The King's Acceptance Speeches Begin

King and Queen of the BIFAs

The British Independent Film Awards forced the reluctant king to the mic again when they gave Colin Firth the Best Actor prize for his stammering royal in The King's Speech. The BIFAs also gave the movie 4 additional prizes: Helena Bonham-Carter and Geoffrey Rush took their first wins of the season and the film won screenplay and the BIFA equivalent of Best Picture "Best British Independent Film."

The smear campaign or truth-telling depending on how you view these things has also begun but the Oscar buzz isn't letting up any time soon.

After the jump the complete BIFA winners list with commentary.

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Live Blog: The Hollywood Reporter Actress Roundtable 2010

The actual hour-long Hollywood Reporter video of the six actresses who grace their cover: Annette Bening, Nicole Kidman, Amy Adams, Hilary Swank, Natalie Portman and Helena Bonham-Carter. Here's how it breaks down if you don't have a full hour to watch (video at bottom of post). Unfortunately you can't "scroll" so the time stamps are useless as I type away.

0:01 Helena talks about first day-i-tis. Never thinks she can do it. I can't act!
1:30 Amy talks about being unemployed and feeling sorry for herself (interesting bit... both sad and funny) and the long time period where she considered giving up. But now that she's successful, what doesn't she like about her career?

Amy: I feel very vulnerable. I don't like it at all. You're very subject to other people's opinions. You know when it doesn't go well. 

Hilary: We know when it doesn't go well. We don't need to be beat over the head with it.

Oopsie!

5:00 Swank talks about trying and even if you fail, always try your hardest. Ah platitudes! I didn't get enough of 'em on election night.
6:48 Annette is asked about her input into making The Kids Are All Right more of a comedy than it originally started as...

Annette: I just didn't want it to be earnest. But she's (Lisa Cholodenko) also kind of too generous when she talks about me and my contributions.

9:00 Helena interrupts to talk about the vibrator scene (but says she hasn't seen the movie).
10:30 Hilary complains that she can't find good comedies. Uhnnh, you're not a comic actress. We're 10 minutes in and Nicole has said NOTHING. I need Nicki. But she was like this at the Margot at the Wedding press conference I attended, too. She is kind of robotic until directly addressed. I say that with the utmost love but it's like she's a robot until the movie camera is on or the press cameras are off. It's... odd.
12:00 Natalie Portman calls the Black Swan screenplay "a blueprint." and reveals that she and Darren Aronofsky have been planning to make the movie for the past 9 years (!) and credits Nicole with the following great career advice...

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Six Actresses Walk Into a Room...

The Hollywood Reporter is proclaiming that "Awards Season Begins Now" but the cover is freaking me out. Did Nancy Meyers direct it? It's so beige.

Do Amy Adams, Nicole Kidman, Hilary Swank and Natalie Portman all suddenly have the same hairstylist & colorist these days? They're interchangeable. And with women that special, that's a big no-no. Kidman's styling bugs me the most. It's so Blair on Facts of Life.

Am I right?

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Yes, No, Maybe So: The King's Speech

I suppose I must pick up my Oscar-pundit speed now. Sorry for the delays...

Let's talk about The King's Speech



As you know this film came roaring out of Toronto as the audience award winner (see previous post) and The Film to Beat at the Oscars... unless you think that's The Social Network but it's since it's only late September fans of either (in reality or in theory) need to calm down. We were always confident that The King's Speech was an Oscar film even before they started filming which is why we've predicted it for several nominations since April. But now that the trailer is here allowing non-festival goers to have a looksee, what do we think?

On the bright side, it looks fun. Or at least it looks fun to anyone who loved watching Eliza Doolittle learn to properly e·nun·ci·ate. It also gives Colin Firth a meaty role that seems like a reward for elevating A Single Man (2009) (but for the fact that he probably signed for this before anyone saw how great he was in last year's nominated turn). I'm also THRILLED -- and yes it needed to be typed in all caps -- to see that Helena Bonham Carter has managed to escape Burton's gothic dungeon for some badly needed air. She's probably heading straight to her second Oscar nomination with relative ease; You know how they love those supportive wives. What's most surprising about the trailer is that the production values look superb and not in some vaguely rote prestige way but with a vividly handsome specificity. I didn't expect great visuals so maybe Tom Hooper's Best Director buzz isn't so far-fetched for a film that on paper seemed like one for the acting and production design branches mostly.

On the other hand, I am completely allergic to Geoffrey Rush in hambone mode. His win for Shine (1996) is one of my least favorite Best Actor prizes in the category's history and they nominated him for the entirely wrong film in 1998 as he was much more restrained and effective in Elizabeth than he was in Shakespeare in Love. He looks to be bringing the kook to scenes that already have inherent kookiness (speech therapy's comedy friendly exercizes) and I may just break out in hives watching him go for a second Oscar. I'm taking epipen into the theater with me... just in case.

