You Wrote Reese A Letter?

Okay, spill. What did it say? What was so important that you just had to write it down. Tell us in the comments*.

*I had hoped to do big posts today but prep for my vacation is killing me. so I'm playing blog comment games instead.

IMDb Top 20 Actress List. A Few Late Notes.

Have any of you read this IMDb list which purports to evaluate the "overall importance and impact" of film actresses across the span of the past two decades. That'd be 1990-2009 (though obviously they're including 2010.) I had somehow missed this list which arrived in September I think but I can't let it go by without some comment. I'm not sure what they mean by "impact" exactly... global fame? If so, Angelina is too low. And "importance" is another highly subjective word. The list is as follows.

[I've added the "peak periods" after their names to attempt to show when they were most "important/impactful" or, rather,  "when people cared about them the most" in film.]

1. Julia Roberts  .............[1990-2001]
2. Meryl Streep ..............[1990, 1995, 2002-now]
3. Cate Blanchett ...........[1998-2008]
4. Kate Winslet  .............[1994-2008]
5. Jodie Foster   .............[1990-1997]
6. Nicole Kidman  .........[1995, 2001-2005]
7. Sandra Bullock  .........[1994-2000, 2009-now]
8. Halle Berry  ...............[1991-1992, 1998-2002]
9. Emma Thompson   ....[1991-1995]
10. Angelina Jolie   .........[1999-now]
11. Julianne Moore   .......[1998-2004, 2008-now]
12. Susan Sarandon   ......[1990-1995]
13. Helen Mirren   ..........[2001, 2006-now]
14. Gwyneth Paltrow  .....[1995-2002]
15. Hilary Swank   ..........[1999,2004]
16. Cameron Diaz   .........[1994-2005]
17. Renée Zellweger  ......[1996-2004]
18. Meg Ryan   ...............[1990-2000]
19. Jennifer Aniston   .....[2006-now]
20. Judi Dench   .............[1997-2001, 2005-2006]

I've never attempted to remove my own opinion for an objective list... objective lists are best done by committee. But I did notice that most of the objections to my own personal "Best of the Aughts list" (which only counted 2000-2004 as it was made in 2005) were based on the overall fame and consensus acclaim of the snubees combined with the willful refusal to see that it was a subjectively judged "best/favorite" opinion piece.

But even if you are trying to be objective with "impact/importance" there will be disagreements.

 <--- Nathaniel's #1 "Actress of the Aughts"... if you include the 1990s though, her rank would drop quite precipitously.

For example, I can't figure how Jennifer Aniston ranks at all since they're talking about a decade in Cinema. If you include TV, she is absolutely deserving of a top 20 spot given global fame and tv iconography. But even her romantic comedy features aren't the classics or blockbusters that the other romantic comedy women on the list (Julia + Sandra + Cameron + Meg) have achieved -- usually more than once, too. So I think they're confusing "fame" which she certainly has a lot of with "importance to cinema".

I also think Swank shouldn't rank. She's an active figure for only half of the time frame PLUS her only claim to fame is two roles when all is said and done. Sure those were Oscar winners but that's it. Is there any other modern actor who has managed so much credit for body from such a tiny tissue sample? Because the rest of her resume.. nobody cares. I don't think that's just a personal opinion influencing my observation. Consider that I'm not the biggest cheerleader for Renée Zellweger either but I absolutely agree that she deserves a top 20 spot on a list of this type covering this timeframe. I'd believe that about Aniston too, given her longevity, if anyone could point to any film that was a big deal, either critically or box office wise that she was intrinsic too. Maybe The Break-Up (2006) but isn't that the only possible argument? It's not like people paid for Bruce Almighty to see her.

Also: Gwyneth Paltrow. Similar situation in a way to Jennifer Aniston... i.e. unquestionably one of the biggest celebrities, but one of the biggest actresses? Unless "overall importance and impact" means "size of celebrity" in which case, the list would need serious reworking.

Most surprising (but deserved) inclusion: Meg Ryan. She's the only person who made the list who hasn't been capturing public attention recently and not generally treated positively. I'm proud of the editors for their objectivity there. See, you can usually tell when a list is made by what the rankings are; they always follow current perception meaning that however people are feeling about someone right then matters far more than whatever they felt about them over the course of whatever time frame they're judging. Take Helen Mirren for a prime example. She is very very very busy right now and has sustained the hysteria over The Queen (2006) surprisingly well -- good for her and her team -- so she makes the list but in actuality she has one of those filmographies/ careers where people flit in and out of interest in her quite easily. When she's out of sight, isn't she out of mind?

Missing from the list: I think the most obvious snub is Reese Witherspoon who was working for all of those 20 years and earned a couple of classics, a few self-sold blockbusters and an Oscar as reward.

Your turn. Do you think the editors made the right choices? Or are you mad that they snubbed Uma? Penélope or any other international divas? Oscar-regular Frances? 90s biggies like Michelle, Joan, Winona, Holly, Angela or Demi? Anjelica? Charlize? Laura or Laura? perpetual classic Diane? kooky Helena? bitch-goddess Annette? avant-garde Tilda? Keira or Scarlett? Or maybe Natalie Portman who has been famous for *gasp* 16 years now and still isn't 30.

Unsung Heroes - The Students of "Election"

This is Michael C. from Serious Film  back again to shine a light on a cinematic achievement that has been hidden for too long in the shadows. This week it is a film I've been an evangelist for since it's release over a decade ago: Alexander Payne's Election (1999). Pick Flick!

