Kylie Kylie Kylie Kylie Kylie Chameleon

Today's paparrazi puzzlement is in honor of ModFab (I'm pinchhitting for a few days over there) since he loves himself some Kylie Minogue. And since its her birthday today. For me she's always be less of a beloved pop star than a mindblowing green fairie but still...

Speaking of absinthe drenched hallucinations, my question is this: Has Kylie's DNA become mixed up with a chameleon? Will she eventually blend into this here wall? Or is she actually becoming a pile of glitter? Perhaps this is the final stage in her mutant evolution from pleasant disposable singer to enduring world conquering pop diva? Your theories are welcome in the comments.

previous paparazzi puzzlements

20:07 (Goodbye to Blueberry Pie)

Each morning a screenshot from the 20th minute and 7th second of a movie


"What are you, a crazy woman?"
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Links, Long Weekend

Indie Wire Cannes jury prizes
StinkyLulu and compatriots look at the Oscar race in 1950
film ick Dancer in the Dark will be an opera in 2 years

and a few of my favorites from that Star Wars 'thon in case you missed:
Justine Elias has a great piece on Princess Leia in chains
Alan Lopuszynski interviews his young son. Very funny.
FilmFlap lessons from Star Wars for low budget directors.

Which Witch?

360 years ago the first witch was executed in Salem Massachusetts, poor thing. Well... today is the anniversary of the first recorded execution at least. There were probably others: there's always trouble for those on the fringe of societal norms. By and large humanity just ain't kind to the different. Maybe that girl just wasn't pious, subservient, or god fearing enough?

Witches have been great fodder for entertainment for centuries but I've always found their screen treatment suspiciously two-faced. In portrayals of the Salem trials and other witch hunting movements you're always asked to be on the side of the accused. But, here's the double sided catch: they're innocent. Think of Goody Proctor in The Crucible. She is done in by Abigail, the type of woman that the witches are accused of being. When witches are actually bonafide spell casting characters, as opposed to stand-ins for historical types or allegorical statements, they're often viewed as dangerous to themselves and others. There's plenty of fear but little sympathy when the ladies work real magic. Doesn't it sometimes seem like the fictional "witch" is just an exaggerated projection of ideas about women in general, sometimes sympathetic (when victimized falsely) but just as often all kinds of sexist and anti-woman. It's a simplification, sure, but Goody Proctor (god fearing, husband-obeying, churchgoing) is actually the ideal. Abigail (sexually driven, difficult to control) is the witch. So we're still up for burning dangerous women at the stake --for proper retribution to come their way.

When I was a little kid I enjoyed TVs classic Bewitched. Right I was drawn to supernaturally laced fiction. Obviously I was the ideal audience for Buffy the Vampire Slayer. And though that shows focus was on the vampiric, I think it does a fine sideline job of covering the wide spectrum of options when it comes to screen witches. If you look at the portrayals of Willow, Tara and Amy (the three witches with the most screen time) you'll see a collective portrayal that's fascinating in its reach, however loose its magic rules may have been for plot needs and however misleading its controversial free use of the term "Wicca" was.

I'm just thinking and typing aloud but there's an enormous amount of material begging for proper exhaustive analysis. What kind of ugly/beautiful portrait of women do films about witches paint? Imagine what would happen if you stirred the witches from Chronicles of Narnia, The Brothers Grimm, The Craft, Practical Magic, Buffy the Vampire Slayer, Bewitched, Macbeth, The Witches, Hocus Pocus, Bell Book and Candle and Disney films into one giant pop culture cauldron. My guess is you'd churn up a fascinatingly schizo stew of sexism and feminism.

Which witch portrayals do you find most spellbinding... or do you think the great witch film or television series has yet to be made?

