking debut A Single Man.

Jennifer Connelly was 33 newly married to fine actor Paul Bettany and had just starred in a hit that everybody thought of as a flop (Hulk) and an Oscar misfire of sorts (House of Sand and Fog) but she was still considered a major get. Only she wouldn't be got. So to speak. She took only co-lead or supporting roles that didn't do much for her in Oscar Bait projects that didn't hook any statues (Little Children, Reservation Road, Blood Diamond) and now she's doing CGI flicks (The Day the Earth Stood Still and Inkheart). Is there a second wind to this career? And if there is, doesn't it need to come very soon? Next: He's Just Not That Into You and then Creation, a Charles Darwin biopic where she and her husband will play the Darwins.

Gwyneth Paltrow, 31, was still arguably suffering from the Oscar Curse -- that messy career period that can follow an Oscar win (which she won for Shakespeare in Love, discussed at length right here). The Royal Tenenbaums and Sylvia had reminded that she had plenty of acting skill but something about the career wasn't taking with Oscar or the public. Did she not care enough? She was a newlywed when this cover hit (to Coldplay's Chris Martin) and already pregnant with their first child, though she wasn't yet showing (she's pictured right, a few months later). Her acting career definitely went on the back burner. She's had 7 films released since this cover debuted and only one true leading role among them (Proof). She's now far more of a celebrity than an actress. The fame part stuck. Next: Two Lovers is inching it's way into view. King Lear and Iron Man 2 are coming for 2010.

Naomi Watts, 35, had recently moved out from under that 'Nicole Kidman's best friend' tag and into her own celebrity. The fresh Oscar nomination for 21 Grams (due in no small part to the Mulholland Dr lead in we're sure) went a long way towards that. She was still dating Heath Ledger, who came with her to the Oscars, but their relationship was about to end. (Thank god she convinced him to take Brokeback Mountain first!). In 2004 she had two heavy dramas and one comedy (the brilliant I Heart Huckabees) on the way. She chased those with the massive King Kong. Ever the multi-tasker since stardom hit she's still busy busy busy despite being a new mom. Next: Mother and Child for actress-loving director Rodrigo García and possibly Need with Nicole Kidman. That would be their first movie together since the charming Australian romance Flirting in 1991.

Salma Hayek, 37, still had residual heat from the success of Frida in late 2002. She had broken up with Ed Norton and was dating Josh Lucas but her movie career was about to collapse. Flops like Ask the Dust, Lonely Hearts and After the Sunset were all on the way. A savvy star she's stayed in the game by seguewaying to television production, bringing the big hit Ugly Betty to ABC and doing guest work (30 Rock). Next: "Madame Truska" in Universal's Cirque Du Freak opening in time for Halloween

Jennifer Aniston had just celebrated her 35th birthday, and her career was coming to the crossroads. She was finishing up her last season on TV's mega hit "Friends" and her marriage to Brad Pitt was also close to wrapping (though we didn't know it at the time). They divorced in late 2005 shortly before her first two post TV stardom movies (Derailed and Rumor Has It) opened. Her feature career has been middling peppered with the occasional high concept hit but she's forever ubiquitous in the media thanks to that decade in our living rooms as "Rachel" and her gossip-drenched marriage and split from Mr. Pitt. Next: the star studded romantic comedy He's Just Not That Into You

Kirsten Dunst, almost 22, was about to dump Jake Gyllenhaal (my theory as to one of the reasons people hate her so), Eternal Sunshine was playing (she does not get enough credit for her wistful funny turn in that film) and Spider-Man 2 was about to open. She was extremely famous / busy. It's been a bumpy ride since with rehab, a misunderstood star vehicle (Marie Antoinette), internet backlash and flops outside of those webslinging blockbusters. Next: All Good Things, the narrative feature debut of documentarian Andrew Jarecki (Capturing the Friedmans) opens this summer. Possibly Spider-Man 4 after that. Don't do it Kiki! Save yourself

Diane Lane, who had been famous since she was only 14 had just turned 39. She had seen her lengthy career hit a new peak with an Oscar nomination for Unfaithful in 2002 which she followed with another minor hit Under the Tuscan Sun. She was about to marry Josh Brolin whose career was still a couple years away from supersizing. More films were lining up for Lane but things aren't as rosy now since none have really matched that Unfaithful triumph and some (Kill Shot and Fierce People) had trouble even getting into theaters. Next: nothing announced.