Is there any setting more misrepresented in movies than high school? Courtrooms, maybe, or hospitals with their staffs four times bigger than anywhere you could actually find. But at least these places use reality as a jumping off point. The majority of movie high schools, with their student bodies straight from central casting and their campuses the size of Ivy League universities, appear to have been fabricated completely to fit the needs of Hollywood producers.

When a movie like Alexander Payne's Election (1999) finally comes along, which rings true in detail after detail, one wonders what they did differently. The success of Payne's film is undoubtedly in large part due to his decision to shoot in a real high school while classes were in session, and to use the actual students of Papillion La Vista High School generously throughout the film. It may seem like a minor decision, but it adds a crucial air of credibility to the movie.

For one thing, they look real high students. It may seem like an obvious point, but it actually makes Election quite a rare specimen. Most movie students look like they're pushing thirty, and dress as if they are on their way to a commercial shoot for Axe body spray. Acting ability aside, the mere act of going through wardrobe and make-up adds a layer of polish that audiences register. In Election, even the more dramatic moments of the story -- Tammy's speech, Mr. McAllister's sabotage --feel less like scripted plot points because the unaffected presence of real students subliminally signals to the viewer that nothing phony is happening.

That realism must also have rubbed off on Broderick and Witherspoon who both deliver performances that stand as career high points. According to the DVD commentary, Payne frequently sent in real students to improvise with his stars. Knowing that their performances were going to be so readily judged against the genuine article must have worked as a safeguard against putting in too many actorly touches. It is especially impressive that Election manages the feat of meshing Witherspoon believably into the mass of ordinary teens, considering she is as glamorous a star as we've got, and Tracy Flick as a role is full of invitations to go over-the-top.

On top of all these benefits, some of the kids are just plain good. Lots of moments that stand out in my memory from Election are the little bits of documentary realism from the students. The kids who ramble through their explanations of morals vs. ethics set the stage perfectly for Tracy and her "Ooh, ooh, call on me!" routine. I also love the boy who delivers that strange cackling heckle when Tammy takes the microphone and the girl who lets loose with a few dance moves when the crowd is chanting Tammy's name. And the kid who ad-libs reasons to Broderick why he needs to retake a test has a naturalism that a lot of pros could learn from.

It's telling that for all its arch filmmaking touches, Election feels more authentic than just about any other high school movies one could name.
*

The Master Is Dead! Long Live The Master

.

JA from MNPP here. In case you missed the news, it seems that Paul Thomas Anderson's next film The Master - which was to star Phillip Seymour Hoffman as the leader of a new Scientology-like religion in the 50s with Jeremy Renner as his disciple and Reese Witherspoon as his wife - has turned into a pillar of salt and gone poof. It's E-meter done gone and flat-lined. I'm sure it supposedly being a thinly-veiled critique of a religion intertwined with a large portion of the Hollywood establishment had nothing whatsoever to putting a pox on PTA's house, I am sure. Sure. Why not.

Anyway this is depressing news for those of us that worship upon the altar of Paul Thomas Anderson. I promised him my first born and all I get are empty promises! It's enough to make you not believe in a higher directing power after all. My faith in movie-making is shaken! I am having a crisis of cinematic conscience! To quote a well-known philosopher renowned for his wise words and his hammer pants, what we need to do is pray. But who does one aim this sort of prayer towards? Christian God is too busy editing all the boobs out of movies to get them down to PG-13. Muhammad doesn't show his face at the cinema. And unless you're willing to sing and dance it Bollywood-style Buddha doesn't take movie requests. Who is the god of movies? Is it Morgan Freeman too?

..Can you hear me, Morgan Freeman? It's me, JA.
.

In all seriousness, if this movie is indeed dead as a dead dormouse, what should PTA turn his attentions to next? Something to get the tweens with their sexting and such on-board could definitely raise his stock I think. Maybe a Love Story 2010 with Zac Efron and his girlfriend. I know, he could remake Boogie Nights and have Katherine Heigl play Amber Waves! It's genius. Fifty million dollar opening weekend in the bag!
.

Streep @60: Music of the Heart

Angela Bassett would like to welcome you back to Streep at 60: Live From Carnegie Hall. Today's topic: Wes Craven's Music of the Heart (1999).

"I want to thank each of you for your generous support and I sincerely hope that you enjoy the blog post."

If you need someone to introduce something, you choose Angela Bassett. It's the only way to go. She will always e•nun•ci•ate for you. I lead off with Angela's intro to the concert which concludes Music of the Heart because this is the sort of film that is entirely about its heartwarming climax. In fact, when it comes to movie narratives, the Inspirational True Story is the subgenre that most begs a swift telling. Inspirational Stories are about inevitable triumphs. The audience knows it's coming so too much dilly-dallying is deadly.

Music of the Heart tells the story of Roberta Guaspari (Meryl Streep) who started a violin program in East Harlem. The program was forever endangered due to a lack of funding for arts education (same as it ever was), but it changed the lives of Roberta, her family, and thousands of students while it lasted.

<-- Streep with her screen son (Michael Angaro way back when!)

When we first meet Roberta she's angry and red eyed, tearing up photos and screaming out the window at movers. Her husband has recently left her and she's moving back in with her mother (Cloris Leachman). With the help of her pushy mom and an old school friend who always had the hots for her (Aidan Quinn) she crawls towards a new life. She wins a teaching job from an East Harlem principal (Angela Bassett) who's impressed by her talent and chutzpah. We spend the rest of the movie watching Roberta find her footing as a single mom, teacher, and Inspirational True Person.