Then we come to the Oscar Bait -- as if Royalty Porn weren't enough of it -- which is the World War II 'Nazi's are coming!' time frame. I hope it's less awkwardly handled here than it was in Mrs. Henderson Presents which this film vaguely reminds me of sight unseen. That's not a purposeful mental jump. It's worrisome rather but probably just based on account of early Oscar buzz, prestige actors, and the world war haunting the periphery of a "light" film.

Again, I might need the epipen but the festival buzz is certainly something to think about in an optimistic way. I'm a Yes leaning Maybe So because, again, Geoffrey Rush is a total No for me most of the time ...especially whilst clowning around. Look, we can't help what we're allergic to. Don't give me a hard time about it.

Are you a Yes, No or Maybe So? And do you buy the Oscar frontrunner (or thereabouts) hype?
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Thoughts I Had While Watching... Alice in Wonderland

[Sigh]. You guys...

"Where have you been lurking?"

I've been meaning to write about Tim Burton's Alice in Wonderland for weeks now. But every time I so much as thought about doing so I felt a pit in my stomach as deep as that rabbit hole to Underland. I hate the movie sooooooo much. The flames... breathing... on the side of my face.

Why must it exist to taunt me with its billion dollar gross? Way to reward a filmmaker for lazy stagnation. Just pick a famous property, collect your usual coconspirators and then throw shit at the screen. Literally! You can convert it to 3D later. A billion dollars will be yours! As long as the masses recognize the title and you have a bankable star, you're gold. (See also: Sherlock Holmes).

I can't bear to watch the movie a second time. I usually skim back over when I write about films -- so these are just a few scattered thoughts expanded from my notes and my tortured memories of the nightmare witnessed.

<--- Alice sees a green spotted pig because, why the hell not? Nothing has to make any sense. The very essence of the property robs the lazy of having to pick which of their visual ideas to use.

Underland
What was with the "Underland" thing anyway? If you wanna get cute about messing with the title, at least have the balls to change it. Tim Burton's Alice in Underland would still be a stinking pile, but a rose by any other name would not smell as rancid. It can be quite enjoyable and fascinating to see artists riff on past stories, concepts and ideas from previous artists which is why we should all be thankful for the public domain (which greedy corporations are always trying to end... as if they had any hand in the original blood sweat and tears creativity). Once a story has been around for 50-75 years, shouldn't it belong to the world in actuality the way it belongs to the world in the abstract sense?

But just because you can riff on a past work, doesn't mean you should. Especially if you have nothing of value to add.

Ugliness
Mia Wasikowska is a pretty young thing but Alice is a dud. And she's even slightly ugly of personality at the end. Why does the screenplay make her mean spirited? At the end of the movie she actually humiliates her suitor by mentioning an unattractive health problem he has (I forget what it was). Yes, she is right to refuse the marriage offer from Lord Doofus (I don't care what his character name is, it matters not). But to humiliate him while doing so? Most lazy pandering movies present the unsuitable suitor as SO unsuitable that virtually no one should ever marry them. Said suitor should die miserable and alone. Remember WAY back in the day (a decade back, I guess) when movie women did not have hateful suitors or fiancees? As recently as the 90s filmmakers used to trust the audience to understand the nuance of "this guy is not right for her, which is too bad because he's kind of cool/nice." (see Reality Bites, Sleepless in Seattle and others). It wasn't always "this guy MUST be humiliated because he is so awful and oh, the very thought of her with him! You go girl, dump his ugly/insufferable/rude/unfeeling/cheating ass!" I swear to God Hollywood thinks we all have the EQs of lint. "This character good *grunt*. This character bad *grunt*."

Wouldn't her film-ending decision have had more gravitas if she had to say no to a good guy because, the dull domestic life wasn't for her. She's made for larger world travelling ambitions. Wouldn't that be more stirring? Something to actually think about while the credits played? I mean who wouldn't run from the life choice presented her? What kind of a character arc is that?

But her ugly insult and lame story arc is only a tiny thing. Everything in the film is ugly, whether by design, color combinations or sheer excess: The sets, the busy costumes, the special effects. Even Anne Hathaway is ugly and how is that possible exactly? That's not possible without the aid of hideous lighting and makeup design.

It's hard to feel bad about The Court and its way of life being destroyed in The Mad Hatter's backstory exposition flashback scene because that is ALSO garish. Sure, burn it down. No one will miss it.

Johnny & Helena & Alan
Johnny Depp has starred in seven Tim Burton films. The first two collaborations are classics (Edward Scissorhands and Ed Wood) The third is solid (Sleepy Hollow). Thereafter its tough to argue that he was necessary or even right for any of the roles. You can't be a daring unpredictable weirdo icon if you become totally safe, predictable and familiar in your daring unpredictable weirdness. These things don't go together. MOVE ON.