Hairspray's Original Songs

Those three of you interested in the "Original Song" Oscar category --arguably the Academy's strangest category: song writing is a skill worthy of the movie industry's highest award but casting and stuntwork are not (?) --should take note: Hairspray's soundtrack listing shows three songs that weren't in the Broadway show. Only one song, "The Big Dollhouse", has been cut. It was a comedic number sung in prison by Tracey Turnblad (the hero), her mother Edna and various other female characters. Contrary to original rumors there's no new song for villainess Velma Von Tussle (Michelle Pfeiffer) though her equally evil daughter Amber (Brittany Snow) gets one, "The New Girl in Town". This leaves Pfeiffer with the Broadway show's least successful song "(The Legend of) Miss Baltimore Crabs" --the tune is weak and applause was limp the night I saw it on Broadway --the other songs tended to provoke berserk applause.

The other two new songs have gone to Tracey's beau Link (Zac Ephron) who gets a ditty called "Ladies Choice" and there's a group number led by Motormouth Maybelle (Queen Latifah) "Come So Far (Got So Far To Go)" Maybelle already has one inspirational tune. Now she'll have two? Seems like overkill... especially when you stop to consider that another new song "I Can Wait" written for Tracey has been cut from the film and the CD. Essentially the important supporting players have been given an extra number but there's no new songs for either the heroine or villain. I've listed the characters in rough descending order of their importance to the show and in parenthesis their number of solos/duet or group songs. Tracey Turnblad -Nikki Blonsky (2/5), Edna Turnblad -John Travolta (0/3), Link Larkin -Zac Ephron (2/3), Amber Von Tussle -Brittany Snow (1/0), Velma Von Tussle -Michelle Pfeiffer (1/1), Motormouth Maybelle -Queen Latifah (2/2), Wilbur Turnblad -Christopher Walken (0/1), Penny Pingleton -Amanda Bynes (0/2), Seaweed -Elijah Kelley (1/3) and Corny Collins -James Marsden (2/0). Alison Janney plays Penny's hysterical conservative mother (one variation on a stock character in John Waters ouevre) Prudy Pingleton but she has no songs.


The coolest track of the CD is likely to be "Mama I'm a Big Girl Now" given that it features three Traceys: the original Ricki Lake (from John Waters classic 1988 comedy) Marisa Jaret Winokur (a TONY winner for creating Broadway's Tracey) and this film's debuting big girl Nikki Blonsky. What does that mean? I'm guessing that it's been cut from the narrative and it's the closing credits song. But still, that's a potentially awesome number and a nice tribute to Hairspray's long journey from wonderful cult comedy to moneyed mainstream musical.

How Much Does David Lynch Charge For a Headshot?

The irrepressibly odd auteur behind Mulholland Drive and INLAND EMPIRE recently shot eight très jolie actresses for French Elle including TFE international favs Emmanuelle Béart and Charlotte Rampling (you'll recall that both actresses made my top 100 of the aughts a couple years back). You can see what David Lynch came up with for all eight stars (including covergirl Monica Bellucci) over at Oh No They Didn't!

I can't say that I find the photoshoot particularly stunning but I enjoy multi-hyphenate cinematic types --actors who write or paint, directors who dabble in other mediums, yes! David Lynch is king of the dabbling, isn't he? Television, film, comic strips, coffee making, and photoshoots. What hasn't he done? Jokesters might answer "made a coherent film" but, you see, he's done that too.

Are there any multi-hyphenates you're fascinated by?

20:07 (Tatooine)

"That malfunctioning little twerp... this is all his fault"

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For my contribution to the 3oth Anniversary Star Wars Blog-a-Thon, I had intended to write about Carrie Fisher/Princess Leia. That won't surprise regular readers since I have read all of the woman's novels and am a card carrying actressexual to boot. But as is often the case in the past two months, I find I'm haunted by this random screengrab I pulled for my 20:07 series *

[Edited to add: Unfortunately, as it turns out my DVD player or the DVD itself, a rented remastered copy of the 1977 film, has some sort of glitch. I can't get an accurate read of the time (it jumps from 3:32 at the end of the text crawl to 10:29 and the first glimpse of the spaceship, thus rendering the clock unreliable from then on -apologies, editor]

But anyway... If you're an irregular reader and just here for the 'thon, I'll fill you in: as an experiment in visual blogging, I've been stopping movies at a random point, the 20th minute and 7th second and posting the screenshot with dialogue. Sometimes this leads to revealing giggles and other times to fascinating meta-criticism. Occasionally the random image pulled makes me ponder the movie in a whole new way. And, though I couldn't get an accurate read on this Star Wars disc, this image I grabbed from my skipping disc is haunting me anyway. The more I tried to pull myself away to talk Princess/novelist, the more I found myself lost in this image of the desert vista on Tatooine.