Like The River Wild (previously discussed), the simplistic story is complicated by Streep's detailed characterization. We know when Roberta is worried, turned on, sad, relieved, amused or angry... and she's often angry though Streep is careful to delineate the varieties thereof. Streep's violin skills won attention during the film's release -- is there anything she can't do or pick up quickly should a role require it? -- but that's a technical aspect of the performance that's a necessity rather than an interesting character interpretation. The most intriguing element of her performance is undoubtedly the push and pull between her meek wifely persona and the iron willed single woman she's forcing herself to become. You can feel this especially in the arc of her relationship with Aidan Quinn. Though he's helping her move forward into her new persona, she often seems to be retreating in his presence, replaying her marriage as it were.

Though it's not often discussed when praising her work, Streep's always been particularly skilled at conveying external romantic arcs and the erotic internal (which will hopefully serve her well in Great Hope Springs). I don't mean this in a garish "I'm sexy!" way but in a grounded flesh and blood way. She can hit all the notes that any good actor can about sexual attraction but she also drops enough conflicting suggestions into her performances to keep you guessing about how much Character A likes being with, romantically loves and desires to have sex with Character B and how consistently or deeply she feels or has ever felt those things and whether those types of love are satisfyingly portioned out. If you stop to think about romances, isn't that far more truthful than merely portraying attraction or the lack of it.

"Whoa. Slow down here a minute.
That's a little too much like getting married."

But it's strange to talk about how much she does or doesn't want to have sex with Aidan Quinn in Music of the Heart, because A) who wouldn't? and B) she's playing this romance while entirely buried in Wal-Mart's Old Maid line. Question for all: Is Roberta Streep's frumpiest character? You'd barely know she had breasts or hips underneath all those layers and heavy ankle length dresses. Roberta barely remembers that she has them either, given that her two sons are forced to play matchmaker in the second act.

About that second act. Music of the Heart is more enjoyable than its reputation suggests but it does lose considerable steam when it jumps forward ten years. There's a fun moment shortly before the movie's phantom intermission when Roberta conspiratorially teaches her students to make the audience wait for the final notes of a song. The promised moment of silence and release in the mini-concert is quite a satisfying finish. (There's even a slo-mo fadeout like the movie is ending!) Until, you realize, that was only the curtain on Act 1. You've now seen Roberta triumph over her past meek self, lazy students, disbelieving faculty, and her commitment-phobic boyfriend. Now, you'll watch her triumph all over again but on a larger scale.

Roberta's artful baiting , that "wait for it..." theatrical finish, only lasts a few beats. Craven's "wait for it" finish involves a whole second movie. Roberta teach her students discipline. Wes Craven, taking a rare step outside the horror genre for this true story, merely tests his audience's patience.

Music of the Heart is moving, yes. I teared up, I did. But what Inspirational True Story involving kids and learning isn't? Streep makes a valiant effort with Roberta, though, and her sensitive performance is the best and arguably only reason to see this inelegantly structured, awkwardly told story.

♫

As you may know, Music of the Heart netted Streep her 12th nomination. Some context now.

That honor tied Katharine Hepburn's nomination record and kept Jack Nicholson permanently at bay (the next time he was nominated, she was too). It took Hepburn 49 years to win 12 nominations. Streep did it in only 21. Hepburn is still the champ for Oscar wins with 4 competitive statues to her name. Streep's insane nomination record is working against her when it comes to actual wins. When you're nominated in more than 50% of the Oscar races in your working lifetime -- she has been -- what incentive do they have to give you yet more recognition in the form of a win?

for 1999 the nominees were

• Annette Bening, American Beauty
• Janet McTeer, Tumbleweeds
• Julianne Moore, The End of the Affair
  
• Meryl Streep, Music of the Heart
• Hilary Swank, Boys Don't Cry *Nathaniel's vote*
  

Whatever one thinks of the merits of Streep's nominated performance, deserving or not, it was her most obvious "default" gong. My guess is it's the only competitive field in which she ran 5th in the final voting tallies.

Other 1999 women for context
It was not a competitive Best Actress year. Though there was critical love for Reese Witherspoon (Election) anti-comedy bias and poor box office worked against her worthy hilarious performance as Tracey Flick. Cecilia Roth (All About My Mother) had a passionate but very small fanbase. Beyond that, it didn't seem like anyone was really competing: Michelle Pfeiffer (Deep End of the Ocean, The Story of Us) had a double dose of loud pre-release hype that didn't translate to actual buzz once the films underwhelmed, other Oscar-types like Jodie Foster (Anna and the King), Sigourney Weaver (A Map of the World) Susan Sarandon (Anywhere But Here), Kate Winslet (Holy Smoke!) and Kristin Scott Thomas (Random Hearts) failed to generate enthusiasm for one reason or five others. Meanwhile, Julia Roberts (Notting Hill, The Runaway Bride) ruled the box office and Franka Potente (Run Lola Run) made a frantic dash through the nation's arthouses.

Nathaniel's medals would divvy up like so...

• Gold (Winslet. I still think Holy Smoke! is her best work)
  
• Silver (Swank)
  
• Bronze (Bening or Witherspoon?)
  