The only actors who seem to be working above the material are Alan Rickman, a droll voice choice for the stoned caterpillar with that resonating slightly phlegmy bass of his and Helena Bonham-Carter. Her red queen is the saving grace of the film. Or rather the life raft. The film is not saved but her impeccable timing and focused stylization generally make her scenes tolerable. It's even hard to be annoyed by the nonstop CGI "help" because she knows what she's doing and she's doing it skillfully.


"You've lost your muchness."
This line, spoken by the Mad Hatter to Alice is a good one. It could well apply to Tim Burton, though. He has definitely lost his muchness. In its absence, he compensates with MUCH. The film is always always always too much. Every scene is tricked up with gaseous CGI swirls as if the celluloid can't stop farting.

Even the Chesshire Cat, usually a textbook example of the simplicity of great illusions, doesn't really disappear so much as dissapate into computer generated fumes. Adding to the smell is the distinct impression that the print had been urinated on by someone with a Jabberwocky sized bladder. Why was garish yellow their color of choice?

The movie's over compensating muchness, most obvious in its hideous color palette, busy f/x detailing (wait, this quarter of the frame is empty... throw some weird animal into it! Hurry!!!) and super long redundant sequences which manage to convey exactly one idea each -- fall, chase, fly, fight, etcetera -- reminded me of four other movies. George Lucas's entire ugly Star Wars prequel trilogy has a similar redundancy of one note scenes as well as a shared affinity for grotesque but unappealing creature designs. And most of the action sequences, lamely executed to a one, reminded of that patience testing dinosaur run in King Kong. King Kong was a fairly successful remake but that one scene stuck out like a sore thumb. It added virtually nothing to the story, it was redundant visually, it was OBVIOUSLY special effects (so the film stopped feeling seamless) and it went on forever... at least twice its justifiable length.

These are not good things to be reminded of.
F

<--- "Goodbye sweet hat"

Some final statistics & observations

• Running time in Underland: 108 minutes
• Running time in Nathaniel's apartment: 108 hours
  
• Length of time before I became annoyed: 41 seconds. I blame the absolutely unsurprising score by Danny Elfman. Same as it ever was. I liked his score for Milk a lot recently. Step away from the Burton, Danny Elfman, Danny Elfman.
• Standard length of time before Nathaniel usually starts shifting uncomfortably in his seat hoping that the movie will soon end: 91 minutes (comedy) / 109 minutes (drama) / never (A/A- minus level movies. I just watched The Best Years of Our Lives which is 172 minutes long and I could have watched an additional 220 minutes if William Wyler had only let me. But that's a topic for a forthcoming post.)
• Moment in which I stopped hating the movie briefly but can't for the life of me remember why: Something about the Mad Hatter in his new office making hats for The Red Queen.
  
• Percentage of scenes with more f/x than there needed to be: 89%
• Missed opportunities for subtext: ∞
  
  
• Last time it was super easy to love a Tim Burton live-action movie without reservations: 1996's Mars Attacks!
  
• Last time Tim Burton made a truly excellent movie: 1994's Ed Wood
  
• Moment I began to suspect that Alice was by far the worst movie Tim Burton had ever made: The 43 second sequence in which Alice falls down through the green scree -- rabbit hole and keeps on falling. And keeps on falling. And kept on falling through sloppy green screens and random imagery, furniture and obstacles that she had to duck or collide with. Was it a movie? A video game level? A test reel? A bad drug trip? Whatever it was, it was pointless. I don't know if you've ever timed other big movie sequences but 43 seconds is a really long time. You can fit a lot into 43 seconds if you aren't phoning it in or editing on quaaludes.
  
• Offscreen moment of which I am most ashamed: Wishing Helena Bonham-Carter and Tim Burton would have a horrible row and break up for good. One should never wish ill on happy couples. But she's such a good actress and she's just stuck in ever worsening movies.




• Number of times I wished that Anne Hathaway had never seen Amy Adams' Enchanted performance: 1,194
• Number of times you miss something 3D cool if you watch it in 2D: 0
• Number of times I thought about great Tim Burton films wistfully: 94
• Number of times I even wished I was watching Planet of the Apes or Charlie and the Chocolate Factory: 4
• Number of times I lost the will to live: 1*
  
• Number of times I actually died: 0
• Number of future films by Tim Burton I'd like to see: ...guess.

*I made it all the way through this article without once mentioning Johnny Depp's breakdancing. Wait, oops!
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The Beginning of the End of Harry Potter

Apparently yesterday marked quite a milestone. According to /Film, the Harry Potter series concluded filming just yesterday.

(How cute. They're at the cinema!)