The beauty of the image is this: there's next to nothing there. Its simplicity is vast. We've just witnessed one of the most exciting opening scenes in film history: a text crawl has informed us that we've arrived in the middle of a story! We've seen an outer space attack, a princess, an evil cloaked villain, and two droids narrowly escaping armed soldiers. And here we are marooned on a desert. George Lucas couldn't have chosen a smarter locale to toss a curious audience into. There is so much that's unknowable, even alien about a desert... and yet its a familiar and static image. There is no distraction. Your mind is then free to wander, to wonder, to fill in the possible details. There's nothing to look at and you want to see everything. What kind of creatures live on this planet? Is there only desert? How will these machines (C-3PO pictured and R2-D2 dissed) make their way in this world? What will become of the Princess's message, already embedded in the malfunctioning little twerp?

The simplicity here got me thinking about visual schemes in the entire Star Wars series. It isn't just the desert that's low key. The color palette is largely black (costumes, Vader, space) and white (costumes, Storm Troopers) with abundant beiges (costumes, endless sand) and grays (spaceships). The Empire Strikes Back is similarly muted in its color schemes. Instead of the desert we begin on an ice planet (also familiar yet alien and wondrous to the eye). Return of the Jedi adds a forest moon and with it more greens and browns. These fantastical worlds are really quite generously familiar and plain. It's our imagination, fully engaged, filling in the details of this galaxy far far away. We're intimately engaged in the mythology because we're helping to create it as we watch.

This desert image from the 20th minute of the first film solidifies for me this partially inchoate notion I've had about what went wrong between the first set of films (1977 to 1983) and the later ones (1999 to 2005). When we first return to Tatooine in The Phantom Menace it's still a desert but there's more detail. Technological advances fill every frame with ... stuff. The new worlds created are bizarre (who lives under water or on lava?) and the costumes are explosively colorful and odd. The second trilogy (Chapters 1 through 3) is so visually detailed as to be entirely cluttered and muddy. The audience's imagination has no work left to do. There's so much to look at that there's, metaphorically speaking, nothing to see. It's certainly alien but the humanity has gone right out of it.
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* I use a VLC DVD Player on an iMac for my screenshots. All 20:07 images in the series are from this system (unless other wise noted from guest images) Not all DVD players match in their internal clocks.

Now Playing (05/25)

L I M I T E D

Angel-A Luc Besson (The Fifth Element) delivers what looks like a black and white stunner. And since its Besson you know there's a physically formidable girl at the center.
The Boss of It All Depressed Danish madman Lars Von Trier returns for this ... corporate comedy (?) He claims that it's his last film unless he recovers from depression. But then again, he's a famous prankster. Either way we should all see it. Even when his films are bad (which is rare) they're completely discussable. Jens Albinus (the group leader from The Idiots) is the boss of it all.
The Golden Door This trailer is so sweet and overscored that it hurts both my teeth and ears. I pray the movie is better. This was Italy's submission for last year's foreign film Oscar race.
Paprika Looks sensational, but can it tell a worthwhile story to go with the intriguing imagery? That's the key question with animated envelope pushers.
Ten Canoes Another foreign film submission from last year, the historic aboriginal film from Australia. We know Stale Popcorn is a fan.

W I D E

Bug Two strangers become lovers and lose their collective shit in a motel room. I've breathlessly awaited this movie for so long y'all are probably starting to suspect that I'm on the Lions Gate payroll. Nah. I just loved the play. Critics seem to agree that the transition was successful. Yay.
Pirates of the Caribbean: At World's End. Depp, Bloom, Knightley, and every other actor who ever appeared in the first two movies are at it again. Sure to be overstuffed. The question is will the stuffing be clever fun (Curse of the Black Pearl, TFE top ten list) or antic filler (Dead Man's Chest)?