  For the fifth nominee I'd go with either Moore, Potente or Roth. (I haven't seen McTeer's much lauded Tumbleweeds performance.)
  

Do you have strong feelings, warm or otherwise, towards Music of the Heart? Who would make your 1999 Best Actress list?
*

Hedwig and the Angry Link

Michael Reidel Hedwig and the Angry Inch made it from stage to screen and now it's going back again. [Insert a billion exclamation points here] The cherry gummi bear on top: John Cameron Mitchell will reprise his classic role. This show is a-ma-zing live. One of the best experiences I've ever had in the theater way back in 1999 or so. You must come to NYC and see it. Between this and Rabbit Hole, John Cameron Mitchell may have an incredible 2010
MNPP alerts us to the must-read sounding book "The Girl in Alfred Hitchcock's Shower". I already want this to be a movie.


MovieLine an imaginary apology from James Cameron for making you sit through Avatar
Cinema Blend Anna Faris to get all Goldie Hawn in a remake of Private Benjamin. Hey she sold Cameron Diaz with great flair, didn't she?
The Playlist has details on Steven Soderbergh's Contagion. The cast list is almost frighteningly A-list huge. Even if it's a disaster, it'll get a SAG ensemble nod.
Just Jared Reese Witherspoon in talks to play a country singer (again). If at first you do succeed...repeat.
Banana Penis [nsfw] Did this predate An Education or is someone using movies brilliantly for safe sex promotion?
Empire State of Mind pretty fun Star Wars by way of Alicia Keys video
Popnography skewers Miley Cyrus and The Last Song and suggests a gay alternative
Blabbeando If you're tired of catty remarks about Ricky Martin's coming out, try this on for size. Definitely something to think about.
(Le Sigh)... Isabelle Huppert to guest star on Law & Order: SVU. The apocalypse is nigh. Someone please shoot me!

Finally, remember that unusual zombie movie I told you about that won the Nashville Film Festival? It's called Make-Out With Violence and if you're curious about it you can now "save it" to your Netflix queue.

<--- poster design by Family Tree

If the movie gets enough 'saves' Netflix will purchase copies to rent out. I really marvel at how many ways there are to distribute movies now and how hard it still is for filmmakers despite all those channels, even when they have a quality movie on their hands. I don't think Make-Out is a perfect movie but it sure as hell was made by people with a filmmaking eye. And it makes you want someone to give the Deagol Brothers more money to make a second feature and see where their talents can take them. This is one of the obvious drawback of film festivals... you see work by all sorts of interesting off-the-map talent and then you return to the real world and notice how many hacks are so gainfully employed by Hollywood. Not that film festivals don't have their own "keep your day job" failures ... but this movie is definitely not one of them.

Random Saturday Evening Thoughts

I've been cleaning the apartment, making party favors, half watching Oscar specials on TV and shopping to prep for the party. No time for writing (sorry!) and anyway I'm running on fumes for this year's big night. Herewith a few random thoughts...

• Watching Quentin Tarantino spazz out over love of cinema this and that on Charlie Rose's Oscar special. The Boyfriend says "If Tarantino didn't exist Joss Whedon would have invented him." Ha ha. So random. And, yet, so true. He is like an evil genius pop culture geek.
• Oprah special. Penélope Cruz's favorite movie is 8½. Who knew? I don't think Halle Berry has seen it. She made one of those non-committal mmmm noises when Pe mentioned it. And then they talked about how amazing Glenn Close was in Fatal Attraction, Halle's favorite movie. Which... yes. Glenn Close is on this same special talking about just that. This is the second time I've had the special on in the background and I just hate watching Glenn's face while Michael Douglas is talking about his two Oscar wins. (sigh) The world is stone.
• Was burning a mix CD of this year's movie tunes. Turns out Precious and Fantastic Mr. Fox make for awesome interstitials and The Best Original Song category is slightly more hideous than I had allowed myself to see... hear. My ears!
• I believe this is the first time I haven't completed my own awardage before Oscar night which is terribly frustrating but sigh the scrapbooking of each cinematic year is a circuitous journey. It gets there when it gets there.
  
• Legally Blonde is playing in the background and it's still such an adorable cartoon. I want to love Reese Witherspoon in something again real soon.
  
• Maybe Michelle Pfeiffer is going to be presenting at the Oscars after all? This interview with one of the show writers implies as much.
  

How are you spending Oscar Eve?

Forbes 100: On Actresses and "Power"

As you may know, the annual Forbes 100 is out. This 'Celebrity 100' list is also referred to as "World's Most Powerful Celebrities". Which... well, I wonder. The list ranks the celebrities based on their media visibility and earning power. Media + income = power. All lists are subjective but it seems strange to assume that visibility equals power. It can but I doubt it automatically does. Is Lindsay Lohan a powerful person because the paparazzi follow her around? If so, what does she hold sway over... legging trends? Can she get movies greenlit? She didn't make the list but it's just an example.

Another funny/strange thing: It only goes to show you that becoming enormously popular at one time in history can keep you on these lists in perpetuity. Witness the staying power of Sandra Bullock and Harrison Ford on lists such as these.

Here are Forbes top movie actresses...