I've never been part of Hogwarts mega-legion of boosters but it's still an historic moment that I thought we should mark here. I only wish that the series -- which has already earned more money than anyone could ever count or need -- hadn't popularized the greedy "split the last film into two" grab that every studio will now employ for all popular franchises. We haven't seen the results yet but one assumes the filler-to-substance ratio will be off the charts and you know it won't end with The Twilight Saga and Potter. I couldn't get through even the first Twilight book (my god the whining) so I can't speak for Breaking Dawn but Harry Potter and the Deathly Hallows definitely doesn't need 300 minutes to tell its story, especially since the middle section of the book is filler itself. I wouldn't worry if these films were 90 minutes but you now they'll stick with the traditional Potter length which, six films going, average out to 150 minutes or 2½ hours exactly. I did the math. When the series is over Harry Potter will have lasted about 1,200 minutes... or roughly the length of two seasons on a pay cable drama. And isn't that what all these multi-film stories essentially are, ginormous television series that you have to pay for?



All that said, I hope the last two films miraculously turn out great for the fans and I also hope that there's enough of Maggie & Helena and such to get me through before the movies pull an Avada Kedavra on me with their bloat. And on that note I should quit typing. If I'm claiming that nobody needs that extra 150 minutes of Potter or another 378 minutes of Twilight in their lives than I probably shouldn't whine so much that I'm mistaken for Bella Swan.
Maggie Smith Helena Bonham Carter

Oscar Prediction Discussables, The Actresses!

The first Oscar predictions of the year are complete. Woo-hoo. These are always both fun and aggravating to do. I love being proven both wrong and right. New film years offer so much promise of success, failure, and everything inbetween.


My own excitement for Darren Aronofsky's freaked-out ballerinas picture Black Swan is all intermingled with my fears that no matter how good it is (assuming that it's good), Oscar voters have notorious trouble embracing the visionaries until they really do something middlebrow (case in point: David Fincher and The Curious Case of Benjamin Button). Black Swan sounds way too weird to be middlebrow... but, then, so did Button come to think of it.

I decided to throw caution to the wind and predict Natalie Portman for Best Actress anyway. Oscar has embraced histrionic ballet stars before (The Turning Point, anyone?) And even if voters are still wary of Aronofsky (how has he not been nominated yet? Argh!) they do recognize his enviable skill with actors, as evidenced by the nominations from Requiem for a Dream and The Wrestler.

In the end, these are the dozen performances I (currently) feel we should most keep an eye on for Oscar play

• Hiam Abbas in Miral (though I could also see this as supporting)
  
• Annette Bening for Mother and Child or The Kids Are All Right
  
• Anne Hathaway for Love and Other Drugs
• Nicole Kidman down the Rabbit Hole
• Diane Lane for Secretariat
• Jennifer Lawrence for Winter's Bone
• Lesley Manville has Another Year
• Julianne Moore thinks The Kids Are All Right
  
• Natalie Portman in Black Swan
• Julia Roberts for Eat Pray Love
  
• Robin Wright Penn as The Conspirator

The red highlights are my predicted nominees but visit the Best Actress page for more details as to why I chose who I chose.

I've also posted the Supporting Actress hunches -- which includes Helena Bonham-Carter in The King's Speech -- though in truth I didn't really have any hunches. Ha! That's the way it goes sometimes.

Early Bird Oscar Predictions
Complete!

I'd love to hear your feelings on these two actress categories. Next week, after I've had time to examine and build spreadsheets, I'll share your communal prediction for Best Actress from the "Actress Psychic" contest. It's always interesting to note what Consensus imagines about something so intangible.

RCL: Demi Gods, Bag Ladies, Gutsy Smurfs and Action Heroes

Red Carpet Lineup: Once weekly we check in with random celebrities. Who is Where and Why? And What (are they wearing)?


From left to right: Jonathan Groff was at the Paley Center to promote GLEE (He's joined the cast drizzling yet more awesomeness on a show that's already fully marinated in the stuff). Groff wowed New York on stage (Spring Awakening + Hair) and now he's after the rest of the world. He's pulling off a mere mortal look here surprisingly well but do not be fooled. He's actually a demi-god (see: that 'I'll Possess Your Soul And You'll Ask If I Can Take Your Body, Too' stare in Taking Woodstock and the actual demi-god thing in The Baccae last summer where he hypnotized Anthony Mackie into doing all sorts of, uh, naughty things). Helena Bonham-Carter attended the premiere of Alice in Wonderland in Paris. If HBC ever feels the public has lost interest in her, I have a surefire solution for a comeback: stop dressing like a billionaire bag-lady. Think of the uproar if she showed up somewhere all sleek, minimalist and goddessy ... like a Cate Blanchett look or something. People would be talking about it for a month!