Aint Nuthing But a She Thing

UPDATE: THE ACTION HEROINE BLOG-A-THON IS HERE

R U Ready? an animated sneak peek...

soundtrack (intergalactic)

There's a few new tunes in the sidebar jukebox today. Are any of you listening to them whilst reading? If so... I'll try to keep them updated each week. If not, I won't fuss about with it.

Just added --I'm going with a extremely loose sci-fi theme to coincide with the Star Wars anniversary tomorrow --there's The Beastie Boys rapping "Intergalactic", Kate Bush with "Hello Earth" from her utterly brilliant must have album The Ninth Wave/Hounds of Love , Culture Club's cover of Bowie's "Starman" and Madonna's alien "Impressive Instant" --one of my favorite tracks from Music. Björk's "Earth Intruders" is further down the list from an earlier update.

20:07 (Pussy Willow)

Each morning a screenshot from the 20th minute and 7th second of a movie


"We have to concentrate on life, Eugene"
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My favorite 20:07 (Cabaret, Carrie, Boogie Nights, Junebug, Rosemary's Baby, The Adventures of Priscilla, Queen of the Desert)
Lively 20:07 discussions (Showgirls, The Sign of the Cross, Corpse Bride, Mulholland Drive)

Links, Episode #hmmm

Cha Cha Cha ...the Three Amigos $100 million deal
Running Up That Hill if popbytes only could, he'd make a deal with God...
I Hate Moulin Rouge! You read that right.
The Joker A freakshow "I would absolutely not mess with"
Title Card... I love a good one.
Ask a Great Question get a good link
Now Filming more from the set of Australia


July in May
Released Too Late I knew people would come around to The Painted Veil
Cannes a helpful roundup (so far) if you're exhausted just thinking about it --as I am. Notice the lack of posts re:

Hump Day Snotty: Maggie Smith

Due to the excessively steamy tues top ten yesterday, the usual wednesday feature "hump day hottie" is preempted to bring you a special one off. Hump Day Snotty. Does anyone convey rich and superior better than Dame Maggie Smith? Can anyone else manage the unobstructed view whilst staring down through their nasal cavities at insignifant whomever?

I think not.


Sure Judi Dench can do über bitch as well as anyone including Maggie. They have very similar antagonist obstacle roles in Pride & Prejudice (Dench) and Becoming Jane (Smith) but I prefer Maggie. Judi comes on so strong that it seems like she'll decimate her opponent once she gets a clear shot. Maggie, however...when she's in rich bitch mode, she's simply above it. You couldn't possibly rile her up enough for her to require your destruction. You don't exist.

To my mind Maggie Smith (and several other actors for that matter) are wasted as the impossibly bone-headed faculty of Hogwarts Academy in the Harry Potter franchise. How is it that all these brilliant actors are asked to play characters who are invariably dumber than teenyboppers Harry and Hermione. The kids always figure things out first and best. I know that these pictures are formulas and good at their patented plot mixtures but more than anything I wish they'd let the grand thespians cut loose. How I'd love to see Maggie's Professor Minerva cut smarter-than-thou Hermione down to size with a withering stare followed by a hammering blow to the ego with the weapon being a witty and truthful jab.

I know we won't get to see that in a month when The Order of the Phoenix opens but for May and June, while the commercials play and the hype builds, I'll imagine the teachers taking the reigns for once.

20:07 (Let Me Rest in Peace)

Each morning a screenshot from the 20th minute and 7th second of a movie


"I died so many years ago. But you can make me feel like it isn't so."
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Summer Movie Going Memories

Last week when I reposted my illustrated memoirs of my childhood @ the movies, I challenged readers to share one or two of their own. I am pleased to point you to some four guys who took up the challenge.