01 Angelina Jolie
There's no disputing her fame. Would that her influence was as indisputable. Celebrity philanthrophists are often subjects of loathing from many pockets of the media and various segments of the general populace. Why that is I'll leave it up to social theorizing in the comments [A History of... Angelina Jolie]

08 Jennifer Aniston
She was my favorite member of Friends back in the day but I realized as soon as she transferred to the cinema that I was a fan of "Rachel" rather than Jen. Sometimes when thinking of Jennifer Aniston, Lisa Kudrow and Courtney Cox in tandem it becomes clear that Brad Pitt is to blame for her ubiquity. But then I think of my beloved Juliette Lewis and... well, the world isn't fair.


58 Sarah Jessica Parker
Sometimes Square Pegs only need to ignore the round holes and find a new board on which to play. What a difference HBO and "Carrie Bradshaw" made. [More on Sex & the City]

64 Meryl Streep
Her top earning status as she enters her 60s fills me with utter glee despite the fact that Mamma Mia! was terrible. Once, long ago, (very early 90s to be more precise) the same media that now kisses her feet used to belittle her for speaking out about the inequality in pay between actors and actresses.

71 Reese Witherspoon
Earned $15 million last year. Usurping all of Jake Gyllenhaal's time? Now, that's power.

73 Cameron Diaz
Forbes is pushing the notion that we should have her on our Best Actress Oscar lists for My Sister's Keeper. What say ye?

74 Nicole Kidman
She takes a beating in the American media but she's still an international draw. Plus she's, you know, awesome if you care about the cinema rather than just 'the movies.'

85 Anne Hathaway
She only made $7 million for Get Smart? For some reason I thought she pulled down more than that already.

87 Drew Barrymore
Still a double threat as Producer/Actress. Every time we hear about Drew's next project, the roller derby film Whip It!, it's mentioned in connection to Ellen Page's rising stardom post Juno. But have you checked out the supporting cast and their character names? Drew as "Smashley Simpson", Kristin Wiig as "Malice in Wonderland", Juliette Lewis as "Dinah Might", Eve as "Rosa Sparks". I only hope the movie is half as fun as the milieu and moniker imply.

92 Sandra Bullock
Forbes implies that her return to romcoms justifies her placement. Is she headed for a major comeback this year with The Proposal and All About Steve?



Most random finding on this list: Jennifer Love Hewitt is at #99. Other than her power to stay on television year after year after year after year (Jennifer Love Hewitt in the reboot of Murder She Wrote... coming your way in 2038!) I had no idea that she wielded any, let alone that she was the 5th most powerful TV actress . I didn't know that she was more powerful than three Desperate Housewives and that Gossip Girl... more powerful yet than Eliza Duskhu who is infinitely hotter and shares Hewitt's power to stay on the airwaves.

You know what I'd like to read? A list that seeks to quantify the overall influence of celebrities as opposed to their income or household name status. Who has trickle down power? I always think of that "cerulean" scene in The Devil Wears Prada when I think of cultural influence.

This... 'stuff'? Oh... ok. I see, you think this has nothing to do with you. You go to your closet and you select out, oh I don't know, that lumpy blue sweater, for instance, because you're trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don't know is that that sweater is not just blue, it's not turquoise, it's not lapis, it's actually cerulean.

You're also blithely unaware of the fact that in 2002, Oscar De La Renta did a collection of cerulean gowns. And then I think it was Yves St Laurent, wasn't it, who showed cerulean military jackets? And then cerulean quickly showed up in the collections of 8 different designers. Then it filtered down through the department stores and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and so it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing the sweater that was selected for you by the people in this room. From a pile of stuff.

Wouldn't more specialized celebs like, oh, Parker Posey in the 1990s or Björk or Tilda Swinton make lists that quantify cultural influence? They're famous, referenced, idolized, admired, stolen from, imitated and occasionally worshipped in fashion, music, media, cinema. They're not interchangable with the next up and coming starlet. But, alas, they aren't ... Jennifer Love Hewitt.
*

Now Playing: Giant-Sized Women

links go to trailers

L I M I T E D
Guest of Cindy Sherman This documentary sounds fascinating. It's about Cindy Sherman, the famous multihyphenate artist, but it's also about the awkward "plus one" status of those who date people exponentially more famous than themselves. Directed by a former boyfriend of Cindy's, the artist Paul H-O.

American Swing a documentary about the swingers movement in tumultuous 70s New York

The Education of Charlie Banks is a coming of age tale set in upstate New York in the 80s. Jesse Eisenberg, so great in both Roger Dodger and The Squid and the Whale, stars. Is he about to break through to wider fame? This would be the year to do it. He's got about approximately nine pictures opening in the next 24 months. Craziness. This is Fred Durst's (Limp Bizkit) directorial debut. (Next up for Eisenberg is Adventureland with Kristen Stewart)

Shall We Kiss? French romantic comedy starring Michaël Cohen, who happens to be the "plus one" (i.e. husband) of the far more famous French goddess Emmanuelle Béart -- see how I'm working a theme into what might otherwise be a really dull "informational" post? I'm amazing. I work so hard pour vous, n'est-ce pas? --Béart is sadly not in this movie. Michaël's lips are busy with co-star Julie Gayet.

Spinning Into Butter This long delayed screen adaptation (filmed in 2005) of a hit play that once starred Hope Davis (replaced by Sarah Jessica Parker for the movie) is about racism on a college campus. Beau Bridges, Mylketi Williamson and Miranda Richardson co-star. I was suspicious of this movie the first moment I saw SJP's flat brown color job. I'll never understand why filmmakers tend to think reducing the style/beauty of actors makes a film more potent dramatically speaking. Usually it just makes the movie appear as as flat as the hair. Boo to deglam.