poll by twiigs.com

Tilda Swinton premiered I Am Love in Italy in navy tiles. We love I Am Love but worry that it's going to be one of those movies that has premieres all over the world for the next 17 months without ever once feeling like it's playing in theaters. Marion Cotillard received the Officer of the Order of the Arts and Letters in Paris. That sounds prestigious and we love that Marion shows up all demur/pastel to receive it "What? No! What did I do to deserve this? You're too kind. You mean little Oscar-winning me?"


from left to right: Meryl Streep is wearing a beige drapey sweater look that would be right at home in a Nancy Meyers movie. She was bestowing honors at Diane von Furstenberg's DVF awards. The awards are for women who struggle to improve their communities which sounds like such a worthy selfless thing... until you remember that the woman who created the honor named it after herself. Adrien Brody hit SXSW to premiere footage from Predator. Honestly, I don't understand his career at all post-Pianist. Nor do I understand why people are surprised that he has muscles to play an action hero. King Kong five years ago, 'member? Jennifer Tilly is still alive and proved it by taking in a gallery show in LA. This Official Declaration of Life I direct towards Hollywood's casting directors who have misfiled her headshot into their posthumous file 13. That's the only explanation for her screen absence. She's one of a kind. "Charmed. Charmed. Charmed."

We end with Alan Cumming who hosted the first leg of GLAAD's media awards this past weekend in NYC (there's two more events coming up in California). Funky suits are sometimes really fun to look at but immediately after smiling at them you think "You can only wear that once. Hope it was worth the money". Not that the fab Tony winner should worry about money. There's the cologne, the album, the abundant voicework and the television, film, stage and Spider-Man villain gigs. He's also one of the voices for the upcoming The Smurfs movie. Full disclosure: I loved The Smurfs as a kid (why pretend otherwise?) but I do not remember any character named "Gutsy Smurf".

Say What, Queen?

Amuse us. Caption one (or both) of these photos or give it dialogue in the comments. I'll choose a couple of winners and repost on Monday. Your captions/dialogue don't have to be related to Tim Burton's Alice in Wonderland. There are no rules once you've stepped through the looking glass.

Off With Your Head!

Press play. It magically provides your soundtrack for this post.

Four hundred and twenty-three years ago this very day, Queen Elizabeth had the deed done.

Mary Queen of Scots' head would roll. Which in movie-land means that Cate Blanchett (at her most blustery) ordered Samantha Morton right out of her own movie, Elizabeth: The Golden Age. Such a shame since that movie really needed another actress capable of going head-to-head (I apologize!) with the diva at its center.

Lords knows Abbie Cornish wasn't doing it. I'm so pleased that she rocked Bright Star, thoroughly redeeming herself after that early "what's the fuss?" stage.

Anyway, my point is this: I l o v e Samantha Morton. Don't you?

And I hate it when people I love or people I'm totally curious about are suddenly written out of the movie I'm watching. Has that ever happened to you?

You may be asking yourself "Why the hell is Nathaniel talking about decapitations?" and that's a perfectly sensible question. But you'd be thinking gory thoughts too if you'd just watch The Wolfman (more on that Thursday) which loves to separate heads from bodies. Ewww.

P.S. I want Karen O to score more movies. Awesomeness

P.P.S. Even though I realize now that Helena Bonham-Carter is playing the Red Queen rather than the Queen of Hearts in Alice in Wonderland I'm glad she screams "Off with her head". You shouldn't mess with the classics.

P.P.P.S. I apologize for bringing up Elizabeth: The Golden Age. So uncalled for!
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The Wonderland Teaser

A peak through Tim Burton's looking glass



Curious. I've been wondering for awhile how Johnny Depp's starpower would affect the story, the Mad Hatter being a relatively minor character. At least in trailer form he becomes the narrator of the tale. Teasers sometimes use framing or narrator devices that don't appear in actual films in a sort of "presenting!" way ... but this seems more than likely as a way to expand The Mad Hatter's role.

There is a place...
like no place on Earth.
A land full of wonder, mystery and danger
Some say to survive it you need to be as mad as a hatter...
...which luckily I am

At any rate I hope they don't waste too much time explaining things to the audience. One thing that works absurdly well here is how quick you get to wonderland. The initial story points are so instantly recognizable -- fall down rabbit hole, drink potion, meet an odd array of characters (Tweedlee Dee and Tweedle Dum, The Cheshire Cat, etcetera...) before the more dangerous insanity begins -- that I hope the film doesn't dawdle but speeds through its wonders to keep us as disoriented as Alice.

Once a better quality teaser emerges (this one is so muddy... probably from all the copying and reposting -- the teaser was a blink and you'll miss it affair yesterday) I'll replace this one.

Red Carpet: Yo, Adrien. It's Marion and Maid Marian

Time for our weekly stream of consciousness trip to the red carpet to visit with random celebrities who've been walking it.