"Do You Want to Go See a James Bond Movie?"
Damian recounts a moment in the 80s that changed him.
"These Days..."
Beau delivers an emotionally flushed tale of his growing love for the cinema
"Childhood Memories and Great Movies"
Marius recalls 17 movies that made an impact on him.
"Jurassic Park"
Adam reminisces about the thrilling Mesozoic blockbuster. Dinosaurs rule.
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DVD Releases

New to DVD
Apocalypto The one where Mel Gibson lost his mind. Again
Epic Movie It sucks. We measured
Fay Grim Didn't this just open last week? I'm so confused by all these new distribution models
Flags of Our Fathers / Letters From Iwo Jima for Oscar completists. Witness the shocking disparity in quality between the two
<--- The Good German Witness Blanchett's best perf from 2006
The Italian The Russian foreign film Oscar submission from 2005/
Venus The one where Peter O'Toole lost his Oscar. Again, poor guy

Older Films / Special Editions
The 40-Year-Old Virgin: Unrated (Double Your Pleasure) Love this movie but it was already too long. Oh for the days of succinct 90 minute laughs. And haven't they already released an unrated version?
Can-Can Shirley Maclaine high kicking it with frequent co-star Frank Sinatra in this musical
John Wayne His centennial, so a bunch of the films are out.
No Man of Her Own Gable & Lombard. If you've never seen Carole Lombard in action, please rectify it soon. With anything
Porky's: The Ultimate Collection This franchise was a big lowbrow hit in the 80s. Younger viewers should they see it (and I'm not recommending) will be shocked at how much nudity mainstream movies used to allow
Prince of the City (1981) Treat Williams back in the day...
Scarface (1932) Violent materialistic Tony rises through the ranks of the mob. He looks like Paul Muni instead of Al Pacino. I've never seen a teenager wearing Paul Muni's mug. 'tis a shame. Michelle Pfeiffer isn't in this one. Directed by the great Howard Hawks so it's probably better than the 83 version though I must admit I haven't seen it. Will try to rectify that as soon as I get done dreaming about how awesome Pfeiffer wouldn't been under Hawks guidance. Think what he got from Stanwyck (Ball of Fire), Hepburn (Bringing Up Baby) and Clift (Red River) alone! P.S. Those three films should go on your queue immediately
Summer School You know if crap like this Mark Harmon / Kirstie Alley comedy from 1987 can get a special edition how come there's so many movies still waiting for their first DVD offering? And how come I can't get my third season of Once & Again? Argh.

Tuesday Top Ten: Men of Summer

If you trust the calendar, summer is one month away. But why trust the calendar when the summer movies are already playing? It's the 'Lusty Month of May' so herewith a tour of ten men who will (hopefully) be turning up the temperature on the big screen. Thank god for air conditioning. Consider them fodder for your daydreams on the beach before your evenings at the movie theater.

Pssst 1. No May releases included --thus no Pirates. Depp and Bloom won't be hurting for coverage elsewhere.
Pssst 2. Next week, the ladies...

Top Ten Men ~ Summer Movie Season 2007

10 Bruce Willis - Live Free or Die Hard
Oh, daddy! I was surprised to find myself thrilled for the return of this superhero franchise. Oh, c'mon...John McClane might as well be wearing tights and cape he's so damn indestructible.

09 James McAvoy - Becoming Jane
One of last year's breakout actors is back with a new spin on the cocksure careless flirt he excelled with in The Last King of Scotland. Bonus points: He gets naked again. Anne Hathaway likes what she sees. Don't you? [more on McAvoy]

08 George Clooney - Oceans 13
I'm demoting all the "sexiest men alive" a bit. Just to play fair. I know that some people find the Clooney unbearably cocky/smarmy. But humor is a great aphrodisiac and he has just the right blend of classic appeal and comic timing --love his broad roll of the eyes in this trailer reacting to Andy Garcia's "I was born ready" [more on George]

07 Björn Hlynur Haraldsson - 11 Men Out
This 32 year old Icelandic actor stars as a soccer player who makes a media splash when he comes out of the closet in this sports comedy from Iceland (pictured right -"I'll give you a story that sells"). Björn looks a bit like Dominic West with a smudge of Heath Ledger (?) On the silent serious side in photos. Hopefully there's a fun side. I found one smile for this collective photo op below.


06 Patrick Wilson - Evening
Probably heading for the hall of fame. But after the workout he got as the object of lust in last year's suburban marital drama... well, that'll be tough to top. I'm thinking he's closer to a PG thrill for Evening's Claire Danes than that decidely R rated plaything he was for Kate Winslet.