Goodbye Solo this well reviewed indie is about the unlikely friendship between a Sengalese immigrant and a good ol' southern boy. From writer/director Ramin Bahrani whose last picture, Chop Shop won him the "Someone to Watch" Award at the Indie Spirits.

W I D E
12 Rounds I hadn't even heard of this movie until I started typing this sentence. But I thought it looked familiar. It turns out I knew its parents!

Its poster parents, that is. 'Lil 12 Rounds'... so cute! Although he's really too young to be playing with so much firepower. No matter how violent his parents happen to be.

The Haunting in Connecticut I'm starting to feel like the horror genre actually produces more movies each year than even Bollywood. This one stars CGI gunk that projects out of the mouths of young boys (I'm just guessing from the advertisements). Virginia Madsen is aghast! You would be too if you could do what she can do and this is all your agent could find for you.

Monsters vs. Aliens Reese Witherspoon (well, her voice) gets all giant-sized in this 3D animated adventure.The movie has found a way to humorously visualize what we all subconsciously know to be true. That Reese towers above us all. She could crush anyone on a whim. This looks like fun and box office pundits claim it will tower over the competition, crushing them with ease.

I Dream of Celebrity

In slumberland I was at an exclusive celebrity shindig directly following a mega budget photo shoot by David LaChapelle that I had starred in (Thank you id! Be silent superego). Details are fuzzy but I saw/spoke with Jackie Beat, Judy Davis, Tahmoh Penikett, Rufus Wainwright, Terence Stamp and Marisa Tomei. One can't imagine the filofax that would contain each and all of them but it surely belongs to an oneirologist.

I shared a table with Olivia Newton-John and Cyndi Lauper who both smiled at me simultaneously. For a split second I was 10 and unimaginably happy but then I became my jaded adult self again. I tried not to mention that the dream would have been better if Madonna had been seated between them. The last thing I remember was chatting up Reese Witherspoon. I told her that her drink looked like a candy cane and she laughed. Her civilian guest glared at me, angry to see her meal ticket's attention temporarily diverted.

I didn't want to wake up.

Who is the last celebrity to make an appearance in your dreams?
(Not the daydream variety. We'd be here all day!)

Now Playing: Gay Activism, High Concept Merriment, and Sun-Blasted Romance

Only four movies dare stare-downs with Edward & Bella (Twilight) in their second week of Harlequined romance. Your new releases, from least to most screens (links go to trailers)

Milk - In the grand tradition of most of the best movies of any given year *sigh*, this straightforward but artful and expertly acted bio of a great American is only available to you if you live in big cities. The rest of you will have to wait until Dec 5th or 12th. It's worth the wait.

Transporter 3 -Surprising but true fact: I have never seen a Jason Statham movie despite finding him to be one sexy m*********

Australia -It took visionary Baz Luhrman (i.e. the wizard of Oz) 8 years to make a follow up to Moulin Rouge! You can blame that on his aborted production of Alexander the Great (which was to have starred Leonardo DiCaprio, Mel Gibson & Nicole Kidman) and his general filmmaking timetables. Movie # 5 coming sometime in 2013. This epic WW II adventure romance is very much a MOVIE. Read the review.

Four Christmases -Vince & Reese are described as a "happily unmarried couple" in the synopsis of this holiday flick. Which means you know it will end with their engagement or marriage and maybe even a pregnancy announcement. If we've learned anything about mainstream Hollywood all quadrant efforts they are totally into reinforcing heternormativity which means we can't have our Miss Witherspoon living in sin with no feeling for children. But first this unwed couple have to (presumably) learn life lessons by reluctantly visiting their broadly comic families. Am I getting warmer? (Tell me if you've seen it.)

Expect it to be a massive hit --top ten of '08, easy-- because there's baby vomit in the trailer and apparently baby vomit is hi-lar-ious! Possible silver lining: the cast (Vaugh, Witherspoon, Favreau, Chenowith, Duvall, Steenburgen, Spacek, Voight) is rather merry: Five Oscar winners for a high concept family flick? It's like they're trying to one-up Meet the Fockers.

Are you seeing something new this weekend?
*

Red Carpet Lineup

I decided that my red carpet series needed a new look. So I've adjusted slightly. I'm guessing I like doing it more than you like seeing it but whatevs. I blog for me. Me! Me! Me! So with my perplexing obsession with celebrity heighth in mind (I'm not a macrophile in my civilian life. I swear) I've coopted The Usual Suspects poster. Partially because I like to showcase actresses who most blogs who feature celebrity photos ignore. So... get it? It's tagline humor: "you've got to look beyond the usual suspects" No? Anyone? I blog for me. Me! Me! Me!

Anyway the blogs that showcase all the red carpet photos are obsessed with people like Phoebe Price, Heidi Montag and Kim Kardashian and honestly I don't even know who those people are. My brain is too filled with real actors to make room for these people, whoever they may be and whatever they may do. I don't need to know.

Here we go. On the carpets this week...