First up are two Hogwarts franchise girls. Sartorial madwoman Helena Bonham Carter (Bellatrix LeStrange) and the delightfully batty Miriam Margoyles (Professor Pomona Sprout) came out for the Harry Potter and the Half Blood Prince premiere. Helena gets a few wickedly cackling scenes in the new picture but Miriam goes entirely missing. Oh well. Next time, Miriam. What is it with out lesbian actresses that they are all so endlessly adorable? I mean Jane Lynch + Miriam Margoyles + Lily Tomlin + Fiona Shaw... it doesn't get much better than them. They're always an audience treat. But back to Helena. Sometimes I try to time travel back to the late 80s and imagine this current fate for Lucy Honeychurch (sharing a home and hairdresser with Tim Burton) and I'll tell you... it's hard to fathom. Who saw this onscreen/offscreen persona coming for Merchant/Ivory's favorite dress up doll?


Adrien Brody chose to wear a blue cardigan without a shirt to some fashion event which upset the Fug girls quite a lot. Adrien is clearly proud of the sculpted body he's been sporting ever since he played a stripper in Summer of Sam (1999) -- good Spike Lee joint, that. My theory is that Brody shows it off as much as he does because he achieved his greatest fame without the bod, all emaciated for his Oscar winning role in The Pianist (2002). It's just a kindly reminder. He doesn't want us to forget.

Cate Blanchett attended an Armani show looking diva fine. Don't all freak out at once but I saw this photo and experienced a brief moment of temporary amnesia in which I actually thought "I miss you Cate!" forgetting that I was so glad to be having a one year break from The Ubiquitous One. Perhaps this short hiatus will bode well for her return as Maid Marian next year in Robin Hood. Maybe I'll fall back in love? Here's a photo of her in costume [via].

Speaking of Maid Marian... this past month's celebrity death parade was really upsetting to me and I've been thinking about 93 year-old Olivia deHavilland nearly every day. I wish her the best of health. No, that's not enough. I wish her Gandalf-like longevity. I want the Golden Age Maid Marian to hit the red carpet premiere of Robin Hood and have a photo op with the latest in the long line of actresses who've followed her in the role.

Sophie Okonedo came out for the UK premiere of Skin in which she plays the black daughter of white parents in Apartheid-era South Africa. It's been on the festival circuit for a year but there's still no word yet on whether or not it's ever coming to the States.

Look, it's Marion Cotillard and her mama! (up top far right) How cute are they? You'd think Cotillard would be exhausted by the endless premieres of Public Enemies around the globe but she's also showing up at fashion shows and doing commercials and short films and she's got three more movies on the way including Nine (see many previous posts). I fear we're talking about Blanchett level stamina here. J'en ai peur.

Marion Cotillard est très occupée. Photos from May 4th ~ July 6th

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LinkyDee LinkyDum

le cinema
StinkyLulu investigates Cher's work in Silkwood. I just watched this again and I love this performance. In fact, I love every turn in the film including Kurt Russell's. I wish Mike Nichols would make something this humble but stirring and potent again.
New Yorker Evan Rachel Wood takes trapeze lessons. Fun piece... though I'll believe Jodie Foster's decades-delayed Flora Plum circus project -- not mentioned but why else the trapeze lessons -- when I see it.
In Contention A Christmas Carol sneaks.
Score Enthusiast on Alexandre Desplat's work on Chéri
Nick's Flick Picks a beautiful even handed tribute to Meryl Streep's career and its foibles, triumphs and unique pleasures

It's gay pride week in NYC
FourFour has a great post on the documentary Ask Not on gays in the military and Brüno's comedic use of homophobia
Boy Culture takes justifiable aim at Will & Grace creator Max Mutchnick who has been dredging up the ol lame chestnut 'these people don't represent me'. When will people learn that wedge politics are not helpful for minorities?

miscellania
Toys R Evil Marilyn's Mickies - a cheesecake mashup [not really SFW]
Blog Stage Sarah Jessica Parker is making a reality show American Artists. There's a reality competition for just about everything now 'cept blogging. It's hard to dramatize typing, isn't it?

i challenge you...
to beat my score on Cryptic Canvas. It's a really hard but fun movie naming painted puzzle (all films from the past 20 years). Thanks to In Contention for pointing it out. I only got 27/50 answers in 20 minutes. Challenging stuff. I'm still so confused by the three pony-tailed girls in the graveyard.

Alice in Teaserland

Maybe "Tweedle Dee!" should be the new "Squeeeee!" for excited exclamations. You've probably seen the new images via USA Today and the info on Tim Burton's Alice in Wonderland? But I'd like to talk about the cast and the polish. One of the only pluses of mainstays like 'Wonderland' being retold each decade over original work is to see how the different eras and visual artists interpret them.