05 Daniel Craig -The Invasion
Another hall of famer. But... he gets enough play here @ The Film Experience already and how much sexiness do they really need in this Body Snatcher rethink? Not that he won't bring it anyway... I'm considering this a mere warmup to the rematch with Invasion co-star Nicole Kidman in The Golden Compass at the end of the year. [previous TFE Craig-centric stuff and also check out trailer excitement over at MNPP]


04 Arthur Dupont -One to Another
I figured I should throw a bone to some 20something. I'm picking this Gallic actor. Why? Well, it's just on faith that the French know what they're doing when it comes to cinematic sex. Dupont's film (Chacun sa nuit is the French title) asks him to be the object of desire for men, women, and even (or especially) his sister. Let's hope he lives up to his plot purpose. I thought about giving this one to Charlie Cox (Stardust) but decided to go foreign instead. Shia LaBeouf (The Transformers) was another option but I'm guessing he doesn't get a polysexual groove on in that film. That would give "transformer" another meaning entirely.

03 Chris Evans - Fantastic Four: Rise of the Silver Surfer
'Stop drop and roll' He's always on fire. He was the only good thing about the first movie. And he'll surely provide the spark again. And...my oh my it's a busy year for him.

02 Brad Pitt - Oceans 13
Perpetually the hottest man on earth. the galaxy. the universe. To play nicely with others, you have to continually demote him when you're listing. I love him in the Oceans movies. Effortlessly sexy/funny Pitt is often (though not always) preferrable to effortfully sexy/dramatic Pitt. [a lot more Brad]

01 Matt Damon - The Bourne Ultimatum and Oceans 13
He's getting closer to the big screen's MVP status every year. One strong performance after another and this summer he has the unique distinction of headlining the only third sequels of the year that probably won't suck. Plus there's that hunky masculinity, the quiet intensity and, well... the big guns that have led some people -- I'm not naming names-- to copious drooling.


If you wanna make your own list, rank them in the comments.
If you're a picky, cast some aside for your own personal beach season fantasies.
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20:07 (Rehab)

Each morning a screenshot from the 20th minute and 7th second of a movie


"I'm tempted to marry him so I can tell people how me met."
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This is Meryl Streep as Suzanne Vale in Postcards from the Edge. Great movie. I'd also recommend reading Carrie Fisher's original book of the same name. This is arguably my favorite Meryl Streep performance (yes, I argue with myself about such things). I alluded to just that favored status in my review of another musical comedy performance of hers in A Prairie Home Companion which you can read here if you somehow missed it. And I'm only pimping that review again because I'm feeling the guilt about it being so long since I wrote one that good. Oh to find the time...

Swinging Sally Field

Last night Brothers & Sisters, ABC's series about a liberal California family who are always up in each other's business, wrapped up its inaugural season. I tried to resist it all year. It's always trying too hard: pushing its jokes, pushing its drama. Everything falls just that side of the line I draw between a grand yarn well told and manipulative storytelling. But more and more I can't push back against its agressive "love me!" behavior. I just do what it tells me to do. I could still do without Balthazar Getty (playing the dullest sibling). I could definitely do without Rob Lowe's Republican Senator character, who has somehow defanged the once sharp counterpoint drama involving the conservative black sheep of the family: Kitty (Calista Flockhart). But minor annoyances aside, the rest of the show is like a drug. It's a perfect Sunday night hit.


I give a huge portion of the credit to Sally Field. She plays Nora, the matriach and widow of the huge Walker clan. She holds all the show's disparate tones together with fluid emotional glue. Remember the climactic funeral scene in Steel Magnolias when this two time Academy Award winner broadly marched through so many notes in quick succession: staccato sobbing, hysterical confusion, slapstick anger, cry-for-help earnestness? Well, Nora gets a little of that action, too. OK a lot. Brothers & Sisters is hyperactively emotional and it swings, often without a net, from laughs to tears. Brothers & Sisters is a real circus and Sally Field is one incredible trapeze artist.

Blogosphere Multiplex: Seth @ Defamer

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