Saffron Burrows (or 'Mrs. Fiona Shaw' as I like to call her) is a tall drink of water and quite a looker. Fiona is a lucky crazy lady. Thespians Ruby Dee & Sissy Spacek I've grouped together. They're both so tiny. First person to guess why I've placed them side by side earns my immediate respect and may choose the banner motif next week. But one question: Is Sissy Spacek training for a roll in Kill Bill Vol. 3? What is that ka-ra-té outfit about? It's better not to ask what Sally Kirkland is "about" but merely to enjoy her flamboyance and her death's grip on her own peculiar celebrity. It's been 21 years since her one and only Oscar nomination (for Anna) and she still works the red carpet circuit like a tireless coke-fueled 21 year old starlet. It's like she's always looking for work and will be noticed. Naturally I love her. Kristin Chenowith is not even 5 foot tall! All that cuteness and those huge multi-octave pipes are packed into but 59 inches. And like I mentioned some time ago live-blogging, I love that she always wears huge bows like she's offering herself up as gift. It's astute self analysis, non?

Meanwhile Reese Witherspoon and Jennifer Connelly are like "This line-up is too C-List for us. We're outta here." But Jennifer, honey, what have you done for us lately?
____ Reese, you're free to go.
*

Most Link'ly to Succeed

Towleroad Liz Taylor hits West Hollywood gay bar. Health scare #400,328 has passed for now
NY Times Can I marry Manohla Dargis? This review of Righteous Kill is pure awesomeness
Defamer wants to know why Reese Witherspoon isn't top billed on movie posters? Duh Defamer, she has a vagina!
Flickr check out these great commissioned Mad Men art pieces (you're watching that show now right? [src]


MTV Movies Blog As one of the only Million Dollar Baby cast members without an Oscar, Anthony Mackie has something for your consideration: a biopic of Jesse Owens
Bauer Griffin Guy Ritchie's 40th birthday party. Wheee
Awards Daily on Che. IFC's release plans. Sound crappy to me. Video on Demand for a 4 and 1/2 film on your television or computer. Yikes.
My New Plaid Pants Michael Douglas as Liberace for Steven Soderbergh. Such strange news
Gallery of the Absurd Dolly Parton art show in LA. Looks fun. Which one of you will go and report back to TFE?

Vanity Fair's Hollywood ~ Episode 5 (1999)

The Hollywood Historian in me continues his work after a long sabbatical ... Missed other episodes? See: 1995 , 1996, 1997, 1998 | 2000, 2001, 2002, 2003, 2004 and 2005

In 1999, Vanity Fair went both a little crazy (14 people? The most ever for a Hollywood cover) and a little blah (seriously now, zzz). This issue gets my vote for worst cover in their history of Hollywood editions. They called it "New Kids on the Block" as if they were trying to date it instantly. I called it "Call me in Spring 2000 when the next one comes out." None of them look like they're in the mood to due boy band choreography or even sing one bar of a power ballad.

Adrien Brody, Thandie Newton, Monica Potter, Reese Witherspoon, Julia Stiles,
Leelee Sobieski, Giovanni Ribisi, Sarah Polley, Norman Reedus, Anna Friel,
Omar Epps, Kate Hudson, Vinessa Shaw, and Barry Pepper.

Adrien Brody, newly 26 years-old, had just come off of an extremely disappointing role downsizing in Best Picture nominee The Thin Red Line (see fascinating time capsule interview from several years back) --originally touted as the lead he was barely in the film by the time notoriously slow filmmaker Terence Malick was through with it. He had not yet been cast in The Pianist which would prove his rather massive critical / awards / Halle Berry kissing breakthrough. He was on the cover, as they often are because he was busy... already popular with casting directors with 5 performances emerging between 99 & 00 (his stripper in Spike Lee's Summer of Sam and his union organizer in Bread and Roses chief among them).

Thandie Newton was also 26. 1998 had been a big year with both Bernardo Bertolucci's Besieged and Jonathan Demme's Beloved haunted by her beauty. All was not rosy thereafter. She snagged the female lead of Mission: Impossible 2 (2000) but it did as little for her as the previous film had done for Emmanuelle Béart stateside. Interest was renewed with her memorable supporting part in Crash (2005) and buzz has it that we'll next see her as Condoleeza Rice in Oliver Stone's Bush bio W. (2009).

Monica Potter, about to turn 28, was one of many actresses who were weighted down with "next Julia Roberts" buzz. Believe me, it was a plague that decimated the female 20somethings of Hollywood that entire decade. She had been in two hits Patch Adams and Con Air and would be in a couple more (the already forgotten Along Came a Spider, 2001 and the unfortunately remembered franchise-spawning Saw, 2004) Her last big gig was a stint on TV's Boston Legal.

Reese Witherspoon, all of 23, was still an up and comer and she was about to marry Ryan Phillipe, whom she had been dating since '97. Hopes for her career had stayed high mostly due to her impressive and soulful debut in The Man in the Moon (1991) but none of her films had been hits. That wouldn't change in 1999 (though Cruel Intentions nearly did it) because Election, the film that announced her formidable talent with the subtlety of a megaphone, also flopped in theaters (though it's better remembered than most of the smashes of that year... quality does sometimes win out in the end. It just takes a long time --Tortoise and Hare, you know). Two years after this cover, Legally Blonde would open and she'd join Hollywood's A list to become the biggest star to emerge from this cover's gelatinous mass of wannabees ---seriously. There's way too many people on this cover.

Julia Stiles, newly legal at 18, probably won this cover treatment on the basis of the just-then opening lead role in 10 Things I Hate About You (co-starring the late Heath Ledger). She worked a lot in the years that followed in films both successful and otherwise but her career didn't grow as much as people expected or she herself expected for that matter (that's my presumption from some interviews at least). Today people are still familiar and she is pretty terrific in that tiny role in the Bourne series.