Tweedle Dee and Tweedle Dum

Wonderland. If you click over to USA Today you can move
around in the gardens with your mouse. For what it's worth it looks like
Edward Scissorhands has been hired as Wonderland's landscape artist.

Mia Wasikowska as Alice (the oldest Alice since Meryl Streep?) and
Matt Lucas as Tweedledee and Tweedleydum

Helena & Anne Hathaway as Red & White Queens. Depp as Mad Hatter.
I love what My New Plaid Pants says about the latter: "if Elijah Wood
and Carrot Top had a baby" Ha!

The look is certainly eye-popping and I will be there on day one (March 5th, 2010 to be exact) but maybe the saturation (will it be garish onscreen?) and practically-an-animated-movie CGI smoothness is worrisome. Is Burton moving too far into George Lucas 'make it up on the computer later!' green screen terrain as a filmmaker? And given that we're seeing a batch of teasing photos a full 270 days before this is opening is this going to be one of those movies (like Terminator Salvation or Spider-Man 3) that shows and tells all prior to its release?

What, me? Worry???

I'm thinking about Burton's oeuvre today because i09 is remembering the game changing public mania that surrounded the release of Tim Burton's Batman 20 years ago tomorrow (June 23rd, 1989). Yes, long before Nolan made that crazy successful The Dark Knight, Burton was largely creating our current movie culture. Supermans I-IV beat him to the superhero game but their very rapidly diminishing returns didn't make the superhero franchise idea all that viable. It was Burton and that yellow and black symbol, plastered on everything, that did it.

Remarkably that particular Batman starred neither Johnny Depp (the star of literally 50% of Burton's filmography) nor Helena Bonham-Carter (who appears in 6 of Burton's 14 features). If the film were remade today they'd be your Batman Joker and Vicki Vale replacing Jack Nicholson and Kim Basinger.

<-- You know they would!

I'm exaggerating a little since their absence was a given. Burton probably hadn't even met them. In 1989 Depp was still on 21 Jump Street and Helena Bonham Carter was that tiny corseted Merchant/Ivory dress-up doll.

Burton's Troupe O' Players

Johnny & Helena aren't the wild haired auteur's only favored thespians. He isn't quite Woody Allen or Scorsese in the steady faces game, but here's a list of his other pets. I personally think he's underused Sarah Jessica Parker who aced both of her Burton roles, totally understanding his peculiar comic tone.

6+ collaborations
Johnny Depp & Helena Bonham Carter

5 collaborations
Lisa Marie (Burton's ex) - Ed Wood, Mars Attacks!, Planet of the Apes, Sleepy Hollow and the short Stainboy

4 collaborations
Christopher Lee - Sleepy Hollow, Corpse Bride, Charlie and the Chocolate Factory, Alice
Deep Roy -Planet, Big Fish, Charlie, Corpse Bride

3 collaborations
Danny DeVito -Batman Returns, Mars, Big Fish
Jeffrey Jones -Beetlejuice, Ed Wood, Sleepy
Michael Keaton - Beetlejuice, Batman, Batman Returns
Glenn Shadix - Beetlejuice, Planet plus Stainboy

2 collaborations
Albert Finney -Corpse Bride, Big Fish
O-Lan Jones -Edward Scissorhands, Mars
Martin Landau -Ed Wood, Sleepy Hollow
Jack Nicholson -Batman, Mars

Sarah Jessica Parker -Ed Wood, Mars
Vincent Price -Edward Scissorhands and the short Vincent
Paul Reubens -Pee Wee's Big Adventure, Batman Returns
Alan Rickman -Sweeney, Alice
Winona Ryder -Beetlejuice, Edward Scissorhands
Timothy Spall -Sweeney Todd, Alice
Missi Pyle -Big Fish, Charlie
Sylvia Sidney -Beetlejuice, Mars Attacks!

Who are your favorite Burton players? Share in the comments. Do you think he should keep reusing people or move on like Paul Thomas Anderson when he left all his regulars behind for There Will Be Blood?

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previous post: "60 Appropriate Ways to Celebrate Meryl Streep Today"
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Marisa vs. Miranda vs. Judy ~ 1992 Smackdown

I regret to inform that I had to bow out of StinkyLulu's Supporting Actress Smackdown for 1992. I haven't participated in a long time and I had really hoped to. 1992's women offer a wealth of Oscar discussables and tropes: the wisecracking dame, the old biddy, the longsuffering spouse, the maligned winner, the nominee who maybe isn't being thanked for the performance she's nominated for but for her entire year, the Woody Allen player, Oscar's perceived anglophilia versus its perceived nationalism.