Lucy Liu, 35, had just given the performance of her career in Kill Bill but then... that tends to happen to people when they star in Quentin Tarantino movies, doesn't it? Liu had always toggled between features and TV and she kept doing so. She's never left wanting for work but no great successes since. Next: nothing announced since her last two televisions series Lipstick Mafia and Dirty Sexy Money were both cancelled.

Hilary Swank in '04. Photographed by Stephen Meisel for Calvin Klein (photo source)

Hilary Swank, nearing 30, was on this cover because she had a frankly amazing agent. I kid, I kid. Her career post 1999 Oscar had been unremarkable. The Core was her last release prior to this cover but 2004 was looking big for her on paper (a respectable TV movie Iron Jawed Angels and a Clint Eastwood picture Million Dollar Baby -discussed here) and looks weren't deceiving. She won another Oscar for the latter and promptly returned to doing what she does: random disposable projects of multiple genres. Next: Two Oscar hopefuls for 2009 and in both of them she plays the title character. There's Amelia, a biopic in which she plays the famous aviatrix and Betty Ann Waters an Erin Brockovich style working mother turned legal eagle drama.

Alison Lohman, 24, was just off of a few high profile gigs (Big Fish, White Oleander and Matchstick Men) but her follow ups were very low profile. Tell me, have you seen: The Big White, Where the Truth Lies, Things We Lost in the Fire or Flicka? Next: Two thrillers one called simply Game leans scifi, the other Drag Me to Hell is auteur Sam Raimi's return to the horror genre. That might be something to look forward to but can it raise Lohman's profile back to early 2004 levels?

Scarlett Johansson, all of 19 years old, had just become the movies hottest young star. Offscreen she was a dynamo in the Young Hollywood scene --vaguely around this time she moved from dating Jared Leto to a fairly lengthy romance with Josh Hartnett. Onscreen she was a fresh sensation. Girl with a Pearl Earring and Lost in Translation had both opened to enviable acclaim for the young starlet and an awards run, too (though Oscar passed). When this cover was shot she was a critics darling, a paparazzi treasure and very much in demand by both auteurs and corporations (her endorsement side career might be as profitable as her film career by now). She's been super busy these past 4 years with numerous films, marrying Ryan Reynolds and that fledgling recording career. But is it quantity over quality. A lot of people are beginning to think so. Next: He's Just Not That Into You

Maggie Gyllenhaal, 27 at the time, had become ubiquitous around 2002 appearing in critical hits like Adaptation and Secretary. She and Jake her brother ascended in very close succession. The next year or so was less eventful cinematically for Maggie but two years after this cover hit she was all over the screens again delivering you-can't-look-away performances in films ranging from World Trade Center (blech) to Stranger Than Fiction to Sherrybaby and off screen she was having her first child with Peter Sarsgaard. Oscar still hasn't taken a liking to Maggie but few would argue that she isn't one of the most impressive actresses of her generation. Next: Crazy Heart a drama with Colin Farrel and Away We Go a comedy for director Sam Mendes.

PLEASE NOTE: If you'd like to read more about any of these stars, click the names in the labels section below.

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median age: 32. Julianne Moore was the mamma (isn't she always?) and ScarJo the baby.
noticeably absent: Who else was topical around 2003/2004? Let's see... Halle Berry was about to screw up her career with Catwoman, Angelina Jolie (who has never been on one of these "Hollywood" covers) had a bunch of movies about to come out, Emmy Rossum was just off of Mystic River and about to co-star in two epics, Kate Beckinsale had had a minor hit with Underworld and was chasing it with another supernatural flick before co-starring in Martin Scorsese's The Aviator.
collective Oscar noms before this cover: 10 nominations (40% of those for Julianne) and 3 winners (her front cover co-stars Connelly & Paltrow and then Swank in the backfold)
collective Oscar noms after this cover: only one but she won (Hilary Swank)
fame levels in 2009, according to famousr, from most to least: Jennifer Aniston, Gwyneth Paltrow, Hilary Swank, Kirsten Dunst, Scarlett Johansson, Lucy Liu, Salma Hayek, Julianne Moore, Naomi Watts, Jennifer Connelly, Diane Lane, Maggie Gyllenhaal and Alison Lohman
previous episodes of 'VFH': 1995 ,1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004 and 2005.
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