Leelee Sobieski, also known as 'Helen Hunt Jr' among my crowd at the time, was a critical darling turning 16... a status I never understood how she achieved so quickly. Never could I understand her appeal but she worked steadily from her debut in the Tim Allen comedy Jungle 2 Jungle (1997) through the blockbuster Deep Impact to Kubrick's controversial Eyes Wide Shut and the horror thriller Joy Ride (2001). She's never stopped working but the press definitely stopped paying attention, ignoring her from about 2002 onward just as suddenly as they'd once inexplicably decided to dote on her. She's in the new Al Pacino thriller 88 Minutes which is about to open.

Giovanni Ribisi, from the twitchy school of acting that also spawned Jeremy Davies was 24. He had already worked a lot in indies with his biggest claim to fame being part of Saving Private Ryan's young soldier ensemble the summer before this cover was shot. He had eight projects open between this cover and the end of 2000. Presumably he slept some time in 2002 or thereabouts because every year brings several films. His career has been cooling off considerably but he's part of the next buzzy Michael Mann picture Public Enemies so his career might find its second wind next year.


Sarah Polley, 20 at the time, just had quite a year with an Oscar nomination for her first full feature behind the camera Away From Her. But we're talking 9 years ago, aren't we? Nine years back she was a critically celebrated actress with The Sweet Hereafter (1997) behind her for which many people thought she deserved an Oscar nomination. She had four movies coming out the year of this cover, the most famous of which would be Doug Liman's Go. Sarah hasn't totally given up acting (two movies coming next year) but expect more work behind the camera, too.


Norman Reedus at 30 was the oldest character on this cover. This former model was about to have a baby with longtime girlfriend Helena Christensen (they split up in 2003). He had made a few indies directly before this cover as well as the horror sci-fi flick Mimic (1997), which was his first picture. The heat was on with three more small films due in 99 but he never "broke out" as it were. He stayed mostly in indies with the occasional small role in bigger films dotting the filmography like Blade 2 and last year's American Gangster.

Anna Friel, about to turn 23, had up and comer buzz despite very little screen work. 1999 was an important year for her (see time capsule interview) as she was part of the quartet of players in Broadway's Closer (which became a film in 2004 --she played "Alice", later become Natalie Portman's role) and she was also in the ensemble in the umpteenth film version of A Midsummer Night's Dream (this one with Kevin Kline and Michelle Pfeiffer). Everybody forgot about her for awhile but she's more popular and adorable than ever, suddenly, as one fourth of Pushing Daisies central quartet of players. She's "dead girl" ...but you knew that already if you've been watching.

Omar Epps, nearly 26, had gotten his film start in the Harlem set drama Juice(1992) with Tupac Shakur and had been working steadily in both TV (ER) and film up until this cover. 1999 was a big year with three major roles (The Woods, In Too Deep, and The Mod Squad) and 2000 would be equally crowded but success was only moderate. Lead film roles dried up and he moved over to TV in 2004 as a regular cast member on the Emmy nominated House, M.D.

Kate Hudson , turning 20, had an Oscar-winning superstar mother (Goldie Hawn) but little else to recommend her for this cover. Major stardom of her own would arrive approximately a year and a half later when Almost Famous (2000) opened, for which she received an Oscar nomination and became a mainstream media staple. One romantic comedy blockbuster followed (How to Lose a Guy in 10 Days, 2003) but, honestly, she gets a lot of attention for how little success her films have hand. And that filmography: yikes!

Vinessa Shaw, nearly 23, was known from her work as a teenager on television and in films like Hocus Pocus and Ladybugs. Nothing major but the Kubrick film Eyes Wide Shut (pictured, right) was in post-production when this cover was shot and the buzz on her appearance/sex appeal in the mystery shrouded film was fairly loud. Not sure why a bigger career didn't materialize but you'll probably remember that she did a brief Russell Crowe snogging act in 3:10 to Yuma last year.

Barry Pepperwas turning 29 and the previous year's feature film landscape had suggested that he might be breaking free of television, where he had spent the first six years of his Hollywood career. In 1998 he had played a memorable sniper role in Saving Private Ryan and supported Will Smith and Gene Hackman in Enemy of the State. A role in Best Picture nominee The Green Mile followed this very December and then he hit the brick wall that was the Scientology inspired Battlefied Earth(2000). The future didn't hold big successful lead roles after that but damn he was good in 25th Hour (2002), don't you think? Next up: supporting Will Smith again in Seven Pounds this Christmas.

Anna Friel ~ then and now

median age: approximately 24. Youngest: Leelee was still fifteen when the cover was shot. oldest: Norman Reedus @ thirty
collective Oscar nominations before this cover: Zilch
collective Oscar nominations after this cover: 4 (Reese, Adrian, Sarah and Kate), 2 of which led to big wins (Witherspoon in Walk the Line & Brody in The Pianist)
fame levels in 2008, according to famousr, from most to least: Reese Witherspoon, Kate Hudson, Julia Stiles, Adrien Brody, Omar Epps, Giovanni Ribisi, Thandie Newton, Leelee Sobieski, Sarah Polley, Barry Pepper, Monica Potter, Vinessa Shaw (Anna Friel and Norman Reedus are not listed on the website)
see also: 1995 ,1996, 1997, 1998, 2000, 2001, 2002, 2003, 2004 and 2005.
*

don't miss future installments. Yes I will one day get through them all