The nominees were:

• Judy Davis, Husbands and Wives
• Joan Plowright, Enchanted April
• Vanessa Redgrave, Howards End
• Miranda Richardson, Damages
  
• Marisa Tomei, My Cousin Vinny
  

My vote would have gone to Judy Davis (Husbands and Wives) and by quite a large margin. To drive the point home further, she is roughly tied with Julianne Moore (Boogie Nights) for my favorite supporting actress performance of the 1990s altogether. Unless you count Michelle's Catwoman (Batman Returns) as supporting... and I'm never sure that you should. If I had a nominating ballot back in the day, these four women would have made it.

• Helena Bonham-Carter, Howards End
• Judy Davis, Husbands and Wives
• Miranda Richardson, The Crying Game (I'm not sure what it is about this performance that I find so spooky but she really puts me on edge. 1992 was such a peak year for Richardson: This film, Damage, Enchanted April, the BAFTA & Globe win, the Oscar nom. When will she get another chance like this? She was even better in Spider (2002) but no plum parts as of late)
  
• Marisa Tomei, My Cousin Vinny [new readers take note: she talked to me about this Oscar win on the first episode of the Film Experience Podcast]

Not sure about the fifth slot. I love Alfre Woodard in Passion Fish but it's kind of a dual lead film, isn't it? Who to put in slot five... Hmmm. Any suggestions?

Now get on outta here and enjoy Stinky's Smackdown!

P.S. Oscar prediction updates coming June 1st and 2nd. Sorry for the delay
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I'm Still Link

PC World Dr Manhattan... is blue (hee)
YMFY Japanese poster for Maggie Gyllenhaal in Secretary. love. [thx]
/Film Helena Bonham-Carter's role in Terminator Salvation (beware spoilers. Will there be ANY secrets left about this movie by the time it comes out? I know so much about it)
Guardian on Joe Wright and Keira Knightley's jolting anti-abuse ad and its debt to Peter Greenaway


NY Post some Cannes lineup rumors
NewNowNext Sex & the City 2: Now With Actual Release Date. Once a movie has one of those you know it's actually going to happen. Weirdness.
Just Jared has the Moet & Chandon Scarlett Johansson ads. Maybe she was always meant to be seen in still photos, ever luscious. There's no chance she's ever wrong for that part.
Getty Images Stritch Style!

Remember that ABSOLUTELY NON-COMPREHENSIVE favorite film characters post I did? I tagged five people and 80% of them answered and I lurve their answers. You must go read what Adam, Dave, Fox and JA said, okay? It's totally good read. I pinky swear. Okay? Okay. Peace and out.

The Curious Case of the White Queen

Benjamin Button isn't the only fictional character that was aging in reverse last year. We first heard that Anne Hathaway was cast as The White Queen in Tim Burton's Alice in Wonderland in October. It exhibited the usual flurry of excitement (big star joins other stars in high profile project) but few mentioned that the elusive character just lopped off a few decades of living.


The White Queen is nearly aways portrayed as an old woman. Maureen Stapleton was 58 when she played her,Penelope Wilton 52, Carol Channing "jam tomorrow, jam yesterday" 64, Eva Le Gallienne was 56. Nanette Fabray and Louise Fazenda were the youngest I could find, at 46 and 38 respectively, when they donned the crown in 1966 and 1933. Anne Hathaway will only be 27 when the movie arrives.

Anne's incongruous youth for this role first occurred to me this week when Anne wore bridal white to the Oscars and was obviously the youngest of the Best Actress nominees. We haven't yet seen a photo of Hathaway in Colleen Atwood* designed Queen garb but shouldn't one be forthcoming soon? So far we've seen Johnny Depp in Mad Hatter wear and we've seen our Alice (Mia Wasikowska) who, at 18 years of age, is older than Alice generally is. How much reimagining is Burton doing? We hope a lot or else why another trip through the looking glass? Like Robin Hood (discussed yesterday) there are dozens of film and television version of this tale already available. Unless you have a fresh take**, avoid.

Perhaps Hathaway only has a cameo. The White Queen is an elusive character in the Wonderland mythology. She appears only in Through the Looking Glass. She speeds away quickly from danger and sometimes she's altogether more invisible than the Cheshire Cat. Note that she doesn't appear at all in many adaptations of the Alice tale. By contrast, her sister The Red Queen (played by Helena Bonham-Carter this time) also known as "The Queen of Hearts" is always present, accounted for and ready for heads to roll. I have it on good authority that her favorite Tim Burton is Sleepy Hollow.

*Colleen Atwood is not listed as Alice's costume designer on IMDB but no one is. I'm assuming that she's the one, given her 7 previous collaborations with Burton.
** If you've never seen Dreamchild (1985) and are interested in the Lewis Carrol books, I urge you to do so. It's a really creepy biopic'ish take on Alice in Wonderland with a sensational performance by Coral Browne (Mrs. Vincent Price) as Alice all grown up.